80's Watch: Better Off Dead (1985)

Watched:  12/15/2023

Format:  Paramount+

Viewing:  Unknown

Director:  Savage Steve Holland

In so many ways, it's a minor miracle that Better Off Dead (1985) exists at all.  Let alone in the shape in which it was delivered to audiences.  You can easily see how it could have had the edges knocked off and been made into something far less memorable if the studio felt they'd sorted out the teen-movie formula by 1985.

It's probably been 20 years since I last watched the movie, but something got me thinking about the Christmas morning sequence last week, and it turns out it's living on Paramount+ right now, so you can watch it.  It's a quasi-Christmas movie, starting in December, passing through Christmas and into New Year, so the season is right.  

everybody's going to be wearing one of these

Usually I say "you couldn't make this movie now" with anything remotely morbid, but I expect we're hitting a point where the pendulum is about to swing back hard and fast regarding what we can do and put in movies again as we've all stepped away from the pearl-clutchers over on Twitter as that site tire-fires it's way to irrelevance.  We'll see.  I imagine the patience with the bipartisan puritanism is starting to wear a bit thin.

But, yeah, Better Off Dead is a teen comedy about a young gentleman wanting to kill himself because his girlfriend dumped him for a richer, handsomer, more dickish guy.*  Attempts to do so go afoul as our hero (John Cusack) can't even really work himself up to do it properly.  But, really, it paints a near-perfect picture of what it's like to be 17 and just trying to get through your day and how utterly absurd the world can feel at that age (or any age).  

Christmas Watch: White Christmas (1954)

Watched:  12/17/2023

Format:  Netflix

Viewing:  Unknown

Director:  Michael Curtiz

I have seen and written this movie up endlessly.  This year, I just leave you with the black dress from the Carousel Club number.

Anyway, Edith Head was a genius.

Christmas Watch: Elf (2003)

Watched:  12/14/2023

Format:  Hulu

Viewing:  Unknown

Director:  John Favreau

Not too long ago on the nu-social medias (BluSky, maybe?) I opined that Elf (2003) is the last generally agreed upon holiday "classic".  

While there's plenty of good Christmas movies that have arrived in the past two decades, it's hard to find one this many people have seen - which maybe isn't the best endorsement, but it is a fact.  Elf was the last holiday movie to land in regular rotation on basic cable (as in "24 hours of Elf!"), and it's hard to imagine that in our splintered way of viewing media and smaller and smaller shares of audiences that a movie will be able to get much traction as part of folks' holiday habits.  And, even now, the classics of a decade or so ago have been pushed aside for 1980's Gen-X nostalgia and the endless Die Hard debates by people young enough to have their own movies.

It's not hard to see why Elf has earned it's place, though, and why it's imitated with movies like Noelle.  It's a great concept to imagine a North Pole elf loosed in the big city, trying to connect to the rest of us and missing.  There's an innocence and joie de vivre ascribed to children that it's fun to see a 6'3" guy embracing.

The "elf culture" gags are fantastic, and - while I know Will Ferrell's energy isn't for everyone - but it seems to be coming from a place in this one.  And, really, the whole cast in this thing is great.  Casting James Caan as Buddy's father was absolutely inspired.  Zooey Deschanel, Mary Steenburgen, Bob Newhart, Ed Asner, Michael Lerner, Amy Sedaris, Andy Richter and Kyle Gass, and, of course, Peter Dinklage.  

It fits neatly into a space where we've already seen innumerable movies about how Santa is de-powered because there's not enough Christmas spirit... like, that's a major plot point and they never really get into it.  We just look around and say "yeah, fair enough, I guess".  And it knows we've all seen the stop-motion Rankin-Bass specials enough, it just overlays that world over the North Pole.  

Anyway, you've seen Elf.  I don't need to belabor the point.  The only real thing that sticks out in 2023 is - why on earth does Zooey Deschanel's character fall for Buddy?  Inquiring minds want to know.  He's a grown man who acts like a hyper 7 year old, has no job, and is insane/ obsessed with Christmas.  Which is going to feel weird in July.

I mean, yes, he helped encourage her to sing, but.  Look, people encourage me to do stuff all the time, but I am sorry - I do not start making googly eyes at you as a result.  Googly eyes are reserved for Jamie.

Kenpachrio Satsuma Merges With the Infinite

We are sad to note that actor Kenpachiro Satsuma has passed. 

Satsuma is probably best known in the US as the actor to wear the Godzilla suit in multiple movies during the Heisei Era, starting with 1984's Return of Godzilla and wrapping up with Godzilla vs. Destoroyah - so, spanning the entire era.  

It's hard to express how challenging the Godzilla suit work is, from the physical challenges of carrying an intensely heavy costume (sometimes in the water) to the mental fortitude needed to work in the suit for hours per day.  And, to actually act - and arguably all of the actors in the suit have brought personality to Big G.  And I'm a fan of the work Satsuma did in these movies.

 

Report on Hallmark Movies 2023

don't worry, they play brother and sister

So, here we are in 2023.  

In addition to Direct to Streaming Christmas movies, I've been throwing on the Hallmark Channel since way back in November.  

Apparently what both Jamie and I need this year is to just zone out for 90 minutes from time to time, and to be able to talk over a movie featuring characters we don't really care about a whole lot.  And that's absolutely the intention of a Hallmark Christmas movie - a minimum of drama and plot, reasonably good looking people predictably falling for each other, and a happy ending that guarantees these people will now be as boring as you are, because the events of this movie was the biggest thing to ever happen to them.

I copped to watching the film in 2015 and wrote my treatise on Hallmark movies back in 2017, and I think it shocked a lot of you to find out how very, very much I know about these movies that so many so casually get sniffy about (with good reason, tbh).  But a lot has occurred since 2017.  We're in the dark future of 2023 now, and the world is not what it was.  

A very, very big part of me would love to know how Hallmark works and how these movies come into being.  I have some theories based loosely on what I knew from a friend's mom who wrote Harlequin Romance novels, but there's zero confirmation on any of this.  I'd just be guessing.  

Andre Braugher Merges With The Infinite

I am deeply saddened to say that actor Andre Braugher has passed.

Back in college, he was the talent who got me to check out and stay with Homicide: Life on the Street and years later starred for several seasons of Brooklyn 99 as the precinct captain, making the most of his comedic talents.

Braugher was an amazing talent, and added a great deal to everything he was in.  I'm very sorry to hear of his passing.

Please enjoy some of the best of his role as Captain Holt

Holiday Watch: Santa Claus - The Movie (1985)

Watched:  12/8/2023

Format:  Amazon

Viewing:  First

Director: Jeannot Szward  

Even as a kid, when I saw the trailer for this movie and it looked a little suspicious to me. I don't know what it says that a kid pretty game for whatever looked at this and was like "nah", but I think that gut instinct was dead on.   I would have been 10 when this hit, so I wasn't really the audience, anyway - just old enough to not want to see "a kiddie movie", but it looked like schlock to me at that age, and I just had no interest.  

Apparently neither did Planet Earth, because the movie made about $23 million against an estimated budget between $30 and 50 million.

Flash forward to 2023, and we put this one on and a whole bunch of things became clear immediately.

Santa Claus: The Movie (1985) was produced by the Salkinds, the same shady guys who put together the first three Superman films and Supergirl.  They have their name up there first and foremost, so you know this is an Alexander Salkind joint.  And if you know anything about the Salkinds you know that if you're ethically a little shaky, these are your guys.  

G Watch Take 2: Godzilla Minus One (2023)

Watched:  12/7/2023

Format:  Alamo

Viewing:  Second

This is the first time in years I've seen a movie twice in the theater.  I intended to see Marvels again, but, hasn't happened.  

My reasons for returning to the cinema were two:

1. I could tell that when I effused about the movie, Jamie was like "yeah, you'll watch anything with Godzilla in it.  Stop telling me it's a good movie." so I wanted to just get her in a seat.  Thus, I lured her there with Alamo's chicken nuggets.*
2. I wanted to see everything again so I wasn't just dealing with the audio and visual input being shoved in my eyes on a first viewing and see how the movie sat with me when I knew what was coming.

I am happy to report that, much as I'd been told by Stuart who had already seen it twice, the movie may work even better on a second viewing.  

That's not to dismiss the impact of the first viewing, but I can say my first watch was pretty visceral in nature.  There's a lot going on.  World War II, after-World War II, subtitles, grief, a 15-story atomic monster...  So I was curious how it would hold up, and how it would feel different knowing how the movie works and ends.

SPOILERS

And so... the PodCast goes on Indefinite Hiatus

I'm not going to make a big deal out of this, but there's 2 or three of you who will want to know what is going on with the podcast, so I will answer in a single place I can link back to.

The Signal Watch PodCast is on indefinite hiatus.  It's probably done.  

I want to thank all the contributors from the past few years as we churned out hundreds of hours of conversation and talked about innumerable movies and other topics.  For me, it was a very good experience getting to watch and discuss films I likely wouldn't have gotten to or wouldn't have even known about.  It's made me a fan of new areas of film, and given me ample food for thought.  It's been a genuine growing experience.

It's also been a great way to keep up with people who I don't see that often, and during the pandemic, was a great way to stay social.  For every hour y'all heard recorded, there's at least that many that were just us shooting the breeze before and after the sessions.  I also met people I might otherwise have never met!  The internet is weird and sometimes good!

A few factors entered into my decision to put the podcast on hiatus.

Norman Lear Merges With The Infinite

Norman Lear, a man who changed television, has passed at 101.

There's whole areas of media study dedicated to Lear, so I won't get into it too much here.  But for those of us growing up as kids in the 1970s and 80's, there was kind of pre-Lear television and post-Lear television.  Those halcyon days of media you think of where father knew best and folks' disagreements were settled over a polite laugh or gunfire and women wore pearls and kissed husbands as they walked in the door with a smile?  Not Norman Lear.

Lear found the comedy in the reality of world and knew you could do more making people laugh than you could with a lecture, reflecting real world issues back to the audience, in the format of the sitcom.  As a kid, I remember knowing things could take a dramatic turn on One Day at a Time (something the reboot series echoed), but it wasn't off-putting even as a kid.  It was part of how television worked, as far as I was concerned.

While he moved on from TV, Lear has remained influential.  I hope in years to come, folks understand what he did to move TV on from its juvenile state and propel conversations onto the screen and into living rooms, and giving voice to characters that had been supporting characters at best.

Here's to 101 well-lived years.