Myrna Watch: I Love You Again (1940)

Watched:  08/30/2022

Format:  TCM

Viewing:  First?

Director:  W.S. Van Dyke

It's possible I've seen this movie before and simply don't recall watching it.  I believe it's in a DVD set Paul found for me years ago.  I thought I'd watched the whole set, but I don't remember this one in the slightest.

William Powell and Myrna Loy made 14 films together, and the ones I've seen are all pretty terrific.  It's impossible not to dig Powell's charm and Myrna Loy is maybe one of the funniest actors with the smallest effort in all of film, and always utterly buyable.  

Here, the pair team up in a screwball set-up as Powell plays an aggressively boring manager of a plant that makes cookware like pots who is out on a sea voyage when he bonks his head and rather than losing his memory, regains his memories from nine years prior when he was a shady con-man and crook, but loses all memory of the last nine.  During which he married Myrna Loy, who is set to divorce him for being so incredibly boring.  

That, kids, is a set-up.

honestly, pretty typical mealtime here at League HQ

Powell is in almost every shot and scene, and you will find yourself wishing there were more Loy, but when isn't that true?  The pair are firing on all cylinders in Thin Man energy, which is remarkable when you realize Powell is coming off of cancer treatment and the death of his fiance, and Loy was getting divorced.  This had to have been some terrific therapy.  

The additional cast includes familiar face Frank McHugh as a fellow con assisting Powell and giving him someone to talk to, and he's hysterical.  Edmund Lowe plays a career criminal.  Nella Walker is Loy's mother.  And a cast of familiar studio players fill other roles, including a post Our Gang Alfalfa.

The movie is light fluff and maybe a few minutes longer than it needs to be, but I can't say where they should trim.  I laughed out loud a lot.  There are some great gags, terrific word play, and I'll take a Loy side-eye any day.

PodCast 208 A: "Inhumans" (2017) - Episodes 1 & 2 - A Superheroes Every Day PodCast w/ Danny and Ryan

Watched:  August 2022

Format:  Disney+

Viewing: First

Decade:  2010's

For more ways to listen

For some reason, Danny and Ryan are talking Marvel's biggest failure - the 2017 attempt at a network TV adaptation of one of Marvel's highest concepts. The show dares to ask the question "sure, that's a neat idea, but what if we eliminated everything interesting about it?" We discuss the first two episodes (of eight) of the ill-fated show, and ponder what, exactly, was going on at Marvel and ABC?

SoundCloud 

The Signal Watch PodCast · 208 A: "Inhumans" (2017) - Episode 1 - A Superheroes Every Day PodCast w/ Danny and Ryan

YouTube

Music:

Paint It Black - Valerie Broussard

Don't Fear the Reaper - Denmark & Winters 

Superheroes Every Day

The Signal Watch PodCast · Superheroes Every Day

Joan Watch: Mommie Dearest (1981)

Watched:  08/27/2022

Format:  Showtime trial on Amazon

Viewing:  First

Director:  Frank Perry

I've been avoiding Mommie Dearest (1981) for some time.  But Steven and Lauren were going to see the movie, and I figured - hey, this is a reminder or a sign it's time to catch up.

It's crucial to remember, Mommie Dearest was not intended to be a high camp classic - this was someone's idea of a warts-and-all, scathing unmasking of Joan Crawford and her hideous relationship with her children that blew the doors off the movie-star image, which... if you know how Joan's post 1950's career and life went, is almost punching down.  Not to mention her life prior to Hollywood and stardom.  And even after.

Look, Joan was very dead by the time the movie arrived and was unable to rebut the portrayal of herself in the movie, which was based on a single source, that of an extremely bitter daughter who had been cut out of her mother's will.

As I've grown older, I have become aware that smaller incidents for adults play out as grand dramas for children (just as grand dramas in the actual adult world frequently pass by unnoticed by children and people on twitter).  I know we're supposed to believe anyone who comes forward with a story, and I do - insofar as I believe Joan Crawford and her adopted children had a terrible relationship.  

Classic Watch: The Women (1939)

Watched:  08/24/2022

Format:  TCM

Viewing:  Second?

Director:  George Cukor

I'd previously watched The Women (1939), but always felt I should probably have watched with Jamie, who I knew would find it at least *interesting*.  And, this time that's what we did.

Look, I am not the person to give you the definitive take on The Women, and there's plenty of literature out there on the movie.  I can only assume the original play came from a place as it would have been holding up a mirror of a story to New York society women who attended Broadway shows, and would have been called out as fraudulent as a play, and then as a movie if there weren't some basis in the facts of how society folk seem to not have anything better to do than get divorced and married (I mean, really the primary pre-occupation of most tabloids).  

But the movie also humanizes some of the characters - not everyone is going through the motions of being a society wife.  And, of course, there are those angling to up their position from perfume counter girl to the better life.  

The cast is a phenomenal who's who of the period, with Crawford on the edge of her Box Office Poison years pre Mildred Pierce.  Shearer herself would retire out of movies in 3 years (don't worry - she was fine), but you get to see them alongside Rosalind Russell, Joan Fontaine, Paulette Goddard, Ruth Hussey and more.  

SW Reads! Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock

Author:  Dr. Christina Lane

Year Released:  2020

Format:  Audio Book and Book

A while back I learned of Dr. Christina Lane's book, Phantom Lady:  Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock, which ticked a lot of boxes.  Lane's subject matter covered an area with which I had some familiarity - 1940's and 50's Hollywood (I don't claim an encyclopedic knowledge, natch).  The focus of her exploration was a person I didn't know anything about, but whose work I actually knew.

A biography of British-born film writer and producer Joan Harrison, it turned out that I had seen - and very much enjoyed - films produced by Harrison, not least of which was the eponymous Phantom Lady.  As one would guess, Hollywood was not overrun by women in positions of management or executive decision making in the 1940's and 1950's, and so I was curious enough, but then Lane was also featured on TCM's Noir Alley series as a guest, discussing Harrison in conjunction with some of her films.  I was sold.

Doc Watch: Paris is Burning (1990)

Watched:  08/20/2022

Format:  TCM

Viewing:  First

Director:  Jennie Livingston

I remember seeing the trailer for Paris is Burning (1990) when we went to see Slacker at the River Oaks in Houston in summer of 1990.  A straight white 15-year-old from the suburbs of Austin, recently transplanted to the suburbs of Houston, the world of gender-bending queer Black culture was - you will be shocked to learn - not on my radar.  It was so utterly alien to my experience that I was wildly curious - but I also was not going to have a ride back down to the River Oaks and asking to be taken to such a movie would be wildly transgressive, no matter how open minded my mom was.

I remember seeking out the doc a few times in college and being unable to find it, but mostly I'd forget about it except when it was mentioned in cultural touchstone moments, like pretty much anything having to do with Madonna post Vogue.  But by and large, I just forgot about trying to watch it until I saw Alicia Malone was hosting it on TCM as part of the style-centric "Follow the Thread" programming series, and I set the DVR.

Watch Party Watch: The Adventures of Sherlock Holmes (1939)

Watched:  08/19/2022

Format:  Amazon Watch Party

Viewing:  First

Decade:  1930's

Director:  Alfred Werker

Well.  What's not to like, really?  

If you like Holmes books, this is... close-ish.  Basil Rathbone and Nigel Bruce are kind of the model for on-screen Holmes and Watson.  There's a great villain in Moriarty.  And a young Ida Lupino is charming as hell at the center of it all.  

What's amazing is how undated the film feels some 80 years later.  You can imagine all of this as the plot and performances in a modern Sherlock retelling,  And maybe that's because they made 14 of these movies in the span of less than a decade - not quite a serial, but certainly a series that left enough of an impact that this was how it was done until the 21st Century decided "what if Holmes was not at all like Holmes?" in two separate series of movies and a TV show.

I won't say the movie was flawless, but it was very, very *fun*, which is what I'm looking for in my Holmes reading or adaptations.  Give me a Holmes and Watson on the case, and a mystery I can't solve on my own, and I'll come back for more.

It will *surely* annoy Jamie that now that I know there are 13 more of these, I'm gonna watch them.  But she knew what I was about when she married me, so.

Friday Watch Party: The Adventures of Sherlock Holmes (1939)

I have never seen a Basil Rathbone Sherlock Holmes film, and now I found out a very young Ida Lupino co-stars in this particular movie.  

Look, I'm remarkably easy to please, in many respects.  Just put Ida Lupino in your movie.  Or Basil Rathbone.  Or Sherlock Holmes.  All are perfectly cromulent reasons to watch a film.

So let's do this.  

Day:  08/19/2022

Time:  8:30 PM Central/ 6:30 PM Pacific

Format:  Amazon Prime

Price:  $4

The game's afoot!  Click here to join in!

link is live 10 minutes before showtime

Happy Birthday, Lois Lane

Apparently I have it in my Google Calendar that today is Lois Lane's birthday.

Happy birthday to the world's greatest reporter!

Happy Birthday, Madonna

Happy Birthday to Madonna Ciccone of Bay City, Michigan.

Here's to the person who kept me with one ear on pop music during my grumpier years and both eyes on MTV for years upon end.  Heck, seeing the video for Lucky Star is one of my seminal memories as a kid, and I probably need a series of lengthy therapy sessions to work through Express Yourself and Take a Bow.  

She's got a new album out there (of remixes, I think) and currently is going through a new look I have several questions about, but we'll always have Open Your Heart.