DC Comics details #DCRebirth, we look at Superman and... So many questions (not necessarily in a good way)

Thank Hera, WW is back in gold.  But what's with the blue boots on Supes?

Over the weekend at something called WonderCon, DC Comics used the Comic Convention platform to do what they used to do back before videogames and movies gentrified CCI/ San Diego - they actually delivered some fairly large comics news.

It's no secret to retailers or readers that DC Comics' line of titles has been in a creative hole of despair for going on 5 years, and sales have taken a related major nose-dive in the past two years despite incentive covers and as much Harley Quinn as DC could print.  The ill-conceived Convergence event of Summer 2015 gave anyone on the fence the opportunity to get the hell out of there, and, abandon DC they did.

It wasn't too hard to figure that after DC moved to the new West Coast offices many things would change, that the real-world stresses of moving would put any ability to react to sales issues on the back burner, but, once everyone was settled, they'd immediately begin planning.

The final product of a few months of brian-storming is now revealed:  DC Comics Rebirth.

So, what is Rebirth?

In Light of "Superman vs: Batman" - What is the Point of Film Criticism?

Batman ponders the Super Package

Although perhaps less so every year in a world of constantly sub-divided attention, movies and television are the modern cultural touchstones.  More than news, political figures or even war, there's nothing like a $400 million dollar movie to get everyone around the world doing the same thing on a Saturday.  International dominance of American cinema means that films transcend boundaries and political ideologies as Hollywood carefully crafts non-political films with standard "good v evil" tropes, without ever casting a particular point of view, aside from "evil menace" as the bad guy.

We aren't all just film viewers, we are all film reviewers.  We see a film, we consider that film against other films, source material and our particular perspective.  Sometimes we write that thought down.  The job requires no credentialing, and while some people are paid to look at movies, sum them up and say a few words about the relative merit of a film, others do this endlessly, fruitlessly on their own (cough), but it is something we all do mentally.  We are all ready to write a column for the local paper.  We all have the best, most nuanced of opinions.

Most of what you see in the press I think of as "reviewers" more than "critics".  Somehow, someway, those folks parlayed an interest in going to a bunch of movies every week into a job where they then must writer 1000 words about that movie.  A review contains a synopsis, who stars in a movie, and some sort of opinion about the movie.  Some make it colorful - and in this era of  anyone with a keyboard having the ability to publish, you gotta write some colorful stuff to get clicks.

How to separate a critic from a reviewer?

Well, a reviewer is a person with a local newspaper column or a website.  It's me.  It's you.  Your aunt who posts things to facebook.

There are two definitions of critic, I think.

Sci-Fi Watch: Midnight Special (2016)

Well, you can't knock his reading material selection

The Alamo Drafthouse was really pushing Midnight Special (2016), and so I saw the trailers a few times over the past couple of months.  In general, they at least piqued my curiosity, and in a weekend when I wanted to get out of the house and I was opting out of superherodom, I decided to give this one a whirl.  A college pal I've mostly lost touch with did the score for this movie, so I had all the more incentive to see this one, I guess.

The movie is uncomplicated, and were it not for a few heart-stopping moments, I'd say it was completely safe as family fare.  But, really, I'd advise for kids 13 and up.  What violence does occur is handled with something like the shock of reality ( I assume.  I don't get wrapped up in gun-play as often as you think an IT manager would.), which works very, very well in the movie, but not something for the wee ones.

The movie begins in-media-res, Alton Meyer is the subject of Amber Alerts across Texas, local news stations are putting up pictures of his birth father, Roy (Michael Shannon), as the abductor.  We learn that Meyer was the adopted son of a charismatic preacher (Sam Shepard) in a small commune/ cult of religious fundamentalists - based on the very real folks you see sometimes coming into town in Austin in their colorful dresses out of the 19th Century (and sometimes bonnets).*  They aren't anti-technology, but they certainly keep to themselves.

An Easter Short Film For Your Enjoyment

For your Easter melancholy/ mirth - here's a film shot by our own Paul T (it's less than 5 minutes. You've got the time.)

Before Comics Were Cool - The Gen-X Recollection Project: Ryan (It is I! Your humble blogger!)

Howdy!  And welcome to a not terribly special edition of Before Comics Were Cool - The Gen-X Recollection Project.  Because, it's me.  Writing about me.  And, settle in, kids, because this entry is entirely TL; DR material.

Fair being fair, I thought I'd partake in my own memory-gathering exercise.

The questions I put out there reflect some of what I've pondered of late when it come to how the notion of nerd-dom has changed, and as we watch the world embrace the same culture we reveled in, the same geek-type-stuff that once left us hated and feared by the very world we sought to protect, what it was like in The Before Times.

In putting finger to keyboard, it's a bit hard to think back on the past with genuine honesty.  The period we're talking about - when we got into comics and the fog of raw emotion that dominates your world in middle and high school - is one with which we all grapple.  My primary emotion during those years was "confusion".   Any tertiary emotions stemmed from whether my confusion was increasing or decreasing.

There are folks who read this site who will quibble with my assessment of how things went down, but that's the way of history.  I have tried to adhere to reality, but I know the years have painted over some of the truths, wounds have healed as the memories recede and the decades in between has provided a barricade from the days when everything felt like an open wound.

This may be the longest I've ever worked on a single post in all my years of blogging.  Perhaps not-so-coincidentally, this has also turned out to be one of the longest posts I've ever written.  So, if you're going to read it, go get your coffee now.

And, without further ado...

Howdy, y'all.  It's me.  Your friendly blogger.

Your name: Ryan (yeah.  I'm doing this, too.)
Your current occupation:  I am an Assistant Director at a Digital Library consortium.  My job is essentially "make the things work/ run a team of devs and sys admins/ other duties as assigned"
Your current place of residence: Austin, TX
Your current personal family status: Married, no kids, two dogs, extended family up in my business (everyone lives in town these days)


What was ground zero for you getting into comics/ science-fiction/ fantasy? About what year was that? Do you remember what was going on in your life?

These are the raw materials we were working with

It's probably important to mention, first, that my earliest memories of superherodom are tied to Adam West in Batman, which I reportedly watched in reruns before I could even speak.  As per sci-fi/ fantasy - my parents bought into Star Wars lock, stock and barrel.  My dad took my brother and me to see the first movie during its original theatrical release (take that, parents who aren't sure their two-year-olds can take Uncle Ben's charred skeleton!).  My Mom, who still likes Star Wars, had us in Star Wars wallpaper, figures, bed spreads... all that.  

But, yeah, I suspect I was imprinting on all of that stuff like crazy.

The Admiral took me to see Superman during its initial run (1978), but that took much later.  I vaguely remember watching (and playing) Gatchaman/ G-Force, as well as Super Friends in the late 1970's, and Spider-Man and His Amazing Friends.  We had lots of capes around and a few Batman and Spider-Man toys.

The first actual comic books I read included Woody Woodpecker and Bugs Bunny, maybe circa 1981, and I didn't like them.  It felt like the rushed, cheap work it was.  At some point, I got a Clash of the Titans comic book, and I liked that a lot.  Between the funny pages and that comic, I now knew not all comics were necessarily as hacky as the knock-offs of animation.

But none of this was exactly nerdy.  Just a kid consuming nerd-adjacent juvenile pop culture detritus.  However, that was not to last.

Pee-Wee Watch: Pee-Wee's Big Holiday (2016)

As Netflix continues its move to "purveyor of original, on-demand content (and some other crap)", they've done a fine job of finding content and talent that folks have a fondness for and bringing it back.  Your mileage will vary on these projects, but you have to admire the full-blown production values of the projects.  How the hell they do Daredevil on a a TV budget still blows my mind - and I assume that show costs a whole lotta dough per episode.

We haven't seen much of Pee-Wee Herman since the conclusion of the fantastic Pee-Wee's Playhouse, a highlight of late-80's Saturday morning TV.   Pee-Wee actor Paul Reubens was embroiled in a minor legal snafu which - in a very different era - did some damage to his career.  I dunno.  I was in high school at the time it happened, but I didn't really get what the big deal was.*

To Sterling Hayden on his 100th Birthday

Short of Harrison Ford, there aren't too many actors I look at and think "that guy is so cool.  I wish I were that guy."  But, yes, Sterling Hayden is absolutely one of those guys.  Maybe throw in Alan Ladd.

Today marks the 100th birthday of Sterling Hayden, the tall, tough-guy actor in two of my favorite noir movies of all time, The Killing and The Asphalt Jungle.  Of course, he was also the whacked out General Jack D. Ripper in Dr. Strangelove and Capt. McCluskey in The Godfather.  And, for extra credit, he was in Johnny Guitar (as Johnny Guitar), mooning over a pancake-make-upped Joan Crawford.

Here's an article in The Boston Globe celebrating Hayden.  He sounds like maybe he was a difficult man, but I respect anyone who ran away to sea at 17 to sail the world and was in the 20th century up to his elbows as much as he was.  He was a goddamn commando in the OSS!  He flirted with being a Red!  He hated acting and just wanted to be on boats!

No one quite did world-weary-but-seemingly-invulnerable like Hayden.

If you've not seen The Asphalt Jungle, do so now.  It's got Monroe in an early role, it's directed by John Huston, and has Jean Hagen in a heartbreaking role as Doll.  And, of course, Hayden as Dix, the heist man who just wants to get back what his family lost in Kentucky.  Failing that, watch The Killing.  Which is early Kubrick, features a platinum Marie Windsor, Elisha Cook, Jr. and a host of other perfectly noir faces.

Gen-X Recollection project - Here's what we've got, but we need more!

If you ever imagined yourself with a Luck Dragon, we need your story, nerd

Hey everybuddy!

So far, so good on the "Before Comics Were Cool - The Gen-X Recollection Project" feature we've been working on here at The Signal Watch.  And by "we", I mean you guys.  I can't tell you how much I appreciate everyone's participation, and the folks who've stepped up to say they'd like to participate.

So far, we've had:

• Stuart W
• Peter from Denmark
• Matt A.
• Daniel F.
• Jason (my brother!)

Now we want YOUR STORY.

If you still want to participate - GREAT!  This is an ongoing feature and we welcome any submissions, any time.  Just read the guidelines and send something in!

Happy B-Day to Jamie

In a beautiful valley in Hawaii, but I can't remember the name

Happy Birthday to Jamie, our very own Lois Lane here at The Signal Watch.

Y'all wish Jamie the best of birthdays.  I am without words to express how much I love her and how much she means to me.

Garry Shandling Merges With the Infinite

I'm very sad to say that comedian Garry Shandling has passed at the age of 66.

Garry Shandling was pretty terrific and we're sorry he went so early.  When we were kids, we actually loved his show on cable (maybe a little adult for us, but it was the 1980's), which had a kick-ass theme song.