Some artists I think handle Wonder Woman really pretty well

As a comic strip character, Wonder Woman is a tall order. Especially for the many comic artists who have, more or less, one or two styles of women they can draw, and then mix it up with clothes and color. We know what Wonder Woman might look like in our mind's eye, but, like Superman, mostly we know when its wrong.

The comics describe Wonder Woman as:

Beautiful as Aphrodite, wise as Athena, swifter than Hermes, and stronger than Hercules

How do you draw that?

If you're many artists, you chuck the icon and start drawing a swimsuit model in a "sexy" pose.

As an example, DC took some ribbing thanks to the "variant" cover for JLA #2, which featured the usually tough-looking male members of the JLA, and then a kind of youngish, kittenish version of Wonder Woman. I don't know that there was a better way to make the point that WW needs to be portrayed as a peer to her JLA colleagues and not as the resident cheesecake, but in response fans created the "what if male superheroes posed like Wonder Woman" meme.  You sort of hope DC brass hears about these things and applies changes as they go along.

I wasn't a Wonder Woman reader until way late in the game.  I was vaguely embarrassed then (and now) to pick up "sexy" covers on comics, and during the 90's, when I was curious about the character, DC was in the middle of experimenting with both good girl and bad girl art on the title.  But when Phil Jimenez came on Wonder Woman,  I couldn't help but notice the covers weren't cheesecake, the stories were different from everything else I was reading, and when I flipped through the comics, the art was absolutely stunning.  I became a fan of the character thanks to the work of Jimenez, and then had a lot of work to do catching up.

Your Daily Dose of Good Cheer: Nichelle Nichols

Uhura tricords the heck out of this alien landscape

more Nichelle Nichols...

Annette Funicello Merges with The Infinite

It seems that original Mouseketeer, beach movie fixture and boomer icon, Annette Funicello, has passed.

 I knew Annette from her 80's-era TV appearances and also as the girl that, apparently, men of my Dad's generation all grew up having a crush on.  Annette Funicello was going through a sort of nostalgia-tour renaissance when I was a kid, in peanut butter commercials, guest appearances, etc.. at a time when we also happened to have the Disney Channel, which would rerun the old Mickey Mouse Club episodes (but not in order, because that would be nuts).  And I was just the kind of kid who was cool enough to think a good afternoon included Mr. Ed and Mickey Mouse Club re-runs.

10th Anniversary Round-Up

Back on March 30th, this blogger marked his 10th Anniversary of writing.  We want to thank everyone who had an opportunity to send something in!

If we missed your email or message, let me know, as we'd love to include you in this celebration.  Also, feel free to send something in any time if you'd planned to do something but got busy.

Here are some links to the posts as they are now.  Thanks again so much to all of you.

My own thoughts

• Jason, Amy C., Stuart
• Steven
• Horus Kemwer
• Jamie
• Nathan C
• RHPT
• Jake
• Reed
• JimD

Your Daily Dose of Good Cheer: Elisabeth Moss

we will always make time for Peggy Olson

So, That Online Course I'm Taking - Gender Through Comic Books

Just as an FYI - I intentionally wrote my piece on portrayals in women in comics earlier this week before getting into the reading for the course I'm taking.

The course is:  Gender Through Comics Books at Canvas.net and originating at Ball State.

Anyway, I work in higher education, currently in libraries, but from 1997-2006 I worked in Distance Education at large public research universities, UT Austin and Arizona State University.  From 2007-2008, I worked at a smaller eLearning company here in Austin that developed mostly corporate training materials with the occasional foray into creating materials for educators.

When I left university distance learning, it wasn't because I was tired of the field.  I thought eLearning was in its toddler-hood, but we were taking a leap to return from Arizona to Austin, and there weren't/ aren't that many positions out there for this, even with my sterling credentials.  Working in a media shop developing stuff for corporations was a great experience in many ways, and I learned a tremendous amount I doubt I would have gained at The Academy (as we like to say when we're wearing tweed and drinking hot tea from small cups).

Back in 1999 or so, I remember watching a clip from 60 Minutes on The Future of Education.  At the time, University of Phoenix was a rising star and talking heads were proclaiming that UofP had cracked the code.  In a few years we'd all be taking our courses through them, and there was no point in resisting progress.  They predicted (and were clearly relishing the term way, way too much) the concept of "rock star faculty", folks who would be THE faculty voice for a generation talking about America History 101, etc...  Nobody was sure how it would work, but they were certain it was just around the corner.  

It didn't happen.

Your Daily Dose of Good Cheer: Cate Blanchett

Reed chimes in on the whole 10 Years of Blogging Business

I've known Reed since... man, probably 1984 or so. If anyone was there when I passed the curve from "mild interest" in comics to full blown comics nerd, it was he. He was also the guy i knew who actually owned copies of Death in the Family, and so, one day while he and Jason were listening to Van Halen albums or something, I sat on his bed and read the whole run.

Anyway, Reed has been with the blog for years, though he only usually chimes in to defend his beloved Texas A&M Aggies (who are having a pretty good time of it these days). But he's always around... somewhere....

Congratulations on 10 years of blogging!!! It's hard to believe. It's hard to believe my oldest will turn 8 in 2 months, that Jas and I are 40 years old, and that my dad is 70! My dad turning 70 is actually the hardest to come to grips with.

Anyway, here is what I have appreciated the most about The Signal Watch (and The League of Melbotis):

* Your captions with photos and images. Whether it's crazy 1950-60s Superman covers, photos of your family, or images from Hollywood, you have the best captions!
* Your commentary and dialogue about your family (especially with and about your brother). I always check the comments section. Of course, I'm biased having known your family for so long.
* Daily Dose of Good Cheer formerly Dames in the Media That The League Once Dug. I never realized that it was originally done to increase web traffic on your blog. Regardless of the reasons, I'm a big fan.
* Your movie reviews. You have helped keep me from making poor decisions at the movies. Especially when you pan comic book movies. That usually seals it for me.
* I stopped collecting comics after I graduated high school so it's been nice to stay in the general loop of the industry through your blog.
* Your general writing. I am constantly amazed at not only the quantity, but the quality of the writing and how you keep things fresh on your blog for over 340+ days a year (you rarely take days off from your blog).

Again, congratulations on 10 years and here's to 10 more. Thanks for providing an entertaining break during my work day.

Your Daily Dose of Good Cheer: Cassandra Peterson as Elvira

Oh, Did You Just Figure Out That Maybe Disney Buying Star Wars Means Everything You Liked About Star Wars is Going to Getting Demolished?

Shoemaker sent me this article from i09.  It's basically about how, the afterglow of Disney's purchase of Star Wars and the sudden lay-offs, etc... start to settle in, someone realized that Disney probably doesn't give two Jawa farts about the Star Wars Expanded Universe.

As I said in my email response to Shoemaker: no kidding

once again, your avatar for what will happen to everything you once loved

Even when the first Expanded Universe stuff hit the shelf when I was in high school, I didn't read it.  I guess by the time those books arrived, I was pretty well aware that studio executives weren't going to care that some sci-fi authors wanted to write Star Wars books when it came time to make new movies, and those studio execs were going to include George Lucas and his associates.  When movies that moved past the conclusion of Return of the Jedi did happen, they'd be so much bigger than a series of fantasy books, that the books would just sort of disappear into the ether as non-canonical, leaving a herd of nerds wondering how to reconcile the irreconcilable, narratively speaking, in their minds.

Of course, for two decades we had Uncle George backing up the books - which I doubted he ever read, but he knew that without his stamp, those books wouldn't be taken seriously nor purchased by Star Wars fans.  And that meant less dough, so best to just approve them and worry on it later.