Musical Watch: Seven Brides for Seven Brothers (1954)

the movie that posits: women love being abducted and held against their will

Watched:  02/07/2022

Format:  HBOmax

Viewing:  First (and possibly last)

Director:  Stanley Donen

Holy cats, y'all.

I...  I don't even know where to start.  There's so, so many angles to this thing, so I'll try and capture my thoughts as best I can.  

I want to be very clear - Until this film, I (perhaps wrongly) believed I'm *pretty good* at contextualizing the cultural differences between our social norms and mores and those of yesteryear.  I may even be able to do period-piece stuff made in prior decades, trying to grok what the people of 1954 found charming about frontier life.  

In general, I can see a film and say "yes, I understand that there were ways that we viewed gender/ race/ manners/ religion/ etc..  that no longer reflect how we'd likely feel now" and I can go on with my life.

But.  Y'all.  I am adrift.  

My take-away is that the current interest in this film by classic film buffs is rubber-necking, ironic appreciation, or just outright hate-watching.  Or not!  Classic film buffs are an unruly bunch.  In its release year, this movie was very successful, financially and critically.  So I don't know anything about mankind anymore.

I've now seen the movie, and will only watch it again if it's my opportunity to bring the madness to the people.  

Some thoughts:

Doc/ Review Watch: That's Entertainment (1974)

Watched:  12/31/2022

Format:  TCM

Viewing:  First

Director:  Jack Haley Jr.

I'm not clear on where this first showed - I guess wide release?  It has a box office take listed, so I guess it was put out in theaters.  Which is pretty wild.  The movie is essentially a review/ clip show of MGM musicals and the greatest generator of a punchlist for movie nerds I can think of.  

What's even wilder is that the movie was released as a 50th Anniversary celebration of MGM - and we're about 50 years from the release of this film.  Time.  It does roll on.  

The film is hosted by an array of folks who were still living and vibrant, from Frank Sinatra to Bing Crosby to Elizabeth Taylor to a Mickey Rooney (who'll de damned if he's gonna shoot in the sun and manages the worst lighting you'll see in a major release as he wanders down a tree-lined sidewalk).  But it's all a celebration of what made the movie musical great - and it makes a stunning case for the idea.  Spectacle, talent, artistry and a bit of hokum all combine in an electric mix across about 100 clips supporting the thesis and the arguments presented for the musical. 

Clips cover everything from the Depression-era Busby Berkley opuses to Andy Hardy films to Eleanor Powell, Ann Miller and of course Fred and Ginger (and Fred and Cyd).  And a reminder that the most insane Hollywood may have ever gone was staging Esther Williams movies.  It's impossible to imagine happening in the past 40 years.  

1974 - the year of release - is an interesting inflection point.  Liza Minnelli appears to remind you she's the daughter of Judy Garland and Vincent Minnelli and that she just won an Oscar for a musical.  It's the promise of a new generation taking on musicals, which may have seemed possible in '74.  But, clearly, that's not what happened.  Sure, these days we get one or two a year, and most Disney cartoons are musicals for all intents and purposes, but as much as westerns would fade, musicals became a novelty.  And, frankly, it seems like people my age feel weirdly threatened by musicals that don't start as Broadway shows.*

Trotting out the old guard is a fine idea for a retrospective, but in 1974, there's no home video.  They weren't going to re-release 45 years of musicals, I don't think.  So what was this for?  One last hurrah and a trip down memory lane?  The stars walk the now clearly dilapidated sets, around a decaying MGM lot, and I have to ask "why?"  Why would MGM show their own sets in such a state of disrepair?  I don't know what happened to MGM in the 1960's, but the story of MGM by the 1980's was about purchases, mergers, real estate sales...  the company had gone from being a force of nature to a has-been.  Even today, MGM seems to exist to put out Bond movies and not a whole lot else.  If this film hoped to push people to clamor for musicals, I guess - not so much.

That said, it's a stunning reminder of what Hollywood - at least MGM - did on the regular to deliver wildly imaginative productions, the kind of talent they had on staff, and what movies can do.  And maybe what we lost when the 1970's taught us to rely on "realism" in film, or at least pivoted us to space epics for our visions of flights of fancy.  

Clearly Broadway tells us there's still an audience for musicals, and you do wonder - with today's techniques - what would an Esther Williams film look like?  Who could star in it?  Can an audience sit for a tap number?  Do people still get swept up in ballroom dancing by the best, or just when it's a reality show with D-level stars trotted out for two minute numbers and people pretending to be judges?

And, honestly, even TCM doesn't play musicals like it used to.  I'm sure the numbers track better to other kinds of films for whatever reason, but it would be nice to have some play of those big spectacle flicks.

MGM produced enough of these musicals that it spawned several sequels - That's Entertainment 2 and 3, as well as That's Dancing.  So clearly they were making some money off of these things.  

*I will never get the hostility to La-La Land

Merry Christmas, Everyone. May You Find a Light in the Dark on Your Silent Night.

Well.

Merry Christmas.  

I hope your Christmas Eve is peaceful.  I hope it is quiet.  I hope you are where you want to be, even as I know that's too few of you.

It's a night of anticipation, and in the morning the sun will rise.  We get another chance to be better than we were.  

May your Christmas bring you some joy.  

Here's to all of us here on the good Earth.

Muppet Watch: The Muppet Christmas Carol (1992)

Watched:  12/15/2022

Format:  Disney+

Viewing:  Unknown

Director:  Brian Henson

First things first - to watch the full length version of the movie including the previously cut song, here's what you do:

When you find the movie on Disney+, go to the movie, and then look at the "Extras".  Select "Full Length".  

We didn't do this, we just clicked "watch movie".  When I was expecting the song to show up, it didn't. 

So, the game was afoot.  I went about figuring it out after the credits.  

The default version on Disney+ does not have the song "Love is Gone" - but it's right there!  If you click "Extras" associated with the film, and it provides the option for "full length".  Or just watch the song as a stand-alone video.  It's all there, you just have to click 2-3 more times to get to it.

Anyway - here's the podcast Stuart and I did for Christmas 2020.

Doc Watch: Idina Menzel - Which Way to the Stage? (2022)

...i guess she found it

Watched:  12/15/2022

Format:  Disney+

Viewing:  First

Director:  Anne McCabe/ Eric Maldin

This is a thing I watched.  I guess it's a documentary?  It's 90 minutes (which I missed when I turned it on, thinking it would be short) and that's movie length.  So here we are.

The film follows Broadway, movie, recording, etc... star Idina Menzel as she tours across the US, heading toward what the movie posits is a lifelong goal of Menzel to perform at Madison Square Garden.  The tension is a bit undercut by:  She will absolutely do this show.  And:  We see her do the same show in 30 cities before hitting NYC.  But, no, I get it.  She's a New Yorker from birth.  That's a big deal.  It's like me getting to, uh...  blog at a coffee shop in Austin?  I have no idea.  

Angelo Badalamenti Merges With the Infinite

Composer and the gentleman who scored my middle high school years, Angelo Badalamenti, has passed.  

Friday Holiday Watch Party: A Christmas Melody (2015)

Watched:  12/09/2022

Format:  Amazon Watch Party

Viewing:  First

Director:  Mariah Carey (...I KNOW!)

I thought it was very strange that A Christmas Melody (2015) does not play more on Hallmark's two 24/7 Christmas movies channels.  It stars Hallmark favorite Lacey Chabert and America's Accidental Christmas Mascot, Mariah Carey, with a supporting role from the omnitalented Kathy Najimy.  I mean - seems like a winner, as far as Hallmark goes.  I was wondering if Carey had some deal that made it financially onerous for Hallmark to run the movie, or there was some extenuating circumstance.  But, no.

Friends, this movie isn't very good.  

I mean, sure, you could blame the fact they gave a whole movie to Mariah Carey to direct (no, she did direct it), but something is wrong at the script stage and it feels like 2015 was a year Hallmark's writers were still figuring out the formula and forgot to do things like give the male romantic lead any inner life so he doesn't seem creepy.  

Holiday Watch: Spirited (2022)

Watched:  11/26/2022

Format:  Apple+

Viewing:  First

Director:  Sean Anders

So, at our house, there are two very different stances on Dickens' A Christmas Carol.  To me, the book is a near-religious text and an annual reminder that one can make good on a life ill-lived, that every year is a chance for change and a reminder of how we can improve the lot of those around us.  We are a product of our lives, but at the end of the day, it's the choices we make daily that define how we impact the world.  To Jamie, it's this thing that's on at Christmas that people keep remaking as movies of varying quality.  I think both of these viewpoints are true.  

I'll need to give it another viewing, but it's possible Spirited (2022) will enter the very nichey canon of my favorite adaptations of the story, which include the George C. Scott version, the Patrick Stewart version, Muppets Christmas Carol and Scrooged.  Given the way this year's Thanksgiving has gone down, I may just be raw and in need of a boost that this movie provided, but here we are.

While I'm more than done with movies investigating the mechanics behind Santa's operations (Fred Clause and Arthur Christmas are maybe my highlight of that genre), no one had really taken on the same idea with A Christmas Carol.  And if I'm being honest with myself, I don't know if I'd put any thought into it other than it's a ghost story and this is how they work.

Fairy Tale Watch: Disenchanted (2022)

Watched:  11/24/2022

Format:  Disney+

Viewing:  First

Director:  Adam Shankman

If you want a happy ending, that depends, of course, on where you stop your story. - Orson Welles

There's a lot of good in Disenchanted (2022), but it's a weird film.  Perhaps it's an unnecessary film?  

As much as I, too, wondered how Giselle - she of the cartoon kingdom - was going to adjust as a fish-out-of-water in New York, a fairy tale princess who now has to live in the Big Apple in a place with varying races, religions, opinions, illness, war, injustice...   I'm kind of wondering now - Maybe we didn't need to check in?  Maybe "happily ever after" is the ending this story needed.  After all, this movie starts to push on the edges of what it means to live happily ever after as it continues the tale of Giselle and Robert as it asks "what next?  What about ennui?  What about missing one's homeland and the way in which they were raised?  Isn't life deeply imperfect?"

I don't think it's wrong to limit the challenges of the movie to teen-angst, mean moms, commutes sucking and other suburban and relatable concerns within the control and world of your average schmo.  We have enough to deal with when it comes to the magical challenges of the film that will fill the runtime and primary concerns of the movie's A-plot.  

Al Watch: Weird - the Al Yankovic Story (2022)

Watched:  11/07/2022

Format:  Roku Channel

Viewing:  First

Director:  Eric Appel

Is this the greatest rock biopic ever made?  Or simply the greatest film ever made?

I literally have no idea how to discuss this movie.  To discuss it is to explain the joke, and explaining a joke is... a bad idea.

All I can tell you is:  watch this movie.  If you ever had any love in your heart for Al Yankovic, this feels like somehow you get the giddy chaos of Al's greatest work distilled, amplified and refracted back at you in the form of a 2 hour movie that stars Daniel Radcliffe as Al, Rainn Wilson as Dr. Demento and Evan Rachel Wood as Madonna.  I've seen Radcliffe do comedy, and he's really solid.   Seeing ERW turn her considerable talent to comedy was an absolute delight.

If there's no other reason to watch the movie - and there are literally hundreds - watch the movie for the pool party at Dr. Demento's house.  

The movie never loses steam, which is just kind of what I assume will happen as comedies eventually need to trade gags for plot to have a satisfying narrative conclusion.  It never takes its foot off the gas, gripping your hand like a Thelma to the audience's Louise and heads right for the cliff.  

It's a thing of beauty.  We're lucky to have it.

Anyway, I guess I'm saying: watch this movie

Angela Lansbury Merges With the Infinite

Angela Lansbury, an actor whose career spanned 1944 - 2018 (not her life, her career!) has passed.  Let it be known that a pre-Murder She Wrote Lansbury was a stone cold fox, which is always a weird revelation about senior citizen TV detectives.  Go watch The Harvey Girls and then come back and we'll discuss.

Because Hollywood is weird, she was like 36 when she was cast to play the mother of the lead in The Manchurian Candidate - roughly 3 years older than her screen son, and it seems she played older characters for years to come - eventually catching up with herself and then maintaining a career as a plucky, sometimes feisty, occasionally insane (Sweeney Todd) individual.  

One of her last screen appearances was in Mary Poppins Returns (2018), but she was just sort of ubiquitous my entire life.  And, of course, as the voice of Mrs. Potts in Disney's Beauty and the Beast, which I heard on a loop every 90 minutes for three years at the Disney Store.  

Here's to Ms. Lansbury, one of the last contemporaries of many of my favorite actors and one I count among our most beloved.  

Loretta Lynn Merges With The Infinite

The great Loretta Lynn has passed.

From Rolling Stone.

An icon of 20th Century music, bridging generations and centuries and a true story of talent overcoming circumstances, while never forgetting your roots.  

Happy Birthday, Madonna

Happy Birthday to Madonna Ciccone of Bay City, Michigan.

Here's to the person who kept me with one ear on pop music during my grumpier years and both eyes on MTV for years upon end.  Heck, seeing the video for Lucky Star is one of my seminal memories as a kid, and I probably need a series of lengthy therapy sessions to work through Express Yourself and Take a Bow.  

She's got a new album out there (of remixes, I think) and currently is going through a new look I have several questions about, but we'll always have Open Your Heart.

Happy Birthday, Lynda Carter

Happy Birthday to patron saint of The Signal Watch, Ms. Lynda Carter!

Just yesterday, I moved some stuff around and began putting all my Lynda Carter Wonder Woman stuff in one place.  I'm not done yet, so no pics.  But, as always, Ms. Carter was on my mind.  Just more so than usual.

Ms. Carter has had an extraordinarily tough year, losing both her husband and father. That's incredibly hard, and we wish her well.

But in recent months she's been active on social media and she's also released a new song, dedicated to her husband, Robert Altman.  It's a romance from Wonder Woman's POV - in both original flavor and dance remix.  And, she's set to participate in the next Wonder Woman film, which this blog endorses 1000%.  

Here's to Lynda Carter, and may she have spent the day with her family and friends.  

Happy Birthday, Debbie Harry

Today is the birthday of Debbie Harry, Queen of Pop Punk.  

I'm a Blondie fan and a Debbie Harry fan.  That's all I have to say about that lest I start to wax rhapsodic.  

She's the absolute best.

Watch Party Watch: His Kind of Woman (1951)

Watched:  06/24/2022

Format:  Amazon Watch Party

Viewing:  Third?

Director:  John Farrow

In celebration of Jane Russel's 101st birthday and enduring foxiness, we watched His Kind of Woman (1951) for our Friday watch party.  

I was aware this movie was weird and goofy, coming out of the Howard Hughes-era RKO studio where things seemed more dictated by Hughes' whims and libido than proven formula,  But until you watch a movie with a bunch of other people and you're responsible for what you're all watching - that's when you go from "yeah, this is kind of wacky" to "wow, this movie is bonkers".  

I'm aware that classic film folks turn their nose up at this movie, but they are wrong.  This is a movie that has everything, and it makes me laugh consistently throughout.  If you want serious, dark film noir, keep walking, because this thing has songs, Mitchum just swinging his dick everywhere, Vincent Price showing the moxie he'd bring to his horror career, and Jane Russell just being as Jane Russell-y as all get out (that's decidedly a feature).  

I had forgotten Raymond Burr was our big bad, and that Charles McGraw had shown up as a heavy.  Anyway, I can't think of a lot against the movie except that the last ten minutes goes on for 25.  Like - there's just way too much climax in this movie and it doesn't include Russell, and that is math I can't get behind.

Anyway, here's to the birthday girl.  Here's hoping she's having a great time wherever she is out there.

Vegas Watch: Viva Las Vegas (1964)

Watched:  06/17/2021

Format:  Amazon Watch Party

Viewing:  First

Director:  George Sidney

Confession:  I thought I had seen an Elvis movie all the way through, but looking at The King's IMDB profile, I hadn't. I've seen others in part (Blue Hawaii, Roustabout, etc..), but am not overly keen on jukebox musicals with a book thinner than a pamphlet.  However, Viva Las Vegas (1964) is kind of the high water mark for these kinds of films, and it co-stars perennial favorite, Ann-Margret.  

Part tourist boosterism for America's playland, part romantic comedy, and all boppin' musical, the film is about 85 minutes of rocket-sled plotting paired with Go-Go dancing, while absolutely nothing happens, and we basically watch plot points used a million times over by '64 to tell the story of Elvis and Ann-Margret falling in love.  And in the last ten minutes of the film, we suddenly have a massive bodycount.  Did not see that coming.

Did I like the film?  Yes.  It's charming, dumb and cute.  Ann-Margret is something else.  Was the film good?  By conventional standards, its a mess.  But it was intended to get teens out to cinemas, promote Ann-Margret and Elvis and sell some records, and by that standard it's Citizen Kane.  

Picture stolen from Jenifer's blog, but you can see Garr in white and Basil's backside in red

Sidenote - Teri Garr is briefly in the movie as a background dancer, and you can see how she got pulled out of the chorus for a leading position.  Also: I heard Toni Basil is in the movie, and you cannot miss her when she's on screen for maybe 4 seconds.

But, yeah, basically Elvis plays a would-be race car driver who is in Vegas to drop off his car for a big road rally before heading off to LA to pick up the new motor.  He meets, immediately, an Italian Count who is the definition of Frenemy, and Ann-Margret, who is a pool manager/ swimming teacher.  Trying to find Ann-Margret, Elvis and the Count go on an ogling expedition of the showgirl shows across Vegas, so, you too, can fill your spank bank and have an idea of what you can objectify for a few bucks if you come to Vegas.  Eventually Elvis finds Ann-Margret, they begin to date (having enormous fun with money we're told Elvis doesn't have), but she doesn't want him to race lest he crash.  So they kind of break up.  But then he goes to race, and she helps.   It makes no sense, as nothing in the movie makes any sense.   And then they show the race, and it's a reminder of how terrifyingly dangerous racing was in mid-Century America and how far we've come in not thinking motor sports should end in death.  

Anyway, it is exactly what I was expecting, except for the scene where Elvis hangs out with a bunch of drunk Texans and it suddenly feels like a documentary or how-to video about how to deal with drunk Texans that is accurate to this day.

Watch Party Watch: Streets of Fire (1984)

Watched:  06/10/2022

Format:  Amazon Watch Party

Viewing:  Unknown

Director:  Walter Hill

Sooner or later I was going to make the Friday Watch Party Gang watch this movie, and indeed, I did.  

Reactions were, at best, mixed.  

The last time I watched this movie, I was ill and Jamie and I recorded a very iffy podcast that required some follow up when I was feeling better.

Listen here!

31 Years Ago: Superstition

I've been informed that Siouxsie & the Banshees' "Superstition" dropped 31 years ago today.  

Here's a pair of favorite tracks

 

Julee Cruise Merges With The Infinite

Vocalist and musician Julee Cruise has passed.  

Cruise is well known to fans of Twin Peaks, and is one of the signature sounds of the aural landscape of the show.  She released solo work as well as standing in for Cindy with the B-52's during tours.

She was s unique and rich talent, and she'll be missed.