Tuesday, November 10, 2015
Supergirl Watch: Season 1, Episode 3
Much like Smallville, I suspect that any critical viewing of Supergirl will be an exercise in shooting fish in a barrel. So, I've brought my 12-gauge and CBS has provided the barrel. Let's maim some metaphorical fish.
I came to many realizations watching this week's episode.
Three episodes in, I'm a little stunned at how badly the writers are handling Cat Grant. I have no huge expectations, but that the "interview" scene was incredibly poorly managed after the big build up last episode. It's like Cat's terrible dialog is infecting everyone else's forgettable or fortune-cookie dialog.
good thing this bronze statue is actually lead. Hope no one misses it so I don't have to find a pipe or literally anything but this valuable looking statue. |
I came to many realizations watching this week's episode.
- Reactron is not a terribly creative villain. He was kind of a one-trick-pony/ no personality guy in the comics, and here... more of same. Why did I used to like that guy? Costume design? No idea. I like the name, though. Could be that's it.
- If Cat Grant were anymore one-note on this show, she'd be a tone in Koyaanisqatsi
- The writers have just absolutely nowhere to go with Win. That dude is going to die horribly so anyone can give him a passing thought and he'll ever have mattered in the show. Also, I am not sure working a low-tier job at CatCo would set you up to hack satellites, get you $30K in equipment, and all the rest of the Smallville Watchtower responsibility he's taken on. He's so forgettable, I have to place him every time he appears in frame.
- I have no idea what Kara's sister's name is after 3 hours of television. She's just "Kara's-Sister".
- By episode 6, not one character in the DCU will have a secret identity unknown to Win. truly, that man is the nexus of the DCU
Three episodes in, I'm a little stunned at how badly the writers are handling Cat Grant. I have no huge expectations, but that the "interview" scene was incredibly poorly managed after the big build up last episode. It's like Cat's terrible dialog is infecting everyone else's forgettable or fortune-cookie dialog.
Monday, November 9, 2015
Sunday, November 8, 2015
Snoopy Watch: The Peanuts Movie (2015)
I don't consider myself a hardcore Peanuts fan, but then you have that moment when you realize that somewhere along the line you did, in fact, pick up some Peanuts-related trivia along the way. I guess reading the newspaper strips your entire youth and watching the same Christmas and Thanksgiving special every year for your entire life will make that happen.
So, this Sunday we were the creepy people who came to the mid-day show of The Peanuts Movie (2015) with no kids in tow.
The movie is so fundamentally a Peanuts project that you half-expect ads for Dolly Madison pastries to pop up, and I did waste a stray thought or two wondering what year this was set in as not a single game console or mobile device made an appearance, and there were gags that included telephone cords and kids going outside without a parent or being fitted with a helmet.
While the movie does reference the Peanuts holiday specials you know and love, it doesn't hang on referencing them for the movie to work. It's not necessarily an all-new story - it's the story of Charlie Brown becoming infatuated with The Little Red Haired Girl - but it feels like a solid entry in the decades of Peanuts cartoons.
Hanks Watch: Bridge of Spies (2015)
Normally when I want to get out to see a movie like this, work and life get in the way, and I never get around to making time to see them. Ask me about any Oscar-nominated film of the past ten years and I'll give you a blank stare, because getting out to see a grown-up type movie during the months of November and December is usually not in the cards if I also want to catch superheroes and whatnot.
But, as we were leaving Bond the other night, SimonUK, Jamie and I decided to catch Bridge of Spies (2015) on Saturday morning.
Yes, it's Spielberg, and yes, I know you feel very clever pointing out that Spielberg is emotionally manipulative. Well, kids, that's sort of the point of telling a story and making a movie, so, kudos to you for noticing that Spielberg is pretty effective at making you feel something other than generating a modest chuckle.
I am utterly unfamiliar with the real-life story upon which the movie is based. Outside of hearing once that a U2 was shot down over Soviet airspace, I have no recollection of anything else which occurs in the movie, and - you know, one day I will, and I'm sure the movie will have gotten it wrong. In the meantime, it's a pretty solid screenplay by Joel and Ethan Coen (yeah, who knew?), about an attorney who takes up the challenge of defending a Soviet spy at the height of the Cold War.
40 Years of Lynda Carter Wonder Woman
This weekend marks the 40th Anniversary of the debut of the TV show Wonder Woman, starring Lynda Carter.
If you've never seen the show, or not watched it since the 1970's, it's my official position that you should correct that situation. Over three seasons across two networks and a story taking place across 30-odd years, the show went from post-Batman '66 campiness to a straight family-friendly action-drama and covered Nazis, alien invasion, small time crooks, leprechauns and super-dolphins. And robots and smart-assed computers. And twirling. So much twirling.
If you've never seen the show, or not watched it since the 1970's, it's my official position that you should correct that situation. Over three seasons across two networks and a story taking place across 30-odd years, the show went from post-Batman '66 campiness to a straight family-friendly action-drama and covered Nazis, alien invasion, small time crooks, leprechauns and super-dolphins. And robots and smart-assed computers. And twirling. So much twirling.
Pixar Watch: Inside Out (2015)
The last time I saw a wide-release movie that was intended as one really long metaphor for what was happening elsewhere in the movie was probably when I watched Tron way back in the day.
I didn't catch Inside Out (2015) when it was released earlier this year. Something about it struck me as a riff on a 1950's educational film where some baritone-voiced omniscient narrator would explain how "Mr. Angry" was responsible for all those bad feelings you have inside, while "Ms. Happiness" was wrestling with him for control. And, you know, that's more or less exactly what the movie was. That's not a dig, just kind of my take-away.
George Barris Merges With The Infinite
A quick note to mark the passing of George Barris. He's a designer of hotrods and cars for movies and TV, not the least of which was the classic TV Batmobile, literally my favorite car in all of TV and movies (but a close tie with the Enterprise, X-Wing and Millennium Falcon for favorite vehicle).
Saturday, November 7, 2015
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