Kaiju Watch: Godzila and Mothra - The Battle for Earth (1992)

Watched:  07/01/2020
Format:  BluRay
Viewing:  First (somehow)
Decade:  1990's
Director: Takao Okawara

Do you like pointless Indiana Jones rip-offs?  Confusing plot twists that come out of nowhere?  Psychics?  and our friends, the Twins/ Fairies/ Cosmos?  Sad Japanese people talking about how we're all boned anyway, because we're destroying our own environment?  Disappearing mullets? Plot threads that begin, are very important, and left unresolved?  Most of all - do you like MOTHRA?

Well.

Godzilla and Mothra: The Battle for Earth (1992) is here to deliver the goods.

In case you missed this on twitter

We're doing that "30 Days of Movies" thing on twitter, and I got bored of looking for real movies, so this is what we did for 3 days' worth of posts.

I made the second one first.  I dunno.  I love doing terrible photoshop work.

Day 16:  A film that is personal to you

Day 17:  Favourite film sequel

Day 18:  a film that stars your favourite actor/ actress

Comedy Watch: Eurovision Song Contest - The Story of Fire Saga (2020)

Watched:  06/27/2020
Format:  Netflix Streaming
Viewing:  First
Decade: 2020's
Director: David Dobkin


I am not going to write this up and/ or oversell it.  But it was better than I thought it would be, and I got to see Pierce Brosnan play an Icelandic fisherman.  And now I know who Rachel McAdams is after Jamie explaining to me who she is once a year for twenty tears.

Noir Watch: The Lady From Shanghai (1947)

Watched:  06/29/2020
Format:  Noir Alley on TCM
Viewing:  third
Decade:  1940's
Director:  Orson Welles

The backstory to the making of The Lady From Shanghai (1947) is famous, gossipy Hollywood lore.  Hayworth starred alongside soon-to-be-ex husband and director, Orson Welles, transformed from the red-coiffed icon of Gilda into a platinum blonde and a femme fatale.

A bit like The Big Sleep, a lot of people talk about how this movie is confusing, but I didn't find it particularly so.  While I cop to the fact that The Lady from Shanghai isn't a pat story and that the plot wanders - it all holds together within each character's motivation, and I don't really get the complaints.  From Muller's shownotes, I'll give the credit for cohesive storytelling not to Welles, but to his editor Viola Lawrence, who took Welles' loose footage and worked with him to get it into some sort of story, and got it cut to a standard-length picture when Welles left the movie.

PODCAST: "Jaws" (1978) - Fourth of July Cinema w/ SimonUK, Jamie and Ryan

Watched:  06/24/2020
Format:  BluRay
Viewing: ha!
Decade:  1970's
Director: Steven Spielberg

For more ways to listen - Podcast options


Something's fishy as we discuss one of the first megablockbusters. It's a Signal Watch Summer Spectacular as we discuss a movie with teeth! Bite down on Spielberg's first smash hit, while we chum the waters with more than an hour of chatter that'll have you wishing you brought a bigger podcast player.

The Signal Watch PodCast · 109: "Jaws" (1978) - SimonUK Cinema Series w/ Jamie & Ryan

Music:
Jaws Main Title - John Williams, Jaws OST
Out to Sea - John Williams, Jaws OST


Simon Playlist

The Signal Watch PodCast · SimonUK Cinema Series

80's Watch: Ferris Bueller's Day Off (1986)

Watched:  06/29/2020
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1980's
Director:  John Hughes

There's no point in talking much about Ferris Bueller's Day Off (1986), one of the most discussed movies of two generations.  And, of course, Josh Gad's web series Reunited Apart recently brought a gaggle of cast members back to discuss the film.  On this note, Jamie suggested we give it a watch - which we hadn't done in a few years, at least not in pieces, edited, on cable. 

I have no idea what today's kids see when they look at the movie.  The idea of wealthy, white kids running around Chicago without consequence, with a suggestion of sex between the leads, would surely get a social media tsking, and a shocked look from kids who can't understand teens not getting a ride from mom or just spending the day online playing Fortnite.  I don't know. 

It holds up, in its way - at least for those of us who for whom it was a staple and cultural touchstone. 

In 1986 I saw the movie with my parents (I would have been 11), who gave me some surprising insight into what they thought of me at the time by repeatedly saying "Ryan, don't get any ideas".  It is fine - I did not.  They really underestimated my form of laziness where it was easier to just go to school than make up the work.  I don't think I cut class til college. 

It really is an amazingly well put together comedy with an outstanding cast.  I mean: Edie McClurg, people.  But naming names - you all know who is in here and what they do.  The funny thing is, the older I get, the funnier I find Jennifer Grey.  She was always funny - but that seething, misdirected rage is just... amazing, as is her turn at the end.

And how can you not like a movie where they watch The Cubs play?

Anyway - yeah.  You know the movie. 

Happy Anniversary, Mom and Dad

Today marks the 52nd anniversary of my parents, The Admiral and KareBear. 

These two have made it through all sorts of nonsense over the years, not the least of which was weathering raising me, which was no picnic.  Anyway, they're still the dream team of parenting and now grandparenting, and their own partnership gave me a pretty good model for how to make one of these marriage things work. 

Of course Jamie and I can't be with them on their Anniversary, but as they live in town, we've been meeting up on weekend mornings in my backyard, socially distant and all that.  It's been really great, honestly.  (On opposite weekends we've been trying to drive to San Marcos as Jamie's dad has a *great* back porch that gets a breeze in the evening).   

The picture above is from last summer when Jamie and I visited my mom's original stomping grounds in the Upper Peninsula of Michigan.  She's the child of Finnish immigrants, and they still very much celebrate Finnish heritage in the U.P. *  She met my dad when he was stationed near her hometown working on B-52's during the Doctor Strangelove days. 

Anyway - congrats to these two.  52 years is nothing to sneeze at. 


*My dad is an American Mutt.  Name a Western European nation, and he's got a bit of it.  And probably a lot of things we don't know about.  We were all very disappointed to learn our last name is actually English and not a mangled European name spelled out phonetically at Ellis Island.

Doc Watch: Becoming (2020)

Watched:  06/26/2020
Format:  Netflix
Viewing:  First
Decade:  2020's
Director:  Nadia Hallgren

I'm aware Michelle Obama is a polarizing figure, what with encouraging kids to eat healthy and being an interesting, intelligent counterpart to her husband.  But, hoo boy, in a period of American journalism which seems distant and we can hope is on the ash-heap, the press sure tried to find ways to make her a villain. 

Tweetalong Watch: (Spawn of) Slithis (1978)

Watched:  06/26/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  1970's
Director:  Stephen Traxler

Literally nothing happens for 97% of the movie.  I hated everyone in it but the woman named "Jeff".  Well, I also liked the monster. 

But it is a movie named not after a monster, but after radioactive mud.  Which.  Come on, guys.

Doc Watch: Thelonius Monk - Straight, No Chaser (1988)

Watched:  06/27/2020
Format:  TCM
Viewing:  First
Decade:  1980's
Director:  Charlotte Zwerin

I am not a jazz aficionado - that's NathanC's gig.  I honestly haven't put on a Thelonius Monk album in a while - maybe years.  I did go through my jazz phase twenty years ago, so, yeah, I still have those albums. 

TCM has been doing a series called "Jazz in the Movies", which I haven't watched much of, but decided to record a couple of films one night, and had heard that Thelonius Monk: Straight, No Chaser (1988) was an exemplary doc.  This reputation was earned, and I am sure jazz fans all know it.

For folks like myself who are only vaguely aware of Monk, it's a fascinating crash course to get you past simply enjoying the music and understand the man who made it.  Shocker of all shockers - a pre-eminent jazz artist has a complicated life and personal issues.  Unlike Miles Davis, the wounds aren't as self-inflicted, but they do weigh on him. 

Culled from footage shot on a late career tour and post-death interviews with colleagues, the doc paints a portrait of a complicated man who was *loved* by the people who knew him and couldn't help but stand in awe of his genius.  And, yeah, I don't use the word genius a lot - but the names tied to Be-Bop sure seem like they deserve it.

It wasn't hurt at all by the intro and outro conversations on TCM by Eddie Muller (who knew he knew jazz?) and his majesty Wynton Marsalis (and, yes, I've see Marsalis play live once and it was worth every penny). 

The doc gives the music room to breathe, and reminded me how and why I went through that jazz era.  And what I'll be listening to after Jamie turns in tonight.