And, lo, there was yet another X-Men film. Hopefully not one too disappointing.

I believe I'm now legally obligated to see this movie.  I'm not even sure I'm happy it exists, but I suppose I'll be catching a matinee at some point.

I kind of feel the way about X-Men movies the way I do about X-Men comics.  It's how I got into comics, but I kind of lost interest at some point, but I'd be sad if they went away.  Also, too much Wolverine.

Pixar Watch: Toy Story (1995)

Well.

I sure as heck am not bothering with a plot synopsis on this one.  If you're old enough to read, you've seen this one.

Disney had a special on Thursday evening talking about the production and legacy of Toy Story (1995), and it was well worth catching.  I'd forgotten Joss Whedon was on scripting duties for the movie, and its actually a bit of fun to remember the state of technology and animation from the era.  If you get a chance to catch the special on TV or on a DVD extra sometime, I suggest giving it a whirl.

This year marks 20 years since Toy Story hit the big screen and changed animation and entertainment forever.

25 Days of Super Christmas - Day 10

Holiday Watch: Miracle on 34th Street (1947)

I think the first time I saw Miracle on 34th Street (1947) was in high school when some teacher or other was trying to kill time before Christmas break.  Between you, me and the wall, what I probably remember most from that first viewing was Maureen O'Hara.  Yes, I was a teenage boy.  Sue me.

But even with that viewing, I dug the spirit of the whole thing.  It's a great example of a true all-ages movie you could take the kids and Grandma to and enjoy it yourself.  It's a fantasy, yeah, but it's one that exists in the adult world of drunk Santas, incompetent counselors, exhausted parents, Bellevue Hospital, legal issues, politics and divorce.

25 Days of Super Christmas - Day 9

25 Days of Super Christmas - Day 8

Holiday Watch: Krampus (2015)

Yeah, yeah.  Someone was going to go see this, so it might as well have been me.  SimonUK and I talk each other into all sorts of things.

I don't think I'd ever heard of the notion of The Krampus until sometime in the last decade, and I can't remember if the Venture Bros. were my first exposure to the character or not, but I remember being very, very excited about The Krampus.  It certainly wasn't part of American Yuletide tradition when I was growing up.  All we had was The Grinch, and that was a very, very different kind of story.

In a way, The Krampus is both enforcer of the spirit and meaning of Christmas and the antithesis of the Coca-Cola version of Santa that I think maybe people get a little worn out on, so the idea that there's a version of St. Nick/ Santa/ Father Christmas/ Papa Noel that goes around with a demonic jerk that will hit you with birch switches just sort of appeals, I guess.  After all, Christmas is a holiday of behavioral extremes.  This season of goodwill and charity is also topped off with family violence, Black Friday brawls over electronics, and spikes in depression.

Krampus (2015) is a product of Michael Dougherty, the same guy who wrote and directed Trick r' Treat, which we watched and quite liked just this last Halloween.  Unlike the latter film, Krampus is not an anthology film - it's a pretty straightforward pressure-cooker horror flick that, instead of going after sexy but dumb teenagers or college-kids, or yuppies in a secluded house, takes place in what seems to be the suburban mid-west and pretty much your typical American whitebread family Christmas get together.

25 Days of Super Christmas - Day 7

The Sequel I Didn't Know I Was Waiting For: Crouching Tiger, Hidden Dragon - Sword of Destiny

Dear Michelle Yeoh,

Thank you for always being awesome.

Sincerely,

Ryan

Bogie Watch: To Have and Have Not (1945)

Based on an Ernest Hemingway novel, To Have and Have Not (1945) stars Bogart and Bacall as two folks avoiding the war who stumble across one another on the French-Caribbean island of Martinique.  As near as I can tell from a quick glance at Wikipedia, in the 8 years or so from the book's publication and WWII led to the adaptation undergoing some significant alterations, changing up quite a bit, including Nazi-sympathizing Frenchmen, and basically - WWII in general.  I haven't read the book yet (actually getting through most of Hemingway's novels is a bucket list item for me, but I get so easily distracted), so I'll have to trust the internets.

The movie takes place on the French island of Martinique, a place in a precarious position as Germany has taken over France, and the influence is felt even this close to the United States.  Bogart plays a captain of a small fishing vessel who has successfully avoided participation in the war and is mostly interested in getting by and saving his own skin.  Bacall plays a pickpocket and hustler who has landed on the island with no money and no prospects except for grabbing the wallet of Bogart's latest client who owes him nearly $1000 (and who planned to skip without paying).  He's also being asked to help out some French Resistance locals, but doesn't want to get involved, but when the German-controlled authorities get into a shootout with the resistance, Bogart's customer dies in the crossfire before he can pay and the local police Captain seizes what money Bogart does have.