Action Watch: Mission: Impossible - Dead Reckoning (2023)

Watched:  02/09/2025

Format:  Amazon Prime

Viewing:  First

Director:  Christopher McQuarrie

This whole movie could have been an email.

Dug tells me this movie has a 96% on Rotten Tomatoes, and I have no idea why.  It is true the entire Mission: Impossible franchise has been a struggle for me, going back to MI:2.  The movies are mostly Cruise running around and not getting his MacGuffin, punctuated with Ving Rhames reiterating the threat, so you don't forget what we're doing here, and Simon Pegg giving objectives for the next action sequence.  However, the action sequences go on so long, I completely forget what the objective was by the end.  Between the cut-scenes explaining things and the long, overly complicated action bits - it is very, very, very much like watching someone else play a video game.

The cast is impeccable.  The globe-trotting locations tremendous.  Cruise looks 45 at age 60.  Stunts are stunty.  

The plot is that an AI has gone rogue - and seems conscious.  And devious!  It has failed QAT, and apparently the dev team had never seen a Terminator movie.  The MacGuffin is a literal key that exists in two pieces that will *possibly* help control the AI.  People keep having it and then not-having it.  No one wants to just put it somewhere safe.  Hayley Atwell* shows up as one of those thieves that exist in movies like this.  She's not a spy, she's just big on ripping people off.  Vanessa Kirby, the latest addition to the Marvel U in this summer's coming Fantastic Four movie as Sue Storm, appears as The White Widow, just as she has for a couple of these movies.  Rebecca Ferguson shows up, and has like two lines, and I struggled to remember why she was important, but I think she's been in several of these.  Pom Klementieff shows up as our sexy, silent awesome hitwoman (and it feels like they let her dress herself, which I applaud).

Somehow Not 1998 Watch: Canary Black (2024)

Watched:  11/3/2024

Format:  Amazon Prime

Viewing:  First

Director:  Pierre Morel

I always intend to watch the espionage-ish movies I see go by on streaming services.  They're usually shot in Eastern Europe and with women with cool hair.  And let me tell you - Kate Beckinsale's hair is so cool in this movie, it's its own character.  This is not a complaint.

The basic pitch of Canary Black (2024) is that there's a MacGuffin, and if Kate Beckinsale doesn't get it and deliver it to the baddies, then they'll kill her poor husband, who is just a nice Doctors Without Borders doctor who doesn't know his globe-trotting wife is a bad-ass spy.  Avery agrees, and this sends the CIA after Avery Graves (Beckinsale), and now she's in a dilly of a pickle.  

The plot is mostly an excuse to give Beckinsale tons of opportunities to (a) look amazing in all black on the nighttime streets of Eastern-Europe-Land, and (b) kick so many people's asses that John Wick would raise a glass to her.

Godard Watch: Alphaville (1965)

Watched:  06/13/2024

Format:  BluRay

Viewing:  First

Director:  Jean-Luc Godard

My relationship with the films of Jean-Luc Godard is fraught.  On the one hand, I recognize his unique vision and what his films brought to cinema during the height of his powers - and that we're still playing catch up 60 years later.  On the other, I feel like he's a pretentious wanker who can't get out of his own way.  So watching his films can feel like doing homework or eating vegetables.  I know it's a good thing, and from time to time I'm enjoying myself, but other times I'm eating undercooked green beans, and I know green beans can be really good - just not like this.

That said, Alphaville (1965) has a prescience to it that feels deeply immediate here in 2024, as I am sure it did in 1965.   

The film is about an agent, with the unlikely and phenomenal name of "Lemmy Caution" (aka: Ivan Johnson), in a future world not too far from 1965.  He's entering Alphaville from the Outer Countries to find out what their plans are as Alphaville is secretive and weird and maybe wants to destroy everything that is not Alphaville - which is run by a computer known as Alpha 60 under the view of a Dr. Von Braun.

The people of Alphaville live in ways prescribed by the computer, an emotionless, bland existence where everyone gives the same greetings and operates as dictated by the computer, which applies what it considers logic to everyone's movements.  

Our protagonist is there to find out what it plans, and to try to recall one of their own agents who has risen to become the leader of Alphaville, Von Braun.  Along the way he meets Natacha, the daughter of Von Braun, and the two begin a sort of relationship which threatens them both as she learns about concepts forbidden to anyone in Alphaville - love, a conscience, poetry....

The film is a mix of Godard's intense styling, showing the modernist Paris of 1965 as a sci-fi dystopia, and a sort of not-quite Grahame Greene or le Carre spy thriller.  All stuff with which I am onboard.  The clean, computer perfect world of Alphaville now, of course, has the vibe of post-WWII technology and a booming world moving very fast as computers and technologies I think of as modern are coming into being - and the style of architecture that began pre-WWII with Bauhaus and Brutalism is becoming Mid-Century Modern.  The giant office buildings and their tiny squares of light indicating a person insider are appropriately ominous.  

But, holy hannah, watching this movie where the computer has gotten rid of art and poetry and feeling, but under the watchful eye of humans who think *this is great*, it sure hits different in an era where executives think ChatGPT is the cure to all ills, including making our art and poetry for us.  What would have felt like an abstraction 10 years ago now feels like a concrete clear and present danger.  That was not something I expected.

Yeah, I don't know that reciting poetry is going to free the world from the machinations of the evil machine, and some of that feels like some very-1960's thinking, but I get the sentiment.  And our hard-boiled agent getting the girl at the end certainly has hints of Rick Deckard making his way out of Los Angeles.

Anyhoo.  Glad I took the challenge and finally watched it after it's sat on my shelf for a couple of years after an impulse buy.

80's Watch: Cloak & Dagger (1984)

Watched:  03/18/2024

Format:  Amazon

Viewing:  Unknown

Director:  Richard Franklin

Selection:  Me

We recently spent a weekend in San Antonio on the Riverwalk, a famed tourist trap where you can get a margarita the size of a fishbowl and try not to fall in Texas' second grossest body of water (Buffalo Bayou of Houston taking first), a thin ribbon of the San Antonio River that runs near the Alamo (which is directly downtown SA), and is now flanked by innumerable restaurants and bars.  The running joke when someone asks you where to eat on the Riverwalk is to say "oh, the Mexican place with the umbrellas" of which there are about a dozen.

On our first night out, Jamie and I discussed Cloak & Dagger (1984), and realized it had been many years since either of us had seen the movie.  As a kid, in some ways, the movie really hit home.  I was 9 when the movie came out, I played tabletop games like Dungeons & Dragons, had a budding interest in espionage-type movies and my family routinely went to San Antonio for local-ish vacations - So I knew some of what I saw in the movie very well.

Cloak & Dagger is essentially a Hitchcock thriller with a child protagonist standing in for a Jimmy Stewart or Cary Grant.  Kid sees something he shouldn't, kid has a macguffin, kid is pursued by nameless, mysterious forces that will do him in if he can't stay one step ahead - and he might get people killed along the way.

E.T.'s Henry Thomas plays Davey, a kid who loves his espionage table-top RPG in which he plays as agent Jack Flack.  He loves all the spy stuff, and has an imaginary pal in Jack Flack (played by Dabney Coleman in one of two roles) who is constantly goading him into playing out the role of spy in every day life.  While sent on an errand by his pal (William Forsyth!) who owns a gaming store - both RPG's and videogames (there is nothing new under the sun), Davey sees a guy get killed.  The guy hands him an Atari 5200 game cartridge of Cloak & Dagger, which is also the tabletop game Davey loves.  

No one believes Davey saw what he saw, and he's soon pursued by the killers.  Up and down the Riverwalk and around San Antonio.  

New Movie Watch: Ghosted (2023)

Watched:  06/17/2023

Format:  Apple+

Viewing:  First

Director:  Dexter Fletcher

What's funny about Ghosted (2023) is that if it came out 25 years ago, this movie would have been a fairly big theatrical hit.  Now it's dumped on Apple+, who immediately cease advertising any movie they own two days after the movie is released.  So, you probably already forgot to watch this one - if you ever considered it - and it's more than likely you forgot it exists.

It's also the sort of thing people used to go see, but now just shrug at, because we've seen a lot of stuff like this since True Lies (in my experience).  If you did see the trailer and thought "I know exactly what this is, so I'm good", you aren't wrong.  It's a movie that feels generated by AI at the script level, and relies entirely on the charm of stars Chris Evans and Ana de Armas - who are both charming as hell.  

Action Watch: The Gray Man (2022)

Watched:  07/23/2022

Format:  Netflix

Viewing:  First

Director:  Russo Bros.

So, I have not watched the Fast and the Furious movies, but I think this is that, set for my particular tastes.  Gimme some good CIA/ espionage/ assassination storylines, and some insane action and I'm pretty good.  It also doesn't hurt that I am onboard with Ryan Gosling, Chris Evans and Ana de Armas.  All people I enjoy watching do their thing.

I've seen some internet pouting about the movie, and to that, I say, "well, I watched this while putting down two Manhattans and it seemed amazing to me."  Like, look, I am not going to say this movie needs an Oscar for best picture, but it turned espionage movies up to 11, had some of the most complex and insane action sequences I've seen - in fact, echoing specific action sequences I thought were quite bad - and made them pretty great.  I could actually *follow* what was going on.  And I might have mentioned I'd had two Manhattans.*

I've seen some complaining about the acting, to which I say:  wat?

Like, literally, these people are doing exactly what they do in everything.  And/ or they didn't do something you wanted them to do so you're quite cross.  I'm not saying these are stellar performances, but everyone kind of does their thing.  Seeming vaguely detached is what Gosling do.  Spunky enthusiasm for whatever he's up to is what Evans do.  And de Armas is more or less exactly as she was in No Time to Die minus the slinky dress and given way, way more to do.

I don't spend a ton of time thinking about Billy Bob Thornton, because I don't have to.  He's just rock solid in everything, and this is no exception.  So, yeah, I dunno.  

If you're looking for a movie that has plenty of explosions and fist fights and knife fights and bad guys you won't mind seeing die badly, and - frankly - completely batshit action sequences that carry you along like a tidal wave - it's a fun flick.  I liked the heightened reality of the whole thing in a way I can't get into with stuff like Kingsman that feels like "oh, aren't we being naughty!".  

Anyway, I do plan to watch it again minus booze.  But I don't think I really missed much.  It's sorta nice to watch a spy movie that doesn't require a flowchart to follow.

*my Manhattan recipe is

• two good shakes of standard bitters -  or Peychaud's, if you got it
• two to three good shakes of orange bitters
• two shots of Bulleitt Rye
• one shot of Sweet Vermouth
• one spoonful of juice from your cherries
• two cherries

lightly stir in a mixing glass and pour into a martini glass.  Sip to ensure it's good.  It is.  Nod.  

Swingin' Spy Watch: The Silencers (1966)

Watched:  06/23/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1960's (so very, very 1960's)

Director:  Phil Karlson

Thanks to a misfire of the Google Fiber TV television schedule - I've found it.  The most 1965-1968 movie ever made.

This is the second movie I've recorded by accident while trying to watch a recording of The Kissing Bandit as part of the Cyd Charisse month-long retrospective.  Last time I'd accidentally recorded Singin' In the Rain, and this time...

I'd heard of The Silencers (1966) a while back, but never stumbled across it or had reason to watch it.  It was always lumped in with movies that influenced Austin Powers about 30 years after this film arrived (and we're now almost as far from Austin Powers as this was from that!  WOW, are we getting old).  It stars Dean Martin as a sort of super-spy in a made-up NSA-type agency called "ICE".  

PODCAST: "Kingsman: The Secret Service" (2014) w/ SimonUK and Ryan

Watched:  02/08/2020
Format:  BluRay
Viewing:  First
Decade:  2010's

We take a break from Bond to look at a sort of surreal spy adventure, also from Jolly Olde England! It's "Kingsman", the 2014 action adventure with some exciting stuff, a decidedly hard-R rating, a dash of "Moonraker" and how to climb the social ladder in London through grit, street smarts, parkour, and a penchant for looking good in a suit! Plus, Samuel L. Jackson chewing the scenery in a role he's about 35 years too old to play.



Music:
Manners Maketh the Man - Henry Jackman & Matthew Margeson,  Kingsman: The Secret Service OST


SimonUK Playlist

PODCAST! "Casino Royale" (2006) - Bond Watch w/ SimonUK, Jamie and Ryan

Watched:  02/07/2020
Format:  BluRay
Viewing:  Unknown
Decade:  2000's

We're back with more Bond, and this time we've got Jamie along for the ride! We take a gamble on the 2006 relaunch of the Bond Franchise starring Daniel Craig, Eva Green and Dame Judy Dench as "M". All our cards are on the table as we examine this movie and how it fit into the world building they tried this go-round, how to make a Vesper cocktail, and what makes this movie so unique in the series. It's "Casino Royale"!



Music:

James Bond Theme - Monty Norman
You Know My Name - Chris Cornell, Casino Royale OST


No Time to Die Trailer



James Bond Popsicle

Eva Green in a cocktail dress

Bond Playlist:

PODCAST: "Long Kiss Goodnight" (1996) w/ SimonUK, Jamie and Yours Truly! It's a Holiday Adjacent Special!

Watched:  11/22/2019
Format:  Streaming - Amazon
Viewing:  Second
Decade:  1990's

The Signal Watch hearts Geena Davis. And here she is! In a movie that takes place at Christmas - because it's written by Shane Black. SimonUK, Jamie and Ryan talk this mid-90's actioner that predates Jason Bourne movies but post-dates the Bourne books about a secret assassin recovering her memory as the baddies movie in.



Music:
Long Kiss Goodnight Intro - Alan Silvestri, Long Kiss Goodnight OST


Signal Watch Holidays 2019:

Spy Watch: The Man from U.N.C.L.E. (2015)

Watched:  09/09/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

Sometimes you watch a movie and something about it just doesn't click with you.  On the heels of Mission: Impossible - Fallout, we decided to take in Henry Cavill's last outing as a spy, a movie I'd just not felt compelled to watch previously, The Man from U.N.C.L.E (2015).  And, yeah, that was absolutely a stylish spy movie directed by Guy Ritchie.