Hammer Watch: Brides of Dracula (1960)

Watched:  04/11/2022

Format:  BluRay!

Viewing:  Second? 

Decade:  1960's

Director:  Terence Fisher 

It's my b-day tomorrow, and for my b-day, Dug and K sent me a couple of Hammer blurays I'd not picked up, and... I'm very excited.  Lots of extra features and whatnot and excellent picture quality. 

I wrote this one up in late 2020, so I'm not inclined to say a ton more.   I suppose this time it really struck me how much this movie seems to play with the idea of gothic romance novels, of the young woman entering a castle and uncovering a mystery - but in this case rather than a wrongly imprisoned prince or lord, she accidentally frees a Dracula.  It's kind of clever.

This is also a movie where we see Van Helsing continue on his arc as a bad-ass, fist-fighting Draculas and applying his anti-vampirism plan to himself.  It's crazy.  

I will also continue to contend that Andree Melly was very cute as a vampire.

Sci-Fi Watch: World Without End (1956)

Watched:  04/10/2022

Format:  TCM

Viewing:  First

Decade:  1950's

Director:  Edward Bernds

From YouTubeTV:  

An astronaut (Hugh Marlowe) and his buddies land on 26th-century Earth and find men meek and women friendly

I mean, yes.  

I have no idea how I recorded this movie, but I did.  I'm guessing by accident.  I put it on to see what it was, and - while not good or great - there's a bit of The Time Machine and what we'll all know from Planet of the Apes and Beneath the Planet of the Apes to this movie.  

Some astronauts return to Earth only to find they didn't just pass through space, they passed through time - a few hundred years.  On the surface, they find giant spiders and brutish troglodytes, and as they meet a race of subterranean people who seem much more like the people they left, they find that there was a nuclear war at some point.  While safe in their underground city, the men have turned weak and fearful, and the women - hot and mini-skirted.   And disappointed in their men.  So of course they like Rod Taylor popping his shirt off and bringing the gun show.  

Anyway, it's mostly curious in that it seems like Hollywood did watch the movie and said "we could do this better".  And they were not wrong.  Just twelve years later, Planet of the Apes - with Rod Serling and the original novel behind it - doesn't just turn the opportunity into a sex fantasy/ reinforcement of our exceptionalism as mid-Century Americans.  

Doc Watch: American Grindhouse (2010)

Watched:  04/08/2022

Format:  Amazon?

Viewing:  First

Decade:  2010

Director:  Elijah Drenner

This doc felt weirdly slight, and I see now it was 80 minutes.  It traces the history of film from its origins to what sorts of theaters carried schlocky, sexy, or violent films not produced by the studios.  

But... it's weirdly focused on just New York and LA, forgetting these movies had audiences all over, and never curious about how they were (or were not) seen in the rest of the country.  I'm not sure I buy of the main theses of the film, that the studios started making "grindhouse" movies because of the end of the vertical integration of studios and theaters that dissolved post WWII.  But I would agree that eventually studios got involved with content formerly reserved for the grindhouse market.  I'd just point to studios trying to differentiate from what was on TV once the Hays Code fell apart and the rating system came to be.  

There are pretty good interviews, including Eddie Muller, and some creators of some classic schlock, much of which I haven't gotten around to seeing (pitching a 'Women in Cages' movie to Jamie is not as easy as one would believe).  And I've never come across availability of Ilsa, She-Wolf of the SS.  But I was pleased with which ones I'd seen.  I think they gave Russ Meyers and his real legacy basically no consideration, and it's weird.  There's no mention of kung-fu or other genre.  Instead, they seem to want to follow a thread to porn that I'm not sure works if you remember actual porn theaters existing and that was an adjacent but not entirely related thing.  

In short - it's fine, but feels... debatable?  Like the narratives only work if you aren't thinking too hard.

Watch Party Watch: Night of the Lepus (1972)

Watched:  04/08/2022

Format:  Amazon Watch Party

Viewing:  First

Director:  William F. Claxton

You'd think a movie about giant, mutant rabbits with a taste for human flesh would be more exciting.  But, alas, that is not the case with Night of the Lepus (1972), which seems like such a missed opportunity.  And I welcome some enterprising soul to remake and improve the idea.  NOW IS THE TIME.

The movie features Rory Calhoun, Dr. McCoy and Janet Leigh, among others.  Janet Leigh is kind of weirdly wasted in the film, but wears an interesting array of stripes.  And it also features a lot of bunnies shot in slow-mo on scale sets, and it is goddamn adorable.

The main character and his family are entirely responsible for the science and bad decisions that create the mayhem of the movie, and should be in jail.  Even the little girl.  It's a hell of a script.  

Anyway, my middle school floor hockey team was named The Slaughter Bunnies, and I really wish I could say we based it on this movie, but we did not.

PODCAST: 192: "New Mutants" (2020) - A Marvel Madness Episode w/ Danny Horn and Ryan

Watched:  03/26/2022

Format:  Disney+

Viewing:  First

Decade:  2020's

Director:  Josh Boone

For more ways to listen

Puberty is a challenging time. You're growing, changing, making new discoveries and accidentally murdering bystanders with your newfound powers. Danny and Ryan splice into the genetics of this long-delayed installment in the X-franchise, the arrival of which signaled the last gasps of Fox Studios' X-films. Join us as we ponder what the movie thinks it is, what it is, and try to retain control.

SoundCloud 

The Signal Watch PodCast · 192: "New Mutants" (2020) - A Marvel Madness Episode w/ Danny Horn and Ryan

YouTube

Music:

The New Mutants Score Suite - Mark Snow

Marvel Madness Playlist

The Signal Watch PodCast · Marvel Madness - Movies and More...!

90's Watch: Nobody's Fool (1994)

Watched:  04/05/2022

Format:  HBOmax

Viewing:  Third

Decade:  1990's

Director:  Robert Benton

It's been decades since I've seen Nobody's Fool (1994), but it's a movie I saw in the theater twice and a few times after.  I recalled feeling weirdly and profoundly moved by the film and was unsure how it would sit as I'm closer to the main character's age than the grandson's age at this point.

On first blush, the movie could be read as some smalltown schmaltz, but reviews of the time were overwhelmingly positive and reflect a lot of how I felt about the film at the time.  It takes place within the kind of small town romanticized by politicians in ads, of Main Streets and "working people", but it's also frank that small towns are kind of hard, that it's not always the pathway to the achievement of the American Dream and when you know everyone in your town, it can get weird.*  

To that end, it's a reminder of a kind of film you don't see as often these days as it's a quiet, thoughtful ensemble film where actors seem to be enjoying the work, a few name Hollywood types playing supporting roles just to be there, in the mix with up-and-comers and character veterans.  Of course, anchored by one of the best of the post 1950 American cinema, Paul Newman, still handsome and better than ever when it comes to what he does, which is say a thousand words with a glance or even in stillness.

Friday Watch Party: MY BIRTHDAY SURPRISE!

Next week I celebrate my birthday, and so I think I should pick a movie and SURPRISE the hell out of all of you.

Here is my promise - it will not be gross, there will be a minimum of nudity, and it will definitely be a movie.

Day:  Friday 04/07

Time:  8:30 PM

Service:  Amazon Watch Party

Price:  I promise it won't be more than $4

CLICK HERE TO JOIN ME FOR A BIRTHDAY MOVIE SURPRISE

Watch Party Watch: Flash Gordon (1980)

Watched:  04/01/2022

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1980's

Director:  Mike Hodges

In a lot of ways, Flash Gordon (1980) maybe came out at exactly the wrong time and set the tone for what would be a problem for comic-based material until X-Men in 2000.  

With Star Wars and Superman released to critical and financial success, Dino De Laurentiis began mining the properties that had influenced the creation of both properties and set the tone in Hollywood that Marvel and DC couldn't get anything green lit for years - but somehow pulp characters would get movies.*  As The Incredible Hulk and Wonder Woman disappeared from TV, Buck Rogers showed up on the small screen, and De Laurentiis went and tapped Lorenzo Semple, Jr., one of the main brains behind the 1960's Batman series, to bring Flash Gordon to the big screen.  

PODCAST 191: "Hired To Kill" (1990) - Movies of Doom w/ SimonUK and Ryan

Watched:  03/14/2022

Format:  Amazon Prime

Viewing: First    

Decade:  1980's

Director:  Nico Mastorakis

For more ways to listen

SimonUK and Ryan head into enemy territory with Movies of Doom, our first voyage into "wow, this looks terrible. Let's watch this immediately" cinema. This one has A Very 90's Actor, 7 actresses you'll never see again, and 3 legends of Hollywood cashing in for a vacation in Southern Europe. It's the Dirty Dozen meets every 80's action movie, meets astounding sexism!

SoundCloud 

The Signal Watch PodCast · 191: "Hired To Kill" (1990) - Movies of Doom w/ SimonUK and Ryan

YouTube

Music:

I'm Too Sexy - Right Said Fred

Movies of Doom!

The Signal Watch PodCast · Movies of Doom

Verhoeven Watch: Benedetta (2021)

Watched:  04/01/2021

Format:  Hulu

Viewing:  First

Decade:  2020's

Director:  Paul Verhoeven

In the wake of Showgirls, I was curious about what Verhoeven is up to these days.  I knew he'd more or less self-exiled to Europe.  For a director I like, I really hadn't seen his post-90's stuff, so when Justin alerted me Verhoeven had put something out last year, I gave it a whirl.

This is, as we used to say, a Stefon movie.

It's a hell of a thing to watch right on the heels of Showgirls, as this is a movie about nuns, faith, politics and religion, plagues, religious fervor, power dynamics, relativism in truth and morality, and - because it's Paul Verhoeven - eroticism and sexy nuns.  It's also loosely based on real events, changed enough it's not historical fiction in most ways, but... yeah.  Some of this is documented.