Winter Storm - February 2021 Part 4

yesterday afternoon, the snow lost its charm

Well, Jamie finally got to dialysis.  You can read her account of the past week here.

With the water main breakages, etc... it's been all sorts of operations that have had to do without, and dialysis centers have been hit pretty hard.  She went from last Friday til today (it is Friday) when - normally - she's in on Monday, Wednesday and Friday every week.  

They were unable to run her for the full duration, as there are only a few clinics open, and this morning she was sent to the wrong clinic (at 6:00 AM no less) and then traversed the city on a path I would not have recommended with freezing temps and roads, but she made it, safe and sound.  Of her usual 2.5 hour run she did get 2 hours, so she should be good for a bit.  

Still, these are the 1,000,000 stories of "this went a bit beyond 'we shivered a bit'" that are going to be flooding out of this event.  

My colleagues from work are trying to fix things for a bunch of ungrateful college applicants, and we're having trouble on the IT side as - hey, there's no water for cooling our data center (why we aren't in the cloud - do not get me started).  There's *massive* spikes for electric consumers who were on flexed rate plans (I saw a story about someone who will pay $3800 for this week's bill alone), and the water damage to property is going to be flat out insane.

Noir Watch: Johnny Eager (1941)

Watched:  02/18/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1940's

Director:  Mervyn LeRoy

Summing up the plot to Johnny Eager (1941) would be extraordinarily difficult - but the short version is: ex-con pretends to go straight, meets Lana Turner, uses her and her step-father to get his new dog track open.  Poetic boozy pal plays Eager's conscience.  

Honestly, it's a hell of a movie, and it's likely the goofy title that's kept it from being checked out by enough people.  

I'm not a huge fan of star Robert Taylor - who is pretty rock solid here as a handsome, devil-may-care gangster with no refinement.  That's not a dig, but I think I'd only seen two or so Robert Taylor films previously.  But he's totally buyable as Johnny Eager.

The real hook is that Johnny can spot an angle, spot a dope, and has a mind perfectly set for operating in the criminal world - but he can't understand the straight world.  People with pure motivations are a mystery that gnaws at him.  More than that, his understanding of women is only as pliable tools, either as sexual playthings or as employees.  

What makes the movie curious - and maybe different from other gangster films with bent leads - is the presence of Van Heflin as Jeff Jartnett, a drunk and seemingly a man of education, who hangs around Johnny as pal, enabler, and because he sees the greatness within Johnny and wants to bear witness to either the rise or fall of a great mind.

Out of prison, Johnny has put everything he's got into a dummy organization trying to open a dog track with no permits, but meanwhile it seems his control on the city is slipping.  Others may be moving against him. 

Annnnd in the middle of all this, he meets Lan Turner, who more or less throws herself at him.  But winds up in way deeper than she barganined for, and it takes a toll on her psyche.

This is very early to be considered true noir, but not so as a gangster picture, which this most certainly is.  And Turner is a femme fatale only in that she leads Johnny toward his downfall because he actually does come close to understanding sacrifice via whatever passes for love in his heart.  It absolutely is a man making bad decisions (that, I mean, get him dead) over a woman, but they also redeem him, which isn't very noirish.  But that he goes down throwing a hail of bullets and popped off by the cop who married his first girl?  That's some symmetry there.

And that's the interesting thing about the movie, really.  It's a down-in-the-streets gangster picture about a guy trying to build an empire, and sees the poetry and literary mythology in it all - right down to pointing out "he's just some guy" who dies badly in the middle of the road.

Anyhoo... I enjoyed the heck out of this movie, and not just because Turner had amazing hair through the whole thing, even when we were told she looked "awful".*

*she did not

Not My Demographic Watch: To All the Boys - Always and Forever (2021)

Watched:  02/18/2021

Format:  Netflix?

Viewing:  First

Decade:  2020's

Director:  Michael Fimognari

Look, this movie was never aimed at me, is not now aimed at me, and is not for me.  I have many questions, concerns and complaints, mostly around the fantasy imaginary boyfriend who celebrates every choice the lead character makes. But - also - the movie feels remarkably... lazy and toothless.

Previously, I'd only ever seen the first half of the first of these movies, and the lead's obsession with 80's movies felt kinda goofy and broke the "do not show a better movie inside your movie" rule.  This one decides to reference The Big Lebowski, and I hope the director was just doing this for fun, because a 20-something year-old dope-heavy satire of Chandler mysteries spoofed here is... man, it's kinda wild. 

Musical Watch: Swing Time (1936)

Watched:  02/17/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1930's

Director:  George Stevens

What with the freeze on here in Austin, Jamie requested we watch something we didn't have to follow closely and wouldn't be depressing.  Well, I happened to have recorded Swing Time (1936), a famed Fred Astaire/ Ginger Rogers collaboration.  

We did NOT have to pay much attention to the movie to follow the film.

just a couple of Hollywood hoofers

Uh, look.  I just don't have the time, energy or headspace to give the movie proper consideration.  It has a cute, very 1930's plot about plucky underdogs finding their way to the big time and glamour through dance.  Unfortunately - the big show stopper number they give Astaire to show off his talents is a minstrel number in black face, and... you know... sometimes dealing with the racism of our forebears is a real fucking bummer.  Like, you're just going about your business and cheering on the two lovebirds of the picture, and then Astaire turns around and starts slathering on blackface, and you're like "COME ON, MOVIE."  

Anyway - already exhausted and not wanting to deal with nonsense, it was not welcome and kind of threw me off from the admittedly lovely final dance sequence ending.  The movie is a good, light-hearted musical romance.  I very much enjoyed the lead and supporting characters, and it was fun.  Oh, and, yes, I hope you like the song "The Way You Look Tonight", because this movie loves it.

I've seen other Astaire movies, but few Ginger Rogers films, and she really was perfect for the screen for what they were doing.  Lovely, all the grace you read about, and perfectly paired with Astaire.  

and she knew how to wear a gown

And, hey, she was pretty funny, too, in her own right.  

Anyway - its' worth watching at some point from an historical and entertainment persepctive, but be aware of the "oh god, this is super racist" 10 minutes or so that I would more than understand would be a solid reason not to watch the film.

Winter Storm - February 2021 Part 3

Scout ponders the inevitable slowing of all atomic motion

If you're on the outside of the freeze occurring in our Southern States - and, in particular, in Texas, it's very hard to explain the insanity of the past week.  And, I imagine, you have to do a lot of intentional empathizing to care.  Texans have a semi-earned reputation for being natively hateable, and anything bad that befalls them is schadenfreude.  

The truth is - we *are* in fact dealing with the results of bad policy, hubris and a lack of foresight.  All the stuff you'd expect from the blowhards and braggarts who've run the state for decades.

And it's costing lives.  The closest I can compare this to would be - a hurricane or similar event taking out Washington, Oregon and most of California, including LA, but leaving San Diego just fine.  

Texas is huge.  It takes 12 hours to cross from Texarkansas to El Paso and 13 hours from Texhoma to Brownsville.  That's 29 million people.  Houston is currently listed as the most diverse city in the country (don't believe it?  Go hang around the Univ. of Houston campus), and while it's easy to think of morons like Rick Perry as the face of Texas, it's not the reality on the ground.  Good people and many kinds of people live here.  

We're in an unprecendented weather event - it's not just been record cold in intensity, it's also record cold in duration.  I assume the precipitation is also record level.  I've never seen more than a dusting of snow in my decades in this town.  If we can't see the grass, we think it's a blizzard.

One common misconception I've seen is that we just need snow plows.  Well, what that this were so. 

Winter Storm - February 2021 Part 2

the neighborhood pond is frozen over

Since I was in college, way, way back in the 1990's, I've heard nothing but how the power grid in Texas was outdated and needed overhauls, improvements and extensions.  Some of that has happened, but this being Texas, the loads has been focused on the load the state requires during the summer.   Texas summers can see weeks on end with temperatures in the 100's, and if you don't provide AC, we'd all likely die of heat stroke.  There's a reason Texas was sparsely inhabited by ingidgenous people and Mexican settlers when Anglos set their sites on Texas in the early 1800's.  

Anyhoo...  what we haven't worried about a whole lot has been extreme winter weather.  Most of the time, we get into March and say "man, it never really got all that cold this winter."  I mean, we've had cold winters, and icy spells that kept us off the roads, but it was never a question of "hey, why is almost half the state without power?  And why is it different street by street?"

Because, yeah, two streets over in my same subdivision, people had power this whole time.  Go figure.  And I have no idea why we currently have power and others do not.  

Anyway - hearing that Texas has an outdated grid isn't new.  Now add in Texas' booming population and energy needs.  We've added millions of people every decade for some time.  I believe the last two decades saw about 4 million new Texans for a total of, like, 8 million new people.  And not a whole lot of new sources of power.  

Winter Storm - February 2021 Part 1

Scout figures out snow

We're in the middle of a rough winter storm.  Polar vortex nonsense.

Click here for pictures

Honestly, it's been kind of rough.  We lost power Monday at 2:00 AM, it came back on around 11:30 AM Tuesday - so 30-odd hours without heat while the temperatures never got above 25 and dropped to 7 over night.  The house has done a better-than-expected job of retaining heat, but entropy is a sonuvabitch.  

Mostly yesterday I ate dry and snack foods.  I used the Moka Pot sent to me by Steven H for making coffee.  We cooked up some chicken sausage for dinner and got in bed at 7:00 under 5 blankets, wearing 4 layers each.  We finally decided to go to sleep at 10:00.  

Our plan was to lock oursleves in the bedroom with Scout, but she became very scared in the dark so we let her sleep downstairs.  I don't think she did sleep, because she's been sleeping today.  

The power came back on at 11:30, so I immediately lit our gas fireplace, which wouldn't light before without electricity (lesson learned on that one - light that one if there's a threat of loss of power).  One of our pipes had frozen, so I went to work with a hair dryer, and I think I fixed it.  

Anyway - we're all right.  But with two more storms coming, the roads are bad now and set to get worse.  The biggest problem is Jamie's dialysis, but I have high hopes we'll get her there and get it sorted.

Frozen-In Watch: Frozen II (2019)

Watched:  02/14/2021

Format:  Disney+

Viewing:  I'm not sure

Decade:  2010's

Director(s):  Chris Buck and Jennifer Lee

The weather in Austin is historically cold and we're having a winter storm like we normally only ever see on television in other states.  It just doesn't do this in Texas.  Or, at least, it didn't tell global warming.  These polar vortexes are a real sonuvabitch.

Anyway - we're all super stressed hoping the power stays on and our pipes don't burst and we don't freeze to death in our own homes.  But, ha ha, we probably won't.  So we watched a movie with an ironic title.

(update:  02/16/21 1:35 PM - it did, indeed, freeze.  We lost power.  It's been rough.  Power is back for the moment.)

Noir Watch: Born to Kill (1947)

Watched:  02/14/2021

Format:  Noir Alley on DVR

Viewing:  Unknown.  At least 3rd.

Decade:  1940's

Director:  Robert Wise

Some time ago, when I was first exploring noir, Born to Kill (1947) was included in one of the box sets I picked up to try and learn more about the genre.  Honestly, if I wanted to blow the doors off the expectations I think a *lot* of people have about Hayes Code-era film, this is the movie I'd show them.

Our leads are a psychopath and sociopath, divorce(!), a brutal murder, one of our most virtuous characters is a lush, and a PI who is mostly there as an equal-opportunity grifter.  Heck, there's an Elisha Cook Jr. lurking around for good measure.  It's a dark, nasty little film with no POV hero - just characters who cross paths and feel a mutual appreciation and attraction, even as they're connection is going to burn them both out.

This was the movie that showed me what films of the era were really capable of when it came to stepping into the shadows.  You might get sexy obsession in penty of other films, but there was always an obvious line that the characters crossed that was going to be their downfall, the thing that made you want to do the equivalent of "don't go in the basement!" as our protagonist decides to risk it for a nice set of legs or a smokey voice.  Born to Kill doesn't bother with all that  - these characters were going to hell, anyway.  They're just speeding each other along.

Starring Claire Trevor - someone I flat out did NOT appreciate enough for several years but whom I've come back around to and adore - and the notorious Lawrence Tierney as our leads, we've got a pair with some amazing presence.  Tierney's low-key menace and chiseled jaw works phenomenally well as the handsome psychopath who attracts women, but becaomes infuriated at the slightest hint of slight.  Trevor manages to find a delicate balance - we know she's play-acting to certain parties, and we know better to buy it, but it's absolutely seemingly sincere.  

Other players include Walter Slezak as the PI of iffy moral character, Elisha Cook Jr. as a longtime friend of Tierney's who's been maybe the only force on Earth keeping him in check.  Audrey Long is Trevor's wealthy but naive foster-sister with a fortune.  And, notably, Esther Howard plays a rooming house owner with more heart than you'd figure.

There is a character who is murdered with the name "Laury Palmer", and much of the mystery for the other characters is who killed Laury Palmer - and I can't help but think Lynch was winking at this character with Twin Peaks, til it was, you know, magic dream goblins or what have you.

Anyway - "wow, this things DARK" is not really much of a selling point, I suppose, but the execution of the movie, the performances and the winding story are all masterfully handled by director Robert Wise (yes, the man who brought you films as diverse as The Set-Up, The Haunting, The Sound of Music and Star Trek: The Motion Picture).    

But if you want to see what Hollywood could pull off (and Claire Trevor plotting in some excellent outfits), highly recommended.

Beam Me Up, Valentine!

 I Googled "star trek valentine" and the internet did not disappoint!