PodCast 189: "The Evil Dead" (1981) - a Horror Canon episode w/ JAL and Ryan

Watched:  03/13/2022

Format:  HBOMax+

Viewing: Unknown

Decade:  1980's

Director:  Sam Raimi

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JAL returns to the PodCast to talk about a movie series that helped cement a friendship! Join us as we ponder the crazy early vision of a master of movie making, getting good results out of annoying everyone around you, and what you can do on a shoestring budget that can still provide genuine scares and have a bloody good time.

SoundCloud 

The Signal Watch PodCast · 189: "The Evil Dead" (1981) - a Horror Canon episode w/ JAL and Ryan

YouTube

Music:

Introduction - Joseph LoDuca, The Evil Dead OST

Dawn of the Evil Dead - Joseph LoDuca, The Evil Dead OST

Horror Podcasts!

The Signal Watch PodCast · Halloween and Horror

It's my Brother's Birthday!

Everyone wish my brother, the amazing Steanso, a terrific birthday.  

I started blogging way, way back in 2003, and back then, he was but a simple attorney who played a lot of GTA and the bass in a band.  Now, he's a respectable attorney, a family man, and drives a crossover SUV to keep the kiddies safe.  But he does still play the bass!

Pixar Watch: Turning Red (2022)

Watched:  03/15/2022

Format:  Disney+

Viewing:  First

Director:  Domee Shi

I'm going to try to secure Michero to come in and talk about Turning Red (2022), so no lengthy write-up.  

Uh...  so.  How to do this if there will be a podcast?  

I liked it!  You should watch it.  Definitely a great one for the kids hitting late elementary school and up.  It's gonna feel familiar.  For the younger ones, a foretaste of what's coming.

I have a few theories about why it took place in 2002, but will try to verify.  

William Hurt Merges With The Infinite

Damn.  

William Hurt, one of my favorite actors, has passed.  

I don't have much to say on it.  I'm surprised and saddened.  We all knew he could turn in the best performances even when he signed up for some genre stuff that didn't deserve what he'd bring to the characters he'd inhabit.  And given a chance to get into something good - ex: The Big Chill or Smoke- he was astounding.

St. Patrick's Day Watch: Leprechaun (1993)

Watched:  03/11/2022

Format:  Amazon Watch Party

Viewing:  Second

Director:  Who knows and who cares

I watched Leprechaun the first time at a party during what I think was Christmas break 1993.  I don't really remember much about it except for that the Leprechaun was a vicious dick and it featured Jennifer Aniston before I knew who she was.  

It follows the same pattern as a lot of horror from that era, and this era.  People are in a country house of some kind, and a dangerous force attacks.  The house actually looks quite a bit like the house from Critters or five dozen other movies of the era.  In this case, an Irish immigrant has returned home from a funeral and brought with him a bag of gold he stole from a leprechaun (Warwick Davis).  Now in the Western United States, he rightfully assumes he's safe from a magical being an ocean away.  

He's not, but he traps the leprechaun in a box for a decade until Jennifer Aniston and her dad show up to rent the house.  The movie also features a "hunky guy" house painter for Aniston to latch onto, his kid brother and the guy who stole Pee-Wee Herman's bike playing a moron.  

A bit about the thing with Mark Holton's moron...  

PodCast 188: "Fantastic Four" (2015) - FF Part 2 - a Kryptonian Thought Beast Episode w/ Danny Horn and Ryan

Watched:  03/01/2022

Format:  Disney+

Viewing: First

Director:  Josh Trank

For more ways to listen

Danny Horn and Ryan continue on their Marvelous adventure, picking up with Fox's fabulous alternative attempt at bringing the Fantastic Four to the silver screen. And what's more fun for the kids showing up for a superhero romp than turning Marvel's first family into a body horror spectacular? Why, you can also double-down with dead-eyed stars, a grim-as-hell plot and an ending that is dumb as hell. But you WILL reconsider the 2005 film and bump it up a few notches in your personal rankings.

SoundCloud

The Signal Watch PodCast · 188: "Fantastic Four" (2015) - FF Part 2 - a Kryptonian Thought Beast Episode w/ Danny Horn and Ryan

YouTube

Music:

Fantastic Four Prelude - Marco Beltram and...  Philip Glass?  WTF?

The mentioned article about how Miles Teller sucks

Marvel Madness Playlist!

The Signal Watch PodCast · Marvel Madness - Movies and More...!

Friday Watch Party: Leprechaun! Let's Get In the St. Paddy's Day Spirit!

Let's get ready for St. Patrick's Day with a modern classic that launched a franchise and a frankly surprising number of imitators!  See Warwick Davis in his, like, third of fifth most famous role!  A just before Friends Jennifer Aniston!  Be surprised at what a vicious POS a leprechaun can be!

Yes, I saw this, I think Christmas in 1993 after renting it from a gas-station.  

So, get ready for getting ready for the, like, third drunkest holiday of the year!  

Day:  Friday 03/11/2022

Time:  8:30 Central

Service:  Amazon Streaming

Cost:  $4

CLICK HERE TO JOIN US FOR A POT OF MOVIE GOLD!!!!

Western Watch: My Darling Clementine (1946)

Watched:  03/09/2022

Format:  Amazon

Viewing:  First

Director:  John Ford

Yet another deeply factually inaccurate take on the events including Wyatt Earp, Doc Holliday and the Clantons at the OK Corral, but a solid one that throws out all attempts to stay true to the story and instead does its own myth-making.  That's alright.  We have how many years of TV and movies that have used Earp and Holliday as fictional characters with fictional motivations to the point where my usual rules about biopics can't possibly apply.  

I was spurred to check this one out based on a single photo of Victor Mature in a cowboy hat, a still from this movie, and I'm a bit of a Victor Mature fan, and I had never seen him in a western.  When I checked to see what the story was with My Darling Clementine (1946), it was directed by Ford and co-starred Henry Fonda as Earp and Linda Darnell as "Chihuahua", a Mexican songstress.  And, look, I'm only human.  I'll watch a Linda Darnell movie for all the wrong reasons.  The titular Clementine is played by Cathy Downs, who would go on to sci-fi fame in some B pictures like The Amazing Colossal Man, but who also performed in some noir pictures around the 1940's and 50's.  

he's so cool

The movie fictionalizes a full background as a surgeon for "Doc" Holliday (he was a dentist), and makes up a love triangle between himself and Chihuahua, his local saloon lady, and Clementine - a nurse he once loved when he was still practicing.  While the Clantons are trying to remain outlaw lords of Tombstone, they make the mistake of killing Wyatt Earp's (Fonda's) brother, which leads to Earp becoming Marshall of Tombstone - already famed for his work in Dodge City and Deadwood.  Earp falls hard for the virtuous Clementine, and she has some conflicted feelings (and Doc seems kinda screwed up anyway, plus, you know, he's dating Linda Darnell).  

I can genuinely recommend the movie.  I think it's got a lot going for it, and Ford gets great stuff out of his four leads.  The real life story will continue to exist, but I like the arc for Mature's Holliday, and I think he nails it.   But you've also got Ford's Monument valley backdrops, beautifully shot, thoughtful execution of scene after scene, and a kind of humanity to the characters that grounds everything.

I mean...  Linda Darnell

Doc Watch: Lucy and Desi (2022)

Watched:  03/08/2022

Format:  Amazon

Viewing:  First

Director/ Producer:  Amy Poehler

I don't know that I would have looked at Amy Poehler standing on one leg on SNL a couple decades ago and thought "documentarian", but - apparently along with her skills as a comedian/ actor/ director/ writer/ improviser/ producer, we can now include documentarian.

I had no interest in the recently released biopic by Aaron Sorkin.  I'm not a Sorkin-head, and I generally find biopics of well-documented people are really about something going on with the creators, not the actual subjects.  Maybe it's the history major in me, but coming up with make-believe scenes to illustrate some fundamental message imposed on people's lives, you're going to wind up with something between an impression and a grotesquerie.  But, I dunno.  Sometimes it works.  

Documentary, done well, tends to surface actual themes and truths about the subjects as directors find their story in repeated beats in research and interviews.  And when it comes to real people who, once upon a time, were routinely covered in tabloids even after their deaths, who were in our living rooms for decades (I watched reruns of I Love Lucy as a kid), give me some talking heads, production stills and 8mm family movies every time.  

There's a lot here I didn't know, much I did through osmosis mover the years.  But it's well done and - with so many years since the passing of both Lucy and Desi, can afford to be fair-handed as possible while being sympathetic to certain quirks and challenges of both personalities.  That Poehler would see some of her self in Lucille Ball, as a comedian who has been at the top, continues to enjoy celebrity and side projects that are not the heights of what she's known for, but which are solid nonetheless...  I am not entirely shocked she picked Ball as a subject worth of research with whom she could spend time.

The one thing I found profoundly odd that the doc doesn't mention is that Lucy was about 40 when she started working on I Love Lucy.  She was giving birth to children in her 40's, starring in her show and building Desilu essentially in the back-half of a career.  I don't know if Poehler thought it was ageism or sexism or something that need not be discussed, but frankly I think it's vital information for how remarkable Lucille Ball was, because I've seen a few of her films from before the crafted I Love Lucy persona, and it's a different actor.  And second acts should always be celebrated.

Anyway, I'm thrilled Poehler made the doc, and it's as well done as I think you could hope for.  

Emilio Delgado Merges With the Infinite

Sesame Workshop has announced the passing of Emilio Delgado, who we all know as Luis, one of the friendly faces in the neighborhood of Sesame Street.  

Luis was there to show us adults could be kind, curious, considerate and that there were many different kinds of people who were in our communities.  My memory was that I thought Luis was "the funny one" of the human cast members.  I have read a passage or two about what it meant to have a Latino male featured on television to some of my friends.  I believe it.  Delgado had one of the few roles on TV in the 1970's for a Latino male defined as a regular, stand-up guy, and not - as was so often the case in network TV then and now - as a negative stereotype.  

I'll be honest - I think the goals of Sesame Street worked.  To this day, I think of all of the human cast members of Sesame Street as folks I want to run into at the super market.  TV is a powerful tool, and the notion of representation is important for everyone, especially for folks who don't see people who look like themselves on television, but it can also be good for other kids to see those positive  representations to combat the negative portrayals which are a sad default of mass media.

Here's to an actor who brought a welcome face to the screen for generations of kids, who did it with humor and joy.  I'm very sad to hear that Delgado has passed.