Signal Watch Watches: Bonnie and Clyde (1967)

It'd been a good long while since I'd seen Bonnie and Clyde (1967), the Warren Beatty & Faye Dunaway starring film loosely retelling the story of the very real life depression-era gang that cut a path through the central united states, from Texas to Iowa.

It's a great piece of filmmaking and one of those movies that both said quite a bit about the time of its release and manages to act one of the points of demarcation between filmmaking that had preceded it and what was to come as the 70's roared into cinemas.

I've talked before about how much I love Gun Crazy (1950),* and its not hard to see a bit of mashing of the facts around the Bonnie & Clyde case and the spirit and plotting of Gun Crazy in this movie.  But, of course, unlike the 1950 film, Bonnie and Clyde is one of the earlier adopters of obvious violence on screen, not shying away from putting bullets in the faces of bankers or showing Faye Dunaway getting riddled with bullets (I'd say spoiler, but if you don't know what happens to Bonnie and Clyde, you guys need to seriously start watching more TV).  It's also beautifully shot, well edited and the audio of the film presages a lot of what I think you'll hear in films to come as the mix attempts for naturalism, blending in the wind of the plains, a score that's semi-regional and period.

No News is Good News?

You know what I'm a sucker for?  The news.

You know what I haven't seen in the past 10 years?

There's an article on Yahoo! News (your place for breaking info on the Olsen Twins' fashion faux pas) about CNN as a Zombie news network.  

The conclusion:

And it may be that CNN's legendary objectivity is part of the problem. The network has always prided itself on covering the news with an even hand, but more partisan networks like Fox News and MSNBC have stolen away viewers by taking sides in the growing culture war and offering strong opinions with a conservative or liberal slant. CNN may win on journalistic integrity, but they're losing on passion.

Well, not for me and certainly not for anyone I talk to.  I may slant left, but I won't watch MSNBC because I don't need the news spun to me so that I'll nod like a muppet meeting the celebrity guest when Rachel Maddow comes on to tell me how smart we all are for agreeing with her.  


No, I quit watching CNN because they quit airing the news.  We all know that.

Summer TV: Sherlock & Star Trek

The shows I do watch are ended for the season, or wrapping up.  There are only a few episodes left of Season 5 of Mad Men (and last week's episode made me sad), Mythbusters carries on destroying everything in the name of science - even when its clear that Jamie and Adam are not really invested anymore, Parks & Rec has called it a day for 2012, and I've not seen a new American Experience since April, I think.

So its time for me to try to catch up!

Sherlock

You guys have recommended Sherlock to me a few times, and so last night I finally watched the pilot on Netflix.  And then tonight I watched the second episode.

Y'all, that was pretty good, right?  I mean, I'm not wrong on this?

hello.  We're British.

Signal Watch Watches: Ramona and Beezus (2010)

As a child of a teacher with her Masters in Reading Education, we never wanted for books around the house.  I had my favorites, and I read a lot of the Beverly Cleary books featuring the neighborhood of kids of Klickitat Street, with Henry Huggins, Beezus & Ramona (and Henry's dog, Ribsy*).

It's been a long, long time since I read the series, probably closer to 30 years than 20, and so my memory is a bit hazy.  Still, I was amazed at how many scenes and references from of the books came back to me when I found Ramona and Beezus on the HBO in-demand options, and once the movie started rolling.  From the "kitty-kat Q" to the proper way to crack a hardboiled egg (a technique I still employ from time to time), to the employment problems of Mr. Quimby.

I believe this is the edition of the book I had.  Beezus was such a square.

Westward, Ho! Allison B and Chris Roberson flee Austin

In a day or two Allison B and Chris Roberson pack up and depart Austin for the untamed wilderness that is Portland, Oregon, where they will most certainly be eaten by a bear.

I shall miss their hospitality, and Austin in poorer for their departure.  It is an odd thing to find oneself in the company of a writer you truly enjoy and respect first, and then get to make their acquaintance as a family unit living in the same town.

Here's to a great family as they set off on an all new adventure.

Portland, be nice to these folks.   They're all right.   And please find them decent tacos.

Signal Watch Watches: King Kong (1933)

I was in high school before I got to see King Kong (1933) in its entirety, and I've probably seen it almost a dozen times since.  Before that I had seen both the 1976 version of King Kong with Jessica Lange and the almost forgotten King Kong Lives (1986) in the theater.

Memorial Day: American Women

On this Memorial Day, I thought maybe I'd take a minute to remember the many women who've also served in and in conjunction with the US Armed Forces.

I'm not clear on how women are currently deployed in the US Military, but in our recent wars in Iraq and Afghanistan, there can be no question that those anywhere in the theater are at risk.  Nor can you bypass the sacrifice many have made just to serve.

Its hard to ignore the contributions of women in World War II, be it the WACS, the WAVES, the women who took jobs in factories building machinery or the women who carefully managed a country under rationing and who planted victory gardens.

Korea and Vietnam saw women serving in an increased capacity as medical staff.

Like A Doll's Eyes - Quint's Monologue

As we head toward Memorial Day, a day of remembering our fallen soldiers here in the US, and as we cross the threshold into summer (at least here below the the Mason-Dixon Line), I am already pondering not if, but when, I will watch Jaws this summer.

I can't remember the last time I saw a movie with a monologue, a real monologue, included.  I don't suppose the kids these days would sit for a full two or three minutes of somebody just, you know, talking, without pulling out their cell phones and texting away.  But this is from an era of filmmaking that wasn't entirely about avoiding risk, perhaps the only serious era where this occurred at the studios.

No matter how many time I watch it, Robert Shaw's speech about the sinking of the Indianapolis still hits me.  Its a terrific bit of film writing and an amazing performance to match, all carried by the extremely young Steven Spielberg behind the camera.



The sinking of the Indianapolis as described by Shaw's character Quint was all too real, the details of which had only been released to the public in the few years previous to when Jaws hit theaters, and not many had heard the story.

Clearly the speech sets the motivation for Quint, that its far more than about the $10,000 plus expenses, and it gives the film's primordial man vs. nature premise a bent that supersedes Brody's duty and Hooper's scientific curiosity.  And, in many ways, despite tying the film to World War II, it also manages to decouple the film from a 70's creature movie, placing it alongside Melville as a seafaring journey, a sort of tale of revenge against the very sea that gives the character meaning.

Memorial Day isn't just about car sales or a day off.

1100 men went in the water, 316 men come out.  The sharks took the rest.  June the 29th, 1945.

Signal Watch reads: Mark Waid's "Insufferable"

You guys know I'm in the bag for everything Mark Waid has done for the last...  I dunno.  Ever?

Somehow I completely misunderstood that his new online comic, Insufferable, was completely free online.

No, I have no idea what model Mark Waid is using to turn a profit on this, or if there is a profit to be turned.  But at the moment that's not my issue, nor should it be yours, because more great Mark Waid comics are online, and they're free at his new site, Thrillbent.

Waid has re-teamed with Irredeemable artist Peter Krause to tell the story in Insufferable, his second work in his new format, one that uses the native landscape (16x9ish) format we've become familiar with as computer users, and the fact that he can set pacing to some extent with a mouseclick to manage the storytelling.  Its far less intrusive than the limited animation of prior webbish comics experiments I've seen, and manages to use the page pretty well,  I think.

But I'd rather talk up the actual comic than the experiment, because at the end of the day, its about the content.

Waid turns to the urban vigilante brand of superhero after sort of blowing up the heat-vision-bearing version of superheroes in Irredeemable and Incorruptible, and in just four week's worth of the online book, he's done an astounding job of bringing a story to life that works right out of the gate.

Its a broken up version of Batman and Robin with their own issues that surpass those of Bruce and Dick (or Jason or Tim or Stephanie or Damian or Carrie), and its the kind of thing that I think sort of sucks you in from that last panel of the first installment and makes you click "Next".

And, of course, Krause's illustrative-style of art works terrifically well with the world he and Waid are creating, giving a believable view to the character-driven story and capturing the beats and expressions exceedingly well.

Anyhow, give it a shot and be there as it unfolds!

Signal Watch Reads - Further: Beyond the Threshold

Exploration.

I don't read a tremendous number of science-fiction novels, and I never have.  I know what that looks like, and I appreciate the fandom, but its never been me.  Sure, I went through my Bradbury phase and I glanced off the Robot Novels of Asimov, but even in middle-school I'd pick up paperbacks, read the product description on the back, and only rarely walk out the door with one I felt was worth the while.

I also don't read book series.  Its not that I haven't read, say, books by William Kennedy that share a set of characters and circumstances, but its not episodic in quite the same nature.  When I think about a series of books that numbers more than four, I can't get my head around it.

As you may have heard, I've been enjoying the writing stylings of Chris Roberson for a bit now, so when I heard he had a book coming out, I pulled some strings (asked politely) and got a copy.*

I just finished Further: Beyond the Threshold, a book I assume is intended to start a new series.

This is no-@#$%ing-around science fiction, and I quite enjoyed it.

Captain RJ Stone awakens from hypersleep which he entered aboard a star-faring vessel in the 23rd Century.  He finds himself alive and deeply aged 12,000 years later in a world which has changed over the millenia.  The era of seeking new planets has been conquered and mankind has spread itself out far over the cosmos.  With so much time passed, some of those civilizations have been lost, and the challenges of passing from one world to the next have been solved by way of instantaneous transportation via "thresholds".