Christmas Watch: Love Actually (2003)

People, sometimes a movie is so not aimed at you, all you can do is accept that fact, sit back, and just try to figure it out from an anthropological context.

I'm not going to try to claim Love Actually (2003) is a bad movie, but I will say that it is a movie that I didn't understand.  Credit where it's due - 14 years on, it's a bonafide modern holiday favorite with a fanbase large enough that for a decade after the film's release, studios kept trying to replicate what worked here for New Years, Valentine's Day, and maybe Mother's Day (I don't know.  I wasn't paying attention.).  And my good pal, SimonUK, talks about this movie quite a bit.  He frikkin' loves this movie.  He is, of course, English, and I think the cultural cues I was missing make much more sense to him.  Apparently the race to see who has the #1 Christmas song in England every year is a real thing (which, I know... weird).

Even I knew that this was a movie about a lot of people falling in love, facing the challenges of love, and defining love as something other than romantic or sexual.  What this means is that over the course of what I think was a 90-minute movie, about ten different stories played out as loosely tied vignettes.  Some of them better than others.  Some of them sweet and simple and some making me raise my hand and waiting to be called upon as I had so many questions.

Of the movie's run-time, I enjoyed the back 1/3rd of the movie, but found the first third grating and the middle third baffling and sometimes tedious.  I will say, the movie really did stick the landing in a way that nothing prior had suggested was coming.  I went from not-cracking-a-smile and checking my phone to actively engaged and actual laughing out loud.  I'm not sure I've ever had this experience before with a movie, where nothing changed about how I felt about what I was seeing previously by what I was now seeing - but I felt the quality of the movie quadrupled in just a scene or two and roughly maintained that level through to the end.

Happy Birthday to JimD

JimD holds aloft his magic sword

Happy birthday, Jim.  May Castle Greyskull give you the POWER

"A Christmas Story Live!" Hot Takes

On the evening of 12/17/2017, Fox broadcast a sorta-live version of what's apparently a real Broadway musical, a - if I'm being honest - not terribly great musical.

And there is nothing like checking in with twitter to get the voices of America, and despair.

There were a lot of pleased, happy tweets.  A lot of criticism, just and otherwise.  But I grabbed a few samples to share with you.  They will tell you all you need to know about The Greatest Country on Earth and what people think is a pretty good idea to just shout into the internet void.

Wrapping up 2017

We all thought 2016 was a bad year.  We lost Bowie right off the bat, and then Prince and a parade of other folks who we'd grown up with and who seemed taken too soon.  But I'll be honest, now I'm just wondering what sort of smoking crater I'll be wandering around in looking for protein sources by this time in 2018.

I spend some amount of time talking myself down in regards to the political situation in the U.S., but it's difficult to feel like things are going well when stories have started circulating that the White House is entertaining the idea of a secret police force answerable and loyal to the occupant of the Oval Office.  It's hard to feel like things are going well when a guy who already seemed like a lunatic, even by Southern standards, was nominated for Senator for Alabama and is still doing okay despite charges of pedophilia and is so racist he has no idea he's racist.  And it's not like Alabama is pro-pedophilia, it's that we're finding out that half of the country hates the other half so much, they'd rather elect politicians who are willing to reflect and magnify their fury at "the left", no matter how far afield those people are from the supposed moral center of "the right".  I kind of worry people might genuinely murder me, given the chance, for thinking our collective financial power could ensure the healthcare of every American.

The Wild Ride of Joys and Disappointments of "Justice League" in a 3 minute clip

Superman actually *acts* like Superman, but because the movie needed reshoots and Cavill was legally required to keep his mustache for Mission Impossible 64 (or whatever), they had to digitally remove the facial fuzz.  And it looks terrible.  So, like all of Justice League, you get some really good stuff, but you have to take it on the chin a little, too.

And, hey, that is JUST like Batman from the comics!  It's just... kind of a not-great scene.  I dunno.  How he fights the guy doesn't even make a lot of sense, really.  He has him on the ground, and then he lets him get back to the gun while he runs away to scurry up a water tower?  And it's the last we'll see of him in Batman-mode in quite this way. 

This is kind of Justice League in a nutshell.  Has stuff you really want to see, but the delivery vehicle is terribly messy.  Still, worth a watch.

It's Just not Christmas Until Audrey Totter is Looking Right Into the Lens

Through not-so-mysterious means, the 1947 film Lady in the Lake has become a perennial holiday favorite for me.  Philip Marlowe detecting, Christmas time and Audrey Totter sorta looking you in the face.

This is the movie directed by (and kinda starring) Robert Montgomery as Marlowe and shot almost entirely from his POV.  Pretty amazing work for the era and size of cameras in 1947.  The book is darker and more grisly than the movie, and not set at Christmas, if memory serves.  The plot is complicated by the fact the movie never visits the key location from the book, keeping everything in the city and refusing much in the way of exterior shooting.

But, hey, Audrey Totter is terrific.  And they actually make Christmas kind of key to the adaptation, so that's fun.

Janet Leigh and Friend are Christmassy

...waiting

"Avengers: Infinity War" Trailer is go

Well, this looks to be worth the price of admission.

Happy Birthday to Ms. Gloria Grahame

You probably know Gloria Grahame for her small but pivotal part in It's a Wonderful Life as Violet, the attractive blonde in Bedford Falls who fails to land Jimmy Stewart and is a headcase in the Pottersville segment of the movie.

But Grahame's career included a lot of noir, some musicals (she's in Oklahoma! as Ado Annie), and a life off-screen that was dramatic, to say the least.  If you follow older films and want to see some top notch noir, I recommend (very highly):

• Crossfire
• The Big Heat
• In a Lonely Place
• Human Desire

But this list is not even close to comprehensive when it comes to her body of work.

Like a lot of women of her generation in Hollywood, her rise was incredibly fast and her path out of Hollywood was rocky, to say the least.  Curiously, Annette Benning is playing Grahame in an upcoming movie that covers the final years of Grahame's life, from what I can tell.  Looks promising, as far as these movies go.