Pre "Man of Steel" Superman-a-thon?

I am planning some sort of epic re-watching of Superman media in the lead up to this summer's release of Man of Steel.

I have several issues.

unlike Superman, I do not go to the moon to ponder.  I bore you guys.

1.  What do I watch?

I own:

• The Fleischer cartoons
• The original serials starring Kirk Alyn
• The entire George Reeves series (6 seasons)
• the four cycle movie series with Chris Reeve, including the Superman 2 Director's Cut and Superman Returns
• Supergirl - yes, it's in continuity and it counts
• the animated series from the 1960's
• the animated series from the 1980's
• Season 1 of Superboy
• Season 1 of Lois and Clark
• Superman the Animated Series, Justice League
• a handful of DC/ WB Animation Studios direct-to-video movies like Superman Vs. The Elite

end of football season 2012-13 (also, Brent Musberger)

I watched the BCS Championship game between Alabama and Notre Dame, and - as you may have heard - Alabama destroyed Notre Dame, 42-14 (you can argue that last ND touchdown was someone from Alabama being nice).

I don't have feelings one way or another about either team.  It's cool to see Nick Saban earn his 3rd National title in 4 years, and I was glad Notre Dame was back as a serious contender in NCAA football.  But I think this absolute rout of The Fighting Irish will be putting some questions around Notre Dame's unique position as a team without a country/ conference, and that their schedule may be a wee bit lopsided as they milk their TV contract.

It was a fun year for football, and I wish I'd had a less hectic schedule and could have enjoyed more of it.  Even when UT is doing poorly (and we ended up with 9 wins, so as bad as it felt, it's still a decent season), it's something to do.  I still like watching Big 12 teams and a few, random other teams when I can.

Between you and me, I can't stand commentator Brent Musberger.  He certainly knows the sport, but he's still wishing it were 1975.  I like a little fake impartiality in my hosts, and Musberger chucked all that years ago.  Sometimes he's right, sometimes he's wrong.  But having had listened to his nonsense as he's called (and constantly dogged on) UT games over the years, I just sigh when I realize he and Herb are on commenting duties.

My very nice signed pic from Audrey Totter

On Saturday, an envelope arrived with a signed photo from Audrey Totter.  It also came with a signed note.  To put a point on it, while I knew it was coming, I'm still a bit stunned and I know these are items I'll have with me for the rest of my life.  I need to show them off here as so few of you will ever be in my living room.

I can't thank Eden and her family enough.  A truly unique and terrific experience and a very bright spot during a difficult week.

Coincidentally, Jason got me a Film Noir set that included Lady in the Lake for me for Christmas, so it's going to be Totter-Rama around my house this week.  We may need to re-watch Tension, too.

Tomorrow I return to work for the first time since before Christmas.  There's a lot to unpack in all that, so I'm trying not to think about it too much, and just get back to my desk and try to remember what it is I'm supposed to be doing at that desk.

But, that's it for the start of the week.  

You guys take care, and we will consider what regular programming looks like at the Signal Watch this week sometime.

Movies 2012 - The Final Commentary

As mentioned before, I watched and blogged movies 147 times, sort of.  Anyway, the point is, I watched John Carter 3 times, and never regretted it.  Process everything in the rest of this post* with that in mind.

So, the actual experience of deciding to blog every movie for a year was sort of in line with other "for a year I shall..." plans I've had.  Like the year I went vegetarian, just to be difficult. Yes, I did this.

Honestly, I think I was probably way down on number of movies viewed this past year.  I don't know how many movies people normally watch, but I know that for the first time in 5 years, my attendance at the Alamo and Paramount this summer was significantly lower than usual.

All that also took a financial toll in past years, and I've been cutting back on Alamo visits to try to better maintain our finances.  I'm guessing I still hit the movies more than the average bear, but it did feel like a down year for being at the theater, but maybe I made up for that in Cable viewership and watching home video.

Movies 2012 - Breaking It Down

In 2012, I watched movies 147 times.

That's roughly 2.8 movies per week.  I don't know if that's low or high.  It probably explains why I don't watch as much series TV if that's 5 - 7 hours of TV viewing time per week.

You can read posts in which I discuss the movies of 2012 at the Movies 2012 label.

Methodology

The number 147 includes only the movies I watched in their entirety - from beginning to end.  That number does not include partially watched movies.

The 2012 Not-a-List Rundown

author's note:  2012 is a year I have been looking to put behind me for quite a while for any number of reasons.  Obviously the events in my personal life marked a very sad end to the year for us at our house.  Perhaps we should declare 2012 Annus Horribilis and move on.

With recent events weighing so heavily on me right now (and with this post started a long, long time ago), I'm going to stick to pop culture and the original, intended tone of the post - and this blog - and take a look back instead at...  yeah, I guess comics and whatnot.

here we go.

The 2012 Not-a-List Rundown

My Totem for Everything About my Pop Culture Hobbies in 2012

My relationship fundamentally changed with my hobbies and past-times, and superhero comics have begun to dip below the horizon to the same place Star Wars went circa 2002.  Because of travelling and the fact I was sick a lot this year, I also didn't really make it out to the movies very often.

Jamie's Mom Has Passed

It's with tremendous difficulty that I write this post.

About a week before Christmas, Jamie's mother entered the hospital.  Despite excellent care and the best efforts of the medical staff, Judy passed early this morning.  As I am sure I will be asked, Judy had suffered a stroke in August, and in the days before Christmas, she suffered another serious stroke which was followed by a couple of smaller episodes.

Many of you have followed Jamie and me for a long time on this site or the prior site where Judy often participated under the name "m-i-l" (mother-in-law), and some of you have met us or even met Judy at some point.  Or, you may have simply seen her name or photo here at the site.  

This is an extremely difficult time for us, and I hope you'll understand any internet silence that occurs during the next days or weeks.

Now isn't the time for an extended post, but I hope you'll take a moment today and think of Judy, Jamie, Doug and Dick.

Good-bye to 2012

Happy Birthday, Stan Lee!

When I was a wee League, I was all about the Saturday Morning Cartoons.  If you're one of my fellow Gen X'ers, you might recall some of the Marvel cartoons that were on during the era, like Spider-Man and His Amazing Friends.  What I recall is that episodes of The Incredible Hulk and other shows would start with Stan Lee breathlessly welcoming us "True Believers!" with a hearty "THIS IS STAN LEE!".  So, for a long, long time (like, since 1981) I've associated the thrilling adventures of Marvel characters with Stan.

And, I'll tell you what else, I read all of Stan's Spider-Man, and it's really good, y'all.  Not to mention how good I used to find the daily newspaper strip by him and Larry Lieber.

Signal Re-Watch: "Sunset Boulevard" and watching "Casino" on basic cable

Sunset Boulevard (1950)

I finally watched Sunset Boulevard about two years ago, and it's already become one of my favorite films.  I received a copy on BluRay for Christmas (thanks, Jason & Amy!), and gave it a whirl.  Frankly, I'm a bit shocked that I didn't do a lengthy write up of the movie during that time a couple years back when I first watched the movie in its entirety then went to the Paramount to see it, but I can't find a record of any formal prior discussion of the movie.

If you're not familiar, Sunset Boulevard opens on a murder in the Hollywood Hills (I guess, I don't know LA geography) and backtracks in pure noir style to how we got to this point.  A struggling screenwriter who tasted success and watched it fade stumbles upon the decaying mansion of a once great silent film star now living as a recluse, planning her return to greatness.  She has money, and plenty of it, and Joe is willing to take the money and deal with the insanity of the mansion and wretched screenplay she wants him to tidy up that will surely mean the return of Norma Desmond to an imagined legions of fans eagerly awaiting her return.

And then things get dark and weird.

The movie spawned a million quotes, and is best remembered for Gloria Swanson's stunning portrayal of Norma Desmond - a character that reflects what had happened to some extent to many stars of the silent era (and continues to happen to talent as they fade from the public eye in favor of the next new thing) - only, you know, amped up a bit.  Add on real-life former silent director Eric von Stroheim as Desmond's aloof butler, and you've got a really interesting dynamic going.

In general, I don't love movies about Hollywood making movies, but sometimes the industry turns the eye back on itself and is willing to admit a few things about itself that make for a great story or provide an opportunity for great performances - even if there's maybe not a sense of a universal human experience or some such idea.  But I do think the ideas about self-delusion, dreams of stardom and relevancy and what it means when it fades, what we're willing to do for a buck, and more... are recognizable if not relatable.

Plus, man, Billy Wilder's dialog.

"...we had faces!"

There are a LOT of extras on the disc.  Probably too many, but you can't say it's not fairly complete when it comes to talking about the film and reminds me of the difference between access to a film via a streaming service and why you might want to own a copy of your favorite movies.

The movie itself is one of those things that will continue to reveal bits of Billy Wilder's brilliance for several more screenings, and my appreciation for how all of the pieces fit together just grows with every viewing.  I appreciate the devotion to Hitchcock (and also received the Hitch BluRay box set for Christmas that I am dying to crack open), but I think film school could do worse than to point that eye at Wilder and his ability to leap from genre to genre and redefine it as it goes.  As they point out in the bonus features, he not only managed genre - he moved outside of genre and created his own kind of film with Sunset Boulevard.

Casino (1995)

Casino is not a short movie, clocking in at about 3 hours, but I've still seen it probably 8 or 9 times.  And, I argue, it's one of the best reasons to reconsider Sharon Stone as something other than the somewhat Norma Desmond-esque figure she's hellbent on becoming.

you kids who work with video will never know the night mare of lighting this for film

The movie rolls out DeNiro as DeNiro, Pesci as Pesci and a whole herd of hoodlum and thug stereotypes from the Eastern US and drops them in Nevada in the wake of the Rat Pack.

Based on something approximating the real-life events of Frank "Lefty" Rosenthal leaving Chicago and illegal gambling to establish mob foundations in a town where everything is legal - the movie presents the story using a fictionalized version in Sam "Ace" Rothstein (DeNiro) as a mobbed-up bookie who finds he can make a fortune as a legitimate businessman in the wilds of Vegas.  How much is true, how much is speculation and how much is fabrication - probably best Scorsese himself doesn't know.  Pesci, not so long since he tried mainstream credibility with My Cousin Vinny plays mob thug Nicky Santoro, the muscle Ace needs in the early days, but who becomes a liability the minute respectability becomes a necessity.  Stone plays DeNiro's showgirl wife/ greatest distraction and liability.

Fantastically shot, meticulously detailed, Scorsese captured the last of old Vegas before it was subsumed with Vegas' secondary major industry - construction.  (If you've never been to Vegas, it changes completely about every 8-10 years).

this one time in 1995, Sharon Stone made a movie in which she was terrific

It's an epic film that isn't shy about a sprawling cast and intricate relationships presented in sketchy detail, but Scorsese keeps it easy to follow, using the template started in Goodfellas as a jumping off point.  The story stretches over a decade or more, following the rise and fall of key characters who ignite the Vegas scene and make the world there possible before being subsumed by corruption outside, inside and something resembling the actual forces of the justice via the US Justice Department and a lot of bad karma.

Anyway, on this go-round I was really struck by how well the movie presents all of the characters, their motivations and points of view, and even if we want to root for Ace, he's maybe as bad or worse than Nicky in some ways - at least Nicky is honest about his nature and seems to want for things to work out - he just doesn't have the big picture vision that Ace seems to have in spades.

And, by the way, if you're a James Woods fan, this is one of his smaller, wonkier roles and every time it makes me laugh a little bit.

I did watch the movie on basic cable.  Why?  I don't know.  I have a copy on DVD.  But it was fascinating watching them edit the living heck out of Jos Pesci's dialog while allowing for bats to collide with skulls and running ads for The Untouchables where the ad was entirely the infamous "teamwork" scene.

Oh, American TV standards.  You are so weird.

The movie will also have my undying respect for casting Don Rickles in a straight role in a movie.  I mean, who does that?  Brilliant.