Monday, June 11, 2018
Horror Watch: The Fog (1980)
Watched: 06/09/2018
Format: Amazon Streaming
Viewing: First
Decade: 1980's
Lately I've been having an ongoing conversation with Stuart about the tendency of critics to use the phrases "it's not really a horror film" or "but it's good" in discussing the horror genre when they want to get folks to at least consider viewing something made as a horror movie. This thinking and talk offends the horror purists, but as someone who tends to think of the endless line of cheapo slasher flicks that lined the walls of video stores during his formative years - I kinda get it. I understand the coded message: this is horror, but it's not going to just make you queasy and wonder why this is supposed to be a good way to spend 90 - 120 minutes of your life.
I'm of the firm belief that horror is a pretty good indicator that nobody goes to the movies for the same reasons (I usually get very little from horror, but I will have to be carried into a Katherine Heigl RomCom on one of those Silence of the Lambs dolleys). Still, this does make me think a bit about how I talk about horror films - what I like and don't.
During the course of the chat, Stuart was stunned to learn somehow I'd never seen The Fog (1980), and I had no real reason I hadn't seen it and one convincing Adrienne Barbeau to suggest I absolutely *should* see The Fog. It's not like I don't dig John Carpenter's other films I've watched - so I broke it up over a couple of nights as I was winding down in Bozeman.
Sunday, June 10, 2018
Travelogue: Up to Bozeman, Montana and a day in Yellowstone
A lot of us stayed at the Lewis & Clark Motel.
My colleagues feel welcomed, indeed! |
A fine place for a bed and some sleep. They were really pushing the sauna, but... I dunno. I don't want to see my colleagues in just a towel any more than I suspect that's how they want to see me.
Saturday, June 2, 2018
Where In The World Is The Signal Watch?
For the next week, I am in Bozeman, Montana on a work trip. Big conference. And if noir has taught me anything, we will all wear matching fezzes and get drunk and provide cover for someone trying to hide out in a hotel
I'm also taking some vacation days while I'm here because I've never been to this part of the world, and I'd like to see a mountain, a moose, a bear and water that is neither gross Texas creek water or gross Texas lake water.
Thus far I've eaten lunch here, had some coffee and walked around to see Downtown Bozeman, which is high-end knick-knackery and touristy eateries. Which serves my purposes well.
So, no movies for me this week, I'd guess. I might read a Superman comic or two. But expect a slowdown in posting, etc...
Yes, Jamie is still in Austin, but The Dug is set to be there by this evening and is hanging with her all week.
Friday, June 1, 2018
Musical Watch: An American in Paris (1951)
Watched: 03/26/2018
Viewing: First
Format: TCM on DVR
Decade: 1950's
I just found this in my drafts. Yeah, so back in March I watched An American in Paris (1951). Never wrote it up, just started the post.
So I'm not writing one now. But there's plenty out there on this movie, so... there you go.
Thursday, May 31, 2018
Super-Reviews: Man of Steel #1
Writer: Brian Michael Bendis
Pencils: (mostly) Ivan Reis and 2 pages by Jason Fabok
Inks: Joe Prado
Colors: Alex Sinclair
Lettering: Cory Petit
Editor: Michael Cotton
Associate Editor: Jessica Chen
Group Editor: Brian Cunningham
Well, it finally arrived.
Wednesday, May 30, 2018
Tuesday, May 29, 2018
Noir Watch: Crime Wave (1953)
Watched: 05/28/2018
Format: Noir Alley on TCM - DVR
Viewing: First
Decade 1950's
Sometimes casting can save the day for a fairly standard plot in a movie - it can be a real pleasure to see your favorite actors, character or otherwise, play out the parts in your boilerplate movie. Other times that same old jazz standard gets a new look, a new interpretations and the execution is enough to make you stand up and applaud.
Saturday, May 26, 2018
Monday, May 21, 2018
Signal Watch Reads: I'll Be Gone In The Dark (2018 - Audiobook)
I'd intended to read Michelle McNamara's true-crime book, I'll Be Gone In The Dark (2018), this year at some point, but was propelled to listen to the audiobook when, in late April, the subject of the book was apprehended in California.
Before the book is run-over, borrowed-from, and absorbed by osmosis as documentaries and news stories rushed into production - and likely a feature film or three - I wanted to hear what McNamara had to say and where she was in her crowd-sourced, DIY investigation into the Golden State Killer, a serial rapist and murderer who was active in multiple California communities in the late 70's and into the early 80's, before simply vanishing.
Noir City Austin: The Unsuspected (1947) & The Threat (1949) - Sunday shows
Watched: 05/20/2018
Format: Noir City Austin at Alamo Ritz in 35mm
Viewing: fourth/ first
Decade: 1940's
We attended two films on the final day of Noir City Austin, The Unsuspected (1947) and The Threat (1949). Two extremely different movies, but both a real treat. The Film Noir Foundation isn't just Eddie Muller, and as he had to depart, we were lucky to have author Alan K. Rode in attendance to introduce the films.
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