Musical Watch: Call Me Madam (1953)

Watched:  12/30/2018

Format:  disc

viewing:  first
decade:  1950's

When we were kids Ethel Merman was still part of the popular consciousness, but I'm not sure what folks my parents' age thought of her (I can pretty much guarantee my dad found her annoying).  Merman was a Broadway performer with a brassy voice and who had a sort of streetwise persona paired with a self-deprecating wit.  I think. 

Call Me Madam (1953) was originally a Broadway show with music by Irving Berlin and starring Merman, apparently a Tony Award-winning show.  I only listened to about five minutes of the commentary, but the narrator was quick to leap on the notion "look, this was based on stuff everyone in 1953 would have just known from the news, but hasn't really remained in the zeitgeist".  Despite the fairytale-like story, apparently Call Me Madam is loosely based on a real person and events. 

Here's to 2019

May Papa Legba open the gates for us all in 2019

Action Watch: The Raid (2011)

Watched:  12/30/2018
Format:  DVD
Viewing: First
Decade:  2010's

Jamie Watch: Santa Jaws (2018)

Watched:  12/23/2018
Format:  DVR from SyFy
Viewing:  2nd
Decade:  2010

Before I forget, we rewatched Santa Jaws (2018) while Jamie's brother and sister-in-law (The Dug and K) were in town. 

Second Watch: Spider-Man - Into the Spider-Verse (2018)

Watched:  12/28/2018
Format:  Alamo
Viewing:  Second
Decade:  2010's

No real write-up other than to mark that Jamie and I caught Spider-Man: Into the Spider-Verse a second time.  Generally prepared for what we were going to see, I think I was able to appreciate the animation far more this time, and... dang.

Catching Up Watch: Boyhood (2014)

Watched:  12/30/2018
Format:  Netflix
Viewing:  First
Decade:  2010's

I missed Boyhood (2014) during its theatrical release, and it's basically taken me this long to slog through the gushing, near-manic insistence folks had that I HAD to see this movie.*  I'm okay with some of Linklater's output, but aside from Slacker, haven't ever really responded to it the way you're supposed to.  Especially as an Austinite of a certain generation. 

Noir Watch: The Hunted (1948)

Watched:  12/28/2018
Format:  Noir Alley on TCM
Viewing:  First
Decade:  1940's

DC Movies Watch: Aquaman (2018)

Watched:  12/28/2018
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Who is Aquaman?

MST3K Watch: Mac and Me (1988)

Watched:  12/27/2018
Format:  MST3K on Netflix
Viewing:  First
Decade:  1980's

What the actual @#$% was that?

Holiday Watch: White Christmas (1954)

Watched:  Some time in December
Viewing:  Unknown
Format:  Netflix
Decade:  1950s

I watched White Christmas (1954) a couple of weeks ago and forgot to write it up.  It's a Michael Curtiz flick, which means it's automatically a decent sort of film.  I understand Bing Crosby thought the film's final product was a disappointment, and I have to say - there's something odd about the movie I can never quite put my finger on that doesn't work.

Likely my main issue is that the third act misunderstanding between Rosemary Clooney and Crosby makes no sense at all (and seems like a single question posed by Clooney's character would have cleared things up).  And I learned this viewing that the part played by Danny Kaye was originally supposed to be Donald O'Connor, which...  we'll just have to let our imaginations fill in the blanks, but some of what's in the script makes more sense if that's who you wrote the part for.

While mostly a bit of holiday fluff, it is an interesting peek into the Post WWII American mindset and does give us a bit of the returning soldier's melancholy as some try to find their useful place in society when they aren't commanding a regiment.

Also, Rosemary Clooney wears a black dress that Jamie and I are going to have to agree to disagree about.