Neo-Noir Watch: Night Moves (1975)

Watched:  07/03/2021

Format:  Criterion Channel

Viewing:  First

Decade:  1970's

Director:  Arthur Penn

46 years on, it's curious to watch a movie that was doing 1970's meta-commentary on hard-boiled detective stories of the 20's - 1950's in books and movies (and radio and early TV),  and know that we're about as far from 1975 as Night Moves was from the earliest Black Mask detective stories.  We've also processed and analyzed the 1970's movie era as much as any as directors leveraged the 1960's collapse of the studio system to tell stories TV could not, carrying with them the cynicism of the era.  

The obvious comparison is to The Long Goodbye, based on one of the final Chandler-penned Philip Marlowe novels.  But while that book was a metacommentary on... any number of things even in its 1950's release window and lended itself naturally to a 1970's adaptation, Night Moves exists in our world, in which everyone knows who Sam Spade is from the books and whatnot, and makes jokes about detectives thinking they're heroes of those books.*

Anderson Watch: Bottle Rocket (1996)

Watched:  06/30/2021

Format:  DVD (I own this DVD and totally forgot)

Viewing:  third

Decade:  1990's

Director:  Wes Anderson

Long before Wes Anderson became someone 32 year olds had strong opinions about on twitter, he released a small-budget picture through Columbia Pictures, which is likely a story unto itself.  I note big names like Polly Platt and James L. Brooks showed up in producer credits - and.. y'all, this is Anderson's first feature credit and his second credit at all on IMDB.  It's... weird.  

But the good news is that this small film is still remarkably watchable, and free of many of the gimmicks and Anderson-isms that would make those 32 year olds have strong opinions on twitter, while clearly and obviously being part of the Anderson oeuvre.  

Happy Birthday Debbie Harry!

 

If you don't know, I am a fan of the band Blondie, fronted by Debbie Harry and with her husband Chris Stein (who is very good at the twitters and a great photographer in addition to his musicianship).

Here's a happy birthday to musician, actor, artist and icon, Debbie Harry.

Here's "Atomic"

Watch Party Watch: Vegas in Space (1991)

Watched:  06/28/2021

Format:  Amazon Watch Party

Viewing:  First

Decade:  1990's

Director:  Phillip R. Ford

This was a Jenifer pick for a watch party, and it was a gd delight.

Filmed circa 1983-85 in apartments and a few borrowed locations in San Francisco, this sci-fi epic follows a group of agents of the Empress of the Galaxy who are sent to Vegas in Space, a pre-fab pleasure planet with an all-female population, to find out what's going on with a crime wave.  To infiltrate the planet, the agents have to change genders and pose as a girl-group performing 20th Century showgirl routines. 

It's probably best to mention - the movie was made on no-budget by a group of drag queens and their friends, and the story of the making of the film sounds like it'd be a hell of a film or prestige HBO mini-series itself.

For something shot by people with minimal experience, it's a surprisingly coherent film, with ideas thrown at the screen every few seconds, tons of wild visuals only someone without proper training would even think of (apparently meth is also a bit of an engine behind the film), and characters with an ocean liner's worth of presence, if not acting chops.  I expected to have some good laughs at the attempt and the "let's put on a show" aspect of the movie, but instead...  the movie just worked.  It's insane, high-voltage camp, and tragically ahead of what I think America was ready for.  I mean, it's really funny, good stuff.

While watching the film, make sure you listen to the ADR'd background chatter.

PODCAST: "Trancers" (1984) - A Sci-Fi Film Chat w/ SimonUK and Ryan

Watched:  06/25/2021

Format:  DVD (Full Moon)

Viewing:  First

Decade:  1980's

Director:  Charles Band

For more ways to listen!

SimonUK and Ryan are back (in time) to discuss a cult classic of 1980's horror sci-fi. It's time-travel, zombiefication, cults, iffy future governing structures and the promise of everyone in Los Angeles getting an ocean view. So join us as we do some detective work on not just the film, but that it survives with a cult audience all these years later!

 

The Signal Watch PodCast · 150: "Trancers" (1984) - a Sci-Fi podcast w/ SimonUK and Ryan

Music:

Trancers Opening - Trancers OST, Phil Davies & Mark Ryder

Confrontation on the Roof - Trancers OST, Phil Davies & Mark Ryder

Playlist:

The Signal Watch PodCast · SimonUK Cinema Series

Pixar Watch: Luca (2021)

Watched:  06/26/2021

Format:  Disney+

Viewing:  First

Decade:  2020's

Director:  Enrico Casarosa

Sometimes when I see a Pixar movie, I'm pretty sure I'll need to watch it one or two more times before I can do anything but say "wow, that was amazing".  Luca (2021) is one more Pixar movie to elicit this response from me, and, once again, it gets a "wow" on every level.  Story, design, music... you name it, this movie hits all the buttons.  

Not every Pixar film has done this for me, but certainly Soul and Luca were sorely needed movies for my brain here over the past year.  While Soul spoke to me, now, as an adult, and my concerns about "what the hell, exactly, am I doing with my life?", Luca was both a reminder of the value of pushing boundaries that we did as kids as we looked beyond our own yards for what else was out there, and as an adult - maybe that same need continues to exist?  Even when people just want to protect us?

By now you've likely seen the trailers - and while I was dazzled by the look and feel I saw, I wasn't sure what the story would be, or if there would be enough story.  One of my criticisms of other animation or kids' film efforts is that they become too fixated on gags and easy laughs and character and story just feels recycled and that, in turn, makes the jokes a little hacky.

Luca avoids the trap, and tells the story of two boys from under the sea who come to land, and a small port town in coastal Italy where they dream of obtaining a Vespa and riding off into the sunset to explore the world.  A world neither knows a dang thing about - one because he's a sheltered homebody, and the other a stray, abandoned and playing it safe on his island, thinking he's got it sorted out.  

Soon, a new friend starts opening doors for them, gets them involved in a triathlon, and a hunt for sea monsters ensues.  I ain't spoiling anymore.

I'm hoping to grab Ryan M again and do a podcast on Luca soon, so I can ask about making the movie in the pandemic, and then gush about the design of the film, from character (which is very non-Disney) to the town to the underwater sequences to the dream sequences... but first I need to get in touch with the guy.  So, maybe?  Soonish?  In the meantime, go watch Luca.  

Crawford Watch: Above Suspicion (1943)

Watched:  06/26/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1940's

Director:  Richard Thorpe

A mid-WWII propaganda picture, Above Suspicion (1943) is also the last film she made with MGM before severing ties with the studio, where she'd starred for 18 years.  

I'm honestly not clear on Fred MacMurray's star power in 1943, but Conrad Veidt, Reginald Owen and Basil Rathbone as supporting performers does give a notion of the high-caliber of the film at the time of the release.  And, frankly, the sets, size of the crowds of extras and more suggest MGM planned to make some money while also revving up their audience against Nazis.*

Watch Party Watch: From Justin to Kelly (2003)

Watched:  06/25/2021

Format:  Amazon Watch Party

Viewing:  First full and complete watch of the movie

Decade:  the worst of the 00's

Director:  Robert Iscove

what to say...?

Well, here is what I had to say about the movie before we watched it, having had once caught a good part of it on cable.  Maybe all of it.  I can't remember.

Back around 2002, a show debuted on American television that would introduce the nation to its first not-pleasant gameshow personality, Simon Cowell. That show was American Idol, a program which has left a string of forgettable personalities and the occasional dead body.

 
The two finalists of the first season got recording deals, and a movie. Why a movie? When you're plucking nobodies from nowheresville who were the third best singer in their high school choir and live in their parents' basement? I have no idea. But the end result will also have you saying: what the @#$% is this @#$%ing movie?

That @#$%ing movie is From Justin to Kelly (2003), a singularly terrible film-like-thing that manages to be bad in a way that is hard to describe/ quantify/ explain. It sets its bar as low as any fradulent cash-in, and yet, somehow, manages to dig below that bar and far into the Earth's mantle.

It's a musical! It's a horny college spring break film! It's shot entirely through filters! It's not even trying to hide the fact these people can't act. It has a script seemingly drafted by a man who is probably estranged from his adult children, but who still likes to hang out in places young women frequent so he can comment upon them to young males, like he's one of them, making the young men very uncomfortable.

Because no one ever leaves showbiz, Justin is now "Lil Sweet" in Diet Dr. Pepper Commercials, and somehow Kelly Clarkson simply continues to insist on being an incredibly successful fixture for people with tastes best described as "very basic".

All of this is true.

FRIDAY WATCH PARTY - "From Justin to Kelly"

Back around 2002, a show debuted on American television that would introduce the nation to its first not-pleasant gameshow personality, Simon Cowell.  That show was American Idol, a program which has left a string of forgettable personalities and the occasional dead body.  

Swingin' Spy Watch: The Silencers (1966)

Watched:  06/23/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1960's (so very, very 1960's)

Director:  Phil Karlson

Thanks to a misfire of the Google Fiber TV television schedule - I've found it.  The most 1965-1968 movie ever made.

This is the second movie I've recorded by accident while trying to watch a recording of The Kissing Bandit as part of the Cyd Charisse month-long retrospective.  Last time I'd accidentally recorded Singin' In the Rain, and this time...

I'd heard of The Silencers (1966) a while back, but never stumbled across it or had reason to watch it.  It was always lumped in with movies that influenced Austin Powers about 30 years after this film arrived (and we're now almost as far from Austin Powers as this was from that!  WOW, are we getting old).  It stars Dean Martin as a sort of super-spy in a made-up NSA-type agency called "ICE".