Because you demanded it - the year of Chabert: Groundswell (2022)

Watched:  01/20/2025

Format:  Amazon

Viewing:  First

Director:  Lee Friedlander

Firstly - absolutely no one demanded this.  Maybe Chabert's manager would like it, but Randy pitched turning this into a Chabert fan-site and never one to turn down a challenge that is totally pointless, here we are.

We do our little experiments here at The Signal Watch, and we like a theme.

Now that I'm not watching Christmas movies, I've realized Lacey Chabert is not just getting paid to appear in movies in Canada, she's all over the planet.  There's a Safari movie that takes place in South Africa, we watched the Iceland and Ireland movies at Christmas, and last year a Scotland movie.  I don't know what Chabert pulls down per movie, but tacking on some fun travel seems like a great perk.

This one takes place in Hawaii.  So, big props to everyone involved who managed to be in a movie about Hawaii that is mostly about surfing and eating.  If this is a thing, sign me up.

Chabert plays a chef - keeping in line with Hallmark's insistence that heroines have careers that seem kind of arty - who gets mad at her boyfriend/ boss (a terrible combo) after he takes credit for her dishes.  Wisely, she dashes off to her Aunt's amazing place in Hawaii.  

There, we meet Chabert's soon-to-be love interest, played by 1% BMI fellow Ektor Rivera as "Ben".  Ben is a broody fellow who gave up surfing and now runs a surf shop and refuses to button his shirts.  Good for him.  

Not-Aimed-At-Me Watch: Brooklyn (2015)

Watched:  01/22/205

Format:  Max

Viewing:  First

Director:  John Crowley

About ten minutes into Brooklyn (2015) I knew I wasn't the intended audience, or even an intended tertiary audience, for the movie.  I believe this was aimed at Not-Me, whomever that would be - perhaps Bizarro League, and/ or people whose flights of fancy involved less in the way of aliens with capes and/ or atomic-powered giant monsters.  Maybe this is more for folks looking for (melo)drama in the way of Jane Austen novels.  And for them, I say - enjoy!  Stop reading now.

Saoirse Ronan is everything you've heard, and the photography was excellent.  The movie is beautifully made, exquisitely acted, and has immaculate period detail and design.  

And I wasn't into it.

SPOILERS

Vamp Watch: Nosferatu (2024) - second viewing

Watched:  01/19/2025

Format:  Alamo

Viewing:  Second

Director:  Robert Eggers

Originally, I'd planned to see Nosferatu (2024) upon its Christmas-time release with MRSHL, a man who knows and loves vampire fiction.  And, he's an Eggers fan.  However, the stars failed to align and we didn't make it work.  But!  We finally got around to it here in mid-January.

I already spent a lot of time writing up this movie in recent history, so I'm not about to do that again right now.  

I do think I was better able to blow through some of my preconceptions and better get at the Ellen/ Orlok relationship, and it better confirmed some of what I thought was going on regarding Ellen's nature and Orlok's drive.  

Anyway, I dug it.  Glad I saw it again.

Chabert Lifetime Noir Watch: Imaginary Friend (2012)

Watched:  01/19/2025

Format:  Amazon

Viewing:  First

Director:  Richard Gabai

After running through something like 10 Lacey Chabert movies during the holiday season, Amazon is now offering up additional Chabert content - which has not helped when I pondered "what if I drove everyone nuts by making 2025 the year I watch and discuss *every* Lacey Chabert movie?"  Because, friends, she has 183 credits already, and is, like, 42.  That's not 183 movies - she's voiced several cartoons (including Supergirl on Harley Quinn), and been on a few TV series.  A glance at her IMDB suggests she's doing like 10-12 projects every year - and a heap of those are 90 minute TV movies.

Anyway - I'm not going to cover all of that.  But I'm also not going to not do it.  Who else will be the chronicler of Lacey Chabert's career arc?

Imaginary Fried (2012) is about eight years after Mean Girls.  It's a Lifetime movie, and part of the "someone close to me is trying to kill me" fantasy that characterized a lot of Lifetime's programming at one point.  Lifetime is a weird bastion of noirish programming that gets overlooked, but if these movies were black and white and the characters spoke with Mid-Atlantic accents, we'd just shrug and include them in the category as maybe B's.

David Lynch Merges With The Infinite

Writer and Director David Lynch has passed.

A lot of ink will be spilled over Lynch, and, in my opinion, rightfully so.  Whether you liked or disliked Lynch's work, he carved a path through cinema and television that was so singular, discussions of movies that went deep would often bring up his work as if by force.  Maybe that's because from Eraserhead to the weather reports he did from his home, Lynch's work was so clearly of David Lynch, it was impossible to ignore.

I have seen some of Lynch's work, but not all.  Like a lot of people my age, I learned who he was through Twin Peaks, and in high school saw Fire Walk With Me, Blue Velvet and Wild at Heart.   I've caught up with much of his work since, finally seeing The Elephant Man, Dune and more.  In recent years I finally watched The Straight Story, which I highly recommend.  

The dreams that Lynch put to screen have been and will be much imitated, but I hope they really just inspire the next wave - and I think they already have.  

Like a lot of folks, I am deeply grateful for Twin Peaks hitting my life at just the right time, in both the early 90's and again a few years ago.  I needed the wonder, mystery, tragedy and uncanny state that the show provided.  I'm grateful for the world of nightmares, the story of true love of Wild at Heart, and the acknowledgement of the dark we keep at bay out here in the world that permeates all of his work.  For the dreams within a dream that are Mulholland Drive.

His fearlessness as a filmmaker, and someone who told us that to love people and love the little things is what staves off the darkness seems so simple - but he knew it's not, and he showed us both.

I'll miss knowing that Lynch, as Gordon Cole, is out there telling people to change their hearts.  We'll see you under the sycamore trees.

Disney Watch: The Cat From Outer Space (1978)

Watched:  01/15/2025

Format:  Disney+

Viewing:  Unknown, but probably 3rd

Director:  Norman Tokar

As a kid, I found live-action Disney comedies to mostly be a grating disappointment.  Sometimes in elementary school, teachers would roll in the 16mm projector and thread up one of these movies and that was the middle of the day for us so they could grade papers or have a smoke or whatever.

If you want to know why Gen-X has trust issues, its because we never knew what we were getting from a 16mm film projected movie in the common area at school, while required to sit silently.  And, sometimes it was something good!  But much more often it was a safety film*, or - if the teachers were feeling daffy, something like The Cat From Outer Space (1978).  Which is where I think I saw this first.

It's mind-boggling that a year after Star Wars, Disney's response was to put out a 108 minute sitcom about a cross-eyed cat who lands on Earth and kind of sits there hopped up on tranquilizers while name talent runs around being "funny".  

Pope Watch: Conclave (2024)

Watched:  01/14/2025

Format:  Peacock

Viewing:  First

Director:  Edward Berger

All Christmas season long, Jamie's sister-in-law, K, kept lightly suggesting we go see Conclave (2024), and I was pretty direct in my opinion of "no, I do not want to see that".  But curiosity, gentle nudging and my Peacock subscription got the best of me, and I went ahead and watched it over two nights.

Conclave centers around the events that take place in the wake of the passing of a Pope, and the politicking among the clergy (cardinals) who are called together to determine who will be the next Pope.  

Sadly, it turns out there is no Catholic sorting hat to handle this task.

I will start by saying, there are many things I liked about this film.  As promised, the performances by Ralph Fiennes, Stanley Tucci, John Lithgow, Isabella Rossellini, and many others are impeccable.  This movie is an opportunity for these actors to do amazing work - enough so that my immediate thought was "really, this would be a tremendous play" after the film ended.  A sort of 108 Angry Cardinals.  

Viking Watch: The Northman (2022)

Watched:  01/14/2024

Format:  Disc

Viewing:  Second

Director:  Robert Eggers

A long while back now, I picked up the 4K of Eggers' The Northman (2022) after liking it quite a lot on a first viewing, and knowing that it deserved a second viewing.  And since Jamie had actually liked Noferatu, a movie I wasn't even going to take her to, she voted for The Northman.*

I re-read my post from May of 2023, and I think I agree with myself here.

SPOILERS

I can say confidently that I am very glad I rewatched the film, especially when you aren't walking in blind as you start to realize "oh, wait... is this some imagined proto-Hamlet?"  And, indeed, go Google "Amleth" because, boy, while I knew Shakespeare didn't really come up with original stories, was I surprised to find out about the many versions of Hamlet existed story prior to Billy Shakes putting it down.

TV Watch: Landman (on Paramount+)

Curiously, not a superhero show.  Or, if it is, worst superhero ever.

I'd not watched any of the Yellowstone stuff by Taylor Sheridan.  By the time I heard it was watchable there were 23 seasons of it and a few spin-offs, and I couldn't be bothered to enter that particular multiverse.  

But when I saw Billy Bob Thornton, John Hamm, Demi Moore and Robyn Lively would be on a show, I was curious.  Then I saw it was about the energy industry and set in Texas, and my ears perked up.  I have lived the vast majority of my life in Texas, and my father worked for companies that produced instrumentation and valves for oil rigs, derricks, etc..  Anyway - like a lot of folks who grew up around oil, I have a passing interest in the industry.

What's curious is that during my youth, Texas was considered pumped dry.  There were oil fields, sure... but the fracking and all that came along later.  By the time I was in high school in the early 90's, if you saw an oil jack going, it was always worthy of comment.  and, yes, pump jacks could be anywhere and were.   

Someone figured out the fields were *not* dry, and fracking eventually happened, especially out in West Texas.   And when I travelled out that way for work, all of a sudden the hotels were full of guys off a hard shift, getting rest, uniformly polite but eyeing me with suspicion as I went by in my tie.  

Oil wise, things are definitely cooking in Texas.

Landman is, basically, a soap opera that sure feels like a modern spin on the dramas we used to watch, like Dallas.  There's a wide array of characters, oil is at the center of it, but only some are involved directly with the business.  And because it's TV, it's the lives and loves of those working around oil (read: men) that drive the show, and the women who love them.

DCSU Watch: "Creature Commandos" on Max

So I have a new TV girlfriend.  

I can fix her...!

No, but really.  I can't begin to wrap my head around the fact that this is how James Gunn's DC Studios Universe is starting.  Wildly violent, gross, Rated-R just for language, full of nudity, sex and swearing...  My suspicion is that he pitched this to WB during his problems with Marvel/ Ike Perlmutter.  Maybe he pitched this alongside Peacemaker and they said "well, that sounds like $30 million an episode or 250 million as a movie.  But as a TV show cartoon...".

Honestly, I don't care. But, in theory, Creature Commandos does *count* as part of the new shared DCSU.  Which is wild, because this thing is Rated a hard R, is grotesque, violent, morbid and hilarious.  And, because it's Gunn, and he understands monsters - it's also oddly moving.