Watched: 02/18/2022
Format: Amazon
Viewing: Unknown
Decade: 1980's
Director: Michael Mann
This is not a good movie, but it is a fascinating movie. If you hate Nazis (and I do!) it's not unappealing to see a supernatural force take them apart.
I found out during this viewing that I had been given some wildly inaccurate information about the origins of the film - that it was based on a Richard Matheson novel (it is not) and that in the original novel, it's Dracula in the Keep, thus the Carpathian mountains (completely and utterly wrong). Frankly, having read the description of the novel, I like the idea of Dracula cooling in a Keep in the Carpathians a whole lot more than the description of the novel, which sounds like a very matter-of-fact fantasy novel that would not be my jam.
The appeal of the film is in watching early Michael Mann with a budget and - if you're so inclined - a Tangerine Dream score that matches the action. It's a dreamy, music video of a movie with minimal dialog and falls squarely in a rare 20-year period where that was maybe fine in film. Before, people would not have known what you were doing, and after, movies started filling in every crevice of a film with wall-to-wall exposition.
I was pleased the assembled watch-partiers were more or less fine with the movie, all things considered. I guess when Sheena was our last touch-base, this is like Citizen Kane.
Anyway, there's some interesting dynamics at play as it's clear the main evil supernatural force is a big ol liar and the promise that he may just murder his way to Berlin and melt Hitler is a bit of bullshit to convince Ian McKellan to help him out, but for a brief moment, you think "well, maybe we can let this extradimensional being tear shit up. Enemy of my enemy, etc..." Also, the movie makes a fine point about how citizens can get caught up in the bullshit of their nation's leaders and become subordinate to the true believers, who generally are not the kind of folks who really want to have to answer to.