Marvel Hall-o-ween-Hall-o-Watch: Werewolf By Night (2022)

Watched:  10/10/2022

Format:  Disney+

Viewing:  First

Director:  (checks notes)  Michael Giacchino.  Huh.

This fit the dictionary definition of "fine".  I'm not mad I watched it, I wasn't against what the story was trying to do, but as pal JAL rightfully pointed out, the Marvel machinery seems to have taken over for a portion of the film, and I'm not sure it was to the movie's benefit.  

Werewolf By Night is no one's favorite thing in comics, and if I'm tracing the lineage correctly, the character (Jack Russell, which surely is someone @#$%ing about) appeared in 1972 at what I'm assuming was part of the 1970's monster explosion as classic horror became hip for kids again.  But, also, the Comics Code was no longer nun-teacher strict about rules, and things like "no vampirism, no werewolfism" were stricken from the code.  

This thing is a kind of neat experiment by Marvel - making essentially a TV special that works much in the same way we used to get both the famous kids' stuff like Charlie Brown, but also some older-skewing fare.  Werewolf By Night is maybe 45 minutes, has a more humble budget than, say, Endgame, and exists as a fun holiday treat.  But it's Marvel, so it's also opening the door to the weird and horrific corners of the Marvel U from whence we get Blade the Vampire Hunter (still in development), actual Dracula, but also fellows like Man-Thing.  

But as a 45 minute, moderately budgeted film, it's also led by a first time director in Michael Giacchino, who you know as one of the current wave of actually very talented film scorers.  Why direct?  I have no idea.  But I do think, the oddball impact is that you can see what rails Marvel clearly puts around directors as a support system and to ensure certain bits of quality are maintained.  But, in this case, I'd say that's where the film gets away from them.

The film has the vibe of someone trying to borrow from Universal horror pictures who doesn't actually know what made up the 1930's and 40's Universal cycle of horror's look and feel.  It is definitely in black and white (which some Marvel horror was in the 1970's, natch), but it lacks a certainly visual moodiness and the weight of scenes moored by cameras the weight of an automobile.  I am not insisting that anyone shoot everything in American shots for 45 minutes on grainy film, but continuous camera movement is not how Tod Browning and James Whale were shooting movies.  It lacks the expressionistic ethos or methods used in both Universal and RKO horror - ie: anyone can turn down color-gradient, not everyone knows what to do next.  

Angela Lansbury Merges With the Infinite

Angela Lansbury, an actor whose career spanned 1944 - 2018 (not her life, her career!) has passed.  Let it be known that a pre-Murder She Wrote Lansbury was a stone cold fox, which is always a weird revelation about senior citizen TV detectives.  Go watch The Harvey Girls and then come back and we'll discuss.

Because Hollywood is weird, she was like 36 when she was cast to play the mother of the lead in The Manchurian Candidate - roughly 3 years older than her screen son, and it seems she played older characters for years to come - eventually catching up with herself and then maintaining a career as a plucky, sometimes feisty, occasionally insane (Sweeney Todd) individual.  

One of her last screen appearances was in Mary Poppins Returns (2018), but she was just sort of ubiquitous my entire life.  And, of course, as the voice of Mrs. Potts in Disney's Beauty and the Beast, which I heard on a loop every 90 minutes for three years at the Disney Store.  

Here's to Ms. Lansbury, one of the last contemporaries of many of my favorite actors and one I count among our most beloved.  

Watch Party Watch: An American Werewolf in London (1981)

just a reminder that nothing in horror goes harder than Rick Baker's AAWWIL wolf

Watched:  10/07/2022

Format:  Amazon Watch Party

Viewing:  ha ha ha ha

Director:  John Landis

On Friday we watched An American Werewolf in London (1981) as an Amazon Watch Party.  Fun was had!  

Here at the Signal Watch, though, we've covered this endlessly.   No reason to write it up.  

Here's me and Si talking about it in 2019.

The Signal Watch PodCast · 068: "An American Werewolf in London"/ "Ginger Snaps" Halloween 2019 w/ SimonUK and Ryan

Here's 2015

Here's 2012

Here's 2016

Here's Jenny Agutter:

PodCast 215: "Lair of the White Worm" (1988) - a Halloween PodCast w/ SimonUK and Ryan

Watched:  08/23/2022

Format:  Amazon

Viewing: Second

Decade:  1980's

Director:  Ken Russell

For more ways to listen

It seems somehow inevitable that SimonUK and Ryan would cover this 80's horror cult favorite. And what's not to like? We slither our way into more Halloween spookiness with a discussion of caves, England, worms, wyrms, a young Hugh Grant and the relative value of a Dynasty star on your cast

SoundCloud 

The Signal Watch PodCast · 215: "Lair of the White Worm" (1988) - a Halloween PodCast w/ SimonUK and Ryan

YouTube

Music:

D'Ampton Worm Song - The Tossers

Halloween 2022

The Signal Watch PodCast · Halloween 2022

Happy Birthday, Sigourney Weaver

Happy Birthday to the great Sigourney Weaver, the one person I think we can all agree on.  Who doesn't think Sigourney Weaver is the best?  Well, I don't want to hear about it if you don't.  The problem is you, not Sigourney Weaver.

Anyway, she's the absolute best and I hope she has a terrific birthday.

Friday Watch Party (Halloween Edition): An American Werewolf In London

 

This one is streaming for free with Prime, which is mind-blowing, and so we're going to do it.  One of my favorite horror pictures, An American Werewolf in London is about what you see in the title. It's scary, funny, grim, and has kind of everything.  Plus:  Jenny Agutter

And it will really make you think twice about taking the subway.

Day:  Friday 10/07

Time:  8:30 Central

Service:  Amazon Prime

Cost:  $4 - $0

Click here to howl at the moon

link live 10 minutes before show

Judy Tenuta Merges With The Infinite

We're very sad - and, frankly, surprised - to hear about the passing of Judy Tenuta.  I'd followed Tenuta on facebook for a while and was aware she was ill, but saw no indication that she wasn't likely to recover.  

Tenuta was part of the stand-up comedy explosion of the 1980's and was close enough to my wheelhouse while also pushing on the boundaries of my suburban Texas world  - and funny as hell - that I was as much of a fan as a kid who was not hitting any comedy clubs could be. 

With her persona, turns of phrase and storytelling, she was kind of doing a bit of performance art that was rare then and I don't think there's much of anything like it now.  

 

Se didn't ever cross over into movie stardom and I don't think she ever got a sitcom. but she was amazingly fun and her facebook was relentlessly positive, often tagged with #itcouldhappen.  

Anyway, I'll miss knowing she's out there.  Who will call us pigs now?

PodCast 214: "DC League Of Super Pets" (2022) - A Kryptonian Thought Beast Episode w/ Jamie & Ryan

 

Watched:  10/02/2022

Format:  HBOmax

Viewing:  First

Director:  Jared Stern and Samuel J Levine

For more ways to watch

The podcast goes to the dogs as Jamie and Ryan talk 2022's furriest super-offering. Join us as we sniff around for a take on family fun in Metropolis as Superman's lesser-known pal gets his own feature and DC/ WB tries to kick-start a lucrative super franchise for the kiddos.

SoundCloud

The Signal Watch PodCast · 214: "DC League Of Super Pets" (2022) - A Kryptonian Thought Beast Episode w/ Jamie & Ryan

YouTube

DC Movies Playlist

The Signal Watch PodCast · DC Cinema and TV

Vampire Watch: The Lost Boys (1987)

Watched: 10/05/2022

Format:  Amazon

Viewing:  Unknown

Director:  Joel Schumacher

My first takeaway from this is that The Lost Boys (1987) is Rated-R but also clearly a kids movie.  It's also not clear *why* it's rated R.  There's no nudity, the language is now fine on cable, and it's not even that gross or violent.  I saw it in the theater which would have been right around when I also saw RoboCop several states away in the theater, so it wasn't just a local thing.  Twelve year-olds, maybe exceptionally tall ones like myself, were just wandering into whatever we wanted to see and the theaters wanted our ticket and Spree money.  

But, yeah, I hadn't watched it since high school or early college, and it sure seems aimed at kids when you see it now.  The leads (Corey Haim, Jason Patric) are supposed to be in high school, I guess (a whole other question, because this is from the era when high schoolers were shown to be sexually active and drink and smoke pot as a matter-of-course), and Haim seems cast years older than the part is written.  What 16 year old needs to be told "it's bathtime!" or goes to sleep in their parent's room?  - a quick Wikipedia check confirms that the younger characters were supposed to be 8 years old, originally.

Which makes sense.  1986 was a pivotal year for comics - see the Dark Knight Returns stuff scattered in the Frog Bros.' comic shop.  But mainstream America hadn't yet picked up on the shifting content in comics and wouldn't for years.  Trust me, I was there.  So the characters were intended to be *kids* interested in *kid stuff*.  

Look, that's an interesting movie and one I would have maybe watched, but 1987 also saw The Monster Squad tank.  And this is the one people remember more than 1987's Near Dark, which I personally prefer as a horror movie.  The Lost Boys is an adventure comedy with horror elements - and that's great!  

Due to a recent reference to the film in Hulu's Reservation Dogs season finale, I think Jamie became curious and mentioned she'd never seen the film, so I did want to fix that as soon as possible.  And, I'll be honest, it's a lot better than I remembered.  I didn't remember *not* liking it, but it's genuinely funnier and better considered than I think I was giving it credit for as "a thing I liked when I was 12".  It's got great conflicting vibes that play off each other incredibly well, and it doesn't have delusions of grandeur - it's just really good at doing what it's doing.  

The cast is made up of stars and talent.  I mean, it's a weirdly well populated movie and managed to catch a whole lot of people on their way up between Coreys, Patric Sutherland, Gertz - and workhorses like Weist and Hermann who got to do something fun.  And even Alex Winters - who has maybe three lines would be hugely famous within a year or so.  

(late edit:  I forgot to mention - this movie debuts sparkly vampires!  After Alex Winter The Vampire is killed, he sprays blood all over the Frog Bros.  In the sunlight, his blood is clearly full of glitter!  SPARKLY!!!!)

I don't want to oversell the film, but it was fun!  There's some commentary baked in there about the double-edged sword of the joys and folly of eternal youth that gets overshadowed by "whoops, I'm a vampire" and the complete rejection of the possibilities.   They don't really do much to support the idea that Star and Michael even really know each other, and Star is never more than "girl" in the movie.  The timeline feels like it's 96 hours, tops.  Corey Haim's wardrobe feels like it was selected by a crazy person. 

But I enjoyed catching it again for nostalgia reasons, but also to reconsider the movie 35 years later.  

Dracula Watch: The Satanic Rites of Dracula (1973)

Watched:  10/03/2022

Format:  BluRay

Viewing:  First 

Director:  Alan Gibson

Well, this is the final Dracula movie starring Christopher Lee as the good count, it's 1973 happening out there, and the soundtrack has a wah peddle.  I won't say I didn't enjoy this movie.  I did!  It's got Cushing still leaning into it, Lee is much more engaged than in Dracula AD 1972, and how can you go wrong when you include Joanna Lumley?  

This movie follows what happens when Dracula gets himself a cult going, and managed to plan ahead.  His plan may make no sense, but it is very, very dramatic.  Some key scenes seem to take place off-camera, and you will not like the guy who they cast as "our hero".  He has a terrible haircut and is rude to Joanna Lumley while also clearly supposed to have a romantic spark with her that no one is buying.  She's clearly way, way out of his league.  

Anyway, a mysterious cult seems to have recruited some deeply important people with the promise of power.  They kill a chicken and everything.  But it's secretly Dracula planning to use a super-bubonic plague that will wipe out humanity.  As the authorities bring in Van Helsing to sort things out, he sorts out that Dracula survived their last encounter and is now working to create a plague so all of humanity will die, and he will then be able to die, himself.  This idea gets no further consideration as some kinda wild stuff.  

There's a basement full 'o brides, a gang wearing matching sweater vests of evil, a woman wildly othered and exoticized for being Asian, snipers, excellent use of a net, and Dracula getting caught in a shrubbery.  

Joanna Lumley plays Jessica Van Helsing, seen in the prior year's Dracula AD 1972 as portrayed by Stephanie Beacham.  And her wardrobe is 70's fabu.  No notes.  She looks terrific.  

The movie plays it pretty straight, and nobody is an idiot just to serve the story.  I'm not sure how unleashing a plague requiring physical contact that becomes obvious one has said plague is particularly frightening when you realize no one would touch those people and just walk away from the threat.  Literally Lee's scheme in Captain America: Death Too Soon is 10000x more effective.   

There's some kinda interesting direction here that shows we've moved well on from the TV-like set-ups on the first Dracula.  Even if the title sequence just yells "make it cheap!".  It's funny what some camera angles and not pumping a studio full of flat lighting can do.  But, man, you can also feel that this is not the world's most expensive movie when Dracula's office looks absolutely borrowed for the day.

Yes, Dracula has an office.

Anyhoo.  Go watch!  It's the last Dracula Lee/ Cushing team up.