Pootie Watch: Pootie Tang (2001)

You're either on board with Pootie Tang (2001), or you are not.  And, according to what I've heard over the years, the studio that put out this film was decidedly not onboard with what a still kinda unknown Louis CK and his co-horts were up to.

What's amazing about the movie is that to make this movie today would cost infinitely more, as this thing is the starting gate for a whole lot of talent that people know today.  No, Louis CK never appears in the movie, but we get Wanda Sykes in her break-out role (no kidding), David Cross, Jennifer Coolidge, J.B. Smoove, Missy Elliot, Todd Barry, John Glaser, Mario Joyner, Dave Attell, Laura Kightlinger.  And, yeah, it also had the then-established Chris Rock and Andy Richter.  But also a very young Kristen Bell in a small role you only see in the credits.

And, of yeah, Costas.  Bob Costas is all up in this movie.

If you've not seen it, it's a bit of an urban super-hero movie.  You get an origin, you get the loss of faith and loss of powers, all in a comedy about a guy named "Pootie Tang" who is one part action hero, one part musician, one part friend of the children.  And who is, according to the movie's tag line "too cool for words".  Sappa Tay.

It is true, at no point in the movie does Pootie Tang ever actually string together any words you can understand.  And that's either totally funny to you, or it is not.

I really don't feel like I'm selling this film at all.

Turkey Day 22

Turkey Day 21

First two episodes of "Marvel's Jessica Jones"

Here is where I don my comic hipster cap and harken back to the days when I was picking up Brian Michael Bendis' Alias during its initial run.  Yeah, yeah.  I was reading Alias before reading Alias was cool.*

You have to keep in mind, and the kids will never believe this, but Bendis did not arrive on this Earth fully formed as a successful writer of Avengers and X-Men.  He started in indie comics (if you're never read Torso and Goldfish, correct that situation), with a particularly noirish/ crime-ridden bent to his work, which was how I picked it up.  It's good stuff.

Marvel was in a really weird spot when he showed up.  The Spider-Clone debacle,  merging with an action figure company and, basically, the 90's had nearly done the entire company in.  At the time, they were a publicly traded company, and their stock totally, totally tanked.  It was ridiculous.  For all the warm fuzzies the kids have about that 1992-style X-Men of Many Pockets, that shit almost killed Marvel the first time around under the stewardship of Bob Harras, currently steward of DC Comics (hey, DC, how are sales over there, pals?).

So, by the turn of the Millennium, new leadership was installed and Marvel was trying all sorts of stuff, including not-quite-Vertigo type titles under the Knights (basically PG-13) and Max (basically R-rated) banners.

Turkey Day 20

Turkey Day 19

On Current Political Situations

Ads like this used to run in Superman comics quite often in post-WWII America.

And, you know, lil' Kal-El was a refugee, too.

Thanks to SW for the image.

Update - I am told this is from World’s Finest #111, which would be about August 1960
Script: Jack Schiff
Pencils: Curt Swan

Dog Watch: Best in Show (2000)

Back during my young-adulthood, Christopher Guest and his band of actors were putting out a fresh movie every few years as a sort of improv-comedy troupe.  Guest had become pretty famous as part of the cast of This is Spinal Tap, the 1980's death metal spoof doc.  He took the formula and really ran with it.

The list of those movies is pretty short.  

Waiting for Guffman - 1996

Best in Show - 2000

A Mighty Wind - 2003

For Your Consideration - 2006

After a long hiatus from these folks, we got the HBO mini-series Family Tree in 2013, but I hadn't heard about much else.  I heavily associate these movies with my movie-going with Jamie.  We were big, big fans.

Back in 2000, Jamie and I saw Best in Show, and what we'd liked so much in Waiting for Guffman seemed to have continued, and/ or gotten better.

Turkey Day 18

Comic Collector's Corner: On the Accumulation of Things and When Your Comics Own You

One benefit of being a state employee is the accumulation of vacation days.  I basically earn enough vacation that "banking" vacation isn't really something I worry about.  Now, finding time to take days off - that's another problem.  But, way back in July or so, I asked my boss for days off in November.

I took a few days before the weekend and two more after.  I spent Day 1 (a) working, anyway, but on my sofa, and (b) realizing I was actually pretty tired, and so I just sat there.  But on Day 2, I got going on the project I was home for - dealing with my comic collection for the first time since the beginning of The Great Culling, a year-long period during which something like 20 boxes, long and short, went out the door and became dispersed into the back-issue bins of Austin Books and Comics.*

Last summer I had some long talks with Stuart about the nature of collecting, aging into a point where you realize you might not need this stuff anymore, etc... all while standing in the middle of the Hollywood Museum in Metropolis, Illinois.  Stuart's a bit ahead of the curve from me on this.  He's got stuff, but he's divested a good chunk of his comics, etc.. which I feel I've made progress on, but it's an imperfect system.

Purchasing far, far fewer comics these days than I used to certainly expedited the process this go-round, but the idea that I had fewer comics to wrangle also made me lazy and sloppy on a day-to-day basis.  I just hadn't managed the loose comics well at all.

this comic may or may not be somewhere in my pile of comics

It would be a great thing to come to comics in the modern era.  So long as Comixology exists, the money you spend means the comic you own is really a flipped bit associated with your user profile somewhere out there in the cloud, granting you access to that digital content.  No bags and boards and boxes.  No figuring out if you remembered to inventory into that online system you pay for.  Most importantly, the piles of comics you regret purchasing wouldn't wind up as something you'd feel you still had to curate and manage (and I do throw some in the recycling.  Don't think I don't.)

After all, when you're trying things out on the regular, you get a lot of detritus in the collection.

I was probably 31 before I had the conversation with my LCS manager back in Phoenix that set me thinking a lot more strategically about actually "collecting" versus hoarding.  At the time, I was most certainly just hoarding as I was in a race to try to "get" all of DC Comics and most of Marvel, buying as many comics as I could afford.