|
Move, Clark. You're in the way. |
Well. We finally got to Lois.
We also finally got to the season where Smallville went from teen-romance to "they're 18 now, so it shall be SEXY".
It's also the season where, back when it aired, I started giving up and didn't watch everything.
Season 4 episodes we watched:
- Crusade - the one where Lois arrives and Clark returns from null-space with his memories wiped clean and he flies on camera to get a
plot device MacGuffin stone that will do whatever it's gonna do when he collects all three. - Transference - the one where Lionel Luthor Freaky Fridays with Clark
- Spell - the one where 17th Century witches Freaky Friday with Chloe, Lana and Lois
- Spirit - the one where a Mean Girl ghost possesses/ Freaky Fridays the cast, Martha is hilarious, Chloe wins prom queen, and Lois looks smashing in a pink gown she has for some reason
- Blank - the one where Clark loses all his memories and Chloe has to lead him around for the day
- Commencement - the one where Clark and Chloe graduate, Jor-El is a parent who just doesn't understand, Lex is betrayed by everyone in his life, and then a meteor shower falls on Smallville. Again.
Look, doing "they aren't themselves" is cheaper than actual make-up or special FX, and it also gives the actors something else to do, which seems fun for them. See Annette O'Toole's version of a Mean Girl in Spirit. Fantastic stuff. But if what you wanted was Welling somehow more wooden, boy, have I got some episodes lined up for YOU.
But like "mind control" in prior seasons, amnesia and possession get old fast as plots when you watch them back-to-back. It's mostly just waiting for the characters to resume their normal lives and *never mention it again*.
By the way, I was absolutely wrong that heat vision would not come back tied to boners. It came up twice in just the few episodes we watched. I mean, fine. I'm not above a good boner joke.
Mercifully, by skipping so many episodes, we missed a lot of Clark/ Lana drama. 16 years ago when these episodes aired, I was exhausted/ bored by the show leaning so hard into their drama, and stunned then and now at the writers room's utter inability to give us a reason to root for them or care while utterly centering on those characters.