Doc Watch: The Ashley Madison Affair (2023)

Watched:  07/22/2024

Format:  Hulu

Viewing:  First

Director:  ABC News?

Uh.  Yeah.  If I was ABC News (this doc lives on Hulu), I'd be looking into whether suing Netflix were a possibility.  This series interviews a stunning number of the same subjects, and even pulls the same quotes as the Netflix doc, but is from several months to a year before.

But this is "news" or "documentary", so a legal case can't probably be made.  

Anyway - of the two docs, this one is the less juicy way to deliver exactly the same information.  It does seem they interviewed real users of the site, male and female, and then had actors re-create the transcript so as not to expose the users - and while it's a bit clunky and has an "I'm ACTING!" vibe from time to time at least you're not stuck with morons.  

There's also interviews with real users like a journalist who started doing a story on Ashley Madison and then found himself about to fulfill the site's promise.  And a bit about a near-miss of a case that would have exposed Ashley Madison's fake profiles well before the data hack - which I can't sort why Netflix didn't get into that.

There's also a name named for who was a suspect, until that trail reaches a literal dead end.  And a suggestion that maybe the guy's online pals may have been behind this.  

Of the two, I don't really have an opinion which one I'd recommend.  This feels like - had they worried more about a complete picture - getting more former employees on camera, etc...  it would feel more complete.   But this one also feels marginally more interested in trying to look like the product of a news organization and I suspect that has a lot to do with how it's managed.  But at the same time, feels maybe more... naive?

I dunno.  Neither of these are great.  

1980's Watch: Brewster's Millions (1985)

Watched:  07/21/2024

Format:  Amazon

Viewing:  Unknown

Director:  Walter Hill

I know!  I didn't know this was directed by Water Hill until a few hours ago.  Crazy world.

Also - somehow this was the second movie I saw today with Yakov Smirnoff in a minor role.  In Soviet Russia, movie watches you!

Brewster's Millions (1985) was one of those movies I loved when I was a kid.  Saw in the theater, yadda yadda.  I found the mad scramble to spend money hilarious and charming.  I love the idea of the baseball game, and while Pryor himself isn't particularly hilarious in this movie, the overall movie works.

It's also a movie with a very odd pedigree.  This is actually the 6th movie version of a 1905 novel, and what's maybe most surprising is that it hasn't been re-made every other decade since.  This is the last produced version.

The prior five versions - three of which must be silent

• 1914 version
• 1921 version
• 1926 version
• 1935 version
• 1945 version

And there's a proposal up on IMDB that includes actual children of Richard Pryor for some sort of follow up.  And a second one for something called Brewster's Billlions.  

The set-up the 1985 version a good one.  In this version - in order to inherit $300 million, Monty Brewster has to spend $30 million in 30 days, and at the end of that timeline, own nothing but the shirt on his back.

Of course, he also can't tell anyone what he's doing, so it just looks like he's going crazy.  Within an hour, he's created a media frenzy, hiring security guards at outrageous rates and finding every way he can to spend the money down.  The one that sticks in my head is always the iceberg-shipping guy - because it's so stupid and yet, plausibly, accidentally turns a profit.

This is maybe my personal Space Jam Fallacy movie as I don't think Jamie cracked a smile even once during what I consider to be a pretty funny movie.  If you don't like Rick Moranis showing up for one scene as the guy who will repeat whatever you say (for a fee), man...  that's comedy.

The cats includes John Candy as his best pal/ his catcher from his baseball team - and pretty much every movie with John Candy is made better for his participation.  Lonette McKee plays the paralegal/ accountant tracking the spending (but doesn't know why), and, by gum, she might just be very pretty when she takes off her glasses and takes down her hair.

But the movie is just littered with 80's-era character actors and stars.  Jerry Orbach!  Hume Cronyn!  Pat Hingle!  Peter Jason!  Joe Grifasi!

And plenty of other "that guy!" actors.  

Does the movie stick the landing and show how stressful money is?  For me: yes.  I mean, given the limitations, I think I would just be hiring people for dumb stuff to do.  I would definitely hire, like, Diana Ross to come play a block party or something.  Buy out a movie theater for a month, let people just come in, and pay for everyone's snacks.  Try and think of one-time expenses that could help folks.  And I would definitely go spend a day watching The Cubs blow a lead in the 8th.

Anyway, given Jamie's mirthless viewing, I may need to consider that before declaring this movie holds up *great*.  It might not.  

Summer Classic Angry Animal Watch: Jaws (1975)

Watched:  07/20/2024

Format:  Peacock

Viewing:  ha ha ha 

Director:  Some kid named "Spielberg"

This was our regular summer viewing of Jaws (1975), and, once again, I enjoyed it.  It's a favorite of Jamie's, so when she declares It Is Time, I am happy to join her in a screening.

The first stray thought I had during the movie this time: as we live in a world where a CG shark can be shown from any angle, and as much and as often as you can afford, it isn't just that Spielberg only shows the shark in this movie a minimal amount that keeps the tension.  I agree with that idea.  But ALSO: what makes it work is that you only see the shark from the human point of view.  

The plane of the water is opaque in this movie, and until a fin or a barrel indicates where our monster is - we're blind to our finny friend's location, size, etc...  

With CGI, the temptation is there to say "let's show what the shark is doing *now*" or "show the shark swimming around".  But this movie couldn't do that.  There's minimal footage of the real sharks used underwater - and even then, the major use of those shots is when Hooper is scuba diving and has broken the plane of the water.  It's his POV.

I don't know what Spielberg would do in the 21st Century with magical movie boxes that can give him whatever he wants, but after watching my fair share of angry animal movies, I think maybe keeping the camera where human eyes would be (and, yes, those shark POV shots) is a pretty good way to go.

Anyway - maybe less is more?  And you can still use CGI for your shark, but just don't break that plane in your new shark movie.  Put people on the water and keep using CGI to erase other boats and distracting elements.  

The second stray thought was "wow, the politicians willing to risk lives and demand normalcy sure hits different now".  

1984 Watch: The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)

Watched:  07/21/2024

Format:  Alamo 

Viewing:  Unknown

Director:  W.D. Richter

We've already seen and discussed The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) a few times before.  

I saw it was showing at the Alamo as part of their 1984 ReWind series, and since I hadn't seen it in a theater since 1984, I figured it was probably fair to see it again on the big screen.  

Maybe the highlight of the film on this go-round was that, upon exiting, Jamie - who I thought was lukewarm on the movie - said "it just gets better every time you see it!" which is my firm-held belief.  It really is one of those movies that drops a million little things along the way, and every time one shows up - whether it's a watermelon in a press or Yakov Smirnoff as a Presidential Advisor or bubble-wrap eye protection - it's a reminder that someone pretty f'ing clever put this movie together.  

Anyway, here's to another viewing of a favorite from my youth.  40 years!  Where does the time go?  

The crowd, by the way, was a mix of aging nerds and somewhat younger nerds with kids in tow.  I can only imagine the car-rides home.

Christmas in July Watch: Rescuing Christmas (2023)

when the marketing team needs a poster, and they needed it yesterday

Watched:  07/19/2024

Format:  Hallmark

Viewing:  First

Director:  Emily Moss Wilson

"Oh, Rachael Leigh Cook!  I haven't seen her in a minute!" I said to myself when I saw that - for unknown reasons - my YouTube TV started just playing this movie at me from the beginning when I went to go to the menu.

You may recall that last Christmas I was discussing that the Hallmark Christmas movie formula has mutated a great deal, and, really, aside from the idea that "Christmas is good" and a lack of violence and sex, I'm not really sure what constitutes a Hallmark Christmas movie anymore.  What I didn't think I'd be saying is "hey, this one maybe could have been a regular 'ol movie at the theater", but here we are.

Yes, the budget doesn't make you think this is anything more than a Hallmark film, but the ideas in it could have gotten a bit more budget, and I assume you'd cast more known actors in a few parts.  But the overall concept is... good?

This one kind of takes a leap off of the tried-and-true Hallmark sub-formula of making a Christmas wish and sees what their life would be like if, say, they chased that corporate job or married that other guy.*  Instead, this one shows a woman (Cook) who had a bad Christmas the year prior, and is feeling overwhelmed at Christmas again.

Meanwhile, some elves in the North Pole are going to try to boost Christmas cheer with a "Grant a Wish" program, where they give some lucky person 3 wishes.  

After blowing her first two wishes - in a moment of frustration with the holidays - Cook wishes there was no such thing as Christmas.  Which causes alarms at the North Pole (and Santa - played by a jolly, funny T. Mychael Rambo - takes as his cue to take a vacation.

The most recognizable other player is Sam Page, who you may know from Mad Men or a handful of other Hallmark movies.  

It's not that the world is worse without Christmas - they don't go full Pottersville on anyone.  And, in fact, the main character doesn't even really hate Christmas - it's more about "oh, @#$%!  The wish was real!  What did I do?"   

Cook tries to fix her problem and remind people of Christmas, and, so, pitching the holiday as an "art installation about a forgotten, ancient holiday", Cook gets her family and Sam involved.  Thus, the gag of the majority of the movie is "how do you explain what Christmas is to people who have no context?" ex:  we're cutting down a perfectly healthy tree and putting it in the living room for 3 weeks before we throw it out.  We're also hanging arts and crafts on the tree.  And how insane Christmas sounds if you've never seen it before.

Meanwhile, the elves come to try help her along without her really knowing what's what.

It's a simple premise.  And it's remarkable how it manages to not fall into some easy pitfalls, or make things harder than they have to be.    

Look, the bar is so low for Christmas movies, it's buried.  And I include studio films in this statement.  To teach the inevitable lesson of "learning the true meaning of Christmas", our leads usually begin as misanthropes.  This movie never goes there, really.  No one is miserable and has to learn the meaning of Christmas - which is usually, on Hallmark, the promise of a single, dry kiss more than anything.

Instead, this movie takes the more relatable notion that: sometimes Christmas can be a lot of work, and people get stressed in the middle of it.  But that doesn't mean you wish harm on others.

It's.... fine.  Of the forgettable and goofy movies, this one actually had... jokes.  And funny bits.  And leads who didn't sound out of breath with every line.

*I suspect this comes from the notion of "I wish I'd never been born" from It's a Wonderful Life, but keeps the star from running from the cops

Screwball Watch: Bringing Up Baby (1938)

Watched:  07/19/2024

Format:  Amazon

Viewing:  3rd of 4th

Director:  Howard Hawks

This is a movie that I liked the first time, but I feel like - the more time you see it, the more it works.  

I won't linger too long on this one other than to say, Howard Hawks was such a wildly talented director - it's unreal to scroll his filmography and think that eight years later he's doing The Big Sleep and ten years later, Red River.  And fifteen years later, he's doing Gentlemen Prefer Blondes.  Pair that with a young Hepburn and Grant, a leopard and absolute pros who get how this works in stage comedies, and it's a bit of a delight.

It also features the greatest shoe-based joke in cinema.

Anyway, if you want to watch two pretty people be very funny, this is it.

I do think, with screwball, there's a YMMV aspect, but I don't think it's too hard to trace Susan from this movie to some of the wackier characters in, say, What's Up, Doc? or NBC's better comedies.*  But Hepburn is so sweet in this even as she's wreaking havoc, and seems *genuinely*, instantly in love, it's kind of adorable.  And who better to bounce off than Cary Grant?

*I'm a huge fan of Mo Collins' Joan Callamezzo character, for example.  Or Jane Krakowski on 30 Rock.  Just anyone who is work on a parallel plane.  

Remake Watch: Road House (2024)

Watched:  07/19/2024

Format:  Amazon Prime

Viewing:  First

Director:  Doug Liman

What an odd movie.  And it's not bad as far as these things go.   

Yes, Road House (2024) is a remake of the OG Road House, but in only the loosest sense.  It certainly carried enough of the original concept that calling it something else was just going to draw knowing comparisons.

For my dollar, this is the more self-aware, but more fun version of this same concept.  With this latest version, you spend less time wondering "why hasn't anyone ever just shot the villain?" and "were are the cops?", and, certainly "are they kidding?  I can't tell"   But as the plot is essentially that a Miami Vice villains wants the land a shitty Gulf Coast bar sits on, you may wonder why the solution for the villains isn't a can of gasoline and a match at 4:00 AM instead of all the effort and violence.

This is a movie about Jessica Williams coming to hire you and somehow not being the romantic interest - which I suspect is for plot reasons in the third act.  It's mostly about Elwood P Dalton* (Jake Gyllenhaal in ropey muscular form), as a former MMA fighter who is basically a vagabond.  Jessica Williams' character, Frankie, owns a bar in the Keys, and she's been having some trouble.  

Yadda-yadda, see my notes above.

There's also some local color in the form of a precocious bookstore dwelling kid, an alligator, and... not much else.  Glass Key, the fictional location of the film**, is oddly sparsely populated.  We're told there's civilization there, schools, parks... but you'll never see anything but about four locations, and those feel oddly deserted, too.  In fact, The Road House bar, on its busiest nights, looks 2/3rds empty.  Which may be a COVID thing.  But it never feels like the bar is bumpin'.

The movie does have a sense of humor, which certainly helps things along.  The henchmen are a bit wacky, and dispatched in occasionally humorous ways.  The mid-film addition of Irish-born MMA champ Conor McGregor adds a certain escalation to the narrative while also adding a madman to the proceedings, and he happens to be pretty funny from time to time.  He makes a good baddie you want to keep on screen.

The love interest is once again a doctor, played by Daniela Melchior - and she fulfills the spot admirably if thanklessly.  But there's also a bartender who has her moments, played by BK Cannon.

The fight choreography is something else, and its possible/ likely it was assisted not just by dynamic cinematography, but some CGI.  I dunno.  I don't see very fast, so this kind of chaotic stuff just blows past me sometimes as my brain tries to process the information.  But it did seem impressive!  Gyllenhaal is buyable as a guy who can take down a few dudes at once.  

Anyhow - it's silly to spend too much time on this.  It's a good way to spend a Friday night, and thus achieved it's goal, but it's unlikely you'll spend a lot of time pondering the meaning of life through the lens of a Road House remake.  I was just surprised by how self-aware it is (they actually have scenes talking about where they are in the comparable plot of a Western movie) and appreciate its lean approach.  They know you're not here to see Dalton ponder philosophy, and stare into sunsets.  You want to see face punching, and it delivers.

Maybe it lacks some of the "wtf were they thinking here?" charm of the original, and every movie is better with Sam Elliot, but its not a bad actioner.

*the name here itself is a joke that goes nowhere.  "Elwood P Dowd" is the name of Jimmy Stewart's character in the play and film Harvey, which is about a polite drunk who happens to pal around with a 6' white rabbit that most other people can't see.  If that sounds like the greatest film that ever was, it IS.

**The Glass Key is a terrific Dashiell Hammett book and film, and you should check it out.  I suspect this was an Easter Egg, but I have no idea why.  

Sci-Fi Watch: "The Expanse" Rewatch, Season 6

• For Seasons 1 & 2 discussion
• For Season 3 discussion
• For Season 4 discussion
• For Season 5 discussion
• For Season 6 discussion

I don't know a lot about the production history of The Expanse.  I know it moved from SyFy to Amazon with Season 4, and that the 6th season was only 6 episodes (for comparison, Season 2 contained 13 episodes).  Further, the number of sets and scope of those sets are greatly reduced when you think of the grandeur of the first seasons, with multiple space stations, practical locations on Earth, interiors of a variety of ships, etc...  heck, casting someone like Jared Harris as a supporting role was nothing to sneeze at.  And we always saw an army of extras.  

That said, this season there's at least half an army of extras, the limited sets we do see are as detailed as ever (if no longer multi-story and as deeply layered), and the VFX are still rock solid.  

Based on the 6th book of the series and a novella, Season 6 is the most direct continuation from one season to the next - picking up as our crew, who dispersed across the solar system in Season 5, reunited on the Roci in the wake of Alex's death.  Now, they're out hunting as part of the UNN/ UMRC coalition, with Peaches/ Clarissa on board.  Avasarala is leading the UN and working with Martian leadership, while Camina Drummer is out in the belt resisting Marco in the wake of the death of Ashford and Fred Johnson.  

Bob Newhart Merges With The Infinite

Bob Newhart, comedy legend, has passed.

I don't have a lot new to add.  Newhart helped shape comedy for generations of people, and managed to stay in the game longer than almost anyone.

Here's to one of the greats.

Doc Watch: Ashley Madison - Sex, Lies and Scandal (2024)

Watched: 07/18/2024

Format:  Netflix

Viewing:  First

Director:  Toby Paton, Zoe Hutton, Gagan Rehill

I didn't notice til I went to do this write-up that Ashley Madison: Sex, Lies and Scandal (2024) is the second docuseries on the topic of the very real hook-up site for married people seeking discreet extramarital affairs, AND the 2015 security breach/ data dump that filled headlines for a few days.  

This docseries is on Netflix (more on that in a minute), but there's one on Hulu that I suppose I'll watch, the same way I watched all the Fyre Fest documentary stuff.

This docuseries breaks into three parts 

• setting up Ashely Madison, who might be interested and why they'd be into, and how the company achieved success
• operating as a success, the initial media reaction, and then... realizing they've been hacked
• impact of the hack on the company, users, revelations and fallout

(Everything below is going to be "spoilers" I guess, for something you can Google if you don't remember it happening)