In a Time of Virus: Hell of a Year for a Fourth of July

I think a lot about that grotesque video of Donald Trump hugging and kissing a flag.  It's the act of an insincere buffoon putting on a show for other morons.  Of the 30,000 things he did that should have been a red flag to anyone considering where to place their vote, that image surely could have summarized exactly why this half-assed con-artist should have been left dealing with lawsuits and trying to sell his shitty products and run out of a presidential race on a rail.

That's the same flag people say they would "die" for (I am aware that's a symbolic statement, as much as the flag is a symbol).  But it's also the same piece of cloth that I recall people having serious discussions about creating prison time for anyone burning or desecrating (missing that whole First Amendment business, but, then, when haven't we?).

The United States is on fire enough that as other countries have flattened the curve, they've watched the US's nightmare of a response and put us on lists that suggest it may be years before Americans go abroad.  And I'm not sure that decision is just about COVID.

Twitter and social media have changed the world.  The carefully polished image of America that the post WWII planet received in exports of movies and television has been stripped away to show cops murdering and beating our citizens.  Lipitor customers stalk their front stoops with guns and their faces full of an insane combination of utterly unwarranted fear and rage as Black people walk by.  Our President gives increasingly unhinged interviews and speeches, and refuses to do a single goddamn thing to slow the course of a pandemic that is going to bury this country for years, or longer  if he wins the November election.  And all of that flows outward to nations who had their own dalliances with similar maniacs who seemed like a good idea at the time.

But, yeah.

Ennio Morricone Merges With The Infinite

Ennio Morricone, famed composer of film scores, has passed at the age of 91.

It's hard to measure the impact of Morricone's work.  He scored hundreds of films, shows and other works with a seeming endless variety to his work.  For American ears, he broke onto the American film scene as he shattered our expectations of what a Western might sound like and created an entirely new aural concept to match Leone's vision of the world of gun slingers and pioneers.

To this day, I'm uncertain what instruments were deployed for some of his most famous music, but he wasn't yoked to a symphony - though he was quick to employ one, and a chorus, or - maybe most famously - a solo singer.  While listeners may often pause while watching a film and guess rightly "is this Morricone?", the diversity of approaches from The Thing to Once Upon a Time in America to Days of Heaven can defy categorization.  From electronic instrumentation to oboes to you-name-it, he found the sound of the soul of a film, and made them sing.

Ann Miller Watch: On the Town (1949)

Watched:  07/05/2020
Format:  TCM on DVR
Viewing:  Unknown
Decade:  1940's
Director(s):  Stanley Donen, Gene Kelly


Look, I'm not *proud* of the whole Ann Miller thing, but there it is.

Happy 4th of July

Well.  I feel inspired.

Screwball Watch: My Man Godfrey (1936)

Watched:  06/28/2020
Format:  TCM on DVR
Viewing:  First
Decade:  1930's
Director:  Gregory La Cava

This movie got a scad of Oscar nominations and was very big upon its release.  It's a comedy about class, wealth, those who have money and those who don't in a contemporary picture released in the thick of the Great Depression.

Kaiju Watch: Godzila and Mothra - The Battle for Earth (1992)

Watched:  07/01/2020
Format:  BluRay
Viewing:  First (somehow)
Decade:  1990's
Director: Takao Okawara

Do you like pointless Indiana Jones rip-offs?  Confusing plot twists that come out of nowhere?  Psychics?  and our friends, the Twins/ Fairies/ Cosmos?  Sad Japanese people talking about how we're all boned anyway, because we're destroying our own environment?  Disappearing mullets? Plot threads that begin, are very important, and left unresolved?  Most of all - do you like MOTHRA?

Well.

Godzilla and Mothra: The Battle for Earth (1992) is here to deliver the goods.

In case you missed this on twitter

We're doing that "30 Days of Movies" thing on twitter, and I got bored of looking for real movies, so this is what we did for 3 days' worth of posts.

I made the second one first.  I dunno.  I love doing terrible photoshop work.

Day 16:  A film that is personal to you

Day 17:  Favourite film sequel

Day 18:  a film that stars your favourite actor/ actress

Comedy Watch: Eurovision Song Contest - The Story of Fire Saga (2020)

Watched:  06/27/2020
Format:  Netflix Streaming
Viewing:  First
Decade: 2020's
Director: David Dobkin


I am not going to write this up and/ or oversell it.  But it was better than I thought it would be, and I got to see Pierce Brosnan play an Icelandic fisherman.  And now I know who Rachel McAdams is after Jamie explaining to me who she is once a year for twenty tears.

Noir Watch: The Lady From Shanghai (1947)

Watched:  06/29/2020
Format:  Noir Alley on TCM
Viewing:  third
Decade:  1940's
Director:  Orson Welles

The backstory to the making of The Lady From Shanghai (1947) is famous, gossipy Hollywood lore.  Hayworth starred alongside soon-to-be-ex husband and director, Orson Welles, transformed from the red-coiffed icon of Gilda into a platinum blonde and a femme fatale.

A bit like The Big Sleep, a lot of people talk about how this movie is confusing, but I didn't find it particularly so.  While I cop to the fact that The Lady from Shanghai isn't a pat story and that the plot wanders - it all holds together within each character's motivation, and I don't really get the complaints.  From Muller's shownotes, I'll give the credit for cohesive storytelling not to Welles, but to his editor Viola Lawrence, who took Welles' loose footage and worked with him to get it into some sort of story, and got it cut to a standard-length picture when Welles left the movie.

PODCAST: "Jaws" (1978) - Fourth of July Cinema w/ SimonUK, Jamie and Ryan

Watched:  06/24/2020
Format:  BluRay
Viewing: ha!
Decade:  1970's
Director: Steven Spielberg

For more ways to listen - Podcast options


Something's fishy as we discuss one of the first megablockbusters. It's a Signal Watch Summer Spectacular as we discuss a movie with teeth! Bite down on Spielberg's first smash hit, while we chum the waters with more than an hour of chatter that'll have you wishing you brought a bigger podcast player.

The Signal Watch PodCast · 109: "Jaws" (1978) - SimonUK Cinema Series w/ Jamie & Ryan

Music:
Jaws Main Title - John Williams, Jaws OST
Out to Sea - John Williams, Jaws OST


Simon Playlist

The Signal Watch PodCast · SimonUK Cinema Series