Sunday, August 6, 2017

100 Years of Robert Mitchum


Today marks the 100th birthday of actor Robert Mitchum, born this day 1917 in Bridgeport, Connecticut.  You hear a lot about Robert Mitchum off-screen, but there's no one else like him when he's on-screen.  TCM is running a marathon of his films in celebration.  Tune in if you got yourself some cable.

Here's to you, Bob.

Tuesday, August 1, 2017

Nolan Watch: Dunkirk (2017)


These days, I'm not writing up every movie I've seen.  And I'm not going to write up this one.  But I'm suggesting you catch this one while it's still in theaters.

Monday, July 31, 2017

The Great Andrea Romano, Voice Director for Animation, is Retiring


Like every other DC Comics nerd, I know Andrea Romano's name from watching my Batman, Superman and Justice league cartoons a little too closely.  And, of course, the extras on the DVD sets.

It seems she's hanging up her... headset?  microphone?  and passing off her duties as she heads into well-earned retirement.

It's hard to say how one measures the skill of a voice director for cartoons, but here's a sample of shows she's worked on:


  • Chip N' Dale Rescue Rangers
  • Duck Tales
  • Tiny Toon Adventures
  • Animaniacs
  • Batman: The Animated Series
  • Freakazoid
  • Superman
  • Batman Beyond
  • Static Shock
  • Justice League
  • Teen Titans
  • Batman: The Brave and the Bold
  • Spongebob Squarepants
  • The Boondocks


and a whole lot more

I know the folks 10 or 15 years younger than me will disagree because they've got nostalgia on their side, but I couldn't ever figure out what was wrong with the acting in the Marvel cartoons of the 1990's (or, heck, today).  The voice acting always sounded rushed, like people just shouting lines into a mic.  But DC's work always sounded natural, like a radio show or movie, just animated.  Her characters were distinct, had their own cadences and personalities.

And when you think of shows like Animaniacs or Tiny Toons - those voices were so specific and as much a part of the characters as any cell animation - you can't really separate the two.  Hell, the Warner Brothers (and the Warner Sister) still bounce around in my head in perfect pitch.

Yeah, that's because WB has a great stable of voice actors, but they've also been working under Romano for decades now.   She brought in name talent like Clancy Brown for Superman, and she found a fellow by the name of Kevin Conroy and made him "the" Batman for two or three generations of fans, no matter who was putting on the cowl in the feature films.

Back when I was still buying DVDs and BluRays of DC movies and series, I'd always jump immediately to the extras and hope they'd have an interview with Romano, who was casual but a total pro every time she was on camera.  Her feel for the characters and, really, how to work with actors was superb, and it played out in every story, in every series and movie and arc.  And even though she's not associated with Justice League Action - which all of you should be watching - the show's production carries so much of her stamp, such is her legacy at at WB Animation.

I'm sad she's retiring, because it means less of her work, but it's important to say a big thanks to Ms. Romano, who has been such a huge part of so many hours of entertainment we've all been able to enjoy, and who's amazing abilities elevated an artform that many thought of hokey kid stuff.

Here's to you, ma'am.





Sam Shepard Merges With the Infinite


Actor, Playwright, Director and pretty-cool-guy Sam Shepard has passed at the age of 73.  He had been dealing with ALS for some time.

Shepard appeared in one of my favorite films, The Right Stuff, as real-life hero and pilot Chuck Yeager.  It's one of those roles and performances I imprinted on at a young age, and I still marvel at each time I watch the movie.

He'll be missed.

Sunday, July 30, 2017

Espionage Watch: Atomic Blonde (2017)



It didn't occur to me that smoking was something that would become something people forgot to know how to do, let alone show on film.  The early 00's saw the end of smoking in film and as an acceptable habit for white urban and suburban middle-classes as well as a sign of rebellion or cool in film and television.  So when smoking - something that makes total sense for your 1989-era spies to be doing - becomes something they don't look like they know how to do, and your movie can't quite figure out that drawing attention to smoking (unless you're David Lynch) is antithetical to cool, anyway, you become somehow less cool than had you never tried in the first place.

Somewhere in the plot-drenched Atomic Blonde (2017) there's a deeply smart movie fully capable of keeping an audience used to cookie-cutter plots on its toes.  This movie also features one of the more ground-breaking action sequences you'll see in any movie this summer, merging the seamless combat sequences of Marvel's Daredevil show with the manic life or death choreography of one of the better Jason Bourne films - and it may be worth the price of admission just for that set-piece alone.

Unfortunately, it's a movie that relies of the same @#$%ing MacGuffin of most spy/ espionage films of the past 20 years - someone has a list of all the covert agents and our hero has to get it back before blah blah blah - while also trying to lift from Le Carre's moral DMZ of Cold War Berlin, and maybe trying to riff on Bowie and other late 20th Century musician's leaning on Berlin as a sort of crucible of self.  But that is giving someone's sexy spy actioner more credit than it's due, at least in presentation rather than intention.

The end result is an overly long movie which seems to believe it's delivering on style while dropping the ball on what 1989 looked like, fails to develop any characters - up to and including our lead - and lets James McAvoy run around looking like a Brad Pitt character a decade early.  But don't worry - someone went to Spotify and filtered for "'80's" and applied period-specific pop songs with a Zack Snyder-esque penchant for making the song so on-the-nose you start thinking about the mechanics of how this movie got made.

Tuesday, July 25, 2017

Mustache You a Question: The Mustache Superman Meme has already produced this...

If you're not keeping up, Justice League is in reshoots (shocker, after Snyder left and Joss Whedon came on).  Therefore, our modern Man of Steel, Henry Cavillm is acting in two movies at the same time, and he's legally bound to wear a mustache for his part in what I think is a new Mission Impossible movie.

So, WB is going to film a mustachioed Superman and then digitally remove his cookie duster.

But - what if it were otherwise?  Well, the internet went nuts yesterday imagining how great that would be.

And, if you want to do more than imagine it or look at a few MS Paint photo manips, the internet hath provided...  (also, The Dug, who sent this to me)



Monday, July 24, 2017

Happy Birthday, Lynda Carter

Ms. Carter at the recent premier of "Wonder Woman"

Here's to Lynda Carter, who is celebrating her b-day today.

Lately it seems Ms. Carter has been particularly busy, between appearing on the CW's Supergirl as the President of the United States, to performing live (she's a well-regarded singer), to talk show appearances, to her appearance at the UN and in partnership with the Wonder Woman film.  And last year she lent her voice to a lounge performer in Fallout 4.

We're always happy to see Ms. Carter get her due.  And, of course, we hope she has a great birthday.

Wednesday, July 19, 2017

Ape Watch: War for the Planet of the Apes (2017)



I was skeptical when Matt Reeves and Co. relaunched the Planet of the Apes franchise a few years back.  We're big fans of the original five films here at The Signal Watch - but despite a certain affection for Tim Burton and an appreciation for anything with a simian in a featured role, I've only seen that remake once.  Because I kind of hated it and wound up having to apologize to several friends who agreed to go see the movie with me.

So, yet another go at the idea wasn't something I was looking forward to initially.

But, lo and behold, Rise and Dawn of the Planet of the Apes were released, and, yea, I dug them. They managed to find an astonishing line where they could break from the original narrative but still give nods enough, show respect for those movies and still be entirely their own thing.  If Caesar wasn't the child of apes who'd traveled through time and space, we still found a way to make him the founder of the Ape Society that didn't need to bend time and space to get the job done.  And if I always stood by the complex heart of the original slate of films, the new movies refused to be any less challenging.

I'm pleased to report that War for the Planet of the Apes is a worthy conclusion to the trilogy, an astonishing technical achievement, and - as all the apes movies have been (save the Burton one-off) a thoughtful character study and examination of morals.  And, of course, a dystopian sci-fi franchise that actually earns its dim view of humanity.  It isn't just ignorance or folly that leads to man's downfall, it's mankind's inability to tame our demons that drives us straight over the cliff.

"Professor Marston & The Wonder Women" - Trailer for WW Comics Origin Pic



Well, this is going to complicate things.

But, yes, I'll absolutely be going to see it.  First read about this circa 2001 in a book by Les Daniels.