A couple of quick Superman Reviews: Superman Family #3 and Superman #11

Superman Family Adventures #3
by Baltazar and Franco

The fact that this book isn't moving 80,000 copies per month is a crime.  Good-natured, action-packed, zany, bizarre and purely in love with the Superman mythos, this book is a perfect comic to hand a kid as well as your hipster pal looking for a good laugh.  If you're into a balanced diet in your comics, this is sort of the lovely pudding you should save to savor at the end of the buy pile.  Or something.

Your Mid-Afternoon Meeting with Ava Gardner

You're welcome.

Signal Watch Review: Masks & Mobsters (from MonkeyBrain Comics)

One of the great things thus far about MonkeyBrain Comics has been the wide variety of genre content coming from the publisher.  Last week saw tweaky hipster/ swords & sorcery strip Wander hit the internets.  This week MonkeyBrain rolls out Masks & Mobsters, a book that's pretty well set on the Signal Watch Venn Diagram as it's crime/ gangster comics set in a 1930's-era urban center with wiseguys starting to feel the heat from mystery men with strange powers.

The book's title page promises that this will be less of a straight narrative, issue after issue, as it announces it's an anthology title (ie: a fresh story with each issue, I'm guessing), so we'll see where the creative team is taking it from here (or if the same creative team will even stay around).

Sherman Hemsley Merges with The Infinite

Sherman Hemsley, a staple of television for the past 40 years and most famous for his role as George Jefferson on both All in the Family and The Jeffersons, has passed.  He was 74. 

Bit of Signal Watch trivia:  Sherman Hemsley also played Superman villain Winslow Schott, The Toyman, on  an episode of Lois & Clark.

Happy Birthday, Amelia Earhart

You don't hear the term "aviatrix" anymore, and that's a shame, because that is one awesome word.  "Pilot" just doesn't have the same ring to it.

Born on July 24, 1897, Earhart would go on to become one of the most famous aviators in the world, her name still synonymous with pioneering and the adventurous spirit of the 20th Century.

Earhart was the first woman to cross the Atlantic by plane, an educator and a leader in the cause of women's rights.

She is, of course, equally famous for disappearing during her ill-fated flight over the Pacific Ocean while attempting to circumnavigate the globe.

We're still looking for you, Amelia.

Moving to Low Content Mode for a Few Days

I have nothing for you.

I've had a good time posting the past week, but I think I wore myself out a bit.  In the wake of what I consider to be a highly successful Bat-Week, I'm going to go into low-content mode for a few days and catch up on some things.  

In the meantime, here's Selina Kyle on a Batpod.

Sally Ride Merges With The Infinite

I am very sad to say that Sally Ride has passed at the age of 61 after fighting pancreatic cancer.

Sally Ride was not the first name of an astronaut I knew or heard (the first name I really remember is John Glenn.  I think the KareBear liked the cut of his jib or something).  But something about Ride stuck with me not just because she was the first woman in space, but because she felt always seemed like the embodiment The Modern Space Program.  She rode shuttles, not capsules.  She wore the blue jumpsuit.  She was a pilot, a space jockey and a scientist.  She was the Shuttle era and the promise it held.

We all grew up proud of the name Sally Ride, but it wasn't until I was older that I appreciated how amazing Ride must have been to actually win that seat on Challenger and the pressure on her to not just be as capable of her male colleagues, but much more capable lest anyone seize the opportunity to hold her up as an example of why giving her a chance was a mistake.  I cannot begin to imagine.

And Ride pulled it off.

She succeeded not just at NASA, but went on to teach at UC-San Diego, formed a company to create educational materials for young scientists, and served as a consultant in aerospace and defense arenas.

Here's to one of the real pioneers of the era in which I was raised.  You will be missed.

Godspeed.

I completely forgot to post for Monday - Norma Shearer makes an appearance

I've been trying to figure out Spotify again, dealing with iTunes, messing with the pets, talking to Randy about Dark Knight Rises, looking at the Twitters and generally wasting time.

So, in the meantime, here's the great Norma Shearer.

that, people, is how your rock a look

Signal Watch Watches: The Dark Knight Rises (2012)

I'm considering this post a "first take" review.  I'm stating that now partially because I do plan to see the movie again in the theater (and likely many times in the future) and partially because I've already seen how this plays out for me trying to talk about a Nolan movie on the first go-round and pretending like I got everything.

The Dark Knight Rises (2012) has a tremendous amount of territory to cover, and contains a terribly ambitious film that I think, did modern movies not get capped at 2.5 hours as a run-time, could easily have fleshed itself out a bit more and run an even 3 hours or longer.  The movie has the task of laying out it's own story, giving a conclusion that satisfactorily resolves character arcs and plot threads from prior films, and digging far deeper into the thematic elements of the prior movies.

From a content standpoint, of course it's a mishmash of the entire scope of this thing we call "Batman", with the movie seeming to borrow plot from a few different bat-sources, including Knightfall, Batman: The Cult, The Dark Knight Returns and from No Man's Land- stories from different Bat-eras and varying Bat-creators, and but all sharing central motifs of a lost city.  But, that said, Nolan has managed to very much craft a new story, making this final installment feel very much like a section or book within the book and less like an episode.

Signal Re-Watch: The Dark Knight (2008)

Friday evening pal JuanD brought over his dog, Levi, to join Jamie and I for our pre-Dark Knight Rises screening of The Dark Knight (2008).  I mention Juan not just because Juan is a terrific fellow, but because our post-screening discussion should really warrant him a co-writer credit on this post.

I'm not very fond of my original review of the movie from 2008, and was sharing with Juan how I was so rattled by the movie's very existence that it took a viewing or two more to begin to appreciate everything Nolan was trying to accomplish, and that, in many ways, the best way to watch these movies is to turn off everything I know about Batman (which is a lot, and runs near constantly as a background subroutine) and instead come at the film as if I weren't playing comics-fan-connect-the-dots.  At some point it may be more useful to start looking at the movie as employing archetypes to relate a fable of duality on an operatic scale.  Chaos vs. Order.  Liberty vs. Security.  Lies vs. Truth.  Personal Duty vs. Public Duty.

all that and a motorcycle that goes VROOOM!  VROOOOOOM!  VROOOOOOOOOOM!!!!

You can feel a great leap in the quality of the film from Batman Begins during the first scene of Dark Knight, and the decision to dump the studio backlot feel of the previous Gotham for the very real streets of Chicago shot in punchy, deep focus, free of the filters and mood enhancers that dominated the look of the first movie.  And it's that realism and stepping away from the comic page that seems to give the movie some it's immediacy and edge.  Gotham is Chicago in this film - lived in and real, not a set made to look dank.