Tuesday, April 27, 2021

Watch Party Watch: Voodoo Woman (1957)




Watched:  04/26/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1950's
Director:  Edward L. Cahn

So, Voodoo Woman (1957) is a low-budget picture released through API that's more or less a jungle horror adventure aimed at teens, I think.  

The plot gives us the ruthless Marilyn (Marla English) who wants GOLD in the jungle, I think.  Anyway, she dupes a local barkeep into funding her as she talks her would-be boyfriend (Lance Fuller) into going out there, along with a hired guide/ tough guy (Touch Connors).  But - whoops - they're headed for a village where voodoo magic is melding with mad science as colonialist scientician Dr. Roland Gerard (Tom Conway) is working with local tribes people who perform voodoo to (a) prove you can transform a person into a sort of Voodoo Monster, and (b) use science to keep them in that state.

I won't bother you with more details.  It's a movie that is rigidly against more than three set-ups per scene, doesn't make much sense, but has both an AMAZING monster suit for the titular Voodoo Woman and Marla English is terrific as the scheming evil-lady at the center of the picture.  

Go in expecting a movie-serial-level production and you'll be fine!  

Monday, April 26, 2021

PODCAST: "Blade Runner" (1982) - a Signal Watch Canon episode w/ Ryan and SimonUK


Watched:  04/19/2021
Format:  BluRay - version - The Final Cut
Viewing:  Unknown
Decade:  1980's
Director:  Ridley Scott


More PodCast than PodCast, that's our motto! Ryan and SimonUK sit down and check our emotional response to this 1980's favorite of design and theme! There's nothing artificial about how we chase down one of the best of the sci-fi genre that defined an aesthetic, crossed genres, and asked the big questions.


Music:  
Blade Runner Main Theme - Vangelis, Blade Runner OST
Tears in Rain - Vangelis, Blade Runner OST


Signal Watch Canon:

Art House Watch: In the Mood for Love (2000)




Watched:  04/25/2021
Format:  Criterion Channel
Viewing:  First
Decade:  2000's
Director:  Wong Kar-wai

Still processing this movie.  Stunning.

Clearly Hong Kong based and created melodramas are a bit out of my wheelhouse, but there's much here to admire, from the cinematography to the restrained, lovely performances of Maggie Cheung and Tony Leung.  

I've been meaning to take in some Wong Kar-Wai movies for... about 25 years.  Well worth the wait.  I admit what triggered me to take a look was that Tony Leung will be in Shang-Chi, and I remembered "oh, yeah...  some Wong Kar-Wait stuff is on the Criterion Channel right now..."

Anyway, will definitely watch again.  Lovely, and I wish I'd seen it on the big screen.

Sunday, April 25, 2021

Watch Party Watch: Crawl (2019)




Watched:  04/23/2021
Format:  Amazon Watch Party
Viewing:  second!
Decade:  2010's
Director:  Alexandre Aja

This is the second time I saw this.  It was a good movie for a crowd with lots of go-to jokes about injuries minor and fatal.

SimonUK and I discussed my love of movies about animals eating people on a prior podcast about Crawl.  


Super Watch: Thunder Force (2021)




Watched:  04/24/2021
Format:  Netflix
Viewing:  First
Decade:  2020's
Director:  Ben Falcone

Look, this movie is exactly what it looks like and exactly what you expect.  It feels like it fell out of the 1990's in a lot of ways, but is totally fine.

Saturday, April 24, 2021

Hamilton Watch: Black Moon Rising (1986)




Watched:  04/23/2021
Format:  Amazon Prime
Viewing:  Second
Decade:  very, very 1980's
Director:  Harley Cokeliss

When you're a kid, you kinda like everything you see, and then - one day - you admit "that... maybe was sort of boring, or not what I wanted to watch".  The excitement of "movie" fades away, and you're admitting to yourself - even if the poster contained a cool car, a cool dude and a pretty lady, maybe that movie was not as good as the poster promised.  

I don't remember anything about Black Moon Rising (1986) from when I watched it on cable or VHS as a kid except that I didn't much care for it.  Well, I'd totally forgotten that the movie had any other known actors other than a pre-fame Tommy Lee Jones, but I was looking at it for a Friday night watch party and realized "oh, wow, this has Linda Hamilton!"  And I like me some Linda Hamilton.

Anyway - Linda Hamilton is probably one of two reasons to watch this movie.  She's doing her best in a movie that flatly doesn't deserve it.  She's wearing a crazy wig in the first scenes, so don't freak out when you see her in a doofy haircut.  The other reason is to see the kooky car they cast as The Black Moon.*

A deeply NOT street legal vehicle that looks designed to murder pedestrians and corner poorly, The Black Moon has turbo-boost, something we'd all seen on Knight Rider for years by the time this movie came out.  

Really, aside from Linda Hamilton's briefly glimpsed self, it feels a bit like a network TV movie.  

What's most alarming is that the titular car of the film is barely in the movie - you see more of Jackie Chan's supercar in Cannonball Run II.  And, as I mentioned, the movie doesn't do much with the car being "super".  In the same era as Blue Thunder, Air Wolf, Knight Rider, Street Hawk, etc...  putting a car out there as the central conceit better have *some* hook.  But, really, this movie is about the car getting boosted by Robert Vaughn's apparently wildly profitable car theft ring - a business so profitable I think they're suggesting he's building two skyscrapers in LA on the profits.  

Jones plays a thief in the employ of the US government who has stolen some data from Lee Ving of punk band Fear and, stumbling across the team bringing The Black Moon to LA to show it to investors, hides the data in the car...

You know what?  This movie isn't really worth a synopsis.  I can't recommend it.  It's slow as a heist movie, Jones isn't even great.  I read he was boozing a bit during this time, and that may be it.  Hamilton is fine, but she can't save this wreck.  

But, yeah:  Robert Vaughn, Linda Hamilton, Tommy Lee Jones, Bubba Smith, Lee Ving, Richard Jaeckel, William Sanderson, Keenan Wynn, a baby Nick Cassavetes...  it's kind of wild seeing all the folks go by.  The movie has a writing credit by John Carpenter, and advertised itself as "from the mind of", but it's telling that imdb trivia states he'd never seen it.

Oh well.  We can all still like Linda Hamilton.



*the wacky looking car is actually a fake version of the 1980 Wingho Concordia II, a real and unique car.

Doc Watch: Dangerous Days - Making Blade Runner (2007)




Watched:  04/21/2021
Format:  BluRay
Viewing:  First
Decade:  2000's

For, really, the hardcore Blade Runner fan, Dangerous Days (2007) tries to put the documentary treatment to much of the same ground as Paul Sammon's book, Future Noir: The Making of Blade Runner.*  It's definitely its own thing, and they cover different but overlapping territories.  There's participation from darn near everyone - and who knows who they left on the cutting room floor.

But, yeah, from coffee shop conversations about "you should adapt this novel" to "huh, looks like we made a cultural juggernaut", and everything inbetween, it's an expansive view of not just the vision and why's and wherefore's of this very special film, but a look at the machinery of movie-making that's only got one layer of gloss.  25 years after the fact, people are more generous with each other, even if you do wind up with conflicting versions of events here and there.  

Worth it for the behind-the-scenes looks as much as the interviews, but... just know as I did not when I started the doc - it's 3.5 hours.  Break it up into a 2 or more viewings.  It has handy chapter sections, so feel free to turn it off and come back.  




Coincidentally, this is the first book I ever purchased through Amazon.  

Friday, April 23, 2021

Watch Party Watch: Yog - Monster from Space/ The Space Amoeba (1970)




Watched:  04/19/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1970's
Director:  Ishirō Honda

This movie is not about an amoeba from space.  

I don't remember anyone calling the thing that does show up "Yog".  

It is about a sort of pile of glowing animated dots from space.  But that's not really an amoeba, is it, movie?

The blob of lights keeps infesting local beach creatures which turns them into rampaging kaiju, which creates a hard time for our friends who want to build a hotel on a remote island.  

Anyway, it's a lot of quality nonsense.  

Friday Night Watch Party: Crawl (2019) - let's watch alligators do what alligators do!



Well, we're back on the "let's watch animals eat people" thing, but a much newer movie!  And in Florida!

Let's watch people be somewhere they shouldn't and alligators looking at it as a buffet.

Day:  Friday - 04/23/2021
Time:  8:30 PM



(I believe you can actually hear Barry Pepper yell "My leg!" in the trailer around 1:04)

Monday, April 19, 2021

PODCAST: "Cool Hand Luke" (1967) - a Signal Watch Canon Episode w/ MRSHL and Ryan




Watched:  02/10/2021
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1960's
Director:  Stuart Rosenberg


We're discussing our personal canon, and to that end, Marshall and Ryan do not fail to communicate about one of the best movies of the New Hollywood era. Join us as we talk prison movies, analogy, and using film to reflect upon the wider world. Come on! It's one of the greats of American cinema starring one of the greats of American cinema! Come give us a listen.


Music:
Main Title and End Title - Lalo Shifrin, Cool Hand Luke OST


Signal Watch Canon: