"Glory Boat" Splash Page Goes Up For Auction

A while back, Stuart asked me what original comics art I would like to own.  And the answer to that includes complex math in my head, but for simplicity's sake, I'd cut to the chase and say - probably the Glory Boat splash page from New Gods #6.  See above.

seen here in full color

Starting around 1971, The Fourth World Saga was Jack Kirby's original epic/ opus when he returned to DC from starting Marvel, the work spanning four titles:  New Gods, Forever People, Mister Miracle and Superman's Pal, Jimmy Olsen.  Unthinkable in the last thirty years, Jack Kirby, then 54 years old, pulled this off by drawing, plotting and writing 4 titles per month, in the process creating a universe on top of the DC continuity that had started, sort of, around 1938, give or take.  

NEEDLESS TO SAY I AM EXCITED ABOUT THE PROSPECT OF A NEW GODS MOVIE

I dig Jack Kirby's New Gods and related Fourth World matter.

DC Movies Watch: Justice League (2017)

I had no intention of seeing Justice League (2017).

It's not that I don't like the Justice League as characters or concept - I'm a comics guy who tilts toward DC Comics, and once had a complete run of everything from Morrison's JLA run in the 90's to 2011 (I sold if off during the purging of longboxes about two years ago*).  My bonfides include significant runs of Wonder Woman, Superman and Flash comics, reasonable Batman-cred, and having had watched the respective movies and TV shows featuring the JLA characters in a wide variety of live-action and animated incarnations (with exceptions which I can discuss but won't do here). I will happily test my DC Comics-Fu against any of you nerds (but not Mark Waid).

I'm on record regarding Man of Steel,  Batman v Superman: Dawn of Justice, Suicide Squad and Wonder Woman.  One of these films was much, much better than the other three.  Let's just say 2017 was much better for DC than prior years.

It's no secret those first three movies left me a broken, bitter man.  The very ethos of the films was so far afield from the DCU I knew and loved, and the take on Superman so fundamentally broken (and at the end of the day, I'm a Superman guy), that I just didn't want to do it again.  I'd watch it on cable or when JimD sent me the BluRay against my protestations.

Then, as of Thursday I guess, trusted sources, such as creators Mark Waid, Gail Simone, Sterling Gates and our own readers including Stuart and JimD saw the movie, and weren't furious at it.  They had some nice things to say.  So, I got my tickets and I went to a 10:45 PM show on Friday evening.

Let's be honest:  Justice League has massive plotting issues, bizarrely genericizes and changes Kirby's Fourth World mythology in a way that makes it feel one-note to audiences who don't know their Granny Goodness from their Mister Rogers while also ruining the epic world building for fans of The New Gods (one of the most important ideas in superhero comics and comics in general).**  It has some terrible CGI, I hate the Flash's costume (a TV show should not be kicking your butt in this arena), and not nearly enough Amy Adams for my dollar. ***

But...

After three narrative and character misfires and one absolute gem of a superhero movie (you're my hero, Patty Jenkins), shake-ups in management at DC, a switch of directors, reshoots, a slashing of runtime by nearly an hour...  Some combo of people and factors finally seemed to care a bit about, at least, Superman.  If nothing else, they got Superman right.  And I cannot tell you how much of a difference that made to me as a viewer and what I was willing to deal with and what I wasn't in my superhero epic.

A Century of Jack Kirby

You're going to see the names Jack Kirby and Jacob Kurtzberg a lot today.  Jack Kirby is the pen-name of the greatest comic artist and creator to grace this orb we call planet Earth.

Here, on the centennial of his birth (August 28th, 1917), it's possible to suggest that Jack Kirby may be one of the most important artistic and literary figures of the past 100 years.  The recognition came late, decades after his passing, and, still, his name is hardly a household word.  But the creations he unleashed upon popular culture from the 1940's to the 1990's would either be taken up directly by the public (at long last), becoming part of the parlance, or influence generations who could never produce that same spark of imagination, but built either directly or indirectly upon what he had done before.

There are Kirby bio sketches out there a-plenty (but no definitive monograph that I'm aware of), a magazine dedicated to the study and fan-splosion around his work, and Mark Evanier - who apprenticed under him - has become the living memory of his professional life while his grandchildren have taken up the cause of preserving the memory of the man.  Now there's a virtual museum (which deserves a physical location), and a charity it's worth considering giving to sometime.  And a slew of collections and books celebrating Kirby's influence and work.

Kirby was not first in when comics became a way for kids from the rougher neighborhoods of New York picked up a pencil or ink brush to start bringing in bread, but he was there really early.  He was a workman who put everything he had into the work, comic by comic, year by year, becoming better and better.  As they tell you in art-school, master the rules before you start breaking them - and that's what he did, finding his own unique style, his own way of creating action and drama, and eventually shattering what it meant to create a comics page.

Taking from mythology, from science-fiction, from films, from his colleagues and the bottomless well within, Kirby created whole universes, pockets within those universes, and held the lens to each character, bringing the internal life of gods, men and monsters to life.

Your Questions Answered: Original Comic Art Page

On February 27th, we challenged readers to send in any question they liked and promised to respond to all queries. We're giving it a go.

Stuart asked via Twitter, so before we lose the tweet...

Stuart asks:   If you could get any one original comic art page signed, which would it be and why?

Wow.  That's a really, really tough question.

There's so much to consider.  What characters?  Which artists were involved?  The design of the page itself. What's the context of the page, and who wrote it?  Was the story memorable?

For perfection on ALL of these counts, I guess I'd say: Any single page from any issue of Superman's Pal, Jimmy Olsen.  But that's a shortcut of an answer.

So what would I want?

I think I'd want superhero art, for the most part.  I'd make an exception for Carl Barks or Don Rosa work, and would love to have stuff by either of them.  Nothing in particular comes to mind as per specific pages, though.  The same with Curt Swan, Jose Luis Garcia-Lopez, George Perez, and many more.  They're all amazing artists, but this is a singular page we're talking here, a single page from a comic that so stuck with us...

There's a few ways to answer this.