SHUT UP, I LIKE IT Watch: StarCrash (1978)

there were legit reasons for this being what one wears in space, but I missed it

Watched:  08/24/2019
Format:  Amazon Streaming
Viewing: at least fourth
Decade:  Baby, this is the REAL 1970's

Yeah, I watched this movie the first time because Caroline Munro, but it has so, so much more to offer.  Star Wars may be the preferred 1970's era sci-fantasy film, but StarCrash (1978) has Christopher Plummer gamely lending his gravitas to a movie with a space-ship shaped like a hand and a 10 story robot with nipples.  And, man, that's just. the. start.

Hitch Watch: The Wrong Man (1956)

Watched:  08/21/2019
Format: TCM on DVR
Viewing: First
Decade:  1950's

I had no idea what this movie was about prior to giving it a watch, so real quick:

Directed by none other than Alfred Hitchcock, this is based on a true story (apparently?) of a musician who goes to his insurance company to see if he can take out on a loan his wife's life insurance for some dental work, only to be identified by the clerks as the man who committed two robberies of the company in the prior 9 months or so.  The police pick him up, assuring him that if he didn't do it, there's nothing to worry about, but in a line-up, he's identified by multiple witnesses (the robber also hit a few stores) and even his handwriting sample seems to match.

Happy Birthday, Lois Lane

According to long-lived Superman site The Superman Homepage (it's old enough to still be called a Homepage!), it's the birthday of everyone's favorite comic-book intrepid reporter, Lois Lane!

Lois is having a pretty good year.  She's been key to the entirety of the Rebirth efforts around Superman as the comics squared the Superman/ Lois romance/ marriage once again, and gave them a son in Jon Kent.  Since Bendis came on the Super-books, he's put Lois back at the fore, first as someone Superman missed as she left for space, and then as a source of consternation as she's deposited herself in Chicago rather than Metropolis.

There's no question Lois's storyline is just getting bigger, and it sure doesn't hurt that she's starring in the super-books, deeply involved in Event Leviathan and currently has her own 12-issue maxi-series by Greg Rucka (a great fit for Lois) that I'm actually really enjoying.

PODCAST: "The Piano" (1993) - it's #3 in our 'What is Love?' series - w/ MRSHL and Ryan

Watched:  06/21/2019
Format:  Amazon Streaming
Viewing: Second
Decade:  1990's

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Just a couple of 40-something dudes, sitting around contemplating the nature of a woman's desire, the qualifications for feminist film, symbology and visual storytelling, and what's a woman to do when you find yourself in New Zealand in 1852 and married to a dud?




Music:

The Heart Asks Pleasure First - Michael Nyman, The Piano OST


Playlist - "What is Love?":

Lego Watch: Lego Movie 2 - The Second Part (2019)

Watched:  08/15/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

I just checked Box Office Mojo and if you want to weep for humanity, this movie made $190 million and Minions made over a billion dollars.  I think I'm beginning to understand how we reached our current state as a people.

Anyhoo...

If you haven't seen Lego Movie 2: The Second Part (2019), it's now streaming, so now's a second chance. 

With the device revealed at the finale of the first Lego Movie, and a reasonable assumption being that we understand that the adventures of the movie are in part a kid playing with Lego and in part a kid working things out - the movie is able to play a bit more with the premise. 

Chandler Watch: Marlowe (1969)

Watched: 08/14/2019
Format:  TCM on DVR
Viewing:  First
Decade:  1960's

People take a lot of liberties when adapting Raymond Chandler novels to screen.  It's not a huge surprise.  After all, Chandler's books are winding, complicated, and don't exactly make it easy to translate Marlowe's inner-monologue or exposition in a way that's easy to cram into 90 - 120 minutes and keep the audience with you.  To this day, people complain The Big Sleep is "too complicated".

It's been a while since I read The Little Sister, I think the fifth Marlowe novel and the work upon which the studio based Marlowe (1969).   Between reading several Chandler novels in a row at that time and years inbetween, not every detail of the plot had stuck with me, but impressions of various characters remained, and as the movie unspooled, it did provide me with a roadmap and certain expectations for the film that gave me a leg up vis-a-vis following the plot and keeping up.  A glance at some contemporary reviews suggest that even Ebert and Siskel found it a bit muddled.

Still, the story sticks surprisingly close to the novel, updating some factors for 1969 that would have looked very different in the original setting of 1949.  And, I'll argue, while people feel like they've got a grip on Chandler by way of reputation, in practice his novels tend to feel like a morass of detail until the denouement.  That's part of the fun (and Hammett did same in books like The Thin Man).

Spooktacular Watch: Supernatural (1933)

Watched:  08/14/2019
Format:  Alamo S. Lamar
Viewing:  First
Decade:  1930's

Say what you will about Austin, but I just got home from a Tuesday 9:30 PM showing of a 1933 horror movie almost no one has seen who is currently alive, and the place was hopping.  I know this is true in other cities, but this one is mine.

For whatever reason I enjoy what the studios were up to with horror in the pre-Atomic Age films, a mix of the occult, mythical beasts, ghost stories and sometimes just creepy old houses with a Boris Karloff in them.  Supernatural (1933) would have come out on the heels of Dracula (1931) and Frankenstein (1931) in the era where not just Universal, but other studios, were getting in on the horror genre and the Hayes office wasn't yet really enforcing any codes.

MST3K Watch: Killer Fish (1979)

Watched:  08/12/2019
Format:  Netflix MST3K - The Gauntlet
Viewing:  First
Decade:  1970's

Sometimes movie stars just want to take a vacation and maybe shoot a movie while they're there.  You see it all the time in these peculiar movies that don't look very good but star people who actually cost some money - and the movie is in, say, Hawaii.  They're called "postcard movies", and the deal is usually that the star maybe asks for less because they're being put up in a really nice hotel in Maui for two months to make some romcom or whatever.  Their family comes out and they go boogie-boarding on their days off.

I kind of suspect something similar was afoot in 1979 when Killer Fish went into production.  The movie doesn't have the world's biggest stars, but in '79 Lee Majors was a pretty big deal and Karen Black was still bankable.  I imagine selling the movie as "come down to Rio de Janeiro for a couple months" was a pretty good deal.  I'd also mention, this movie was part of the short-lived Fawcett-Majors Productions, a go at producing from when Lee Majors and Farah Fawcett were Hollywood's foremost couple.  And, no, you've never heard of this movie or the other films that they produced.

Western Watch: The Ox-Bow Incident (1943)

Watched:  08/11/2019
Format:  TCM on DVR from a looooong time ago
Viewing:  first
Decade:  1940's

Well.  Between this and The Lost Weekend, I picked quite the double-bill for the weekend.

I mean, I knew.  I'd rented this movie twice in college but when I'd think about what it was about, I'd never hit "play" on the ol' VCR.  And I'd recorded it a half-dozen times on the DVR and never watched it.  But this time I did.

The Ox-Bow Incident (1942) is about a small town in the old west who finds out that a local rancher has been killed, and so they pull together a posse to go track down the killers.  It's a mish-mash of local color and yahoos, rationalizing why they don't need to follow the rules, exactly, and supported by the ineptitude and slack nature of some local authority.

Wilder Watch: The Lost Weekend (1945)

The Lost Weekend (1945) is one of those movies that you always know you should watch, but when you know what it's about, it's sort of hard to get fired up to put on.  But with Billy Wilder behind the camera and with a "co-written by" credit, it did nudge me toward "okay...", and knowing it featured Ray Milland, whom I like well enough, and Howard Da Silva, whom I really like, it put it in the "yeah, I need to see that" direction.

But in the past month two things happened.  (1) I read that Wilder wrote the movie after working with Raymond Chandler to write Double Indemnity.  Chandler certainly suffered from alcohol addiction and, as it will, the addiction impacted his professional and personal life.  I'm unclear on whether Chandler was dry during Double Indemnity, but I'm also sure working with Wilder would drive him to drink.  While the two never got along, it's noteworthy that whatever he saw and respected in Chandler was mixed up with how he saw his alcoholism.  (2) Our own JimD referenced the movie and asked me when the last time was that I'd seen it, which was "never".  Mid-tweet response I decided to watch the movie this weekend.