Halloween Watch: Trick 'r Treat (2007)

Well, this was a nice surprise.  I think a few of you had suggested this one to me over the years, but I'd always look at the poster and think "eh, this is one of those movies with a 'scary' antagonist that's more visually interesting than actually all that scary".

I watched the movie with pal SimonUK, and as the WB logo went up, he said "You know, I think this is going to be one of those movies people wind up watching every Halloween."   Which, about 2/3rds of the way into the movie, I paused the movie and said "yes, I can see why you'd say that, and I think you're right on the money."

The Flash, Season 2 debuts Tuesday!

I don't talk about the character as much as Superman or Wonder Woman, but I think it's been pretty clear to longtime readers that I'm a fan of DC's speedster dynasty and the whole Flash concept.  From when Carmine Infantino drew his first strobe-image of Barry Allen in motion, this was a book that looked pretty straightforward, but which got really weird, really fast way back in the Silver Age, and it never turned back.*

And, lest we forget, the whole concept of a multi-verse in comics was spawned in the classic "Flash of Two Worlds" story in The Flash #123, back in 1961.

Speaking of, Tuesday sees the season premier of The Flash as it enters its sophomore year.  And, look who shows up:

hell, yes

Jay Garrick has been vital to the Barry Allen Flash comics since that 1961 issue, and it's awesome to see he'll get screentime and, I hope, a recurring role.

Last season was the most fun I had watching any one TV show.  Maybe it's not as intricate and adult as Mad Men or The Americans, but it does exactly what I want a Flash TV show to do - be super weird, have lots of fun twists and turns, use super speed in new ways all the time, and make Barry Allen an all right kind of guy.

They threw everything at the wall last season, and it mostly worked.  Now we see what happens when they don't just worry about time-travel, they worry about the multiverse.  Let's hope this isn't the season where they drop the ball.

Here's some posters:

That's So Craven! We watch "A Nightmare on Elm Street" and "The Hills Have Eyes"

When Wes Craven died, I realized I'd only seen a portion of his filmography.  Sure, I'd seen Scream and a few Freddy movies, but I'd never seen his two earliest hits, The Hills Have Eyes and Last House on the Left.

It had been 20 years or more since I'd last seen A Nightmare on Elm Street (1984), and I am pretty sure the last time I watched it all the way through was in high school.  There's no question there is genuine horror and a great bit at work in this movie, but there are also some clunky moments, and we're far from thinking of Freddy as the wise-ass franchise character he'd become in subsequent movies.

He-Man Watch: Masters of the Universe (1987)

Friday night we had our first organized Live Tweet event with The Signal Watch when we got together on Twitter and partook of Master of the Universe, the toyline/ cartoon turned into a feature film and probably Burger King glass ware.

I want to thank everyone who came out online and made the event so much fun!  That was pretty great.  I think we had a good time, had our say and I think nothing got broken we can't fix.

We'll do it again at some point, as soon as we find something on Netflix we all want to watch.  So, send your candidates our way.

Down to business:

I wasn't a He-Man kid.  The only one of the figures I spent my own allowance on was Mer-Man.  For some reason, I really liked the sculpt on ol' Mer-Man.  No idea why.

I confess, I just really identified with this guy

But I really liked underwater adventure toys as a kid, so that probably had something to do with it.  Who knows?

In the summer of '87, when the movie was released, I would have already been 12, and, as recently discussed with pals JuanD and PaulT, just past the age where you didn't really know how to play with an action figure anymore.  I might still watch the He-Man cartoon after school, but it was kind of that or stare at a wall until my mom got home from work (lord knows I wasn't going to read, do my homework, or get exercise).

Ferrell Watch: Blades of Glory

There's no good reason to watch most Will Ferrell comedies more than once, but I've seen a good chunk of them, like, eight times.  Not the least of these is Blades of Glory, the 2007-era Jon Heder co-starring comedy that also features the always terrific Amy Poehler, then-husband Will Arnett, pretty darn good in this movie.  It also features Craig T. Nelson as their... coach.  Jenna Fischer trying out feature films.

And there's really no good reason to spend a lot of time writing about it.

So.  Smoke 'em if you got 'em.

Who Wants to Watch "Masters of the Universe: THE MOVIE"?

Well, technically, only Stuart.

What day:  Friday night, October 2nd, in the Year of Our Lord 2015
What time:  9:15 PM start (have your popcorn ready) Central Time
How:  Streaming on Netflix
Live Twitter:  look for me @melbotis
Hashtag:  #noorko (although we're taking better suggestions in the comments and to twitter)
Breaks:  whenever I have to pee
Pre-show:  we'll start rounding people up and talking He-Man around 9:00

Noir Watch: Pitfall (1948)

I've had this one sitting on the ol' DVR for months now.  It seems I overinundated Jamie with Noir over the summer, so I'm staggering the movies out a bit more so she won't seize the remotes and and hide them from me.

Starring Dick Powell and Lizabeth Scott (and the omnipresent Raymond Burr), Pitfall (1948) is another movie that proves you should just really not have sex with Lizabeth Scott.  It always leads to shenanigans.

Also, this is Film Noir #875 where Raymond Burr plays a total jerk.  How he landed the good-guy role in the American release of Godzilla is just beyond me.

But I have really come to like Dick Powell a lot.  As I was reading Farewell, My Lovely, he's the guy I had in mind as Chandler's Philip Marlowe (Bogart will always be Sam Spade to me, man) thanks to his turn in Murder, My Sweet.  And, of course, I love Cry Danger.

Phantom Watch: "Phantom of the Opera" Kino Lorber BluRay review is up at TPR.org

Hey kids, I'll repost a version at some point, but for now, please go visit Texas Public Radio's website for my review of the Kino Lorber BluRay set of Phantom of the Opera.

Ann Miller and The Signal Watch wish you a happy October 1st

Dead Watch: Evil Dead 2

What to even say about Evil Dead 2?

I assume a good chunk of the folks who come to this page routinely will have already seen it, and the folks strolling by looking for Evil Dead II info are already in.  It's not like we're talking about either a new or particularly obscure movie.  If you haven't seen it and you can tolerate some gore, it's a worthy entry for your Halloween watching.

For all of the rest of us - it holds up now as well as it ever did.  So, you know, depending on what you already think, your mileage is just going to vary.

This is the Evil Dead Sam Raimi and Co. made after the success of The Evil Dead and the failure of Crimewave (I've never the latter film, but I know it tanked at the box office).

It's a movie that's ridiculously simple, and, given a second go at the idea, the crew improves on the original by abandoning the horror tropes that made the first entry just one more movie where something happens to high schoolers in a cabin in the woods and, instead, throws strangers together against the evil that's been unleashed.  It's an odd mish-mash of genre, from horror to action to slapstick, but I'd argue that it works pretty well.

It's no secret this isn't a direct sequel to The Evil Dead so much as a replacement for that movie.  Evil Dead 2 cannibalizes portions of the first movie to establish Ash, but makes way for everything else the movie wants to do, creating an all new cast of victims characters.

I'll never say anything bad about the movie because I don't think there's anything wrong with the movie.  I've never really gotten over the first time I saw it, in a good way.  I won't say it inspired me to go to film school or any of that, but it's a reminder that in the middle of splatter-fest horror movie, you should be enjoying yourself, or else I don't even know what you're doing watching the movie.

The only downside to the movie is that it's absolutely at it's best when it's just Bruce Campbell fighting the Evil Dead on his lonesome.  You can't really do that for a whole movie, but while it lasts, it's maybe one of my top 20 favorite scenes in any movie.