Super-Reviews: Man of Steel #1

Writer:  Brian Michael Bendis
Pencils:  (mostly) Ivan Reis and 2 pages by Jason Fabok
Inks:  Joe Prado
Colors:  Alex Sinclair
Lettering:  Cory Petit
Editor:  Michael Cotton
Associate Editor:  Jessica Chen
Group Editor:  Brian Cunningham

Well, it finally arrived.

X-Marvel Watch: Deadpool 2 (2018)

Watched:  05/29/2018
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Noir Watch: Crime Wave (1953)

Watched:  05/28/2018
Format:  Noir Alley on TCM - DVR
Viewing:  First
Decade 1950's

Sometimes casting can save the day for a fairly standard plot in a movie - it can be a real pleasure to see your favorite actors, character or otherwise, play out the parts in your boilerplate movie.  Other times that same old jazz standard gets a new look, a new interpretations and the execution is enough to make you stand up and applaud.

Star Wars Watch: Solo - A Star Wars Story (2018)

Watched:  05/26/2018
Format:  Alamo Drafthouse Slaughter
Viewing:  First
Decade: 2010's

Signal Watch Reads: I'll Be Gone In The Dark (2018 - Audiobook)

I'd intended to read Michelle McNamara's true-crime book, I'll Be Gone In The Dark (2018), this year at some point, but was propelled to listen to the audiobook when, in late April, the subject of the book was apprehended in California.

Before the book is run-over, borrowed-from, and absorbed by osmosis as documentaries and news stories rushed into production - and likely a feature film or three - I wanted to hear what McNamara had to say and where she was in her crowd-sourced, DIY investigation into the Golden State Killer, a serial rapist and murderer who was active in multiple California communities in the late 70's and into the early 80's, before simply vanishing.

Noir City Austin: The Unsuspected (1947) & The Threat (1949) - Sunday shows

Watched:  05/20/2018
Format:   Noir City Austin at Alamo Ritz in 35mm
Viewing:  fourth/ first
Decade:  1940's

We attended two films on the final day of Noir City Austin, The Unsuspected (1947) and The Threat (1949).  Two extremely different movies, but both a real treat.  The Film Noir Foundation isn't just Eddie Muller, and as he had to depart, we were lucky to have author Alan K. Rode in attendance to introduce the films.

Noir City Austin: The Accused (1949) & The Underworld Story (1950)

Watched:  05/19/2018
Viewing:  First/ First
Format:  Noir City Austin at the Alamo Ritz
Decade:  1940's/ 1950's

Both films were shown as part of Noir City Austin, hosted by TCM Noir Alley host, Eddie Muller and presented in 35mm. 

Super-Reviews: Superman Special #1

Release:  05/16/2018
Creators:  Various/ Anthology Book

I believe this is our last Super-stop before Man of Steel #1 arrives.  Tomasi and Gleason return to a story from what seemed very early in their run on Superman (issues 8 and 9) where Superman and Jon went to Dinosaur Island and ran into Captain Storm of The Losers.  We get a Superman short-story from Mark Russell and Bryan Hitch, and a possible teaser for future Super-content with a few pages from Ian Flynn as Writer and Kaare Andrews on Art and Colors.

Noir City Austin: I Wake Up Screaming (1941) and Quiet Please: Murder (1942)

Watched:  05/18/2018
Format:  Noir City Austin at Alamo Ritz
Viewing:  Second/ First
Decade:  1940's

It's Noir City Austin 2018 down at The Alamo Ritz!  As in prior years, Eddie Muller - the Czar of Noir and host of TCM's Noir Alley series is in attendance.  As he does so well for Noir Alley, Eddie introduces each film, providing Hollywood history and necessary context, as well as any anecdotes he's dug up over the years, often from first-hand interviews.

I can't make it to all the movies this year, but I am trying to make it out to see a few.  Friday night SimonUK and I took in the first two films, I Wake Up Screaming (1941) and Quiet Please: Murder (1942).

Noir Watch: Caged (1950)

Watched:  05/15/2018
Format:  Noir Alley on TCM (on DVR)
Viewing:  First
Decade:  1950's

There are probably two ways to watch Caged (1950), either as a camp classic or through the lens of 1950.  JimD taught me several valuable phrases, and in the top three I include "chronological snobbery".   Basically - chronological snobbery is that thing you do when you watch a movie made from a time probably before your birth and nod sagely to yourself saying "oh, thank goodness we figured out how to make better movies, people sure were dumb as both filmmakers and as an audience back then."