Tuesday, July 24, 2012

Signal Watch Review: Masks & Mobsters (from MonkeyBrain Comics)



One of the great things thus far about MonkeyBrain Comics has been the wide variety of genre content coming from the publisher.  Last week saw tweaky hipster/ swords & sorcery strip Wander hit the internets.  This week MonkeyBrain rolls out Masks & Mobsters, a book that's pretty well set on the Signal Watch Venn Diagram as it's crime/ gangster comics set in a 1930's-era urban center with wiseguys starting to feel the heat from mystery men with strange powers.

The book's title page promises that this will be less of a straight narrative, issue after issue, as it announces it's an anthology title (ie: a fresh story with each issue, I'm guessing), so we'll see where the creative team is taking it from here (or if the same creative team will even stay around).

Sherman Hemsley Merges with The Infinite

Sherman Hemsley, a staple of television for the past 40 years and most famous for his role as George Jefferson on both All in the Family and The Jeffersons, has passed.  He was 74. 


Bit of Signal Watch trivia:  Sherman Hemsley also played Superman villain Winslow Schott, The Toyman, on  an episode of Lois & Clark.

Happy Birthday, Amelia Earhart


You don't hear the term "aviatrix" anymore, and that's a shame, because that is one awesome word.  "Pilot" just doesn't have the same ring to it.

Born on July 24, 1897, Earhart would go on to become one of the most famous aviators in the world, her name still synonymous with pioneering and the adventurous spirit of the 20th Century.

Earhart was the first woman to cross the Atlantic by plane, an educator and a leader in the cause of women's rights.

She is, of course, equally famous for disappearing during her ill-fated flight over the Pacific Ocean while attempting to circumnavigate the globe.

We're still looking for you, Amelia.


Monday, July 23, 2012

Moving to Low Content Mode for a Few Days

I have nothing for you.
I've had a good time posting the past week, but I think I wore myself out a bit.  In the wake of what I consider to be a highly successful Bat-Week, I'm going to go into low-content mode for a few days and catch up on some things.  

In the meantime, here's Selina Kyle on a Batpod.


Sally Ride Merges With The Infinite

I am very sad to say that Sally Ride has passed at the age of 61 after fighting pancreatic cancer.



Sally Ride was not the first name of an astronaut I knew or heard (the first name I really remember is John Glenn.  I think the KareBear liked the cut of his jib or something).  But something about Ride stuck with me not just because she was the first woman in space, but because she felt always seemed like the embodiment The Modern Space Program.  She rode shuttles, not capsules.  She wore the blue jumpsuit.  She was a pilot, a space jockey and a scientist.  She was the Shuttle era and the promise it held.

We all grew up proud of the name Sally Ride, but it wasn't until I was older that I appreciated how amazing Ride must have been to actually win that seat on Challenger and the pressure on her to not just be as capable of her male colleagues, but much more capable lest anyone seize the opportunity to hold her up as an example of why giving her a chance was a mistake.  I cannot begin to imagine.

And Ride pulled it off.

She succeeded not just at NASA, but went on to teach at UC-San Diego, formed a company to create educational materials for young scientists, and served as a consultant in aerospace and defense arenas.

Here's to one of the real pioneers of the era in which I was raised.  You will be missed.

Godspeed.



I completely forgot to post for Monday - Norma Shearer makes an appearance

I've been trying to figure out Spotify again, dealing with iTunes, messing with the pets, talking to Randy about Dark Knight Rises, looking at the Twitters and generally wasting time.

So, in the meantime, here's the great Norma Shearer.

that, people, is how your rock a look

Sunday, July 22, 2012

Signal Watch Watches: The Dark Knight Rises (2012)

I'm considering this post a "first take" review.  I'm stating that now partially because I do plan to see the movie again in the theater (and likely many times in the future) and partially because I've already seen how this plays out for me trying to talk about a Nolan movie on the first go-round and pretending like I got everything.

The Dark Knight Rises (2012) has a tremendous amount of territory to cover, and contains a terribly ambitious film that I think, did modern movies not get capped at 2.5 hours as a run-time, could easily have fleshed itself out a bit more and run an even 3 hours or longer.  The movie has the task of laying out it's own story, giving a conclusion that satisfactorily resolves character arcs and plot threads from prior films, and digging far deeper into the thematic elements of the prior movies.



From a content standpoint, of course it's a mishmash of the entire scope of this thing we call "Batman", with the movie seeming to borrow plot from a few different bat-sources, including Knightfall, Batman: The Cult, The Dark Knight Returns and from No Man's Land- stories from different Bat-eras and varying Bat-creators, and but all sharing central motifs of a lost city.  But, that said, Nolan has managed to very much craft a new story, making this final installment feel very much like a section or book within the book and less like an episode.

Saturday, July 21, 2012

Signal Re-Watch: The Dark Knight (2008)

Friday evening pal JuanD brought over his dog, Levi, to join Jamie and I for our pre-Dark Knight Rises screening of The Dark Knight (2008).  I mention Juan not just because Juan is a terrific fellow, but because our post-screening discussion should really warrant him a co-writer credit on this post.

I'm not very fond of my original review of the movie from 2008, and was sharing with Juan how I was so rattled by the movie's very existence that it took a viewing or two more to begin to appreciate everything Nolan was trying to accomplish, and that, in many ways, the best way to watch these movies is to turn off everything I know about Batman (which is a lot, and runs near constantly as a background subroutine) and instead come at the film as if I weren't playing comics-fan-connect-the-dots.  At some point it may be more useful to start looking at the movie as employing archetypes to relate a fable of duality on an operatic scale.  Chaos vs. Order.  Liberty vs. Security.  Lies vs. Truth.  Personal Duty vs. Public Duty.

all that and a motorcycle that goes VROOOM!  VROOOOOOM!  VROOOOOOOOOOM!!!!

You can feel a great leap in the quality of the film from Batman Begins during the first scene of Dark Knight, and the decision to dump the studio backlot feel of the previous Gotham for the very real streets of Chicago shot in punchy, deep focus, free of the filters and mood enhancers that dominated the look of the first movie.  And it's that realism and stepping away from the comic page that seems to give the movie some it's immediacy and edge.  Gotham is Chicago in this film - lived in and real, not a set made to look dank.

It Begins. Two "Man of Steel" Teaser Trailers Arrive.

We're sticking through this blogging thing at least until the release of 2013's Man of Steel.  And we're seriously considering a blow-out party for the release, so start booking your flights now.

Keep in mind, this movie just finished shooting and has 11 months of post-production to deal with, so all they can do at this time is show footage that doesn't require a lot of CGI, etc...

This is not what was shown at Comic-Con, which included an extra 30 seconds or so of action-y type scenes.

The music, as I understand it, is from The Thin Red Line.  This also confirms what I'd heard about Clark's post-high school voyage to become a salty seaman.  It's not comics canon, but nothing really is anymore.

These are two different trailers - one with the voice of Jonathan Kent (Kevin Costner) and one from Jor-El (Russell Crowe) - following the path left by Glen Ford and Marlon Brando.




In reviewing the origin of Superman, it's impossible not to see the connections between fathers and sons, and that became the overriding theme of 2006's Superman Returns.

But it's also the story of what it means to send all your hopes and dreams sailing across the cosmos in rocket.   Or to look at what you have a chance to shape as you look at the future through the eyes of the boy in front of you.

Looking forward to seeing more footage, especially after that last shot.

Friday, July 20, 2012

On the events in Colorado at the screening of "The Dark Knight Rises"

You see the phrase "we are saddened" expressed by PR wings when a tragedy strikes.  We can read between the lines and know that in many cases, the employees of the company may well be saddened, but the need to create a quick press release that admits participation while denying culpability is at the core of the statement.

But today, I am actually and truly saddened by the events at the screening of The Dark Knight Rises in Auroroa, Colorado.  As of this writing, what information I have found states that 12 to 13 people are dead, and many more wounded.  A gunman took the opportunity presented by a darkened theater and a room full of people with their attention elsewhere, and he took it upon himself to unleash horror.  Words fail me.


I arrived at work in a Batman t-shirt today and had not checked the news aside from the weather report.  Jim, the manager at the coffee shop, is a former comic geek (and now a barista by day and a reservist soldier on the weekend.  Great guy.) asked me if I was wearing the shirt "because of Colorado".  And then he saw my blank stare.  "You haven't heard..."  And he explained what he knew to me.

I'm not buttoning up the sport shirt I'm wearing over the bat symbol.  Batman didn't kill these people.  And despite my misgivings about some of the messaging about Batman and taking the law into one's owns hands that I expressed yesterday, part of why I think I can continue to embrace Batman as symbol is that Batman is , at the end of the day, a statement of defiance against cruelty and terror.  I haven't seen the final installment of the trilogy, but I can say that in mining the Batman mythos of the past 70 years, what Christopher Nolan dug up was the ability of a man to confront fear and let it pass over him and through him and let it become nothing.  In Dark Knight, we saw what seeming chaos looks like as a man wants to watch the world burn, and the choices we can make, even supposedly the worst of us, in those moments where we're put to the test - whether we give in to fear - those moments matter for all of us.

So, I put on the shirt with a smile on my face when I got dressed today, but now I'm wearing the shirt in mourning.  And, if I'm allowed to use the word, in defiance.

Be prepared for American politics to go crazy today talking about how the other side made this possible.  But those are cowards seeking an opportunity.  Nobody made this crazy person pick up guns or smoke bombs.  This was a person looking for an excuse and an opportunity.  This is when we decide how we'll react, and how we choose to respond shows who we really are.

Today we should be looking to Colorado not for answers, nor for blame, but out of respect for the dead and wounded.  I am very truly saddened, and I am very truly sorry.