Halloween Watch: Halloween (2018)

Watched:  10/05/2021

Format:  Amazon

Viewing:  First

Decade:  2010's

Director:  David Gordon Greene

When I heard David Gordon Greene, Danny McBride and Jamie Lee Curtis were involved, for once, I was not skeptical of a new installment in the Halloween franchise.  

Look, I am sure seeing - and thoroughly enjoying - the original Halloween when I was fourteen means I can't really be objective about that 1978 film.  I was already roughly a fan of Curtis in 1989 when I saw it, and the movie is - for this blogger - the platonic ideal of a slasher horror film.  In many ways - after Halloween, you either up your game or what's the point?  

Like Meyers the character, the 1978 movie itself is a single-minded shark, moving forward and striking.  It's fatless meat and bone, giving just enough character to Laurie Strode and her friends to make you actually care when kitchen knives get deployed.  And, of course, we only get the crucial details about Michael.  The horrifying incident as a child that indicates how broken he is, and then Loomis letting us know:  "oh, yeah, he's bugfuck crazy.  We need to stop this maniac."  (That's his doctor.) provides a villain who simply is.

Halloween Price Watch: House of Wax (1953)

Watched:  10/04/2021

Format:  Amazon

Viewing:  Third

Decade:  1950's

Director:  André De Toth

I knew I'd seen this one again in recent years, and here's that post from 2012.  The one thing I'd walk back from that post is - yeah, this is necessary viewing.  I dig it.  You should watch it.

The movie has a terrific cast, great sets, really good make-up and costuming.  It feels high budget (I genuinely don't know if the listed $1 million budget was high or not.  I see Gentlemen Prefer Blondes, that same year, was $2.3 million, for comparison, and that movie looks super expensive.).  But, House of Wax made that budget back twenty-times over, including a couple of re-releases, one in the 70's.

The movie was also originally in 3D, and one day, maybe Alamo Drafthouse will show this in 3D.  That would be great.  I mean:  it's got an extended paddle-ball sequence that demands to be seen in 3D.  

Halloween Hammer Watch: The Gorgon (1964)

Watched:  10/02/2021

Format:  BluRay

Viewing:  First

Decade:  1960's

Director:  Terence Fisher

This particular film seems to get a lot of mentions as part of the non-Universal-remake horror output of Hammer Studios.  It's part of a 30-film set Jamie got me last Christmas that we haven't spent much time with - but Halloween seems like a fine time to do so.  

I was deeply curious what something as complicated as a Gorgon might look like on a Hammer budget, and now I know.  And now you know:

if you're trying to place it, it's "Mrs. Roper with snakes".  You're welcome.

DCU Animated Bat-Watch: The Killing Joke (2016)

Watched:  10/03/2021

Format:  HBOmax

Viewing:  First

Decade:  2010's

Director:  Sam Liu

Look.  This... should never have been a movie.  I know what DC/ WB Animation was thinking, but I have no idea what DC/ WB Animation was thinking.

Winding it way back, in 1988 I would have been about 13 when I stumbled across The Killing Joke as a comic book.  And, yes, at one point I had a first printing of the comic, which rises and falls in value on a regular basis.  

It's worth noting - Moore and Bolland were commissioned to do the comic en route to the Keaton-starring Batman movie.  Moore now distances himself from the comic as he has all things DC.  It was, I assume meant to be something of the moment and to give people curious about Batman and the Joker and modern comics something they could pick up as a "graphic novel" at B. Dalton Booksellers.  

This was the era just before 1989's Batman movie, and DC was pushing occasional random things out there and making sure to have collections on the shelf of Year One, Year Two, Dark Knight Returns and the ever popular Greatest Joker Stories Ever Told.  A beautifully crafted story by Alan Moore and Brian Bolland was a slam dunk - focusing on Batman and the Joker to give it synergy - what could go wrong?

Your answers are multiple choice.

PODCAST: "Halloween 2" (1981) and "Halloween 3" (1982) - a Halloween Sequels PodCast w/ Simon and Ryan

Watched:  07/27 + 28/2021

Format:  Amazon Streaming

Viewing:  First on both

Decade:  1980's

Director:  Rick Rosenthal/ Tommy Lee Wallace

For more ways to listen

Simon and Ryan delve into the sequels of some Halloween and horror greats, returning to the scene of the crime with a mix of technology and magic! Join us as we discuss the follow ups to a bona fide classic - one a direct sequel and one a terrific deviation from the formula! Plus: ATKINS. Come spend a spooktacular hour with your two (g)hosts, in a continuation of a Halloween series!

The Signal Watch PodCast · 162: "Halloween 2" (1981) and "Halloween 3" (1982) - Halloween 2021 w/ Simon and Ryan

Music

Three More Days to Halloween - based on London Bridge - I'll blame the screenwriter

Halloween II Theme - John Carpenter w/ Alan Howarth

Halloween III Theme - John Carpenter w/ Alan Howarth

Halloween 2021 Playlist

The Signal Watch PodCast · 162: "Halloween 2" (1981) and "Halloween 3" (1982) - Halloween 2021 w/ Simon and Ryan

Halloween Watch Party: Dracula (1931)

 

Watched:  10/01/2021

Format:  Amazon Watch Party

Viewing: Unknown!

Decade:  1930's

Director:  Todd Browning

My friends, I have written and spoken more on Dracula than makes sense.  It was super fun talking with people over the movie on Friday night, tho.  Hope everyone had a spooky good time!

Halloween Watch: Dr. Jekyll & Mr. Hyde (1932)

Watched:  10/01/2021

Format:  TCM

Viewing:  Unknown.  Third?

Decade:  1930's

Director:  Rouben Mamoulian

Because this movie was released via Paramount versus Universal, it hasn't quite got the same visibility as the Universal Horror films over the past 90 years.  You don't see Hyde cavorting with Creatch or Drac.  He's a bad fit if Frankenstein or the Wolfman are looking for a scrap.  But he's still crucial to the movement of horror films, pushing special effects and getting top performances out of the cast (and it looks AMAZING.  The sets in this thing...).  

Based upon a novella by Robert Louis Stevenson, Paramount took the production seriously, and it wound up nominated for Academy Awards, and March took home the statue for Best Actor.  And - I'll argue - he deserves it.  And he film deserves accolades for design and effects alongside the Universal films, even if nothing about this movie goes in for gigantic gothic sets.  Plus, there's some fascinating POV work in the film, putting us in Jekyll's place seemingly to make a point.  

Friday Hallow-Scream Watch Party: DRACULA (1931)

This Friday we kick off our Universal Monsters Hallow-Scream Watch Party 

Join us as we watch one of the movies that launched a movement!  It's not the first, or even the best, but it's certainly one that was a MONSTER hit and solidified Dracula as a pop culture figure for a century to come.  

Come find out what movies, plays, cartoons and candy mascots have been ripping off for 90 years!  Behold:  spooky armadillos, rubber bats, boring virgins, terrific cinematography and Dwight Frye just freaking out the squares.

Day:  Friday, October 1

Time:  8:30 Central, 6:30 Pacific

Format:  Amazon Watch Party

Cost:  $4.00

LINK HERE TO JOIN US

Our Schedule:  

8:30 PM Central/ 6:30 Pacific for all shows!

October 1 -   Dracula (1931)

October  8 -  Frankenstein (1932)

October 15 - Bride of Frankenstein (1935)

October 22 - The Wolfman (1941)

October 29 - Creature from the Black Lagoon (1954)

Unrelated:  Horror podcast episodes!

The Universal Monsters Hallow-Scream Watch Party series is meant to be a casual good-time as we check out the run of horror movies that started with Dracula and have become staples of culture the world over!  Everyone knows what these monsters look and act like, but it's probable most people haven't ever actually seen the movies they're in!  So, come watch!  

Starting just two years after the silent era, these movies quickly became the blockbusters of their day, bringing strange ideas most people hadn't considered, wild visuals, and complicated creatures to the screen.  And, ever since, studios have been looking to recapture this particular lightning in a bottle.

We think you'll enjoy watching along and checking out the creepfest that is Universal Horror!

Noir Watch: Hell Bound (1957)

Watched:  09/30/2021

Format:  Noir Alley on TCM

Viewing:  First

Decade:  1950's

Director:  William J. Hole  Jr. (what a name)

Confession - I sort of 3/4ths watched Hell Bound (1957).  I watched it from beginning to end, but was checking email and whatnot.  

It's a low-budget/ poverty-rowish crime caper, complete with post-Naked City heavy-handed voice-over in a bizarre film-within-a-film conceit.  It's a heist picture, and I genuinely wish I'd paid more attention (and will rewatch at some point), as this one does a surprisingly good job of setting up "here's how the heist will go" and "here's how none of those carefully planned steps worked out" as the characters pursue their own vices and agendas.  Classic heist stuff.

In some ways, heist pictures and books speak to me as a Project Manager.  It's a funky angle, but there's always a plan you're supposed to be sticking to, and then the job becomes about wrangling cats and dealing with unforeseen complications.  You can plan, but God laughs, etc...

You're mostly not going to know the talent.  There's a "that guy" I think I know from Dark Passage, but everyone else was a bit of a mystery.  The movie does give a role to Miss January 1957, and she's good!  She went on to a long career (and married one of Ozzie Nelson's kids for a while).  

Mostly - it's got some great street-level photography of Los Angeles, some of it probably shot guerilla style.  But especially the back 1/3rd has some memorable stuff as our lead antagonist runs like hell through industrial ports and junk yard (seeing the stacked street cars waiting to be scrapped is a punishing image).  

Anyway - I'll definitely rewatch at some point.   

TL;DR: The New 52 - 10 Years later - from a guy who just buys comics

Polygon recently ran an oral history of the New 52 effort from DC Comics.  It features then DC Co-Publisher, Dan Didio, as well as a number of writers from the era.  It's a fascinating article for a lot of reasons, in part because of what those interviewed considered success and good ideas, and it seems that at least one person seems to have some difficulty separating fact from fiction on a few points.

A lot of talent - writers, artists and editors - seem to have turned down Polygon's request for an interview, some even citing that working on the New 52/ Nu52 was so unpleasant, they'd rather not talk about it.  So the number of voices that you'll see represented are minimal and probably well insulated from being seen as "difficult" or "willing to talk" by the current folks in charge.  After all, it's a tiny industry, and speaking out of turn even about deposed rulers can still label you as a problem.

In my opinion, reading the article, it's shocking how little self-reflection has occurred and how little awareness at least Dan Didio has about how it all ended - eg: being shown the door in early 2020 - just as he was gearing up to do a redux of New 52 and literally needed to be stopped.

Well, here's my history of DC's  New 52 publishing adventure as I remember it.