Hathaway as Catwoman - a good look at the suit

A little Darwyn Cooke, a little-90's Catwoman with the gloves and boots, a strong influence from the Huges' covers. Not really grokking the goggles, but okay.

But can she top some of the classic Catwomen?

Signal Watch Watches: Attack the Block

A while back SimonUK mentioned he'd somehow already seen Attack the Block at a festival, and vouched for it, stating that when it came to Austin this summer, we really needed to go see it.  Some of the producers and talent involved are from the group that brought us Hot Fuzz and Shaun of the Dead, some loving takes on familiar genres, infused with smart-alec humor and a fan's know-how enough to both play with conventions and know what's important about retaining some of those conventions.  But all without getting too precious, I think.

Attack the Block does not, I repeat, does not feature Simon Pegg, but I promise you it is still a very good movie.

First picture of Anne Hathaway as Catwoman is - yup, that's Catwoman

cick for mega-sized

Here's the first official pic of Anne Hathaway as everyone's favorite thief/ femme fatale, Catwoman, in the upcoming Batman film, The Dark Knight Rises. That certainly looks like the catsuit she's been wearing in the comics the past decade, originally drawn by Darwyn Cooke, I believe.

However, the goggles and blue lights are new.  I'm looking forward to seeing what this scene is all about (its not like the Catwoman I know and love would bother to ask before running off with the Bat-Pod).   

Mostly I'm just happy to know there's a new (if final) installment in the Nolan Bat-films.

oh, here's some unofficial pics.  She looks good, I think.

Signal Watch Reads: Superman 714

Superman 714
Grounded Finale
Chris Roberson - writer
J. Michael Straczynski - plot outline
Jamal Igle - penciller
Jon Sibal & Robin Riggs - inkers
Macelo Maiolo - colorist
John J. Hill - letterer
John Cassaday & David Baron - cover
George Perez & Guy Major - variant cover
Wil Moss - associate editor, Matt Idleson - editor
Superman created by Jerry Siegel & Joe Shuster

With this issue, Superman will end a 72 year run. Sure, it went for a long stretch where the powers that be renamed the title The Adventures of Superman, but we all knew what the score was. Issue 714 isn't just the end of the much-discussed Grounded storyline, its also the conclusion of one of the oldest, continually published periodicals in American history. Really, Superman has been on the stands for just under a third of the lifespan of the US.

The Grounded storyline took a lot of guff when it launched under Straczynski, and it struggled to meet scheduling deadlines, eventually seeing two fill-in issues by Willow G. Wilson and then the entire story was handed over to rising star Chris Roberson. And, frankly, Roberson's intervention didn't just turn the ship around a bit and keep it on course, he managed to prove that there are no bad ideas, just weak execution and turned Grounded into one of the best Superman reads the monthly comics have enjoyed of the past decade.

First Picture of Henry Cavill as Superman

click for mega-sized

Only twice before have I had opportunity to see someone in the suit for the first time.  Dean Cain in TV's Lois & Clark and then Brandon Routh in Superman Returns.

Truthfully, there's nothing here I don't like.  The suit isn't drastically changed and looks more like the traditional suit (see how long this DCNu suit sticks around now), the symbol is actually a throwback to the Golden Age, and its hard not to like the physical power suggested with the destroyed vault behind him and the determined look in the eye.

In fact, the whole thing gives me a feel of early Superman.

Superman would later give this move over to his friend, The Kool-Aid Man.

And I've thought Cavill looked about right since I saw the first pictures of him.  He's not got the same sharp features as Reeve or Routh, but a new look for Superman is okay by me.  Superman's had a lot of faces over the years.

I also don't mind the textured suit.  With today's high-grade video for movies, I think its appropriate to have something for the light to catch on.  And, of course, the boots are exactly right, and I'm a freak and that matters to me.

Casting, costume, etc... are all in place and I'm pretty happy.  Let's hope Zack Snyder doesn't direct this thing right into the ground.

In case you didn't hear, the new (Ultimate) Spider-Man is a black/ hispanic dude. Cue the worst in humanity.

Signal Watch Watches: Captain America - The First Avenger

I really liked this movie.  How's that for a review for you? 

I kid you not, I realized at about the 1.5 hour mark, I'd been smiling since the first two minutes.  That's not hyperbole.

I may not be the world's biggest Captain America fan or Marvel aficionado (I know two readers to this site that way trump my Cap fandom - Jake and CanadianSimon*), and while I've always liked Cap, somehow I never really became the kind of guy who picked up Cap every month.  I've been a "get the trade" sort of reader for the past few years, and I've picked up a few backlog items, certainly don't grab all the "let's flood the market" stuff Marvel tends to do with characters whenever their sales show signs of a pulse.  Prior to Brubaker coming on Cap, the longest run I think read was the entirety of Waid's Captain America: Sentinel of Liberty when that was in print.

Like Superman in the DCU, I think you can point to Cap as the moral center and heroic inspiration for both other characters in the Marvel U and for what the Marvel readership immediately clicks to when they think about "which character exemplifies unfettered heroism the most?"  Deep down, both Steve Rogers and Clark Kent have a lot in common, and its the "we do the right thing because its the right thing to do" aspect of both which really appeals to me.  Whether Steve Rogers got his ability from Vita-Rays or whether Superman got his from his alien physiology, these characters were going to make a difference in the world somehow just based upon who they were.**

What We've Been Up To: Dealing with a large and growing collection of comics and related junk

So, on Tuesday night Jamie flew out to see The Dug and K out in Berkeley, and she took PalNicole with her.  I am trying to save my vacation dollars (not so much my days as I have plenty of those), and so I didn't go with.  I am going to try to get tickets to the Noir City Film Fest, and so I'll be in SF hopefully this winter (likely January 20th).  Budgets, people.

I did, however, take Thursday and Friday off work.  And I had a gameplan, which was why I didn't want to screw it up by spending a bunch of time pondering imponderables here at The Signal Watch.  Thus:  Hiatus.  Thanks for your patience.

Here at League HQ I maintain a home office which a few of you have had opportunity to visit.  On some show on Spike, it would likely be referred to as a "man cave", but its far brighter and cheerier than what I'd guess many man-caves to be.  Its where I keep my comics in boxes, display my action figures and toys, etc...  Its a homey little spot, but it doesn't get enough attention, nor have I been good about organizing my comics of late.  Basically, I had more than three long-boxes worth of comics that weren't really bagged and boarded, and hadn't been entered in the online database I use to inventory my stuff.  (I use an online service called comicspriceguide.com).

this represents about 16-18 months worth of Superman reading.  I should mention, after taking this picture, I realized I hadn't added my "Superman/ Batman" issues to the bin.  Also:  Jeff the Cat is always around.

This stuff is incredibly time consuming to deal with, and its not a good project to pick up and then do in bits and spurts.  Comic organizing all kind of has to happen either weekly or with a single, sustained effort once in a while.  Cleaning all those toys and shelves?  That isn't exactly something you want to do every day, and when you do it, man...

So guess who just met comics scribe Mark Waid while seeing Captain America?

Wow! Fun night.

Me and Pal Kevin headed up north, had a lovely dinner and then ran over to the Gateway theater where Austin Books hosted a screening of Captain America with the Austin Chronicle. In attendance: Mark Waid.

Firstly, I am a big fan of Mark Waid's work on Flash, Captain America, Kingdom Come, Irredeemable and a whole lot of other books and characters. Secondly, of Marvel's roster of characters, Captain America is one of my three favorites (with Spidey and maybe Rocket Raccoon).

Waid (left) puts up with the unruly Austinites

So, this was kind of a big deal for me. Oh, and I also won a hat by answering a trivia question.

I actually had all the books that ABC had brought with them to purchase and get signed (like I said, I'm a Mark Waid fan), so I thought - ah, heck.  Why not?

yeah, I made him sign the hat, too

Mark Waid will be at Austin Books on Saturday from 4-7pm, if you have a chance to stop by.

My review of Cap is coming, but (spoilers) - I loved that thing.

Rumor Central: Bleeding Cool reports DC actually interested in making money - rumored response to complaints of gender inequity

Late Edit:  I went and saw Captain America this evening, and so I missed this until, oh... its about 1:00 AM on Saturday.  But the last post to the DCU blog, The Source, was just a straight up mea culpa and pledge to improve how DC deals with its female characters, creators and all of its fans.


Absolutely remarkable.

Original Post is below:

One of the things that DC said it would try to do under the New 52 was become more agile in delivering content.  If something wasn't working or selling, it wouldn't have a long shelf life.  Likewise, they would be willing to try new things.

DCE certainly can't have liked that the major story around the company coming out of CCI hasn't been the New 52 (of course, that was old news by Day 1 of the Con).  Instead, its been the gender equity issue in comics and how at every panel fans (well, maybe fan) would stand up and ask why more women weren't working on their books in the relaunch.  A bit of math DID demonstrate the the number of women dipped from 12% of the DC creative pool to 1%.  which... yikes.