So, a few days ago, pal JuanD posted something to Facebook about German electronic musical combo,
Tangerine Dream, and - knowing neither Juan nor I had any better plans for Saturday, I got us all fired up, as I'd recently seen that Amazon Instant was offering up the 1983 Michael Mann opus,
The Keep.
I didn't promise the movie would actually be good. I'd seen it before. But if you're looking for an extended mix and meshing of the finest in early synth odyssey and forgotten tone-poem movie making, well, my friends, have I got a commercially unviable flick for you.
The first time I saw
The Keep was some point circa 1988. I'd actually heard of Tangerine Dream thanks to a sci-fi book I'd read a year or so before (
The Architect of Sleep) in which the first-person narrator was a fan of the band. I'm thinking that I saw that name come up prominently and stuck with the movie. In an era when most of what was on the radio was by Guns N' Roses and Janet Jackson, I didn't have a lot of Tangerine Dream immediately available to me, and this was the first time I'd actually heard them. It's also possible I also saw the name of
Miami Vice and
Manhunter mastermind Michael Mann listed as director, but I don't remember when I knew the movie was his work.
If you've seen
The Keep, it's kind of remarkable that I gave up an evening of my life watching the movie (and loved it), but back then, I had no real preconceived notions of what a movie should be. Around that same time I recall watching
My Life as a Dog, first with English dubbing and then with subtitles, on two consecutive nights, and agreeing with my brother that it worked much better with subtitles.
Later, I'd ask other people if they'd ever seen the movie, and realized that the completely random viewing on a local UHF channel that led to me seeing the movie meant I was one of very few people who'd seen it. In college I met people who knew it either by reputation or because of the Tangerine Dream connection, but can't recall anyone who had seen it (though I suspect JAL had watched it, and I'm just failing to recall). The studio has more or less disavowed the movie. It's not really been available since VHS, and even the version available on Amazon is in SD. When I saw the movie a few years ago at The Alamo, we weren't watching the 35mm copy the studio sent around for rentals. We were watching the only copy the studio owned, and they so didn't give a shit about it, they were sending it out for viewings.