This is why I shouldn't try to have fun

Cap Wolf

Today did not work out at all.

Several months ago, when I assumed UT Football would be great and I'd want to be home on a Saturday to watch the game, and back then when I assumed the Cubs would not be in the World Series, I purchased a ticket to the Alamo City Comic Con.  Just for one day - today.  So, I took the day off and drove to San Antonio for comics shenanigans.

Straight up, I don't know why I do these things.  Mostly, I find them depressing, but I show up every three years to a Comic-Con as some sort of mildly expensive reminder that this thing is not my bag.

I had to make it a short day of it if I wanted to go to SA and back AND watch the World Series, but I've yet to be at a Con in Texas where 3 hours wasn't way more than enough (what people do with a 3-day pass, I will never know.  Stand around looking a little peaked in your Ranma 1/2 cosplay by day 3, I'd guess).

What got me off my butt and to The Alamo City in the first place was the fact that Margot Kidder was scheduled as a guest, to appear all three days and, really, she's one of the very few people I'd be pretty excited to meet at this point in my life.

So, you will notice there are no pictures of Margot Kidder in this post, and that's because she never showed up while I was there and before I realized I didn't want to spend any more money, and so I gave up - the entire enterprise leaving me, once again, wondering what it is, exactly, I am doing with my life.

Other thoughts:

Happy Birthday, Elsa Lanchester

Born this day in 1902.

Happy birthday, Elsa Lanchester.

Happy Birthday to President Theodore Roosevelt

Happy Birthday to President Theodore Roosevelt, born October 27th, 1858.

On The Colonel's birthday, I highly recommend - before forwarding any social media with images of TR tied to a quote - try Googling that quote first.  I've been seeing a lot of false quotes attributed to the man of late.

He was a profilic writer and speaker, he was imminently quotable, but he didn't really speak in modern soundbites.  So, anyway, be careful out there.

Also, read a TR biography some time.  It'll be worth it.

Halloween Watch: The Bride of Frankenstein (1935)

Watching a Frankenstein/ Bride of Frankenstein (1935) double-bill has become my personal Halloween tradition.  I'd already watched Frankenstein this year, and so needed to work in Bride of, which has been tough with the Cubs actually making it into the World Series.  I mean, usually by early October, I'm kinda done with baseball and my football watching is contained to Saturdays.

But, what would Halloween even be (for me) without The Bride of Frankenstein?  I don't even want to know.

The movie remains horrific, beautiful, eerie, hilarious.  Everything I'd want in a single movie, and everything I like about the holiday.

Here's to Mr. Whale and company, and everything that makes this one of my favorite films.

Signal Watch Reads: We Have Always Lived in the Castle (Shirley Jackson, 1962 - audiobook)

After reading The Haunting of Hill House, one or two of you (I know Max was one) suggested I check out more of Shirley Jackson's work.  We Have Always Lived in the Castle (1962) was the lead recommendation, and as I'd really liked the other novel, when October rolled in, I selected it as my Halloween read.

That may or may not have been the best selection specifically for Halloween as it's not necessarily the stuff of the monsters and pumpkins and ghosts I usually associate with the holiday, but everyone does it differently.  Rather, the closest comparison I could draw would be along the lines of Hush Hush Sweet Charlotte or Whatever Happened to Baby Jane?.   But even those are a far cry from this book.

Still, depending on how one were to read it - this book is horror.  Not the creeping uncanny spirits of a ghost tale, or even the realization that the normal is face-to-face with the supernatural.  It's the reader wrestling with an untrustworthy narrator and a creeping descent into something not necessarily sinister but tragic and mad.

Non-Essential Viewing: Rocky Horror Picture Show (2016)

I don't know how to categorize this.  It was a two-hour television "event" on Thursday night, in prime time.  It's a sort of "TV movie", but it's in the manner of one of the live musicals the networks have been doing.  Only, it wasn't live.

It also wasn't... very good.

Look, no one has remade this movie to date because the original is lightning in a bottle.  It was a movie that's still relevant, but a lot of what was taboo or edgy in that film has lost it's subversion as elements have become or are becoming more mainstreamed.  Putting a play/ movie about themes that were still considered unmentionable in the 1970's and turning it into fodder for channel flippers on a Thursday night was going to be difficult - but I almost felt like, Laverne Cox aside, most of the cast didn't really know how this was supposed to work.  And, frankly, it didn't feel like the director or producers knew how to do this, either.

To maybe throw some context on this:  the show/ movie was directed by Kenny Ortega, a name that's not exactly household for me, but he was the brains behind High School Musical.  And, boy howdy, does that explain a lot when you're watching the thing.

Really what struck me while watching this was:  Hot Topic.

Doc Watch: Tower (2016)

About thirty minutes into Tower (2016), I realized that the soundtrack to the film included the ever-present sound of cicadas, a tree-dwelling insect which emits a steady humming that all Central Texans know as the droning background noise of the hottest days of summer.  I'd tuned the sound out the same way we all do, and I began to realize part of why the film felt so immediate - and why the film is so effective.  What the film captures is very real, from glimpses of the University of Texas campus to the sound to the casual chatter about campus life, torn apart on August 1, 1966.

I'd wanted to see this film from when the producers first released footage maybe a year ago.  Then friends saw it as SXSW and had positive things to say, and I was encouraged that the documentary would do the event whatever justice could be done.

Hammer Watch: Frankenstein Created Woman (1967)

A few apologies to my brother and Jamie who watched this movie with me.  While technically a horror movie, this one moves along more like a 19th century novel reflecting upon injustices until the last third.  I'm not sure that last third is actually scary - it's more interesting from a science-fiction/ fantasy point of view.

I selected the movie in part because I've been trying to get my head around what Hammer was doing with it's Dracula and Frankenstein films back in the day, and in part because it's the closest to a Bride of Frankenstein film I've noted the studio producing.  It is, of course, absolutely nothing like Bride of Frankenstein, so that was a wash.

Comic Artist Steve Dillon Merges With The Infinite

God.  Dammit.  2016.

Comics artist Steve Dillon has passed.

Dillon was one of the finest comics artists of the past few decades, mixing an illustrative quality with cartooning and pitch perfect sense of tone and a moment.  Not only did he have one of the deftest pencils when it came to capturing the exact, perfect expression for every character in a panel - something I assume he did effortlessly as he did it in every panel - but his ability to change pacing, to whip between romance to horror to comedy within a single page remains unparalleled and may never be matched.

His pairing with Garth Ennis was a boon to the medium, from Hellblazer to Preacher to The Punisher.  I don't just consider Preacher a seminal comics work of its era - I consider it a seminal work of its era - full stop.  That said - not recommended for all audiences, Mom.

TL;DR: Wonder Woman at 75, at the United Nation and 'Wonder Woman v.2 #170'

Yesterday was, apparently, the official 75th birthday of Wonder Woman.  As part of that event, Wonder Woman was made a Special Ambassador of the United Nations, an icon for new efforts within the UN to speak on behalf of gender equality.

I don't know how much of Wonder Woman's origins most people know, or how hung up they are on some of the more salacious details of creator William Moulton Marston's personal life, or how that played out on the comics page.  But I do know that Marston was sincere in his interest to create a strong female superhero, not just with whom little girls could identify, but for little boys to understand that women could do all the things that men can do.  They can leap into the fray and they stand as equals (although I'd argue Marston may have had a bit more of an ideal of a matriarchy in mind even more than than just an egalitarian ideal).

"Wonder Woman" TV star Lynda Carter was in attendance