So, yesterday, I journeyed to the Alamo South Lamar for a "Kid's Club" screening of Superman: The Movie (1978).
It's impossible to know how many times I've seen Superman, but I figure I'm pushing triple-digits at this point. Or maybe it's been a mere 70 times. Who knows? I've seen it in the theater so many times I've lost count - but I figure it's at least 10 at this point, and I would have skipped this one, but after going to Metropolis and reading that Larry Tye book, it just felt like serendipity that the movie was screening, and I should probably go.
"Kid's Club" screenings are always fun. As much as I enjoy the evening throw-back screenings of movies at the Paramount and Alamo, seeing movies with the original intended audience is always amazing. Superman runs something like two and a half hours, and I didn't hear a single anxious kid nor a peep out of anyone aside from some mild excitement during properly exciting scenes. There's a sweet spot you can hit where the movies are not as dull as some kids movies, but without over-stimulating kids with just too darn much going on up there on the screen - because I have absolutely witnessed that phenomenon, even in a Harry Potter movie, and the kids start just blanking out and futzing with their chairs or asking for Cheerios or whatever. And despite our weird idea that "kids are so advanced these days"*, the kids certainly don't know about or understand the difference between CGI FX and in-camera or practical effects. They just don't care, even if they're vaguely aware this doesn't look like other movies. And I've seen this again and again, including favorites like The Time Machine, Fantastic Voyage and Batman '66.
The kids even totally dealt with the "Can You Read My Mind" scene at face value. No ironic snickering, no groans of disapproval. It was kind of nice.
One other weird factoid about "Kid's Club" - they show the movies in 35mm, so the print yesterday was beat to hell, discolored in places and had audio issues, but nobody cared, including the kids. It may be the last time I get to see Superman in 35mm, so it was a nice treat.
Anyhow, it was a fun screening. I may want a break between screenings for a while as I did just watch the movie, like, three months ago, but I didn't regret going. Got to hang with Simon and his lady-friend, Tiffany, and we got some nifty plastic Superman rings from Toy Joy.
*what? Kids got better at being kids? That doesn't even make sense. They're just fine with adapting to the world they were born into that has stuff their parents didn't have at the same age.
Sunday, June 28, 2015
Signal Reads: Superman - The High Flying History of the Man of Steel (audiobook)
When I was driving between Indianapolis and Metropolis, Illinois, I cooked up a plan to listen to the audiobook of the fairly recent Larry Tye book Superman: The High Flying History of the Man of Steel. I've read a few comic and Superman histories before, and still hold of the Les Daniels book as the gold standard, with Gerald Jones' Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book as absolute and required reading. But it'd been a while since I read either and there's been a lot of history since then.
The book is very well researched and is a fairly complete and comprehensive but detached history of the character as a property, focusing on the origins and multiple iterations of the character from the influences on Jerry Siegel and Joe Shuster to the multiple forms of media the character has taken on and arguably conquered, to the ever-changing nature of Superman and the societal factors at play.
The book is very well researched and is a fairly complete and comprehensive but detached history of the character as a property, focusing on the origins and multiple iterations of the character from the influences on Jerry Siegel and Joe Shuster to the multiple forms of media the character has taken on and arguably conquered, to the ever-changing nature of Superman and the societal factors at play.
Saturday, June 27, 2015
Superman 41 and giving up on The Man of Tomorrow
I just read issue #41 of the post Flashpoint/ New 52/ DC You Superman series, and... I mean... Okay.
There's some decent Superman-action, and I like the Jimmy and Clark pairing well enough. I think the idea of "Superman's Pal" actually knowing his identity is worth exploring if Jimmy's his peer. It substitutes the 90's and 00's problem of Superman not having anyone to talk to in his own titles which the Lois-marriage resolved.
But we know where this storyline is headed, right? I mean, all of the other titles and solicitations tell us Lois will blow Superman's cover. He gets a haircut. He goes back to the t-shirt and jeans. But we already have the broad strokes for how this will play out. There's not a lot of places for this story to go, it seems. Or, at least, if we know the effect, any surprises in how we got there seem a little moot at best.
After finishing the issues, I am sorry to say that I think I'm done reading any Superman comics for a while. Which kind of kills me. But I feel like I'm spending money on something that isn't what I signed up for or what the name of the comic is selling me.
There's some decent Superman-action, and I like the Jimmy and Clark pairing well enough. I think the idea of "Superman's Pal" actually knowing his identity is worth exploring if Jimmy's his peer. It substitutes the 90's and 00's problem of Superman not having anyone to talk to in his own titles which the Lois-marriage resolved.
But we know where this storyline is headed, right? I mean, all of the other titles and solicitations tell us Lois will blow Superman's cover. He gets a haircut. He goes back to the t-shirt and jeans. But we already have the broad strokes for how this will play out. There's not a lot of places for this story to go, it seems. Or, at least, if we know the effect, any surprises in how we got there seem a little moot at best.
After finishing the issues, I am sorry to say that I think I'm done reading any Superman comics for a while. Which kind of kills me. But I feel like I'm spending money on something that isn't what I signed up for or what the name of the comic is selling me.
This Moment In History: Supreme Court Rules for Equality for Same-Sex Marriage
Taking a break from pop-culture commentary and irrelevant minutia to reflect on the overall cultural thunderstrike that came across the internet this morning. The Supreme Court, in a 5-4 ruling, has legalized same-sex marriage in the United States.
No doubt the armies of lawyers and pundits are lining up to stoke the fires and make some money off good old fashioned rage. It's to be expected. But today I think we broke through another barrier. We abandoned separate rules for a class of our citizenry for a common definition of the most important conscious relationship most people ever enter.
I am aware not all of my readership shares my belief that this ruling reflects part of America's steady progress in recognizing the rights of all its citizens. Here I have to break with you, but I hope you know, it's with an olive branch extended. Recognizing the equality of love between two people as they define that relationship, not hemmed in by concepts of gender or adherence to non-legal codes, whether the Supreme Court had stepped in or not, seems to me an act of human decency. At the heart of that of all of this is the word "love", and it seems that a victory for love should only be amplified by an extension of some of the same with an open hand rather than a closed fist.
No doubt the armies of lawyers and pundits are lining up to stoke the fires and make some money off good old fashioned rage. It's to be expected. But today I think we broke through another barrier. We abandoned separate rules for a class of our citizenry for a common definition of the most important conscious relationship most people ever enter.
I am aware not all of my readership shares my belief that this ruling reflects part of America's steady progress in recognizing the rights of all its citizens. Here I have to break with you, but I hope you know, it's with an olive branch extended. Recognizing the equality of love between two people as they define that relationship, not hemmed in by concepts of gender or adherence to non-legal codes, whether the Supreme Court had stepped in or not, seems to me an act of human decency. At the heart of that of all of this is the word "love", and it seems that a victory for love should only be amplified by an extension of some of the same with an open hand rather than a closed fist.
Friday, June 26, 2015
Shark Watch: Jaws (1975)
I kind of said everything I had to say about Jaws (1975) the other night, but hadn't had opportunity to watch the movie. Apparently my post readied Jamie for a viewing, so I popped a disc in the ol' DVD player and gave it a whirl.
Not much else to add, so, enjoy your own screening. Or don't. I don't know why you wouldn't. It's a pretty good movie.
Of course, you can't go wrong with the sequel.
Not much else to add, so, enjoy your own screening. Or don't. I don't know why you wouldn't. It's a pretty good movie.
Of course, you can't go wrong with the sequel.
Thursday, June 25, 2015
Sci-Fi Watch: Logan's Run (1976)
Tuesday, June 23, 2015
James Horner Merges With The Infinite
I don't need to tell anyone who follows this site how important music is to a movie. You guys know. And I know I don't need to tell you how important James Horner was to movies of the last few decades. The man's IMDB page reads like a list of movies we've all seen in the theater since we were kids.
Tragically, Horner seems to have died in a plane crash.
Rather than talk about who James Horner was and what he worked on, I'm going to invite you to drop your favorite of his works in the comments. If you want to add a why and wherefore, feel free to do so.
I will say the first score of his that I remember consciously really paying attention to and wondering "who did that?" was the score for the 1989 Civil War film, Glory. Certainly the score wasn't the only thing Glory had going for it. but it set a new standard for the music in historical epics and I often feel like both documentaries and more recent movies have lifted from that score, or at least learned its lessons.
and, of course, I'm a fan of many more of his works.
Tragically, Horner seems to have died in a plane crash.
Rather than talk about who James Horner was and what he worked on, I'm going to invite you to drop your favorite of his works in the comments. If you want to add a why and wherefore, feel free to do so.
I will say the first score of his that I remember consciously really paying attention to and wondering "who did that?" was the score for the 1989 Civil War film, Glory. Certainly the score wasn't the only thing Glory had going for it. but it set a new standard for the music in historical epics and I often feel like both documentaries and more recent movies have lifted from that score, or at least learned its lessons.
and, of course, I'm a fan of many more of his works.
Monday, June 22, 2015
Spielberg's "Jaws" at 40
I'm on the road for work (hello, Houston!), and am not going to be watching any movies or be doing much reading, so I thought I'd write something up on the 40th Anniversary of one of my favorite movies, the 1975 Spielberg directed shark opus, Jaws.
I didn't fall in love with Jaws until college. Frankly, I can't say I'm sure if I saw it all the way through until then. There was some sunny afternoon where I was drinking beer with my brother discussing the movie and realizing, "you know, that really is a hell of a movie when you think about it." And I picked up the DVD at some point, but hell if I know where it is now.
Of course I love the fact that Jaws plays on cable each summer almost as much as the Vacation movies. It's the perfect summer movie, especially for those of us who kind of need a push to get to water that isn't a public pool. Jamie's a big fan, too, so she'll always take in a viewing if that's what we're doing.
Sunday, June 21, 2015
Sci-Fi Watch: The Thing From Another World (1951)
I'm a big fan of the 1982 John Carpenter sci-fi horror flick, The Thing, but I'd never seen Howard Hawks produced The Thing From Another World (1951) - the movie upon which the Carpenter film was based.
I recorded it off TCM at some point and finally got around to watching it, which was well timed as I'd been having a twitter-convo with some of y'all about whether remakes and sequels were really out of control.*
I recorded it off TCM at some point and finally got around to watching it, which was well timed as I'd been having a twitter-convo with some of y'all about whether remakes and sequels were really out of control.*
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