Vulcan Video gets some love on Jimmy Kimmel

The Austin, TX of my youth may be fading into the past almost as rapidly as my actual youth, but you can still find bits and pieces of  90's Austin here and there.

For the discerning movie snob of post-Slacker-Austin, we had two places to hit:  "I Love Video" and "Vulcan Video", which everyone I've ever spoken to has referred to simply as "Vulcan".  In an era where purchasing movies was expensive, Blockbuster killed most local competition and carried garbage, and the internet was for sending emails and slowly downloading pictures of Gillian Anderson (I assume), Vulcan Video was where I'd go looking for classic film, off-beat pictures and international flavor.  And yet, you might still find a copy of Ernest Scared Stupid.

They also carried bootleg tapes, and so it was I rented The Star Wars Holiday Special, complete with commercials, the unreleased 1990's Fantastic Four movie, the unaired JLA pilot and the 70's-tastic Legends of the Superheroes.

I don't hit Vulcan these days because it's far from my house and, honestly - cable and internet.  But I have a soft spot in my heart for the neighborhood video store trafficking in hard-to-get stuff.

If you want a taste of 1990's Austin that's still alive and kicking - Jimmy Kimmel has produced three commercials for the place.

iZombie premiers tonight

set your DVRs, people.  Based on the really pretty great comic series from Roberson and Allred, I'm expecting very good things.

SW Watches: The Right Stuff (1983)

I was lucky to be born into an era when the job everyone aspired to was "astronaut".  As you got older, if you were me, you realized you were going to be too tall, wear too many glasses, be just amazingly awful at pre-Calc, and maybe develop a crippling fear of heights.  I was just never going to be astronaut material.

But, yeah, like a lot of people my age and older, I was pretty space-crazy growing up.  We were living on the edge of the world of Buck Rogers and Star Trek.  And, to be a part of that seemed like being a part of the future more than anything you could do (we can quiz Matt A. on the veracity of this childhood fantasy later, but it seemed right at the time).

On my 6th birthday, the Space Shuttle Colombia took off from Kennedy (STS-1). I was well aware it was a coincidence, but it still felt like a pretty good birthday present.  Watching it with the fam is still one of those indelible childhood memories.




Two years later, the Philip Kaufman directed movie The Right Stuff (1983) was released to theaters.  Based on a Thomas Wolfe novel, it's certainly not a movie aimed at kids, but The Admiral was also not one to let the two little miscreants he'd sired run around ignorant of one of the greatest periods (if not THE greatest period) of technical achievement in human history.  Nor would he let it pass that we would not know of the flawed, insanely brave men who sat atop those rockets and came back safely.  Let alone, we might not know the name of Chuck Yeager.

I remember seeing many movies in the theater from my childhood, and certainly the memory of seeing The Right Stuff is still vivid.  While the movie was not the sort of thing I was running around play-acting afterward, I knew I'd seen something quite different and kind of astonishing.

In the years that have passed, I have no idea how many times I'd seen it, but I caught it again while Jamie and I were dating, and I remember really realizing for the first time how damn good the movie really is.  I'm always shocked not just by the mixed reactions you can get at the mention of the film, but that it's not mentioned in the same breath with other films that routinely make great movie lists.

Imaginary EIC Hat - Rules I'd Implement for Superhero Comics

If you've read comics for any length of time, there are tricks and tropes and storylines we've all seen, and worst and best practices for superhero comics.

Sometimes the worst practice stuff seems to get followed because things happen in the fog of trying to put a monthly comic out in a timely fashion, sometimes it's because you can tell the new writer hasn't done any homework prior to coming on and the editor appears to have a laissez-faire attitude regarding what their writers are doing, and more often than I care to admit, I look at comments online and am shocked by how many people really like the worst-practice stuff and are willing to say so out-loud.

I've considered a few things I find grating overall, considered their impact, and how often these could be used and still feel like, perhaps familiar ideas after a while, but to help keep them a little fresh or maintain their impact, we've given a rate for how often they can be used.

Happy 82nd, Michael Caine!

Alfredo reminds me it's the 82nd birthday of Michael Caine.  And if you don't love Michael Caine, well, I don't want to know you.

Here, on his birthday, I recommend remembering not Michael Caine, who is doing well, thank you, but remembering that is a great joy to do a Michael Caine impression by watching a reel of Michael Caine impressions.

Happy Birthday, Sir Michael Caine!

Set Your DVR's: " iZombie" starts Tuesday after "The Flash" on CW

Set your DVRs or a make a date with your TV for Tuesday, March 17th at 9 Eastern /8 Central.

Franken-Watch: The Bride (1985)

Ever since I was a kid, I'd be meaning to watch the 1985 movie, The Bride, but was first told it was "too adult" or something, and later, "it's not very good".  And, you know, that second one is far more correct than the first rationale for skipping this film.  But between my interest in the Frankenstein story in general and because the movie Bride of Frankenstein is easily in my top 5 or 10 movies (especially when paired with Frankenstein itself, for a neat, under 3 hour package), I figured that if I could watch Christmas Vacation over and over, I could make time for a movie I hadn't seen.

If our trend this week is about failed marriages, we can twist that idea a bit to include how the doctor lost his lady friend, Jennifer Beals.

The movie features a fascinatingly 1980's cast, probably meaningless to the kids today, but you Gen X'ers and post Gen X'ers will probably at least raise an eyebrow.  Cast as Doctor Frankenstein (who I don't know ever receives a first name in this version) is former rocker/ current adult contemporary wunderkind, Sting, who was transitioning as the Police collapsed for the fifteenth time and as he made a stab at an acting career in some offbeat movies during the era (like Dune!).  As the titular Bride/ Eva, the movie casts Flashdance star Jennifer Beals, most likely as she and Elsa Lanchester are both the proud owners of gigantic, dark eyes, lots of hair and striking features.  Not too distant from his role in The Highlander as the Cossack, Clancy Brown plays Viktor/ The Monster (yeah, artistic license), but well before he became Mr. Crabs of SpongeBob fame.  And, David Rappaport, who you'll recognize from Time Bandits, plays a new character, Rinaldo the dwarf, a guy who befriends the monster as he wanders in the woods and helps him realize personhood.  And, a young Cary Elwes shows up, all fresh faced and prettier than everyone in the room.

In which we consider DC's June post "Convergence" shake-up and new costumes

Sigh.

I kind of want to be out of the business of thinking about DC's moves as a company, because it's equal parts equally unsatisfying and depressing.

In case you missed the interview with Co-Publishers Dan Didio and Jim Lee that was featured at places like Comic Book Resources yesterday, they're basically moving forward by going back to not tying every book in the DC line to superhero mainline continuity.  As comics were up through the 1980's, DC and Marvel surely put out Superman and Spider-Man, but we didn't need to worry how that fit in with Teen-Age Romance Comics or Katy Keene In Love or whatever made up title I just made-up.

And DC is going back to - maybe not putting out Teen-Age Romance Comics - but they are saying "not everything here is in the main DCU, so quit worrying about that".

Jim Lee, who I am pretty sure has no idea what an actual buyer of comics looks like or thinks, was quick to tell his core audience that we're mistaken for wanting continuity to work in an ongoing serial.  And we were also mistaken for expecting both the New 52 to make sense and the five year time jump to hold together after DC said "it all makes sense, we'll show you" and then absolutely did not do so.

Now, all of this is coming on the heels of Convergence, which is a munging of the DC Multiverse, and because it's been a few years, I think we all needed to expect Didio was going to once again reboot the DCU.  They're not saying that, but they are absolutely saying that the characters will have new, unheard of status quos.  So, practically speaking, a rejigger if not a reboot.

So, let's review the images for the solicitation copy, shall we?

SW Watches: The Odd Couple (1968)

I plan to catch up on a few episodes on the new Thomas Lennon/ Matthew Perry starring The Odd Couple TV series reboot*, and I realized that - while I'm familiar with the general idea, I have never seen the movie in its entirety (and I am not going to rewatch all of the Tony Randall/ Jack Klugman series).  The movie is currently streaming on Netflix, so I gave it a whirl.

Now, that's not to say I haven't seen large chunks of the movie, and, in fact, in 8th grade I actually did a fairly lengthy scene from the original play for my final in the drama class I took that semester.  I think I was Oscar, but I don't actually remember.  I mostly remember having to act like I was on a date at a time when talking to girls made me start sweating like a pig.

After just watching Love Crazy, I didn't really go out of my way to a watch a second movie about divorce a day later, but I guess I better watch Kramer v Kramer tomorrow.  But it is interesting to see that the social stigma around divorce was changed by the time The Odd Couple (1968) was playing theaters, versus the "oh, the shame!" aspect of it in Love Crazy from 27 years prior.

I'm doubly surprised that I hadn't seen the 1968 movie because I genuinely really enjoy both Jack Lemmon and Walter Matthau, and it's kind of like saying you like McCartney and Lennon's solo work, but you never listened to "Revolver".  Here, both are in top form, and swing between hilarious and maddening and pathetic in ways that I am sure community theater has been royally butchering for four decades now.

SW Watches: Love Crazy (1941)

The relationship America had with movie stars was a bit different back in the day.  For actors like Myrna Loy and William Powell, I suspect the pair were considered a bit like to-flight sitcom talent from the 90's.  And as the concept of episodic stories at the time were confined to the radio and matinee serials, outside of the Thin Man series (which, if you've never watched them pour yourself a whiskey and enjoy), the two were paired repeatedly due to their chemistry, but as new characters in new settings.

Love Crazy (1941) was the fifth movie in a Loy/ Powell box set Paul gifted me a while back, and one I'd somehow just forgotten to watch.  It's comfort food from jump, a movie for folks who'd been fans of Loy and Powell since before The Thin Man would cement their place in cinema history.