Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Thursday, January 22, 2026

Hallmark Watch: Frozen In Love (2018)




Watched:  01/21/2026
Format:  Hallmark
Viewing:  First
Director:  Scott Smith


Here in real life, we're prepping for a winter storm coming this weekend, and I knew I was planning to finish watching Mademoiselle Fifi in the evening, so we threw on this RomCom from Hallmark, Frozen In Love (2018).  

The film is not a Christmas movie, but the stuff Hallmark programs, post-holidays, to fill the winter months.  Yes, there is snow and ice and ice hockey in this movie.  No, I don't know anything about hockey.

Wednesday, January 21, 2026

Wise Watch: Mademoiselle Fifi (1944)





Watched: 01/21/2026
Format:  YouTube
Viewing:  First
Director:  Robert Wise

Our viewing of movies by Robert Wise continues with Mademoiselle Fifi, a 1944 movie, made during the darker days of World War II, using the Franco-Prussian War as a wispy-thin analog for the German occupation of France and a clear show of support for the French Resistance.  

This is Wise's first solo directorial effort, but you'd never know.  The movie seems assured of the handling of actors as it does of camera management and tone.  

The movie is intended as an odd propaganda - yes, stateside it would be seen as pro-French Resistance, but also would have informed Americans of what it means to be occupied, and how those under the bootheel may react in ways noble, practical and cowardly.  And, that some may not see much different day-to-day, or take advantage of cozying up to the occupiers.  I cannot assume this would have been very comfortable for movie go-ers who may have wanted to have less nuanced takes on the occupation.

Happy Birthday, Geena Davis



Hey!  It's the birthday of Geena Davis!  Who doesn't like Geena Davis?  

I believe my intro to Davis was as Larry in Fletch.  After that, she was just sort of omnipresent in movies.  But I decided she was *great* (post-Oscar win) when I saw Thelma & Louise and A League of Their Own within a year of each other.  

I didn't see a few of her bigger movies til well after the fact, but I can always say, along with Sigourney Weaver and a few others, if you say "hey, Geena Davis is in it", I'll watch it.  

Davis is less in the spotlight these days - the last thing I saw her in was GLOW, where she crushed it as a casino manager and former showgirl.  But she's not just doing the acting and producing thing (she's a very successful TV and film producer).  She founded the Geena Davis Institute.  

I think she's the right person to have started such an org, and their work is important, bringing research and spotlights to issues of "equitable representation in media" (from their website).  

Here's to Geena Davis - trailblazing and playing my favorite ballplayer in a movie.


Also, she once surprised Stuart at work.

Tuesday, January 20, 2026

Noir Thriller Watch: Diabolique (1955)





Watched:  01/19/2026
Viewing:  First


Diabolique (1955) hangs heavy over so much of cinema that, like many other films I've both finally watched - or still haven't seen (hello, Bicycle Thieves) - the very weight of it made it seem like homework instead of watching something for the sake of watching a movie.  

It also makes these movies difficult to write about.  I don't guess I'm ever breaking new ground, but when it comes to something with the gravity of this film, what's the point of writing about it, really?

But even I thought it was ridiculous I'd never seen Diabolique.  Spousal murder movies are part-and-parcel for noir, from probably before Double Indemnity.    

Anyway - TCM's Noir Alley programmed the movie, and what better way to frame the movie than with Eddie Muller's brand of bar room rather than classroom?  

The film is both familiar - it's been ripped off endlessly in the ensuing 71 years - and yet it remains unique and surprising in other ways.  A post-WWII France, still sorting itself,makes for an interesting locale.  The economic situation is still rough, and the occupation has left its shadow and scars.  It's also made in France and therefore the Hayes Code isn't so much a factor.  But I'd really point to the characters and performances.  Grade A stuff riding a Grade A script..

At a boys' boarding school - the principal is carrying on with a teacher with the full knowledge of his wife, a timid woman with a heart condition.  However, the principal abuses the teacher, and somehow - the wife and the mistress have fallen into a conspiratorial friendship.  Even as we meet them, they're planning how to kill the principal and make it look like an accident.

Vera Clouzot - wife of the writer/ director - plays the wife of the principal.  She is, frankly, stunning in a complex, conflicted role, asked to play so many things, and she pulls it all off brilliantly.  It's simply one of those roles that will never play as outdated and because of the legacy of the film, will keep Clouzot in the public mind despite having only three film roles to her resume (she passed 5 years later).

I don't know what to say - yeah, the movie met expectations.  Windy, twisty, unrelentingly tense...  and, of course, with an ending good enough that they ask the audience not to share the end with anyone right there at the film's conclusion - something I'm respecting here in 2026, and so I'm not discussing the film too much more.  

Anyway - that one is now checked off. 


Monday, January 19, 2026

Clouseau Watch: The Pink Panther Strikes Again (1976)




Watched:  01/19/2026
Format:  BluRay Disc
Viewing:  First
Director:  Blake Edwards


We've been having a hard time synching up of late, so Simon returned to Signal Watch HQ at 9:15 AM with this movie in hand.  

I am happy to say, I very much enjoyed The Pink Panther Strikes Again (1976), another installment in the Inspector Clouseau series of films starring Peter Sellers and directed by Blake Edwards.  

Taking off from the last film, it runs with the Herbert Lom character, former Chief Inspector Dreyfus, escaping an insane asylum and threatening the world unless they hand over or kill Inspector Clouseau.  In a way, this is the plot of Man of Steel, by the way.  

Recurring jokes recur - like Clouseau in terrible disguises, Kato attacking Clouseau...  but much like a Looney Tunes episode, it's all very welcome.  And the vibe is somewhere between Looney Tunes, Bond and prior Pink Panther films.  

Omar Sharif makes a bonus appearance, we see a *very* early Deep Roy appearance, and Lesley-Anne Down makes a convincing argument for herself.

All in all, recommended.  The jokes hold up, and even scenes that could be read as homophobic kind of aren't.  

Anyway, I'll keep it short because I hate explaining jokes, and the whole movie is a joke machine.  



Saturday, January 17, 2026

"Up All Night" with Rhonda Shear is Back!

,


Back during some crucial years of my late high school and college years, I basically couldn't sleep.  Long after my folks had gone to bed on the weekend, I'd be up... all night.  And in those days, even cable channels went off the air or rolled over to infomercials

But the USA network, a sort of junk drawer of basic cable, knew some of us insomniacs were up for nonsense before we finally gave up and went to bed.  And every weekend, they gave us two or three movies on Fridays and Saturdays, with interstitials featuring pals to take us into the wee hours.  


a true symbol of America's golden age

JLC Regret Watch: Virus (1999)





Watched:  01/16/2025
Format:  Amazon
Viewing:  First
Director  John Bruno


A while back, I read that Signal Watch fave Jamie Lee Curtis has at least one movie she made which she'll publicly drag.  Which made me curious.  And that movie was Virus (1999), a sci-fi schlock-fest. 

Having just sat through the hour and forty minutes of Virus, I am in agreement with JLC.  This movie is very, very not good.  

It's an alien-invasion film (on a boat!) where it feels like the movie is just abusing your willing suspension of disbelief while delivering scenes and sequences from other movies you've seen before and is daring you to keep watching.

Our plot:  a wave of candy-colored cosmic energy passes through the Mir Space Station, which, in turn, shoots a beam of candy-colored energy into a Russian science vessel.  The beam blasts energy around the ship while the captain is alarmed it's accessing the mainframe (boy we were worried about mainframes still in 1999) and we cut to a standard, post-Abyss rag-tag working crew of a tug boat in a hurricane.

Friday, January 16, 2026

Noir Watch: Decoy (1946)



Watched:  01/15/2026
Format:  DVD
Viewing:  First
Director:  Jack Bernhard


What an odd film.

Devoid of narrative economy, the movie starts with a guy staggering his way to the highway, and then hitches a ride from the countryside to San Francisco.  He then takes the lift up to someone's apartment, and shoots them.  It's a dame!  

A cop - an instantly recognizable Sheldon Leonard - who played Nick the bartender in It's a Wonderful Life, here playing a cop named Joe Portugal* - shows up too late.  And the woman shot tells her tale.  But only after she gets to hold the unopened MacGuffin box.

The woman is our femme fatale, Margot, played by Jean Gillie in her penultimate performance before succumbing to pneumonia in 1949 in her early 30's.   Margot's been working a grift on a mobster who knocked over an armored truck, but for his trouble is on death row - and no one knows where the money is.  She's cheating on him with another gangster, Jim, with whom she concocts a plan to get the dough.  

They'll let the guy get executed by cyanide gas, but then steal the body and revive him with Methylene Blue,** a very real medication that can, in real life, combat cyanide, but, alas, in real life, does not restore life function to a corpse.  But in this movie, it sure does.

To do this, Margot seduces the doctor who does the autopsies on executed crooks.  I guess she's really good at *something*, because in a short time she convinces the doctor (Herbert Rudley) to join in on the operation.  If they can get that money, then she'll be happy!, she says.

Anyway, things take... a while... to get to the point.     

The one thing this movie has... well, it also has a knock-out nurse (Marjorie Woodworth) working for the doctor who seems like she's in a completely parallel story that isn't being filmed... So the OTHER thing this movie has is British-born lead actress Jean Gillie, who is really pretty terrific, gorgeous, and as solid a femme fatale as you're likely to find.  The character as written is why this movie exists - not that all the characters aren't a *little* bit bonkers, but Margot is a stunning psycho, using her charms to manipulate three men at a time, sometimes two in the same room.   

The weirdest thing is that the movie is called "Decoy", and at the beginning of the movie they start at the end, seeing Margot shot, the doctor clearly dying and you see an unopened money box.  And , because the movie is called "Decoy", one might spend 80+ minutes sitting there going "well, clearly that money box is a decoy".  

Like, I have zero idea why this starts at the end and tells itself in flashback.  It does nothing to help the story as we can see what will become of everyone before the story starts.  And it's not a good enough movie to make you say "gee, what was that?  Maybe there's twists and turns!"  It just plods toward that ending we saw at the beginning.

Anyway, it's certainly not awful, and from a "this is bonkers" perspective - bringing people back from the dead, Margot's scheming, etc.. - it's interesting.  But the pacing can feel deadly in the first thirty minutes or so, and it telegraphs the ending in the title.  So.


*truly, it can be said he is Portugal, The Man 

**Methylene Blue is the name of my new shoegaze band


Wednesday, January 14, 2026

Wise Watch: The Curse of the Cat People (1944)




Watched:  01/14/2025
Format:  Amazon
Viewing:  First


We're continuing on with movies directed by Robert Wise - our gameplan for 2026.   

In his first outing directing, Wise did some pick-ups for The Magnificent Ambersons while Orson Welles was out of the country.  For his second directorial effort, Wise was *again* tapped in after the first director wasn't around.  Gunther von Fritsch was let go from The Curse of the Cat People (1944) for going over time and over budget at the notoriously tight-fisted RKO.  

I don't know what work belongs to Wise and which to von Fritsch here, so we'll just talk in generalities.

Re: the actual movie - as Jamie said after the movie wrapped "that was a wholly unnecessary sequel", which is absolutely true.  I'd argue The Leopard Man is more of a spiritual sequel to Cat People than this movie - but it *does* feature our heroes from the first movie, and Irena (Simone Simon) in ghostly form.

Avengers Doomsday and the All New Return of Hatin' on Superheroes



 
What a time it's been for Marvel of late.  

I think people forget about the crazy early years of Marvel when they were essentially an indie studio who leveraged studios for distribution.  Marvel was acquired by Disney in 2009, AFTER the release of the first two films.  Superhero films taking off was not a foregone conclusion, it was a thing that made sense as FX could now kind of do anything, and the generation of 1980's comics readers made their way into positions of influence where they could roll back the anti-comics hysteria of the 1950's and 1960's and show what comics had been up to since Katy Keene was a big seller.

So credit where it's due, no one forced superheroes on the public, the public was ready for them.

And, look, we all know something got off-base with Marvel after Endgame.  But many things have changed both at Marvel and in the world.

Recently I was rewatching part of The Marvels on cable - and I can see why it didn't take.  *I* liked the movie, but it required homework.  One had to watch and recall Ms. Marvel, know a side character from WandaVision, and be all in on Captain Marvel (which I was or am).  And as a stand-alone movie it never felt entirely like they'd worked out the actual stakes of the movie, the personality of the villain.  Instead, they focused on the character interaction and that story, which was a worthy story, certainly.  But there was so much going on between Skrulls, singing water planets, Hala melting down, Ms. Marvel's family, Nick Fury in space, etc...

Extrapolate that across the line, and it's maybe just too much and not enough at the same time.  

Tuesday, January 13, 2026

Wise Watch: The Magnificent Ambersons (1942)




Watched:  01/12/2025
Format:  Criterion Disc
Viewing:  Second
Director:  Orson Welles/ others/ Robert Wise - some scenes


This year we're going to try to watch every film we can find directed by American film-director Robert Wise.  We will watch the movies he helmed in order of release.

Wise is the director of innumerable, truly great movies, but it's odd how rarely he gets discussed by film fans.  From film noir like The House on Telegraph Hill to the classic that is The Sound of Music and the ever-controversial Star Trek: The Motion Picture to one of the scariest movies I've ever seen, The Haunting - our fellow has range.   

Starting our journey with The Magnificent Ambersons (1942), famously an Orson Welles directed movie, will seem odd.  However, it seems Wise first got to direct during re-shoots for the ending of the movie, something allowed him as Welles was in Brazil on behalf of the Good Neighbor program instituted during WWII by FDR shooting a different movie for RKO

Saturday, January 10, 2026

Neo-Noir Texas Watch: Lone Star (1996)





Watched:  01/09/2025
Format:  Criterion 4K
Viewing:  Unknown - likely 4th or 5th
Director:  John Sayles


I remember going to see this opening day in Austin at the Arbor 4 at, like, a 4:00 pm show, thinking "no one will be there.  It's John Sayles.  And, I'm going by myself, I can find a seat.".  

Y'all, it was so packed when I showed up, I wound up in the front row staring straight up at the screen for the duration.

And I loved it.  

At the time I was double-majoring in film and history at the University of Texas.  As part of my load, I took as much local and regional history as my degree plan would allow.  And, yes, the courses I took illuminated the material certain officials are currently screaming to the heavens about colleges teaching.*

Thursday, January 8, 2026

Noir Crime Watch: Dillinger (1945)



Watched:  01/08/2025
Format:  HBOmax
Viewing:  First
Director:  Max Nosseck


A biopic of famed gangster John Dillinger, Dillinger (1945) is really a crime drama that feels pulled from a "true crime" pulp magazine - the sort where facts will not stand in the way of a good story.  I can't tell you what's real here or not as I know two things about Dillinger - that he once broke out of jail with a fake gun, and something I can not print in a family publication like the Signal Watch.*

Anyway, this is the movie that broke Lawrence Tierney, for good or ill.  And he's solid in the movie - maybe singularly good here playing a (checks notes) absolute cold-blooded monster.  I won't get too much into Tierney as a person, but apparently he was a real asshole - like in a way you or I can't comprehend putting up with.  

Tuesday, January 6, 2026

Catch-Up Watch: One Battle After Another (2025)




Watched:  01/05/2026
Format:  HBOmax
Viewing:  First


Well, better late than never.  This was one I absolutely wanted to see in the theater, but didn't due to circumstances.

Let's not bury the lede:  I dug the hell out of this movie.  

I suspect One Battle After Another (2025) will do well through awards season - everyone in the movie is great, it's beautifully shot, the audio and score are A-level (I hadn't heard a Jonny Greenwood score in a minute).  It's on an evergreen topic in modern drag.  That said, I haven't read any reviews and I don't know what people *think* about the movie as of yet, just seen it get many stars from folks' letterboxd accounts.  

I kept thinking about how movies are made - what choices were made.  How someone else would have turned this into something preachy, or treacly, or something that was just a standard actioner.  There's a handful of directors who maybe could have done this, but PTA walks a tightrope here, and so many others would have tilted too far one way or the other.

Monday, January 5, 2026

The Signal Watch Presents: Favorite Movies of 2025




Well, here's our wee, personal best-of list for 2025.  


These are not necessarily new movies, but they are new-to-me movies.  Of the 246 unique movies I watched this year, I also watched like 175 new-to-me movies, so these are selections from that list.

We're going to break these up into categories.

Horror 

Sunday, January 4, 2026

Chabert Watch: Lost in Paradise (2026)



Watched: 01/04/2026
Format:  Hallmark
Viewing:  First
Director:  Dustin Rikert

Job: head of a premier fashion design studio
Location of story:  Fiji
new skill:  jungle and beach survival
Job of Man: Chef!
Goes to/ Returns to: Goes to Fiji
Event:  Plane crash
Food:  fish



Again, I'd love to know what stats the Hallmark Channel has about viewership when they have Lacey Chabert in a movie.  Because someone ran the numbers and was able to show that sending a Hallmark crew and stars to Fiji was going to be profitable.

It's not the first time Chabert has wrangled a destination movie.  I've seen her in movies filmed in Malta, Ireland (once as Ireland, once doubling as Scotland), vague Europe, South Africa, Italy and I think Greece.  And for the US, I know she went to Hawaii for a movie.  I feel like she's been in Manhattan at some point.

Somehow Fiji feels particularly nuts, but off to Fiji this movie went.  

Saturday, January 3, 2026

The Signal Watch Presents: Worst Movies of 2025




All right.  Let's light this candle.


However - this post is the end-of-the-year wrap up in which I indulge in being more than a little unkind.  

There's a school of thought that "hey, you made a movie!  Good for you!  That's hard!" that's very much an appreciation for the work someone put into something, no matter how it turned out.  But we're not here to cheer on sixth graders to whom we share a family bond playing their first band concert.  

Not for my Demographic Watch: 13 Going on 30 (2004)





Watched:  01/02/2025
Format:  Disney+
Viewing:  First
Director:  Gary Winick


So, yeah, this movie was never aimed at me.  I'm fine with that.  It wasn't aimed at me in 2004 when I was 29, and in 2026, it's even less for me.  

It's also not very good.  And not good in ways that I don't really understand.  YMMV with Jennifer Garner as a lead, but mostly the movie is a mess while also managing to feel... boring.  

It's another in a long line of movies about someone who is young getting to be an adult - like Big, Vice-Versa or...  Shazam, I guess.  Oddly, Jenna (as a teen played by Christa B. Allen and by Garner as a 13-year-old) really wants to be... thirty?  

I'll buy the magic as the conceit, sure!  I've bought Duck Planet refugees and Ewoks.   

Mystery Watch: Wake Up Dead Man - a Knives Out Mystery (2025)



Watched:  01/01/2026
Format:  Netflix
Viewing:  First
Director:  Rian Johnson


Look, I am in the bag a bit for these movies at this point.  I am not averse to a good murder mystery, and I like a quirky detective.  And since jump, I've been onboard with Daniel Craig's Benoit Blanc.  

I had planned to go see this upon its theatrical release, but a confluence of events prevented this.  For good or ill, it's a Netflix movie, and after two weeks or so, they shuttled the movie over to the streamer and we finally had time to watch it.  

Honestly, I hadn't heard much about this one, and Howard gave it his usual 2.5 stars, which told me nothing, Howard.  Nothing!  And I would be more charitable than Howard, but I am also always kinder or meaner than Howard, who shoots straight down the middle most days.

In general, Wake Up Dead Man fit the bill just fine for a movie for a New Years Day.  A solid cast, an engaging mystery I was never going to solve on my own, and Kerry Washington (we will always grant extra points for Kerry Washington).  

Thursday, January 1, 2026

2025 Watch: Movies By The Numbers


A Signal Watch Movie Year in Review: by the numbers

Each year we tally the number of movies watched and blogged, and then we break down what we watched into a few categories.  There's no real reason for this - no one gets a prize.  But let me do my little OCD companion piece to actually blogging all of these movies.

Movies By The Numbers - Previous Years


Let's Get Started


In 2025, we watched 255 movies.  Last year we counted 253 movies, so... basically the same.  

By clicking here, you can see the spreadsheet from which this data (these data?) are derived.

Here's a weird one - because we repeat-viewed so many movies (I even watched Jaws twice this year) we only watched 246 unique movies in 2025.  However, we're considering each movie watched where a post appeared as "a movie", so it's 255...  them's the rules.