Ronnie Spector Merges With The Infinite

 

Singer Ronnie Spector, most famous for her work with the Ronettes, has passed.

Just two weeks ago I was checking to make sure I still had my signed copy of her CD.  

I went through my obligatory Phil Spector phase in college, and came out a bonafide Ronettes fan.  They don't have that many tracks, but what they did put out was all gold, and you hear their stuff all the time, especially at Christmas.

Jamie and I saw Ronnie back in 2017 at the Paramount - where we happened to run into SimonUK.  It was an amazing show, and I'm so glad we could do it.

We'll miss you, Ronnie.

Courtroom Watch: Witness for the Prosecution (1957)

Watched:  01/10/2022

Format:  TCM

Viewing:  First

Director:  Billy Wilder

Look, I refuse to talk about the contents of this film.  Go into it knowing nothing as Jamie and I did, and you won't be sorry.  

Here's something fun - I've had this movie on my DVR for years, one way or another.  I've been meaning to watch it, and somehow it just never made it to be the next thing I watched.  Which is crazy.  But every once in a while I'd be reminded of the talent in the movie, all of whom I like, and after a recent convo with Laura, thought "man, I just need to watch this at long last."  And then TCM played it around Christmas and I recorded it again!

Directed by Billy Wilder from an Agatha Christie play.  Starring Charles Laughton, Tyrone Power, Marlene Dietrich, Elsa Lanchester, Una O'Connor, and the always impossibly old Ian Wolfe.  

It's basically a murder mystery starting with a suspect (Power) being brought to Laughton, a barrister, so he can defend him when he gets arrested.  Marlene Dietrich plays Powers' wife.  

There's 10,000 words to write about Dietrich, but plenty of others have already done it.  So, go find them. She earned them.  

But, also, delight in Lanchester and O'Connor in a film together again, where, once again, they share no scenes.

90's Re-Watch: Muriel's Wedding (1994)

Watched:  01/09/2022

Format:  HBOmax

Viewing:  Unknown

Director:  PJ Hogan

Back in the long, long ago Muriel's Wedding (1994) was a movie I watched over and over.  I'm not really sure why.  It's a good movie, it's funny, it's a bit moving here and there.  It seems like an odd thing for a 20 year old dude to decide he's going to watch over and over, but here we are.

But I also don't think I'd seen it again in two decades.  It's been a really long time and I don't recall owning it since VHS.  

An Australian made movie, it did bring Toni Collette and Rachel Griffiths to the attention of American audiences when it arrived here (I think it was showing in Austin in Spring of 1995 and I watched it probably at The Dobie).  It was, in general, an interesting era for Australian and New Zealand film as it seemed like Campion was doing her thing, Peter Jackson was freaking everyone out, Pricilla, Queen of the Desert won hearts and minds, and Baz Luhrman's Strictly Ballroom was big for indie film fans.  

Disney Watch: Encanto (2021)

Watched:  01/08/2022

Format:  Disney+

Viewing:  First

Directors:  Jared Bush/ Byron Howard/ Charise Castro Smith

Disney has really doubled down on the "here's a big ol' metaphor, but we're also going to explicitly spell it out" style of storytelling that Pixar's been doing for a while.  That's not a dig.  You're playing to an all-ages audience that needs some hand-holding, and in general, for who these movies are for, I think it works.

I'm not surprised I liked Encanto (2021).  I'm honestly far more surprised when I am not onboard with a Disney film or find it just "meh".  After deconstructing the idea of the Princess movie with Frozen and Tangled, and doing some fun character stuff with Wreck It Ralph, essentially doing a family dramedy is a good pivot.  And it's kind of remarkable we're in an era where we aren't depending on wicked stepmothers and cheesed-off sorceresses to tell a story.  Sometimes the conflict can be person vs. themselves.  But this one also has baked in protagonist vs. society and fate, I guess.  

There's a lot going on.

Re-Watch Watch: Barb and Star Go to Vista Del Mar (2021)

Watched:  01/07/2021

Format:  Hulu

Viewing:  Second

Director:  Josh Greenbaum

Barb and Star Go To Vista Del Mar (2021) is now on Hulu, and you owe it to yourself to watch this movie.

This may be my favorite comedy (movie) of the last 15 years.  Which maybe says something about me?  I don't know.

PODCAST 178: "Zulu" (1964) - A SimonUK Cinema Series Episode w/ Ryan

Watched:  01/04/2021

Format:  Tubi

Viewing:  First

Decade:  1960's

Director:  Cy Endfield

For more ways to listen

SimonUK and Ryan hold their ground against impossible odds in a trap of their own making! We talk the 93rd ever best British film, bringing our tiny squad up against the overwhelming force that is a film epic all about Britain's red-coats and the sun never setting on the empire and whatnot. It's a movie of it's time in some ways, and maybe more progressive a film than you're figuring for 1964.

The Signal Watch PodCast · 178: "Zulu" (1964) - A SimonUK Cinema Series Episode w/ Ryan

Music:

Zulu Suite - John Barry

SimonUK Cinema Series

The Signal Watch PodCast · SimonUK Cinema Series

Sidney Poitier Merges With The Infinite

Screen legend Sidney Poitier has passed.  One of a handful of actors who truly helped change the world.

Peter Bogdanovich Merges With The Infinite

Peter Bogdanovich, director, historian and Hollywood icon has passed.  

TV Watch: Queer Eye - ATX Edition

So, back in 2019 word got out that Netflix's reboot of Queer Eye was coming to my hometown, Austin, Texas.  I've seen most of the original series from the early 00's and all of the reboot series.  Given Austin's unique physical and political location, I thought - yeah, that'll work.

Austin sits on the edge of the Texas Hill Country, and while the eastern portion of town is mostly flat to rolling fields, the further west you head through town, the higher the hills.  It's a mix of lovely green trees and white limestone, and in the more densely populated areas, people do try to make the most and beautify through art and color.  Most of the new skyline defining architecture I find intensely boring, but there are a few stand-outs (the new Google building is amazing).  All of which looks swell on camera.

Doc Watch: Beanie Mania (2021)

Watched:  01/01/2021

Format:  HBOmax

Viewing:  First

Director:  Yemisi Brookes

Hoo-boy.  I think I have more to say about the topics covered in Beanie Mania (2021) than I have to say about the film itself.  

But, so.  

Beanie Mania covers the 1990's Beanie Baby fad and tulip-like frenzy around the little doorstops that became an obsession with some people at the time.  There are interviews with people who were Beanie celebrities, former employees of Ty (the company that made the bean bags), with distributors and a last, passing glance at how YouTubers are maybe reviving Beanie Mania.  

It collects news stories and people who were there at the time are remarkably candid about what they did and why and what was happening.  And many of them are still in the Beanie Business, which is still a thing, I guess (look, eBay has taught us secondary markets are there for *everything*).  There's no gory murders of sex scandals, but it is fascinating to remember that this really was a nation-wide obsession for a minute there, and that it really tapped into so many parts of how we can project our hopes and dreams into something as ridiculous as a bean bag made to look like a frog.