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Saturday, December 19, 2015
Star Wars Watch: Star Wars (or, as you kids call it, Episode IV: A New Hope)
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| where the hell are Leia's sleeves? |
I believe I've already done a fair job already talking Star Wars Episode IV in context in recent posts, so I'll let you kids read that and come back, if the Force compels you or whatever.
Back in October I posted about how I was trying to remain calm and reasonable about the new Star Wars movie until reviews were in. I wasn't even planning on buying tickets until after the first mass of reviews hit Rotten Tomatoes. So, I wasn't supposed to be seeing the movie until the 27th. I know, crazy, right?
Well, I also realized - Disney is not really all that hyped about not making money, so my belief that Episodes IV-VI would be readily available on cable this week was just fundamentally stupid. And, to give you guys how much of an idea of how much I've been not paying attention to Star Wars, I didn't own a copy in any format. But, a quick perusal of Amazon fixed that, and my BluRay copies of the Special Edition discs showed up (don't worry, they were pretty cheap, actually).
But it may have been 10 years since I last watched Star Wars, which is mind-boggling when I realize I've seen Three Amigos twice in the past two years.
Tonight we threw Episode IV in the ol' BluRay and gave it a whirl.
Friday, December 18, 2015
Signal Watch Reads: "Live and Let Die" by Ian Fleming (aubiobook)
Reading the first two Bond books is a bit of an odd experience. This is still a Bond that's not yet been made into a film, and the books feel oddly slight, especially in comparison to the meandering nature of the typical Bond movie. I'm not sure if I should rehash that the Bond of the book, at this point, is not equipped with super-science gear or any of the trappings I think of when I consider my first exposure to Bond via the movie For Your Eyes Only. And after the exotic locales of the first book (to Americans, anyway), setting much of Live and Let Die in Harlem and then St. Petersburg, Florida is oddly pedestrian despite the death traps and odd goings on. But with the 3rd act change in scenery to Jamaica, it does move the action to a locale I readily associate with the Bond franchise and, of course, Ian Fleming's base of operations when writing his Bond novels.
Thursday, December 17, 2015
Wednesday, December 16, 2015
Growing Up With Star Wars: Return of the Jedi (and Beyond)
This is the 3rd and last in a series about being a kid in the 70's and 80's and being a part of the generation that was exposed to Star Wars first hand. All recollections are subjective and are not intended to represent those of the other billion kids who were also around. For Part 1 about Star Wars click here, for Part 2 about Empire, click here.
My memories about Return of the Jedi come with a lot of "firsts" attached.
It is the first movie I remember anticipating. The Empire Strikes Back has ended on a cliffhanger, and so it only made sense that from the second we saw the Skywalkers staring off into space and the credits rolled, I was signed up for the third installment. As I discussed in talking Empire, we moved into speculation.
What you kids have to remember is (a) there was no internet and (b) the sector of the population that obsessed over what movies were coming and when was much smaller back then. My first inkling that the movie was actually, like, really, really coming was a slide that appeared before some other movie my mom took us to. I don't think it said Revenge of the Jedi, I just processed that - yes, we were finally getting a 3rd movie. But the slide was really bland - just a title and a picture of a greenish planet, if memory serves.
After that, I do believe images began to trickle out in magazines and on television.
It was also the first movie I spoiled for myself.
My memories about Return of the Jedi come with a lot of "firsts" attached.
It is the first movie I remember anticipating. The Empire Strikes Back has ended on a cliffhanger, and so it only made sense that from the second we saw the Skywalkers staring off into space and the credits rolled, I was signed up for the third installment. As I discussed in talking Empire, we moved into speculation.
What you kids have to remember is (a) there was no internet and (b) the sector of the population that obsessed over what movies were coming and when was much smaller back then. My first inkling that the movie was actually, like, really, really coming was a slide that appeared before some other movie my mom took us to. I don't think it said Revenge of the Jedi, I just processed that - yes, we were finally getting a 3rd movie. But the slide was really bland - just a title and a picture of a greenish planet, if memory serves.
After that, I do believe images began to trickle out in magazines and on television.
It was also the first movie I spoiled for myself.
Tuesday, December 15, 2015
TV Watch: Fargo Season 2
I was on blogging hiatus during the first season of Fargo. In the year since returning I haven't talked about the program a great deal, but if you're a regular reader (Hi, Dad!), you may have seen me make mention of the show and the Season 1 star, Allison Tolman. Hollywood, find this person work. She's great.
But with programs like FX's Fargo in this new era of American television, we're getting a new form of the medium, something akin to the novel for motion pictures. Obviously, TV has grown and changed. In many corners its unrecognizable from the industry and story-telling I grew up with, and while I find the idea of "binging" a show kind of weird and self-defeating, I can understand the desire to move from chapter to chapter and stay up late to finish a good book.
Fargo the TV series was never going to be the film of the same name, and seemed a hugely risky endeavor, a tight-rope act of television. It was to be produced by the Coens, but that's code for: they'd get a check, but have no real participation. Instead, it was the creative vision of Noah Hawley, a guy who worked on Bones and some other shows, but who didn't seem to have made a name for himself, exactly. Few modern filmmakers are as highly regarded as the Coen Bros., and few have been as routinely successful in plunging into new territory, film after film. And while you can enjoy a Coen Bros. film upon a first viewing, they bear repeat viewings and never disappoint. And the Coen Bros. are prolific.
The movie of Fargo arrived in 1996 to well-deserved critical acclaim and solid box office. A noir-ish tale of avarice, crime, and human monsters with the soft glint of decency still living on the edges, painting the warm bed and the mundanities of life as a refuge - a good thing - in a world that has darkness always lapping at the edges. The film struck a chord with a wider audience than the Coen Bros. had previously enjoyed, even when the studios tried to push them front and center with Hudsucker Proxy. Sure, a lot of folks went to see the cop movie with the funny accents, but they wound up seeing a pretty good picture, too.
So what could we expect out of a TV show with a seeming lack of participation from the Coens?
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