"She-Hulk, Attorney-at-Law" is Coming to Disney+

It's not easy being green whilst filing writs of habeas corpus

On May 17th, the trailer hit for Marvel's She-Hulk: Attorney-at-Law multi-episode series, which is set to begin on Disney+ in the coming months.  

When talking to pal GadK about the trailer last night, I had to put aside 30-something years of personal knowledge and history and consider what the hell She-Hulk looks like to someone unversed in the character.  Which, for us old man comic nerds, is an increasingly common occurrence.

Here's that trailer.

We're just in a weird, weird part of whatever the arc will be for superheroes media in our very own reality and continuity.  We're moving rapidly away from how superheroes were understood by the broad population as costumed do-gooders who fight obvious bad-guys in melodramatic four-color battles, an impression derived from barely understood comics of a by-gone era.  

What a non-comics person should know:  At some point, the various genres of comics that appeared across a range of comics (romance, western, etc...) seeped into various genres of the booming superhero genre and sparked endless iterations and permutations - and that is what you will now get at your local comics shoppe.  And it means things in Marvel and DC comics adapted to TV and movies will get weirder than a sarcastic space raccoon post haste.  

Things I have Been Watching That Are Not Movies

Jessie Spano looks on

We don't just watch movies at Signal Watch HQ.  If I'm being candid, re-employment and other things have reduced my time for movie watching.  But I'm also watching a movie or two per week for the PodCast, plus editing and posting, all of which takes time.  And I do write up stuff when I watch a movie.

This post is not your opportunity to recommend shows to me (please don't), and I am not telling you anything is essential and must be watched.  Sometimes we just say "hey, this is what we watched" when it comes to TV.

So what have we been up to on the TV side of the spectrum?

Sports

Chicago Cubs Baseball 

This is a mistake in 2022.  Since the Ricketts got their World Series win in 2016, burning through all the Cubs karma and possibly all of that for the Planet Earth to secure a win, the team has disintegrated in spectacular fashion.  They're usually 4th in the NL Central.  Which is like not being the absolute worst team in the worst division in baseball.  

Cubs gonna cub.

Austin FC Futbol

I was a massive skeptic of Austin's foray into Major League Soccer, but we got a team that started in 2021, and I've watched about 80% of their matches on TV or online.  I have not yet been to the stadium.  I now follow the team and try to make sense of a sport that I've struggled to grok in its complexity for my entire adult life.

It's still fun!  I'm kinda into it.

PodCast 199: "The Batman" (2022)- a Kryptonian Thought Beast Episode w/ JAL and Ryan

Watched:  05/01/2022

Format:  HBOmax

Viewing: First

Decade: 2020's

Director:  Matt Reeves

For more ways to listen

It's no riddle which flying rodent-enthusiast had a blockbuster in 2022. The Dynamic Duo of JAL and Ryan get back to the Batcave to talk all about the latest take on the Dark Knight Detective. It's time to get broody as we go batty talking how this one fits in with the big picture, and what makes it unique.

SoundCloud 

The Signal Watch PodCast · 199: "The Batman" (2022)- a Kryptonian Thought Beast Episode w/ JAL and Ryan

YouTube

Music:

The Batman - Michael Giacchino, The Batman OST 

Batman - Neal Helfi

Something In the Way - Nirvana, Nevermind 

DC Movies Playlist

The Signal Watch PodCast · DC Cinema and TV

Dog Watch: Clifford the Big Red Dog (2021)

Watched:  05/06/2021

Format:  Amazon

Viewing:  First

Decade:  2020's

Director:  Walt Becker

I dunno.  This is for very small kids, but it also felt like it wasted a lot of goodwill and a lot of potential.  Clifford is a character I don't think about much as I am 47 and I have no children.  But I think if all you can think to do is make a boilerplate kiddie movie that seems lifted from every kiddie movie since Uncle Wat turned his attention to live-action, I dunno.  He's a big fucking dog.  Workshop that shit.  

The movie is chock full of cameos and small roles for known talent and looks like they spent some money on it.  It's a beloved and well known character, and...  it kinda feels like they didn't really know what to do once they got the rights.  

It also takes place in the city, which...  look, maybe the first book is urban, but Clifford is a suburban character.  NYC is a lot of things, but it is not a place where a giant dog is going to fit terribly well long term (he wrote as his own giant dog put his massive noggin on his hand and keyboard).  Like - look, the 'burbs are more dull and less diverse than Harlem - but this is also a fictional movie, and/ or could have been in a small town?  I don't get the setting.  It's okay to country-fi that story.

Maybe the thing that was weirdest about the movie is that it desperately wants to be about *something*, and the thing Clifford had going for him in his origin story is the power of love (to turn a small sickly puppy into a giant dog).  But the movie decides to be about accepting something/ someone who is different.  But then it's about very White people in gentrifying Harlem who seem boringly ordinary, even the wacky uncle who needs to grow up borrowed from every movie, ever.  

I'm all about messages of "hey, don't fear something because it's different or you don't understand it", but the speech at the end is wildly nonsensical and unearned.  Being "new to school" is not weird or different, it's...  an uncomfortable period of adjustment (I moved 3 times during my school years.  You adjust.).  Our Emily Elizabeth is a pretty standard kid.  She doesn't have a third eye or something.  She's "poor", but NYC giant apartment poor.  Normal in her world is having a 27 million dollar loft.

Honestly - who wrote this thing?

Anyway.  I thought the cast looked like they were having fun, Clifford was cute and the last act was at least kind of fun/ funny.  I wouldn't not show this to a small child.  But I also am disappointed that this is the Clifford movie we got.  It's better than the Air Buddies movies by a country mile, but it's still... meh.  Gimme a trick or treating Clifford of GTFO.  

Paddington raised the bar for timeless children's characters into movies, studios.  Work harder.

PodCast 198: "Ghost Rider" (2007) - A Marvel Madness PodCast with Danny Horn (and Ryan)

Watched:  04/29/2022

Format:  Amazon

Viewing: Second

Decade: 2000's

Director:  Mark Steven Johnson

For more ways to listen

We make a costly pact for minimal gain - watching 2007's edge-lordiest superhero as he monkeys his way through not hiring a lawyer and all the fall-out. Join us for discussions of acting choices, when the plot in no way adds up, Nic Cage and very, very small feet in this just-before-Marvel-got-good installment.

SoundCloud 

The Signal Watch PodCast · 198: "Ghost Rider" (2007) - A Marvel Madness PodCast with Danny Horn (and Ryan)

YouTube

Music:

Ghost Rider - Christopher Young, Album 

Ghost Riders In The Sky - Spiderbait

Marvel Madness PodCasts

The Signal Watch PodCast · Marvel Madness - Movies and More...!

Comic Artist George Pérez Merges With The Infinite

One of the first comics I read that turned me into a comics fan was in a DC Blue Ribbon Digest (1984), a reprinting of Tales of the Teen Titians #50, one of several landmark issues of the famous run by George Pérez and Marv Wolfman.  Even in that reduced size, I was blown away by the art - in detail, character design, and ability to convey and carry emotion.  And Tales of the Teen Titans was always full of emotion.  

a page from Tales of the Teen Titans 50

Hence, the name George Pérez was one I always took seriously and who made me realize the contribution of the artist in a comic book - both in partnering with the writers, but also how good work absolutely elevated everything in a comic.  

I was a boy when Wonder Woman was rebooted post-Crisis, and boys did not read Wonder Woman (this is the dumbest thing, but it was true).  So it's to my eternal regret that I missed the initial run of George Pérez's solo work on the title, which, if you've never seen it, is achingly gorgeous and simultaneously spawned a generation of artists trying to be Pérez. In the meantime, I've collected every issue and likely have most of it in 2-3 versions of collections.  I may love Kirby and his dynamic flow and over-the-top energy, but Pérez's vision of Themyscira, Olympus, of a professor's home - and his shockingly grounded writing of the series filled with Greek Gods and supernatural terrors also gave way to the emotions of tween girls, middle-aged military brass, and the brave face of a fish-out-of-water Princess making her way through modern-day Boston.  It's so good.

Pérez's Wonder Woman

With his work we don't talk about issues or runs, we talk about "eras".  That's the impact.  

Whether it was Avengers, the phenomenal work of JLA/Avengers or even his indie work - his look and his eye changed everything.

In recent years, it was known his eyesight wasn't great and his health was not good.  And in recent months he announced he was terminal, and would pass.  Unlike so many deaths, which happen as a surprise to the public, Perez's announcement allowed the fans to celebrate him and let him know the impact he'd made on them.  

There is no picture of modern comics I can muster that doesn't include Pérez.  He picked up the torch and the challenge Neal Adams put before everyone to push their work as hard as they could.  And it's unbelievable we'd lose two such giants within days of each other.  

But I am glad the industry and fans got to let him know what he meant.  Godspeed.

New League of Super-Pets trailer

Still pretty happy with everything I've seen so far in the trailers and ads for this.  

Hey, we're getting a full DC Super-Pets movie!  That's excellent!

PodCast 197: "The Medusa Touch" (1978) - A SimonUK Cinema Classic w/ Ryan

Watched:  04/25/2022

Format:  Amazon Prime

Viewing: First

Decade:  1970's

Director:  Jack Gold

For more ways to listen

It wouldn't be the first time we used our minds around here and it led to disaster. SimonUK and Ryan get excited about Richard Burton and Lee Remick, respectively, and get on the case of the victim of an attempted murder, who maybe - just maybe - is the source of all sorts of trouble. Join us as we talk an entry in ESP horror paired with police procedural.

SoundCloud 

The Signal Watch PodCast · 197: "The Medusa Touch" (1978) - A SimonUK Cinema Classic w/ Ryan

YouTube

Music:

The Medusa Touch - Michael J. Lewis 

Simon movies!

The Signal Watch PodCast · SimonUK Cinema Series

80's TV Movie Watch: The Spirit (1987)

Watched:  05/02/2022

Format:  DVD from Warner Archive

Viewing:  First

Decade:  1980's

Director:  Michael Schultz

Way back in the 1980's, I ordered a Bud Plant catalog so I could get an idea of what all was out there in the world of comics.  I remember two things that really stuck out - a Mike Kaluta image of The Shadow (the first time I'd heard of the character) - and an image for a collection of The Spirit strips with P'gell prominently featured.  You know the one.

I didn't know what the hell The Spirit was, but to my 11 year old brain, this seemed very sexy indeed, and I assumed The Spirit was some sort of soft-core comic.  

Flash forward probably only a matter of months, and I read in Comics Scene that someone was making a TV movie of The Spirit, learned more about it (not a softcore book!) and back in the days when we weren't having superhero media rained down upon us, I was very interested.  

Finally the movie was slated to air, and of course there was some scheduling conflict (we just missed TV in those days), but I could probably catch the last hour or so.  I don't remember where we were or what was up, but I do remember my mom ran into a friend and started talking.  And I just had to stand there while the clock spun and my 1980's chances with no DVR faded away of seeing any of the movie.  

I walked in the door, watched the last five minutes, and then went to do homework.

Western Noir Watch: Lust for Gold (1949)

Watched:  05/02/2022

Format:  Criterion Channel

Viewing:  First

Decade:  1940's

Director:  S. Sylvan Simon and George Marshall

Well, Criterion Channel is currently highlighting a collection of films starring Ida Lupino, and that's good news for me, anyway.  Always on the hunt for more Lupino, I wanted to check out something I hadn't seen, and we mostly randomly landed on Lust for Gold (1949), what appeared to be a Western, but which really turned out to be Western Noir, which is absolutely a thing.

This is a supremely weird movie, and they needed to make one movie or the other movie in their movie, but instead they give you two partial movies, and I cannot begin to conceive of the "why".  A full 2/3rds of the film is flashback to events from the 1880's, and the rest takes place, which a much-less-talented team of actors, in the present day of 1949.  And I'm not sure the whole section in 1949 needs to exist at all, and I'm not sure that the events of 1880 shouldn't have been mentioned in about three sentences in a very different version of how the 1949 stuff spins out.

The end result is that you don't get any Ida Lupino until something like 35 minutes into a 90 minute movie, and... come on.  What are we even doing here?