Film. Comics. Sci-Fi. Superheroes. Pulp. Noir. History. Superman. 20th Century Archaeology.
Friday, March 1, 2013
Thursday, February 28, 2013
King Kong Released March 2, 1933
I don't remember a time in my life where I didn't generally like the concept of King Kong. One of the books I remember best from about the age of 4 or 5 was a story book of King Kong, based on the 1933 film with nice illustrations, that my folks read to me. In the way things are when you're a kid, I just knew who King Kong was, already. I knew he'd climbed buildings and wreaked havoc, but not much else.
I saw the 1970's Jessica Lange/ Jeff Bridges/ Charles Grodin version on TV around 1st grade, right up until Kong was walking through New York and stepped on some people and, I still recall, me freaking out a little.
By the mid-80's, my folks dropped me and Jason and someone else (I think our own Matt A.) off at Showplace 6 to go see King Kong Lives. If you've not see it, and I haven't since a brief cable run shortly after it was in the theater, it was amazing. Oddly, it never really took off as a fan favorite. It does star a young Linda Hamilton.
One evening when I was in high school AMC finally ran the original, and I taped it in glorious VHS and then watched it, like, three times. If I liked King Kong as an idea before, I adored the original movie.
If you've never seen it, it's an amazing technical masterpiece for the time. The stop-motion animation and miniatures are terrifically seamless with the practical sets and actors, the puppetry for Kong manages to create a true character, and the entire Empire State Building Sequence is just truly a remarkable feat.
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| if Kong can make it over there, he can make it anywhere...! |
I saw the 1970's Jessica Lange/ Jeff Bridges/ Charles Grodin version on TV around 1st grade, right up until Kong was walking through New York and stepped on some people and, I still recall, me freaking out a little.
By the mid-80's, my folks dropped me and Jason and someone else (I think our own Matt A.) off at Showplace 6 to go see King Kong Lives. If you've not see it, and I haven't since a brief cable run shortly after it was in the theater, it was amazing. Oddly, it never really took off as a fan favorite. It does star a young Linda Hamilton.
One evening when I was in high school AMC finally ran the original, and I taped it in glorious VHS and then watched it, like, three times. If I liked King Kong as an idea before, I adored the original movie.
If you've never seen it, it's an amazing technical masterpiece for the time. The stop-motion animation and miniatures are terrifically seamless with the practical sets and actors, the puppetry for Kong manages to create a true character, and the entire Empire State Building Sequence is just truly a remarkable feat.
Wednesday, February 27, 2013
Ask Me Anything!
While I'm out, I welcome you all to help me generate content.
In the comment section of this post, ask any question you like. I'll dedicate a post to each question, so make it good.
If you feel comfortable asking a question, knowing darn full well that my mother reads this site, I'll answer as best I can.
All topics, within reason, are open.
Hit me with your best shot.
In the comment section of this post, ask any question you like. I'll dedicate a post to each question, so make it good.
 |
| all questions will receive serious consideration |
If you feel comfortable asking a question, knowing darn full well that my mother reads this site, I'll answer as best I can.
All topics, within reason, are open.
Hit me with your best shot.
In Aggieland
I'm in College Station, Texas until Friday night. Before this gig, I had only been to College Station once before. A family friend was a jeweler here, and this is where we got our wedding rings. I'd driven through a lot during college while headed elsewhere, but with my UT sticker in the window of my car, I didn't want to linger too long in the gravity well of Texas A&M.
College Station is a Texas version of places like Happy Valley that exist mostly because there is a University there. Otherwise they'd be small towns with a red light or two and maybe one cranky dog watching traffic go by like all the rest of the small towns you pass en route to College Station.
I'm here for a small, regional conference, and it seems like it should be fun. This group doesn't do much socializing after hours, so it'll be back to hotel and work tomorrow night. I'm always a fan of the post conference bar meet up, but I don't think that's in the cards if the last conference is any indication.
This hotel should be a nice place, an extended stay hotel with a small kitchen, about 50 square feet bigger than my efficiency in college, but without the charm I'd added to the place. But, it's been noisy, and I can hear the upstairs folks walking around. Not something I'm used to in a hotel, and it reminds me why I gave up on apartment living.
Anyway, I'm pretty busy, straight through the weekend, so I don't know what blogging I'll be up to.
I've been posting a lot, so, you know, go back and enjoy the previous posts you might have missed.
College Station is a Texas version of places like Happy Valley that exist mostly because there is a University there. Otherwise they'd be small towns with a red light or two and maybe one cranky dog watching traffic go by like all the rest of the small towns you pass en route to College Station.
I'm here for a small, regional conference, and it seems like it should be fun. This group doesn't do much socializing after hours, so it'll be back to hotel and work tomorrow night. I'm always a fan of the post conference bar meet up, but I don't think that's in the cards if the last conference is any indication.
This hotel should be a nice place, an extended stay hotel with a small kitchen, about 50 square feet bigger than my efficiency in college, but without the charm I'd added to the place. But, it's been noisy, and I can hear the upstairs folks walking around. Not something I'm used to in a hotel, and it reminds me why I gave up on apartment living.
Anyway, I'm pretty busy, straight through the weekend, so I don't know what blogging I'll be up to.
I've been posting a lot, so, you know, go back and enjoy the previous posts you might have missed.
Tuesday, February 26, 2013
Corporate Synergy Fail - CN and IDW
The point of owning a comics company, one would assume, is to publish comics. But that's not how it works.
Since the 1970's, DC Comics has been owner by Time-Warner. After buying itself back in the 90's (it was owned by New World Entertainment, I believe, in the 1980's) and going public on the stock exchange when I was in college, Marvel is now part of the expanding Disney empire.
I would assume the reason Disney wanted Marvel had far more to do with the opportunity provided by The Avengers franchise as cash-generating IP for movies, toys, t-shirts, etc... than it was actually interested in the comics themselves. And, of course, by owning Marvel, they have the opportunity to grab back lucrative properties like Spider-Man when the contract runs out with Fox.
DC's purchase by WB was almost more of a happy accident. They were part of a mass of companies purchased by Time-Warner, but, certainly the opportunity to exploit Batman, Superman and Wonder Woman had to be seen as a welcome opportunity. And, of course, their own Warner Bros. studios would have first-look deals on all movies.
But we're talking movies and not comics. Comics have always been high risk/ low reward for everyone but the company that can spin the character off into a familiar object for licensing. Frankly, until recent history, I don't know that Time-Warner or Warner Bros. studios knew or cared that they owned a whole comics company. They cared that they owned Superman and Wonder Woman.
Since the 1970's, DC Comics has been owner by Time-Warner. After buying itself back in the 90's (it was owned by New World Entertainment, I believe, in the 1980's) and going public on the stock exchange when I was in college, Marvel is now part of the expanding Disney empire.
I would assume the reason Disney wanted Marvel had far more to do with the opportunity provided by The Avengers franchise as cash-generating IP for movies, toys, t-shirts, etc... than it was actually interested in the comics themselves. And, of course, by owning Marvel, they have the opportunity to grab back lucrative properties like Spider-Man when the contract runs out with Fox.
DC's purchase by WB was almost more of a happy accident. They were part of a mass of companies purchased by Time-Warner, but, certainly the opportunity to exploit Batman, Superman and Wonder Woman had to be seen as a welcome opportunity. And, of course, their own Warner Bros. studios would have first-look deals on all movies.
But we're talking movies and not comics. Comics have always been high risk/ low reward for everyone but the company that can spin the character off into a familiar object for licensing. Frankly, until recent history, I don't know that Time-Warner or Warner Bros. studios knew or cared that they owned a whole comics company. They cared that they owned Superman and Wonder Woman.
Monday, February 25, 2013
Let Us Break Out the Ketel One and Christian Bros. Brandy and Ponder an "Achewood" TV Show
No lie, one of my favorite things of recent western history has been the web comic/ experience, Achewood.
Achewood is almost impossible to explain, fits a specific comedy and writing niche that is most certainly not for everyone, and is the most quotable text of the 21st Century.
Of late, Achewood has been halted, out of print, or whatever you want to call it when a web comic ceases publication.
It was clear something went down with strip owner and operator Chris Onstead, and that's his issue or issues to share or keep to himself. But, suddenly, after months of silence, Onstead appeared today announcing that he's trying to sell an animated version of Achewood in LA this week.
Frankly, I don't know how a writer's room and the sort of collaborative environment mixed with the needs of TV networks can possibly bring the strip to life and retain the creative singular vision of a comic about cats named "Roast Beef" and "Ray". But you never know. Axe Cop is headed for television, so anything can happen these days, I guess.
Here's Onstead's announcement.
And here's the video demo of what a televised Achewood might look like.
Achewood Television Trailer One "Hello, world" from therussians on Vimeo.
I know, I'm sort of sweating, too.
Animated Teodor, y'all. Animated Teodor could happen.
Anyway, it's an outside shot, but I would love to see this happen and the name "Ray Smuckles" become a household word.
Achewood is almost impossible to explain, fits a specific comedy and writing niche that is most certainly not for everyone, and is the most quotable text of the 21st Century.
Of late, Achewood has been halted, out of print, or whatever you want to call it when a web comic ceases publication.
It was clear something went down with strip owner and operator Chris Onstead, and that's his issue or issues to share or keep to himself. But, suddenly, after months of silence, Onstead appeared today announcing that he's trying to sell an animated version of Achewood in LA this week.
Frankly, I don't know how a writer's room and the sort of collaborative environment mixed with the needs of TV networks can possibly bring the strip to life and retain the creative singular vision of a comic about cats named "Roast Beef" and "Ray". But you never know. Axe Cop is headed for television, so anything can happen these days, I guess.
Here's Onstead's announcement.
And here's the video demo of what a televised Achewood might look like.
Achewood Television Trailer One "Hello, world" from therussians on Vimeo.
I know, I'm sort of sweating, too.
Animated Teodor, y'all. Animated Teodor could happen.
Anyway, it's an outside shot, but I would love to see this happen and the name "Ray Smuckles" become a household word.
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