Monday, May 30, 2011
Memorial Day
Here at the Signal Watch, we salute all those who currently serve, those who ever served and those who gave up their lives for the protection of the USA.
Sunday, May 29, 2011
By the way, there's a Planet of the Apes comic out, and its really pretty good
In the midst of all this Planet of the Apes movie hullabaloo, I'd be remiss if I did not mention the current Planet of the Apes comic (from Boom!) which saw its second issue released last week.
The two names on the cover are Daryl Gregory (writer) and Carlos Magno (artist), and I tip my hat to both. I'm not overly familiar with either person's work, but both obviously referenced the heck out of the Apes movies, but set the comic in a period not covered in the movie series explicitly. Doing some math, the suggestion is that this story occurs shortly after the framing sequence of Battle for the Planet of the Apes, or roughly 600 years after the main action in Battle.
In just two short issues, Gregory has managed to frame his world within the grand scope of the Apes movies, set up multiple characters, the political situation, and reference the transitions occurring that would need to occur for the state of things between (chronologically) Battle and Planet of the Apes. I'm impressed.
Artist Magno's style fits the material very well, with the rough-hewn world of the Apes and Humans pulling up a new civilization with hints of the old. His faces are pretty great, and hew well to the style of the Ape makeup from the movies but using the freedom given to him by the pen to get anatmoy up to a grander scale on gorillas, etc...
I confess to some confusion at the... uh... very human anatomy of chimpanzee Alaya, but what I had dismissed as a Ren-Faire style to her dress actually makes quite a bit of sense after watching multiple hours worth of Apes movies.
Anyhow, this can't be a full recommendation as this is only the second issue, but I'm enjoying the series thus far. Other Apes fans (even non-comic readers) should check it out. Its a great bit of expansion on the film series and I really like Daryl Gregory's writing.
I can almost hear the Jerry Goldsmith music in my head |
In just two short issues, Gregory has managed to frame his world within the grand scope of the Apes movies, set up multiple characters, the political situation, and reference the transitions occurring that would need to occur for the state of things between (chronologically) Battle and Planet of the Apes. I'm impressed.
Artist Magno's style fits the material very well, with the rough-hewn world of the Apes and Humans pulling up a new civilization with hints of the old. His faces are pretty great, and hew well to the style of the Ape makeup from the movies but using the freedom given to him by the pen to get anatmoy up to a grander scale on gorillas, etc...
I confess to some confusion at the... uh... very human anatomy of chimpanzee Alaya, but what I had dismissed as a Ren-Faire style to her dress actually makes quite a bit of sense after watching multiple hours worth of Apes movies.
Anyhow, this can't be a full recommendation as this is only the second issue, but I'm enjoying the series thus far. Other Apes fans (even non-comic readers) should check it out. Its a great bit of expansion on the film series and I really like Daryl Gregory's writing.
5 Planet of the Apes Movies in about 9 hours
Well, goodness.
What can you say about the Planet of the Apes Pentilogy that hasn't already been said?
I love these flicks, enough so that in 2001-ish, Target had the original Planet of the Apes for sale on DVD on a big display with the Statue of Liberty and everything, and I caused a pretty serious ruckus in the video department when I re-enacted this scene from the original POTA.
Like Nova, Jamie remained silent.
SO, this morning I arrived at the Alamo Ritz at 9:35 this morning to see Planet of the Apes unspool in glorious 35mm on the big, big screen. And all of its 4 sequels.
What can you say about the Planet of the Apes Pentilogy that hasn't already been said?
I love these flicks, enough so that in 2001-ish, Target had the original Planet of the Apes for sale on DVD on a big display with the Statue of Liberty and everything, and I caused a pretty serious ruckus in the video department when I re-enacted this scene from the original POTA.
Like Nova, Jamie remained silent.
SO, this morning I arrived at the Alamo Ritz at 9:35 this morning to see Planet of the Apes unspool in glorious 35mm on the big, big screen. And all of its 4 sequels.
Talking Heads
The video for Burning Down the House was probably the poppiest moment the band Talking Heads ever achieved. The video got regular play on MTV, became the band's only Top 10 hit, and was where I remember first hearing their music. The video hit in 1983, which would have made me about 8, and still very excited about whatever showed up on MTV, be it Tina Turner, Billy Idol or the J. Geils Band.
However, I really liked that tune. Its a pretty darn good rock song, and I don't know if I parse the video now any better than I did 28 years ago, but I did like that there seemed to be something to figure out and I suspected it had something to do with the band members wrestling some inner-something.
But, as a kid I didn't care so much about what the art was trying to say so much as the fact that I liked these people who all dressed in white suits, apparently weren't too worried about glamour or attitude and had a kick-ass blonde on bass. Even then I thought that was unusual and nifty.
However, I really liked that tune. Its a pretty darn good rock song, and I don't know if I parse the video now any better than I did 28 years ago, but I did like that there seemed to be something to figure out and I suspected it had something to do with the band members wrestling some inner-something.
We ALSO project David Byrne's face onto the side of our house |
Thursday, May 26, 2011
Signal Watch Reads: Action Comics 901
Action Comics 901
Reign of the Doomsdays - Part 7
Writer: Paul Cornell
Artist (pg: 1-10, 18-20): Kenneth Rocafort
Artist (pg: 11-17): Jesus Merino
Colorist: Brad Anderson
Letterer: Rob Leigh
Associate Editor: Wil Moss
Editor: Matt Idleson
Cool.
Look, this is a chapter in the multi-multi-part story we started talking about when it was still called Reign of Doomsday. I didn't like the first several chapters, and I'll stick with my story that the first several chapters could have been done in about 1 issue instead of spread out all over creation. But with issue #900, DC handed the story to Cornell, and from there this thing has taken off like gangbusters.
It's also very hard to talk about as a complete story as this issue represents more or less a sequence in a much larger story. Fair warning, I suppose.
Reign of the Doomsdays - Part 7
Writer: Paul Cornell
Artist (pg: 1-10, 18-20): Kenneth Rocafort
Artist (pg: 11-17): Jesus Merino
Colorist: Brad Anderson
Letterer: Rob Leigh
Associate Editor: Wil Moss
Editor: Matt Idleson
Cool.
Look, this is a chapter in the multi-multi-part story we started talking about when it was still called Reign of Doomsday. I didn't like the first several chapters, and I'll stick with my story that the first several chapters could have been done in about 1 issue instead of spread out all over creation. But with issue #900, DC handed the story to Cornell, and from there this thing has taken off like gangbusters.
It's also very hard to talk about as a complete story as this issue represents more or less a sequence in a much larger story. Fair warning, I suppose.
NathanC takes it to TV to promote classic film in San Antonio
Let me be clear: I am totally jealous of Nathan's gig as one of the voices of film in San Antonio, Texas. He's been working with the Bijou Theater and using his voice as part of San Antonio's public radio network to bring all kinds of films to The Alamo City for over a decade.
Here's Nathan appearing on local TV to promote the start of the TPR summer cinema series.
I'm heading down there for a picture or two, but I need to square with Jamie and figure out what we're going to go see. I think Nathan represents my sole San Antonio reader, but if you want to go down there, lemme know.
I have to apologize to Nathan, because his choice to run my review of Santa Buddies may have tarnished his relationship with the Walt Disney Company. One hopes that hasn't slowed him down too much.
Here's Nathan appearing on local TV to promote the start of the TPR summer cinema series.
I'm heading down there for a picture or two, but I need to square with Jamie and figure out what we're going to go see. I think Nathan represents my sole San Antonio reader, but if you want to go down there, lemme know.
I have to apologize to Nathan, because his choice to run my review of Santa Buddies may have tarnished his relationship with the Walt Disney Company. One hopes that hasn't slowed him down too much.
Wednesday, May 25, 2011
Signal Watch Reads: Supergirl 64
Supergirl #64
"Good Looking Corpse - Finale"
Writer - James Peaty
Artist - Bernard Chang
Colorist - Blond
Letterer - Travis Lanham
Cover - Mahmud Asrar & Guy Major
Associate Editor - Wil Moss
Editor - Matt Idleson
Supergirl is in a bit of flux until the conclusion of Flashpoint the last week of August. After the pretty-terrific run by Sterling Gates, and only a short run post-New Krytpon, the series was to be handed off to current darling of comics, Nick Spencer. However, after one issue (Supergirl #60), Spencer and DC parted ways and the storyline was handed over to James Peaty, while Bernard Chang stayed on with art chores.
"Good Looking Corpse - Finale"
Writer - James Peaty
Artist - Bernard Chang
Colorist - Blond
Letterer - Travis Lanham
Cover - Mahmud Asrar & Guy Major
Associate Editor - Wil Moss
Editor - Matt Idleson
Supergirl is in a bit of flux until the conclusion of Flashpoint the last week of August. After the pretty-terrific run by Sterling Gates, and only a short run post-New Krytpon, the series was to be handed off to current darling of comics, Nick Spencer. However, after one issue (Supergirl #60), Spencer and DC parted ways and the storyline was handed over to James Peaty, while Bernard Chang stayed on with art chores.
Tuesday, May 24, 2011
Noir Watch: Detour (1945)
I'd read a bit about Detour in Eddie Muller's history of noir, Dark City,a great handbook for growing an appreciation or understanding of noir. Detour was extremely low-budget, shot in about a week, and shows its rough edges pretty much everywhere in the film. But after one viewing I can see why folks come back to this movie again and again. Its not always about the professionalism of the product when you've got story and actors that make it work.
So, Wonder Woman to be on "Batman Brave and the Bold" (briefly)
Dear lord, its not nearly enough, and I could watch this all day... but Wonder Woman is our partnered-up hero in the opening section of this week's coming Batman: Brave and the Bold on Cartoon Network.
The main segment is Green Lantern Hal Jordan, which is cool, too, but... Wonder Woman, ya'll.
See, I haven't seen the Adriane Palicki Wonder Woman, but could it have been anywhere near as much fun as this? This is a pretty darn good take on the Lynda Carter-infused, retro-40's-60's version of the character. It's a few degrees away from my George Perez/ Phil Jimenez/ Greg Rucka/ Gail Simone take, but this is pretty great.
By the way, this season's Batman: The Brave and the Bold has been non-stop greatness. The show was good before, but this year it really came into its own as a fantastic world of DC that's perfect both for kids and adults and just reminds you not just why superheroes are great, but why the DCU is so much fun.
The main segment is Green Lantern Hal Jordan, which is cool, too, but... Wonder Woman, ya'll.
See, I haven't seen the Adriane Palicki Wonder Woman, but could it have been anywhere near as much fun as this? This is a pretty darn good take on the Lynda Carter-infused, retro-40's-60's version of the character. It's a few degrees away from my George Perez/ Phil Jimenez/ Greg Rucka/ Gail Simone take, but this is pretty great.
By the way, this season's Batman: The Brave and the Bold has been non-stop greatness. The show was good before, but this year it really came into its own as a fantastic world of DC that's perfect both for kids and adults and just reminds you not just why superheroes are great, but why the DCU is so much fun.
Red Cross is a Good Idea Today
This Spring has seen its fair share of tragedy due to horrendous storms which cost hundreds of lives. The pictures coming out of Joplin today are every bit as heartbreaking as those from Alabama a few weeks back. At The Signal Watch we're regular donors to The Red Cross, and we like to encourage you to join us in chipping in a bit more when the need is sudden and great.
You don't have to be from Alabama or Missouri to want to help. And you don't even need to get up from your computer. Please visit RedCross.org today and consider a donation. Its a super sort of thing to do.
You don't have to be from Alabama or Missouri to want to help. And you don't even need to get up from your computer. Please visit RedCross.org today and consider a donation. Its a super sort of thing to do.
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