Marvel Watch: Captain Marvel (2019)

Watched:  11/05/2023

Format:  Disney+

Viewing:  I dunno.  4th?  5th?

Director(s):  Anne Boden and Ryan Fleck

This is a kind of weird movie, and it's amazing it holds together.  It takes place in the late 90's, is very concerned with events of 6 years prior, hints at things that will impact Marvel in the future, and introduces two warring species, a 2-eyed Nick Fury and the origins of the Avengers Initiative.  It's got a *lot* of ground to cover.

But at the center of all that is a story about a former pilot who has been told over and over again to stay in line, that she's a mess if she doesn't have people telling her what to do, and that she lacks self-control/ is too emotional.  Ie: this is a movie working as a gigantic metaphor that is constantly saying "get it?  You see what we did there?"  And, of course, this created a cottage industry of very angry YouTubers who are still out there, four years later, getting clicks talking about how this critically and commercially successful movie is bad, actually.* 

Anyway, I like it.  It's a tight sci-fi actioner with a well-developed lead, well-considered supporting characters and a very interesting take on Young Fury.  I dig Larson's cocky test-pilot je ne sais quo, and the moments as she's realizing her own power (which comes in levels through the third act).  

Let's not forget this movie has Annette Benning, which should get it a high-five anyway, but she's having a lot of fun with the part and you'll kind of wish you got way more time with her Mar-Vell/ Lawson.  And, really, a gigantic, embarrassingly rich cast, including Lashana Lynch, Clark Gregg, Jude Law, Gemma Chan, Lee Pace, Djimon Hounsou, and the great Ben Mendelsohn.  And plenty more!  

A while back, we podcasted this one, and I'm sure it was a restrained and well-pondered podcast since I think we did it like an hour after getting back from the movie.  

By the way, I've never really gotten into Captain Marvel in the comics, but have tried to catch up here and there.  But she is, to me, a highlight of the MCU.  

Anyhoo, that's all the homework I'm doing before seeing the new movie, The Marvels, this coming week.  

*Like, people are still making these videos in 2023, which means not only are they still fired up over a single movie, there's people *watching* these videos.  Which.  Man.  You're allowed to not like a thing, but if you're still worried about it 4 years on, the problem isn't the movie.

G Watch: Godzilla (2014)

Watched:  11/04/2023

Format:  BluRay

Viewing:  Second, I think

Director:  Gareth Edwards

In a couple of weeks, Apple+ is dropping their decade-spanning, genre-mixing show about the Monarch organization, which is the group that.... something something.... in a world of giant beasties, based on Godzilla (2014) and the series of attached movies.  I've heard where/ when in the movie timeline the show takes place - just after this movie, and it had been a while, so I finally rewatched the first of the Monsterverse films to remind myself what the hell happens in the flick.

I remember going into Godzilla (2014) with some trepidation.  The last American-made Godzilla movie I'd seen was the 1998 trainwreck that just piled on all the worst habits of 1990's-era blockbuster entertainment, and then curb-stomped you with them.*

The trailers for the 2014 edition certainly looked cool, but the fact is that at the time of the film's release, Hollywood was doing this thing where they would come up with cool stuff for trailers and then maybe make a movie that tied those scenes and lines together.  

It was promising a movie for all-ages, including adults - casting thinking-person's stars like Bryan Cranston, Juliet Binoche, Ken Watanabe, David Strathairn and Sally Hawkins (a curious trend that has continued through Godzilla v. Kong with Rebecca Hall as our lead).  So it was literally *buying* gravitas with the casting choices.  Which was maybe needed after the 1998 debacle.  

Leaving the movie, I remember a vague sense of disappointment, but wasn't blogging at the time, so there's no record of what I was thinking.  In the 9 years since I've re-watched the movie, I'd kind of forgotten what the deal was.  Certainly I remembered them bumping off Binoche in the film's first five minutes, and that Cranston similarly exits the film in the first act, when I thought he was going to be our lead.  

Godzilla Day Watch: Godzilla: Tokyo S.O.S. (2003)

Watched:  11/03/2023

Format:  Amazon 

Viewing:  Second or Third

Director:  Masaaki Tezuka

So, I'd seen this one before, and as near as I can tell, it's a favorite of the Millennium Era (spoiler, y'all.  I kind of dig all eras for their own reasons).  And that's not a bad take.  The suit in this one is pretty rad and toyetic, Godzilla is in "unstoppable natural force" mode, and the story is just absolutely bananas in the best way.  And, man, so much monster-fighting.

Our story - Mothra and a pair of Faeries (is there any other kind from Infant Island?), show up to tell one of their old contacts from the original Mothra movie that Mothra wants the JXSDF to return 1954 Godzilla's bones to the ocean.  Where are 1954 Godzilla's bones?  Inside of MechaGodzilla.  Why?  REASONS.  Apparently that's what they used as the support structure.  

So, yes - (a) the Godzilla you've known since Godzilla Raids Again is NOT OG Godzilla (which makes sense since he's very dead at the end of the first film.  And (b) there are mystical forces at play that want those bones in the ocean, and those forces talk to the Faeries and Mothra.  

Of course there's a very earnest and hard working mechanic who met Mothra who, by day, is on the flight crew for MechaGodzilla.  There's a bunch of other characters, but I'll be honest - they kind of don't really matter.  This is about Current Godzilla wanting to fight the bones of his counterpart, Mothra showing up and self-sacrificing, and MechaGodzilla being haunted.  It is a ride.

I won't hard sell you on this movie - it's part of a series and I didn't mean to watch it.  But we pulled together a last-minute watch party and I intended to watch Godzilla versus Astro Monster, but apparently that got pulled from Prime on Nov. 1 and I panicked.  

If you're going to panic, there are worse movies to decide to watch.

PodCast 258: "Batman" (1989) - a Kryptonian Thought Beast PodCast w/ Jamie and Ryan

Watched:  09/30/2023

Format:  Max

Viewing: Unknown

Decade:  1980s

Director: Tim Burton

For more ways to listen

Jamie and Ryan go back to a simpler era of superhero movies where a hero didn't have to turn their neck to stop crime! It's the world's greatest detective in a rubber suit, and busily recreating film language for the next few decades. We talk the 1989 smash that changed how the world saw superheroes and made everyone take a guy in a pointy hat very seriously, indeed!

SoundCloud 

The Signal Watch PodCast · 258: "Batman" (1989) - a Kryptonian Thought Beast PodCast w/ Jamie and Ryan

YouTube

Music:

Batman Main Title - Danny Elfman 

Batdance - Prince

DC Movies and TV

The Signal Watch PodCast · DC Cinema and TV

HalloWatch: Little Shop of Horrors (1986)

Watched:  10/31/2023

Format:  Max

Viewing:  Unknown

Director:  Frank Oz

It seems unfathomable that I've never done a post on Little Shop of Horrors (1986) but a quick glance my history here, and I haven't.  We did watch it back in 2020 during Halloween season, but I seemed to think we were about to podcast the movie.  We did not.

So, the way I first saw the movie was a tad unlikely.  Some kids at my school figured out there was a pay phone outside, and they called in a bomb threat with about two hours left to go in the day.  So, we stood around in the drizzling rain until the buses came, and then we just went home without our books or homework.  

Over dinner, The Admiral realized I had nothing to do, found the next movie on, and he and I jumped in the car and drove over to Showplace 6 to see Little Shop of Horrors.  I was delighted.  Loved the movie.  Sci-fi/ horror/ comedy/ musical?  Slam dunk home run.

We were a family that attended a lot of musicals and theatrical productions, so the language of a movie musical was no real surprise to me, but I'd never seen anything that also squarely jived with a comedic sensibility of the time in that format, and which featured some of my favorite comedians.

Of course, Rick Moranis as Seymour, but cameos from Bill Murray, Steve Martin, John Candy and more.  And, of course, a giant, singing, talking plant bent on world domination.  The music was reminiscent of what I was listening to on Oldies stations (I missed the gag about our chorus' names until college), and it's kind of banger after banger.  We forget Howard Ashman and Alan Menken did this off Broadway before they were the Disney-famous Howard Ashman and Alan Menken. 

HalloWatch: Young Frankenstein (1974)

Watched:  10/30/2023

Format:  Max

Viewing:  Unknown

Director:  Mel Brooks

I don't watch this every year, but I sure like it!  

Anyway, one of my personal favorite comedies.  

HalloWatch: Werewolf of London (1935)

Watched:  10/29/2023

Format:  BluRay

Viewing:  First

Director:  Stuart Walker

Every year, Jamie and I each carve a jack 'o lantern.  Usually we put on a movie something we've seen before, often a comedy or horror-comedy.  But this year I squeezed in one of my Halloween bucket movies for the year, but I can only say I *partially* watched this one, because I was also carving a pumpkin and then cleaning up the aftermath.

this year's effort.  Jamie's Dracula on the left, my ghoul on the right

I had just never gotten around to Werewolf of London (1935), which is a bit of a surprise even to me.  I am a fan of Lon Chaney's take on The Wolfman that would pop up 5 years later, but I never make it through the rest of the werewolf films in the box set.  I'm trying to get a picture of 1930's and 40's horror, one Halloween at a time, and have tried to watch offerings from Universal and RKO.  Also, I exist in the same world as Warren Zevon, so you'd think I'd eventually just be curious to see the damn movie.

The plot is nowhere near as tight as The Wolfman, and the performances not as punctuated.  But that doesn't mean it doesn't have anything to offer.  I liked the make-up, the transformation FX, and the general idea of the story.  

Scientists visit Tibet to find a flower they've heard only blooms in moonlight, and while securing the plant, are attacked by a werewolf.  Returned home, renowned biologist, Wilfred Glendon, begins acting anti-social and ignoring his wife (played by Bride of Frankenstein's Valerie Hobson), who just happens to have her childhood boyfriend show up at the same time.  A doctor Yogami appears and is also looking for the flower, which he says alleviates the symptoms of werewolfery.  

Anyway, mayhem ensues, the doctors both are werewolves, etc...

All in all, it's really not bad, but the lead - unlike most Universal films - doesn't really have a sympathetic motivation in the same way we see Larry Talbot - a victim of chance.  There's a dash more Jekyll and Hyde to the story than in the case of The Wolfman, but not enough to get hung up on thinking it's borrowing too heavily.   

In general, it's an okay movie.  I didn't dislike it, and will watch it again with my full attention.  A highlight was seeing Valerie Hobson in another movie shot at literally the same time as Bride of Frankenstein, but given far more to do.  She's good!  

But, yeah, I need to watch it again next year to say much more.  But I've 100% seen far worse.

Richard Roundtree Merges With the Infinite

Actor Richard Roundtree has passed at 81.  Like many 90's-era college kids, I know Roundtree from Shaft, which is not just a great score, it's a phenomenal detective/ crime movie.  If you've not seen it, Roundtree is amazing in the film.

Roundtree had an amazing career, and for the past few decades kept very busy, with a terrific diversity of roles to his credit, sliding into whatever part he was offered.  I know he's one of those actors I say "oh, hell, that's Richard Roundtree" when he'd show up on screen, but you never knew where he'd pop up.  

He should be remembered for all that, but the impact of Shaft as a film and cultural phenomenon can't be underestimated, and while the soundtrack might have carried on, it was Roundtree as the tough-as-nails, smarter-than-the-rest leading man in the movie that gave it enduring appeal. 

HalloWatch: The Bride of Frankenstein (1935)

Watched:  10/28/2023

Format:  BluRay

Viewing:  Unknown

Director:  James Whale

Some of my pals were over Saturday night, and I made them watch Bride of Frankenstein (1935).  It's no secret it's one of my favorite movies (easily top 10, perhaps top 5), and it was a delight to share it with folks who would otherwise likely never see it.  

Anyway, we kind of talked over the movie, so they missed some good lines and good moments, but it's a first viewing, and it was all excited chatter, so they were enjoying it, which is all that matters.  

Matt did wisely point out how the comedy worked within the movie much how Shakespeare inserts fun stuff into even his tragedies - Matt watched a bucket-ton of movies that I mostly do not ever see - and it was all a good talk.

Anyway, glad to get to this year's screening of the movie.

HalloWatch: The Craft (1996)

Watched:  10/27/2023

Format:  Amazon

Viewing:  Second

Director:  Andrew Fleming

One thing I very much recall from the 1990's - perhaps a product of the era or just the age I was at the time (I would have been 21 seeing this movie) - was that there was what was going on, and then there was the LA regurgitation of what was happening.  The LA version was invariably stripped of the spirit of the source, and churned out product for a mass-market and to have a fast-fashion version.*  Often, folks didn't necessarily get the nuance or difference.  It's why mall-store  "Hot Topic" is absolutely hilarious to Gen X'ers of a certain stripe, and earnestly beloved by Millennials of a similar stripe. 

I think there's a whole book to be written on how anything and everything was co-opted and commercialized to the masses, stripped of its origins and meaning, and basically is now considered the Poochie-fication of mass media and product marketing. 

The Craft (1996) Poochifies the era and it's attempts to capitalize on multiple threads, from the exploding alt-rock scene, and the easy access to, and interest in, occult material - the inevitable result of being raised at the height of the Satanic Panic.  It's also *very* much a 1990's teen movie, replete with sex, drugs and rock and roll.