46

Dream Operator

Talking Heads - True Stories

When you were little

You dreamed you were big

You must have been something

A real tiny kid

You wish you were me

I wish I was you

Now don't you wake up

The dream will come true

Every dream has a name

And names tell your story

This song is your dream

You're the dream operator

It's bigger than life

You know it's all me

My face is a book

But it's not what it seems

Three angels above

The whole human race

They dream us to life

They dream me a face

And every dream tells it all

And this dream is your story

You dreamed me a heart

You're the dream operator

Shake-it-up dream

Hi-di-ho dream

Fix-it-up dream

Look at me dream

I've been waiting so long

Now I am your dream

Hard to forget

Hard to go on

When you fall asleep

You're out on your own

Let go of your life

Grab on to my hand

Here in the clouds

Where we'll understand

And you dreamed it all

And this is your story

Do you know who you are?

You're the dream operator

And you dreamed it all

And this is your story

Do you know who you are?

You're the dream operator

Watch Party Watch: Danger Diabolik (1968)

Watched 04/09/2021

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1960's

Director:  Bava

I mean, man, you had to be there

Legal Thriller Watch: Presumed Innocent (1990)

Watched  04/09/2021

Format:  HBOmax

Viewing:  Second

Decade:  1990's

Director:  Alan J. Pakula

It's fair to say, that when I saw this at age 16 or whatever it was (I would have been 15 upon the film's release, and didn't see it in the theater) I followed the plot, but I didn't "get" the film.  Recently I was discussing this film with some folks who said it was a good neo-noir, and I should give it a shot, so I did.  What the hell else am I doing?

I'd literally forgotten I'd seen the film until reading the synopsis on wikipedia, and realized I had, in fact, seen it, but didn't remember which of the circa 1990-era adult court mystery dramas I was thinking of when and if details from the movie crossed my mind.  Firstly "Presumed Innocent" is as untelling a title as what often gets applied to noir.  Second, until about 1997, I think every fifth movie coming out was an actor in a suit going to court for some reason or other.

So, yeah, seeing a film about betrayal in a marriage and the fallout wrapped up in a mystery, semi-erotic thriller works far better at age 46 and with 21 years of marriage under your belt.  Also, realizing how *good* everyone is in this movie was a delight.  And goddamn the early passing of Raul Julia, who was amazing here.

Pig Watch: Babe (1995)

Watched:  04/05/2021

Format:  DVD

Viewing:  Unknown

Decade:  1990's

Director:  Chris Noonan

When Jamie and I started dating, I recall one of the things we agreed upon was Babe (1995), the movie about a polite little pig who unwittingly dodges the carving knife over and over while a quiet farmer recognizes his potential and figures him for an excellent sheep dog pig.  

I don't recall exactly why I saw Babe, but for a streak from 1995- 1999 or so, I was at the movies 3 times per week or so, watching a good chunk of mainstream cineplex content, but also hitting Austin's Dobie and Village theaters to catch the "college rock" options when it came to movies.  What I can remember is my utter shock at how *good* the film was.  I hadn't read any reviews, I really expected it to be a goofy little kids movie, and I kind of stumbled out into the sun afterwards unsure of what I'd seen.

And, believe me, sitting around drinking beers with your pals fresh back from summer and saying "you know what was really good that I saw this summer?  Babe, the movie about the talking pig."  This is early-days film school where everyone's trying to prove they've seen the coolest, artiest stuff and where people rolled their eyes at you for talking about techniques from Star Wars, so  - to suggest that a movie was something that they had decided it was not - was taken about as well as the idea of a pig herding sheep.  

Watch Party This Friday - It's Gonna Cost Something - Danger Diabolik (1968)

Next Monday is my b-day, so I'm picking a movie for this Friday with no consideration for others, and all of y'all can deal with it.  

But I am a fair and just ruler of the Friday Watch Party, so I wanted to let people know in advance - it will cost a few bucks.  One does not simply stream Danger: Diabolik for no extra cost on Amazon Prime.  So, get your moneys together.

If you've not seen Danger: Diabolik, it's more or less the story of a super-villain in a world with no super-heroes.  So, it's just a whacked out dude with a secret HQ and a costume tearing shit up for about 100 minutes, and to a goofy score that will lodge in your head forever.

Directed by Mario Bava, and filmed in Europe doubling as maybe America? it's a super funky answer to the super spy craze and seems like something Amazon should be developing as a show.

Day:  04/09/2021

Time:  8:30 Central

Where:  Amazon Prime Watch Party

LINK HERE

Ida/ Noir Watch: Woman in Hiding (1950)

Watched:  04/08/2021

Format: BluRay

Viewing:  First

Decade:  1950's

Director:  Michael Gordon

Well, it's still coming up on my birthday, and Jamie said "watch whatever, it's your b-day."  And, with a Totter movie cleared we moved on to Ida Lupino.  Well, friends, while it may have started pre-pandemic, Jamie has thrown in with the Ida Lupino Fan train the past year, for sure.  So, this selection was saluted.

I'd not previously seen Woman in Hiding (1950), but picked it up cheap on BluRay, because: Lupino.  

I will argue that the noir movement splintered into several familiar genres, from the erotic thriller to the Lifetime Network's basic movie programming.  Film's with "women in peril" such as Sudden Fear and Beware, My Lovely - which definitely have precedents from the start of film found a home in the crime genres of the 1950's, doubling as "women's films" with plucky heroines (scared out of their minds) and some chisel-jawed dude who might come to the rescue.  By the early 00's: I mean - have you seen the names of movies on the Lifetime Network?*

Woman in Hiding follows Ida Lupino playing the daughter of a wealthy mill-owner in small-town North Carolina.  After the accidental death of her father, she marries the factory foreman, only to be met at their honeymoon cottage by a young woman informing Lupino "he was my man, he married you for the mill, and he probably killed your dad."

Freaked out, Lupino goes into HIDING (see - the title is accurate).  Here she meets Howard Duff (whom she's marry the next year) and shenanigans ensue.  

The film does contain a drinking game noir item - there's a convention in the hotel where they're staying.  

The film co-stars the lovely Peggy Dow in one of her very few film roles - she was also in the film version of Harvey that same year - and she was out of movies by 1952.  Which is a shame - she's great here and totally different from her character in Harvey.  

It also stars "that guy" actor Taylor Holmes, as well as Don Beddoe.  

This isn't my favorite Lupino role, but that's the script more than anything she's doing.  But, man, when confronted by Dow's character with what her new husband of less than a day may have done - she's got a lot to do there and nails it.  

Special nod on this one to cinematographer William H. Daniels.  He manages to get in some great stuff, especially in the sequence on the stairwell, on the bus and in the finale sequence.  Gorgeous looking noir stuff.  And letting the drafts in the stairwell kick at Lupino's skirt of her dress was pretty great (and likely a happy accident).  

*it's a parade of playing on paranoia re: domestic insecurity mixed with actual issues of domestic trauma, and it's a wild ride that Lifetime programs that shit 24/7 and then flips to "and now two months of movies about Santa being your boyfriend's dad".

Totter Noir Re-Watch: Tension (1949)

Watched:  04/07/2021

Format:  TCM on DVR

Viewing:  Unknown

Decade:  1940's

Director:  John Berry

It's relatively near my birthday, and so Jamie said "watch whatever you want", and-  me being me - I'd been wanting to watch Tension (1949) again as it had been a while.  

If you've not seen Tension, which Jenifer introduced me to years ago, thereby doing me the lifelong solid of introducing me to Audrey Totter's work, you should!  It's noir, but kinda goofy, has a career high performance for Totter as the femme fatale, Richard Basehart playing Richard Basehart, and Barry Sullivan and William Conrad as two cops I would have followed in any number of movies as they strode into rooms like they owned the place everywhere they went.

Weirdly, the film stars Cyd Charisse in a non-dancing role, something MGM must have been trying on for her to see how far she could push her acting chops.  And she's pretty good!  But mostly her job is to look lovely and be concerned about Richard Basehart, so she wasn't about to give Bette Davis a run for her money at this point.  

I won't describe the movie as "camp", but it's certainly a goofier entry in the annals of noir.  From the hook of the plot to the strategy of the cops trying to sort it all out, and topped by Totter's Claire Quimby - a whirlwind of badgirl behavior - it's a dang entertaining film.  You won't compare it to, say, The Third Man, but it does reward rewatching once you're familiar with the characters.  

Claire Quimby married Warren as a way out of whatever her life was in San Diego and because he was cute in a uniform.  He seemed like he was going places - but now she's living in a dingy apartment as Warren works 12 hours night shifts 5 days a week as a pharmacist, scrimping and saving to get her to the middle class life he thinks they both want.

Watch Cyd Charisse just want to smack the living hell out of Totter (but she's too nice)

At night, she's actually cruising the lunch counter in the pharmacy, looking to get picked up by guys who can show her a good time or provide her with her next step up (and with the looks to make it happen).  She runs off with a guy with a flashy car and a beach house, and Warren's attempts to get her back flop - he's beaten up and humiliated.  

SPOILERS

Thus, Warren dares to wear 1940's hard contact lenses to change his appearance, and creates a secondary life for himself as "Paul Southern", creating a persona unrelated to Warren so that the cops will look for this Southern person instead fo Warren when the time comes to kill Barney and reclaim his wife.

But - he meets Cyd Charisse, who apparently doesn't meet many men, because despite being Cyd Charisse, she's available and latches on to the mysterious cosmetics salesman who moved in next door.  Warren kinda realizes this murder scheme is dumb, his wife isn't worth it, and... hey... new girlfriend.  

Planning to let Cyd Charisse in on his charade and double life, he returns home, and so does Claire - letting him know Barney is dead.  

Enter our cops, trying to figure out what is going on with this weird couple - and so Barry Sullivan applies... TENSION.

IE: he sweats Warren and seduces Totter.  

Going for the Clark Kent Approved method of a "no glasses, different guy" disguise, was a pretty bold move in an era where Superman was already a pretty well-known figure.  But watching Sullivan deciding to go for Claire/ Totter, you really get the feeling he's okay with however this pans out and would take equal pleasure in jailing Warren and going to Acapulco with Claire or putting Claire away.  No big whoop.

END SPOILERS

It's a well shot, tight little film that does a lot with what it is.  And, really, it's a showcase for many of the things Totter does best when she gets to play a bad girl.  But add in a windy, multi-part plot and all the parties playing against each other, and while not exactly a mystery as to who did the murdering, it is a potboiler seeing how this thing will play out.

Anyway - can't recommend enough, if for no other eason than to see Totter's character's constant irritation with Basehart's character.  She is done, y'all.

Watch Party Watch: Lady Frankenstein (1971)

Watched:  04/06/2021

Format:  Amazon Watch Party

Viewing:  First

Decade:  1970's

Directors:   Mel Welles, Aureliano Luppi

For Jenifer's take, click here!

Weirdly, this European produced take on Frankenstein co-stars film great Joseph Cotten.  I have no explanation other than Cotten wanted to have a stay in Europe for a while and this work was easy and probably wouldn't be seen by Americans, especially fifty years later on personal computers.  But here we are!  

The basic set-up for the story is that the good doctor (Cotten) is getting set for his grand experiment to bring a human to life when his daughter (Rosalba Neri) returns from med school, a fully licensed surgeon with amazing hair.  He has a sort of side-kick who helps him out in the lab, as well as the usual grave-robber types hanging about.  

But when the monster springs to life, he is super into murder, and starts with Baron Frankenstein.  Well, funny story, because his daughter Tania is way more of a freak than he.  So, as the monster runs around murdering pretty much exclusively copulating couples (viva Italia), the NEW good doctor gets to work on a plan for creating her own monster who will kill the first monster.  WHAT COULD GO WRONG?

She first seduces and marries her father's invalid sidekick, then convinces him to undergo a brain transplant into the local handsome moron.  

You guys, I'm not gonna lie.  This movie has a ton of nudity and sex, and then you remember "oh yeah, this is an Italian horror movie.  They think Americans movies are way too tame."  And so.  But it also creates a certain very dark take on the proceedings as Lady Frankenstein herself manipulates the men around her and seems to thrill in the more sadistic elements of what's going on - leading to an ending that had our watch party basically saying "well, huh" as the film wrapped.

It IS a horror movie.  Horrible things happen!  Some of it was some weirdly dark content I did not expect from what seemed initially like a goofy Hammer knock-off.  Because, man, there are some sharp turns there in the second half.  

I'll at least say: it was never boring!  But it is absolutely not for everybody.  Did I like it?  I mean, I was entertained.  I'm not sure it was a good movie, but it at least surprised me and wasn't entirely camp.  So.  I dunno.  

PODCAST: "Godzilla vs Kong" (2021) - Kaiju Throwdown! Stuart and Ryan talk Monsterverse!

 

Watched:  03/31/2021
Format:  HBOmax

Viewing:  First

Decade:  2020's

Director:  Adam Wingard

More ways to listen

Ape V Lizard! Who will win? You, the audience. Stuart and Ryan have a monster of a conversation about the latest installment in the Godzilla and Kong franchises! It's a podcast of epic proportions as we talk about how we got here, what's worked, what hasn't, and head right for the center of the matter. Stop monkeying around and join us as we go nuclear on the most important film you'll see about an axe wielding ape this year!

The Signal Watch PodCast · 143: "Godzilla Vs Kong" (2021) - Kaiju Throwdown w/ Stuart and Ryan

Music:  

Pensacola, Florida (Godzilla Theme) - Tom Holkenborg, Godzilla vs Kong OST

Godzilla Cartoon Theme, 1970's

Ryan's Random Cinema

The Signal Watch PodCast · Ryan's Random Cinema

Neo-Noir Watch: Body Heat (1981)

Watched:  04/03/2021

Format:  Amazon Streaming

Viewing:  First

Decade:  1980's

Director:  Lawrence Kasdan

I'll go ahead and put this out there:  this may be the best of the neo-noirs I've seen, and most akin to the original noir movement.  

Also: finally watching Body Heat (1981) gives me a big clue as to how neo-noir took a left turn by the late 80's and saw a divergent strain that became the "erotic thriller", which, itself, had several branches on the movie cladogram.

Despite the popular vision of noir, it wasn't always sexy stuff with classy dames showing up in the offices of PI's desperate for help.  The movement encompassed a lot of takes on how things can go badly, and how lust could turn things sideways remarkably fast was just one (if a popular) angle.  Body Heat delivers a 1980's spin on the Joseph M. Cain flavor of crime melodrama that gave us Double Indemnity and The Postman Always Rings Twice.  No detectives here - just guys in over their head when they see a chance at romance with a woman out of their league (but aren't they all).