Noir Watch: The Blue Gardenia (1953)

I'm not entirely certain what to make of The Blue Gardenia (1953), and possibly talking about it right after watching it is a mistake.  It was this week's pick on TCM's "Noir Alley", introduced by the great Eddie Muller.

My current take on the film is that I like a huge amount of the pieces that made up the movie, but wasn't a raging fan of the movie itself.  I mean, it stars Richard Conte, Raymond Burr and Anne Baxter (who does some kind of edgy stuff for 1953 - but that's noir all over).  It's got a scenario as treacherous as many or most in noir, pulling the world down a normal person's ears because she made a bad decision or two.  And it's one of the more straightforward "no means no" messages you're going to see in a movie, but baked into the social standards of the era - which makes it all the more challenging.

And did I mention Fritz Lang is the director?  And Nicholas Musuraca (Out of the Past) was DP?

AND it had George Reeves in a supporting role as a wiseguy of a cop?

Yeah, I don't quite get why the movie felt a little flat.

Happy Birthday, Bette Davis

Today would have been the 109th birthday of Bette Davis

Ghost Watch: Ghostbusters (2016)

So, I re-watched the 2016 Ghostbusters because Jamie said "I really want to rewatch the new Ghostbusters".  So, we did.

I still liked it okay.  It's not the original, and struggles when they have to stop goofing around and get through the actual plot.

Some of the issues on a rewatch and having had seen the original approximately 13,000 times is the mental mapping you start doing to the original as the movie is a "remake" of sorts, with tons of nods to the original in both plotting and in Easter Eggs.  But this time I really felt the lack of a Dana and Louis - we never really have any point of reference characters to pull back and remind you this is happening in a mundane world.

Luckily, the cast is really funny, and likable, when they aren't cracking jokes, exactly.  Even the villainous Rowan is so goofy and almost plausible (we all knew that guy at the coffee shop), he's kind of likable.

This is going to sound weird, but I think the movie should have been about 20-30 minutes longer to let it breathe.  It is a fast-paced movie, and maybe too fast paced.  On this viewing I caught a lot of dialog and ideas about who the characters were that I didn't quite get the first go-round (but knew from stuff I'd read online before seeing the movie).  Like, this time Patty's local-history-buff part made way, way more sense.

Anyway - it's imperfect but still fun.

MST3K Watch: The Final Sacrifice (1990)

For whatever reason, this has long been one of my top 5 MST3K episodes.  Well, that reason is primarily Zap Rowsdower, the burly, mustachioed, Canadian-tuxedo'ed co-star of the movie.  Paired with the weiniest kid to ever star in a movie, it's a match made in cinema glory.

Marvel's Retailer Summit and Why We Bailed on Marvel a While Back (It Wasn't Diversity)

I generally don't pay attention to this stuff anymore, because it's usually a fire that burns itself out and the world keeps on spinning, but...

The Comics Internet has been in meltdown over the weekend as word got out about the first Marvel retailer summit in two decades, which - with the best of intentions, Marvel (God bless their hearts) decided to invite in ICV2 and let them report out on some of the conversations between their senior staff and retailers.

Frank conversations.

Part 1
Part 2
and the part that set the internet ablaze

I'm the first person to nod and acknowledge that sometimes the unicorn dreams of the world don't add up to financial success and security for all, no matter how much we want the opposite to be true.  But...

The sentence that is getting all the play:

We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character, people were turning their nose up against.

I would point out, it seems like folks are ignoring all the "we like our diverse characters, and we were doing okay with them until just now" commentary surrounding that sentence.  In context (and you can see the article in that third link above), it sounds more like a guy trying to grasp market forces that changed super rapidly, is looking at what's not selling and making a statement that reflects his spreadsheets.  And he made some insensitive remarks in illustrating what they saw happening.  Which is why you don't do that.

Honestly, I cannot believe a wing of Disney opened the door to the amateur-hour world of comics press during frank conversations.  Off-the-cuff-on-the-record convos have never been the strong suit for most comics folks.  In the end, the same guy had to come back and admit that some of those new characters are popular or are doing fine and he undermined Marvel's significant efforts to diversify their character base and their fan base.  And that just makes Marvel, clearly, look awful.

My intention is not to protect Disney/ Marvel so much as to say - "Marvel, that was kind of bone headed on a multitude of levels" and to also say "My fellow progressives, it's possible many market forces are in play that are impacting sales on books featuring newer characters, which in Marvel's case of late, are those diverse characters because those are less established characters who don't have the foothold of, say, Spider-Man."

I'd argue that that there's probably a much more realistic reason Marvel is having issues than a sudden public disinterest in diversity.

None of this is news - but this is my "how I wandered off from Marvel" journey.

Ape Watch: King Kong (1976)

With Kong: Skull Island checked off my "must see" list, I noted King Kong starring Jessica Lange was on Amazon Prime.

If ever a movie was a mixed bag, it's the 1976 version of King Kong.  It's a movie only the 1970's could have produced, still in the echoes of the pessimistic Planet of the Apes saga but brimming with the romanticism we'd see in Superman: The Movie and Star Wars.  It features two/ three stars busting out - nobody aware they'd become Hollywood icons - in Jeff Bridges and Jessica Lange and Charles Grodin, who would go on to be Charles Grodin (and that is not a complaint).

But it's also a movie with a very good mask/ make-up on a guy in an ape suit, big animatronic hands, arms and legs for Lange to cling to, and a re-writing of the premise as an Energy-Crisis-conscious abandoning of the showbiz angle of the original for something about oil exploration.  And it really whittles down the wonder of Skull Island - dumping the dinosaurs in exchange for more dialog and human moments, severely diminishing the idea that this is an adventure film.

Signal Watch Reads: Altered Carbon (2002 - audiobook)

A few folks had recommended to me Altered Carbon (2002) by Richard Morgan.  Likely this was due to my interests in science-fiction and detective/ noir fiction.  Not a bad call, that.  The book is more or less a detective story with a decidedly noirish bent set in a far-flung future of high technology and interstellar travel.

While our characters live in a fantasyland of technological wonders and possibilities, the technology the book is most preoccupied with is the digitization of the human consciousness, allowing minds and personalities to flow freely between bodies or into virtual environments as specters, even crossing the cosmos for business meetings into rented "sleeves".  While mankind lives at a point where genetic and chemical manipulation of the human form is common practice, the same ills that always plague humanity are no further off.  War, hunger, institutionalized economic disparity, religious mania... all still present hundreds of years from today despite the colonization of many new worlds and the discovery of alien artifacts.

Noir Watch: Tension (1949)

This is likely the fourth time I've watched Tension, the 1949 pulp-tastic noir I was first introduced to by JSwift during a trip to SF a few years back.  It aired this last Sunday during Turner Classic Movies' new segment, Noir Alley, hosted by Eddie Muller.*

Muller does what he does so well - introduce the movie, give some history and context and talk about the players in unpolished terms.  This screening included an appreciation of co-star Audrey Totter, whom we at The Signal Watch think is absolutely tops, and a closer discussing the complicated life of director John Berry.

In addition to Totter, the movie also stars Richard Basehart, William Conrad, Lloyd Gough, Barry Sullivan - and, oddly, Cyd Charisse in a role where there is not a single step of dance.  I mean, she's terrific - she's got some straight acting ability, but it's an odd fit for someone who appeared in roles with not a single line but a lot of dancing.  That's sort of her deal.

It's a bit of a small-scale production, a tight cast working with a rat-a-tat script by Alan Rivkin, and good, twisty fun with some severely dated bits that don't seem aware they've inverted the Superman paradigm.

Trailer: War for the Planet of the Apes

Cartoon Short as Promo for Pixar/Disney's upcoming "Coco"

Love the combo of classic Disney character animation with 3D.  Could have been a "Pluto" back in the day.

Hope this one is as good as the last few Disney features.