Raimi Watch: Darkman (1990)

Watched:  09/27/2024

Format:  Amazon Prime

Viewing:  Unknown

Director:  Sam Raimi

Darkman (1990) was released just days after I moved from Austin to North Houston.  I was 15.  I'd never heard of Sam Raimi or seen Evil Dead.  It was the end of the 1980's, when we had movie ratings, but nobody really cared about using them for keeping kids out - it was more of a promise of what a movie could contain.  R meant a chance for gore, violence and boobs.  Maybe a few F-bombs.  

Mostly, I was interested in what was sold as a superhero movie, of an all-new character who had an edge to him.  And then a very weird, very cool movie unspooled in front of me.  

Darkman was thus, I think, my introduction to Sam Raimi, Liam Neeson and Frances McDormand.*  My memory is that I thought the camera work and editing were insane, Neeson had fully thrown himself into the role - which seemed like a lot, and McDormand made for a great love interest as a brainier-than-average "the girl" role in one of these movies.   

Dame Maggie Smith Merges With The Infinite

Dame Maggie Smith, who was famous for so many reasons, all good!, has passed.  She was 89.

Smith managed the terrific feat of becoming more and more famous and iconic as she hit her later years, starring in international hits like Harry Potter and Downton Abbey.  But she also appeared in popular films like The Best Exotic Marigold Hotel in the past 15 years, was in the mid-90's famed Richard III as the Duchess of York, in Hook as Granny Wendy and led the 1969 film The Prime of Miss Jean Brodie as the titular character.  

I saw her first in Clash of the Titans, because I was an 80's kid who liked monsters.  And I recall her in things later, like Gosford Park and A Room With a View, which is probably where my mind goes when I think of her.

She'll be missed, but, dang.  That's a legacy. 

Streaming Superhero Media This Week: Penguin, Agatha, ElectraWoman and DynaGirl

Last week, DC and Marvel sort of went head-to-head releasing two very different shows, but with some interesting similarities.  Meanwhile, Jamie was scrolling my Amazon account, and Amazon (correctly) alerted me that the 1976 Krofft Superstars show, ElectraWoman and DynaGirl is fully available - and in excellent condition.

DC's take was to put out a very adult-oriented mob-show about what seems to be the rise of Oswald Cobb(lepott), better known as The Penguin in Bat-circles.  It's the spin-off from the successful The Batman movie, in which famed handsome-man Colin Farrell put on 40 pounds of latex and a fatsuit to play a character very, very well, that some critics (Paul) have called out for being a role any character actor in LA could have nailed.  And maybe he's not wrong.  

It's a show that's a wild take that has nothing to do with the source material, uses the name of the character  with only minimal care for the comics, and is doing it's own thing while using the DC label.  I do not expect Dr. Fate to show up and help out.

90's Watch: Bowfinger (1999)

Watched:  09/21/2024

Format:  Max?  I don't know.

Viewing:  Third

Director:  Frank Oz

Selection:  Jamie

Two things to begin with:  (1) This movie doesn't get discussed enough.  It's really funny.  (2) I have zero idea why they didn't call this movie "Chubby Rain".  It's the funnier, better title.

There were a lot of movies about movie-making in the go-go 90's.  Indie filmmakers couldn't get enough of themselves in the 90's indie boom, and most of those movies were not good.  But at the end of the 1990's, Steve Martin and Frank Oz put together a genuinely funny movie about making movies and the people who scrape by at the bottom of the Hollywood machine of the day.  And while it's silly and I doubt has anything to do with reality, it's good stuff.

Bowfinger (1999) has a great cast, with Steve Martin, Eddie Murphy playing two roles, Terence Stamp, Heather Graham, Christine Baranski, Jamie Kennedy and a shockingly sober 1999 Robert Downey Jr.  I hope filming was as fun as it looks like it was, because it seems like everyone is just dicking around having a good time.  

Hamilton/ Ape Watch: King Kong Lives (1986)

Watched:  09/20/2024

Format:  Amazon

Viewing;  4th?

Director:  John Guillermin/ Charles McCracken

After watching Dante's Peak, I was wanting to see another Linda Hamilton film and talked Dug and K into watching King Kong Lives (1986), a move I am certain they regret.  

As a sort of low-level monster-kid of the 1980's, I was thrilled to get a chance to see a *new* King Kong movie, and so went to see the flick in the theater.  I loved the *idea* of King Kong, but had only seen pieces of the 1976 movie and none of the original.  But read a Kong book to two and had the basic idea down.  

And, this movie was part of my realization that not all movies are good.  Like, you go to the movies as a kid, and if you can follow the plot, it feels like a winner.*  But around this time, I was starting to understand not every movie is "good" or was made because it was a work of art.  And, right about the time I saw Kong and Lady Kong making goo-goo eyes at each other, I began realizing this movie was not destined to be the classic its predecessors had been.

JLC Watch: A Fish Called Wanda (1988)

Watched:  09/19/2024

Format:  AFS Cinema

Viewing:  Unknown

Director:  Charles Crichton

Simon and I decided to catch this one again at the cinema.  

I've always liked A Fish Called Wanda (1988), and while some items in the film aged poorly, it's still a very, very good comedy with some screwball bits that just kill.  I don't know how objective I am about the film as I saw it so young and, at the time, felt like I was watching something aimed, for once, at adults rather than an all-ages comedy, like I was used to.  I mean, this isn't far removed, chronologically, from the early Police Academy franchise, which is what an R-Rated comedy looked like in the US that I had previously been watching.

Yet, the film is intensely silly.  Everyone is firing on all cylinders, enough so that you can't single out anyone in the film, just your favorite bits or scenes.  The entire sequence in which Wanda sneaks into Archie's house to seduce him is *gold* and should be studied by academics. But it's not aimed at 13 year-olds.  The comedy comes from a different place that knows goofy, witty, sexy and fun without resorting to feeling like "insert funny sad trombone sound here" is appropriate.

Si and I saw the movie in a shockingly full theater for an 8:30 PM Thursday showing of a movie you can stream from your phone right now.  It was a mix of clear die-hards for the movie and people who'd never seen it, I'm guessing, from the gasps and laughing at surprise bits in the film.  And, all ages.  20-something hipsters and Grandmas who likely have seen it 25 times.

Was JLC a big reason why I came out to the theater for the movie?  You know that's the case.  But I had never seen the movie on the big screen, and or with a crowd, and it was a delight to do so.

Here's the Podcast from years ago when Jamie, Si and I talked about the film.

Noir/ Joan Watch: Female on the Beach (1955)

Watched:  09/18/2024

Format:  Criterion

Viewing:  First

Director:  Joseph Pevney

Y'all know I'm all in for Joan Crawford, and I think Jamie's a fan, too.  So, we put this one on from Criterion.  

There have to be papers written about Joan in this era and who her movies were aimed at.  She'd been kicking around since the Silent Era, was a huge star for a spell in the 1930's, then lost her box office mojo and was declared "box office poison", then had a massive come back in the mid-1940's with Mildred Pierce (recommended).  She came back around aged 39 - something to cheer for.  And she really is great in that movie.  And then she enjoyed real work for some time - including into 1955, when this movie came out.

I am sure there was an audience that knew and loved her from their youth and identified with her as they aged.  Further, she kept managing to play the very-much-desired woman here at age 49, when Hollywood still thought once you hit 28, you might as well be a grandma in movies.  But women attend movies, and I suspect - based on the female-forward stories (but still very much of the politics of the 1950's) - that her audience were women, and these thrillers served that loyal fanbase.

Coppola Watch: The Outsiders (1983) - the full novel cut

Watched:  09/16/2024

Format:  Amazon

Viewing:  First

Director:  Francis Ford Coppola

Selection:  Jamie

I've been meaning to see this movie *since* 1983.  But over time, I'd heard mixed things and I came to know what the story was, anyway, via cultural osmosis.  My one memory from when it hit cable in the mid-1980's was being told "you wouldn't like it" - and I genuinely don't know why I was told that at the time, probably aged 9 or 10.

When I was 11, the kid across the street came over while me and some others were sitting around in my front yard and asked us to "rumble".  I now assume they'd just seen this movie and were inspired.  We did not rumble.  We did ask them what movie they pulled "rumble" from.*  I think I now have the answer.

The movie is now mostly famous as the movie that launched careers.  All of the leads went on to become staples and household names for the generation that came up on the movie - it's sort of ground zero for a few brat packers.  Patrick Swayze, Tom Cruise, Emilio Estevez, Ralph Macchio, Matt Dillon, Rob Lowe, Diane Lane - and starring C. Thomas Howell as Ponyboy.  For those of us so-inclined, it also has an appearance by Michelle Meyrink.**  Sophia Coppola shows up for literally 30 seconds.

Lauren Bacall at 100

 

Yesterday marked the 100th birthday of Lauren Bacall (born Betty Joan Perske), one of the greats of 20th Century cinema.  

Bacall came to fame as soon as she hit Hollywood, following a meteoric rise as a magazine model.  She famously wound up in LA somewhat by accident, noticed by the wife of Howard Hawks.  Hawks meant to send an inquiry about her, and his secretary misunderstood and had her sent out to LA.  

She was placed into a major studio picture immediately by Hawks (who was managing her career) and her introduction to Humphrey Bogart made her one half of of one of the most storied romances in cinema history.  

I'll be honest, I've never seen her less than great in anything.  Bacall was a natural beauty, sure, but she was also a natural talent from day one.  To Have and Have Not, her first picture, makes her seem like a seasoned pro, and she was, I believe, 19 at the time of filming (with the apparent world-weary maturity of a 40 year old).

We think she's great here at The Signal Watch, and are so very glad that Mr. Hawks' staff made their error and got Bacall into the movies.  Now get out there and watch Key Largo.

1930's Watch: Dead End (1937)

Watched:  09/15/2024

Format:  Amazon

Viewing:  First

Director:  William Wyler

After seeing Sylvia Sydney - and quite liking her - in Merrily We Go To Hell, we decided to check out one of her many other films.  Amazon lists things like "Oscar Nominations x4" now as you're scrolling, and as Dead End (1937) had 4 Oscar noms, we gave it a spin.

The credits on this thing are bonkers.  Directed by William Wyler, it was a movie based on a play - and the screenplay was by Lillian Hellman.  Then the cast list came up.  Sylvia Sidney, Joel McCrae, Humphrey Bogart, Claire Trevor, Ward Bond.... not a bad line-up.  

The credits done, the movie then moved over a multi-story, gigantic set depicting the titular "dead end" of the film as a New York street runs into the river and where a gigantic high-class apartment building had gone in amongst tenement buildings - gentrification of a rough part of town (and based on a real building, in a real dead end in New York, 53rd Street and the East River.  I believe FDR Drive now runs through the location of the play and film.)

The set has a river, restaurants, etc... all built, the intersection feeling as real and immersive as anything I think I've seen from the era.  While it's not Intolerance, it's a massive set that's as accurate as possible.