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Monday, February 25, 2013
Sunday, February 24, 2013
An Open Letter to The Academy of Motion Pictures Arts and Sciences: An Idea for 2014
I tuned into the Oscars Sunday night for a few minutes to catch Adele sing Skyfall (a song I quite like in its own right), and ,later, accidentally at one point to hear Seth MacFarlane bomb on a joke about Rex Reed that really just beat around the bush taking a poke at Adele for being on the curvier side. At this point, I turned off the Oscars. And, no, I have no plans to watch next year.
Literally billions of people watch the telecast, clearly not caring that it's just absolutely miserable television, and I don't think I remember anyone being satisfied with a host since Billy Crystal was in his hey-day. I have to assume Seth MacFarlane's sense of humor was a weird fit, just as whatever happened that year when James Franco and, I think, Anne Hathaway (is that right?) hosted.
I have no idea. The last Oscars telecast I watched I believe was hosted by David Letterman.
But, Academy, I think I have your solution. I know how to set this right.
In 2014, hire The Admiral as your host and show producer. He's retired and he needs a project.
Literally billions of people watch the telecast, clearly not caring that it's just absolutely miserable television, and I don't think I remember anyone being satisfied with a host since Billy Crystal was in his hey-day. I have to assume Seth MacFarlane's sense of humor was a weird fit, just as whatever happened that year when James Franco and, I think, Anne Hathaway (is that right?) hosted.
I have no idea. The last Oscars telecast I watched I believe was hosted by David Letterman.
But, Academy, I think I have your solution. I know how to set this right.
In 2014, hire The Admiral as your host and show producer. He's retired and he needs a project.
 |
| This man is TV gold |
Signal Watches: The Americans (that Commie Spy Show on FX)
This is how I know I'm getting older. Time has marched on enough that the scary people of whom we lived in fear during my formative years are protagonists on a new TV show.
FX's new hour-long drama, The Americans, follows the adventures of two KGB sleeper agents in the US at the dawn of the Reagan administration. The Commies are the protagonists and Ronald Reagan is the looming specter of a heightened state of intensity as (we used to say) the cold war heats up. We also have a federal agent living across the street from our Commie-heroes, the clammy bureaucracy of the Kremlin, and the rich pageant of life left behind in Mother Russia to contend with.
Movies and TV have taken various stabs at turning the traditional antagonist into the protagonist since Little Cesar pondered how this is how he ended. Once we dropped the Hayes Code and adopted a rating system that didn't require a moral lesson at the end (ie: the Bonnie & Clyde ending for our protagonist and a realization that crime ends in a premature death and misery), we've explored bad-guy-ness in the movies. And, of course, Sopranos broke the mold for TV, giving a weekly view and building sympathy for a mob family. These days, of course, Breaking Bad gives us the drug manufacturers' perspective.
FX's new hour-long drama, The Americans, follows the adventures of two KGB sleeper agents in the US at the dawn of the Reagan administration. The Commies are the protagonists and Ronald Reagan is the looming specter of a heightened state of intensity as (we used to say) the cold war heats up. We also have a federal agent living across the street from our Commie-heroes, the clammy bureaucracy of the Kremlin, and the rich pageant of life left behind in Mother Russia to contend with.
Movies and TV have taken various stabs at turning the traditional antagonist into the protagonist since Little Cesar pondered how this is how he ended. Once we dropped the Hayes Code and adopted a rating system that didn't require a moral lesson at the end (ie: the Bonnie & Clyde ending for our protagonist and a realization that crime ends in a premature death and misery), we've explored bad-guy-ness in the movies. And, of course, Sopranos broke the mold for TV, giving a weekly view and building sympathy for a mob family. These days, of course, Breaking Bad gives us the drug manufacturers' perspective.
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Saturday, February 23, 2013
Conan's, Orange Julius, Sheep
The evening was looking pretty dull, I don't mind telling you. We had no plans. The hour grew late, and finally, somehow we settled on the faded glory of an Austin now receding into the distant past.
You can have your Paul Qui fancy-schmancy fusion bistros. Food is what reminds you of home, and I grew up in this town when we still had armadillo races as a form of local fun. And back then, we ate our pizza like we had nothing to live for. Conan's Pizza has only a few locations left after the expansion in the late 80's and contraction of the late 90's. They haven't redecorated since putting any of the Conan's in place, and they had a particular look back then that lingers to this day.
If you're wondering, why yes, they LOVE Conan the Barbarian. You can't tell from the pic above, but most of the art is either Frazetta prints or Frazetta knock-offs. Not too many other places would it seem like part of the tradition to eat under a Molly Hatchet album cover, but at Conan's, it's part of the ambiance.
The pizza you want to get there is called "The Savage". Get it deep dish with a wheat crust or you're kind of just wasting everyone's time. The Savage is literally every topping they've got. You will absolutely feel sick after eating it. But, let me stop you now and say, if you don't eat The Savage, neither I nor the staff nor other patrons of Conan's have any real reason to respect you.
You can have your Paul Qui fancy-schmancy fusion bistros. Food is what reminds you of home, and I grew up in this town when we still had armadillo races as a form of local fun. And back then, we ate our pizza like we had nothing to live for. Conan's Pizza has only a few locations left after the expansion in the late 80's and contraction of the late 90's. They haven't redecorated since putting any of the Conan's in place, and they had a particular look back then that lingers to this day.
 |
| The Ms. Pac-Man machine is not there ironically |
If you're wondering, why yes, they LOVE Conan the Barbarian. You can't tell from the pic above, but most of the art is either Frazetta prints or Frazetta knock-offs. Not too many other places would it seem like part of the tradition to eat under a Molly Hatchet album cover, but at Conan's, it's part of the ambiance.
The pizza you want to get there is called "The Savage". Get it deep dish with a wheat crust or you're kind of just wasting everyone's time. The Savage is literally every topping they've got. You will absolutely feel sick after eating it. But, let me stop you now and say, if you don't eat The Savage, neither I nor the staff nor other patrons of Conan's have any real reason to respect you.
Monthly trip to the comic shop and Editorializing Inside the Story in Action Comics
These days I now only visit the comic shop once per month. My LCS, Austin Books and Comics, doesn't have a pull list, it has a system I actually greatly prefer to other shops at which I was a regular customer. ABC sends out a webform each Monday evening with that Wednesday's releases. You fill out the webform, and ABC holds the things you want for that week. They don't have a pull list you have to set up and try to maintain through the front desk, something I never felt worked terribly well, and they over-order on all titles so it's a very rare instance when I realize I missed something and now I can't find it on the shelf. Most shops order exactly what people pre-requested, and then maybe a couple of copies for the rack. How the industry thinks having just a few copies for someone to discover is beyond me.
And, of course, shops that were supposed to order me things routinely did not do so, or if they under ordered, somehow it seemed I was always the one who got shafted.
This evening I made my monthly run to ABC, and walked out with a fairly serious stack of books. I picked up:
- the 3rd Rucka Punisher trade
- the first volume of Ennis's Fury: My War Gone By
- Action Comics #17
- Red Team #1
- Shadow: Year One #1
- Masks #3
- Stumptown #5
- Happy #4
- Fearless Defenders #1
- Joe Kubert Present#4
- Batman, Incorporated #7
- The Answer #1
- Superman Family Adventures #9
- and the latest issue of Saga
It's a healthy stack, to be sure. It's also a greatly decreased stack from my monthly haul two years ago. You can see I wanted to try some things, you can see I have some loyalties to folks like Rucka and Kubert and Ennis in there, and my interest in some of the pulp stuff Dynamite is doing.
I'm an Alex Ross fan, and can't understand you people who don't care for his work. And I love his voers for The Shadow, up to and including this latest.
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| That, people, is how you draw Margo Lane |
Friday, February 22, 2013
Let's Re-Boot "Turner D. Century"
Marvel. The more realistic universe.
Back in the day Marvel was as devoid of ideas for new villains and driven to whatever place of madness that also drove DC to create "Terra-Man".
You Millenials won't remember this, but there was a time and a place before January 1, 2000 when "turn of the century" meant the change from 1899 to 1900 and was several decades in the past. Apparently on a bet or because someone had a deadline they'd forgotten about, in the pages of Captain America a new villain was born: Turner D. Century!
A ragtime dandy, Turner rode around on a flying tandem bicycle with a dummy (because... sure), and had a flame-throwing umbrella. LIKE EVERYONE HAD IN 1900.
He was absolutely driven to convince people to go back to living in an era of doilies, barber shop quartets and when Gary, Indiana was something you wrote about for the Music Man, not a depressing, burnt out mid-western hell hole. And he was out to achieve this with small scale violence and property damage. And we try very hard not to think about his relationship with that dummy on his bike. And we really try not to think too hard about his views on race relations.
But, here in the glorious future of 2013, replete with flying skateboards and Mr. Fusion on our Deloreans, the phrase "Turn of the Century" isn't used so much as it refers to 13 years ago. Now we just say "a few years back". Or: "When Britney Spears hadn't overstayed her welcome".
So, I'm curious.
Here's your weekend assignment: Turner D. Century is introduced in 2013. He is based not on the old turn of the century, but on our most recent turn of the century, from 1999-2000.
Please let us know in the comment section all about this all-new version of Turner D. Century!
 |
| GRITTY. REALISM. |
Back in the day Marvel was as devoid of ideas for new villains and driven to whatever place of madness that also drove DC to create "Terra-Man".
You Millenials won't remember this, but there was a time and a place before January 1, 2000 when "turn of the century" meant the change from 1899 to 1900 and was several decades in the past. Apparently on a bet or because someone had a deadline they'd forgotten about, in the pages of Captain America a new villain was born: Turner D. Century!
 |
| yes, that's Spider-Woman creeping up to give Turner D. the beat down |
A ragtime dandy, Turner rode around on a flying tandem bicycle with a dummy (because... sure), and had a flame-throwing umbrella. LIKE EVERYONE HAD IN 1900.
He was absolutely driven to convince people to go back to living in an era of doilies, barber shop quartets and when Gary, Indiana was something you wrote about for the Music Man, not a depressing, burnt out mid-western hell hole. And he was out to achieve this with small scale violence and property damage. And we try very hard not to think about his relationship with that dummy on his bike. And we really try not to think too hard about his views on race relations.
But, here in the glorious future of 2013, replete with flying skateboards and Mr. Fusion on our Deloreans, the phrase "Turn of the Century" isn't used so much as it refers to 13 years ago. Now we just say "a few years back". Or: "When Britney Spears hadn't overstayed her welcome".
So, I'm curious.
Here's your weekend assignment: Turner D. Century is introduced in 2013. He is based not on the old turn of the century, but on our most recent turn of the century, from 1999-2000.
- What does he wear?
- What are his accouterments?
- What is he railing against in modern life that he thinks was way better in 2000 than now?
- Who does he fight?
- Is he still relying on flame throwers?
Please let us know in the comment section all about this all-new version of Turner D. Century!
Thursday, February 21, 2013
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