Santa Watch: Violent Night (2022)

Watched:  12/06/2025

Format:  Peacock

Viewing:  First

Director:  Tommy Wirkola

LOL.  Oh my.

Really enjoyed this more than I should have, but I also really liked Deadly Games/3615 code Père Noël.  And after so many Hallmark movies, it's honestly kind of nice to spice things up a bit.

I guess the plot summary is:  An insanely rich family with government ties is taken hostage by a group of well-armed thieves.  Santa Claus happens to be in the house at the moment and gets involved, remembering how he was once a viking berserker with a war hammer named "Skullcrusher".  Things get intensely violent.

It's a knowing mish-mash of holiday favorites, from Die Hard to Home Alone, of having to fight back on the quietest night of the year.  

David Harbour plays ol' Kris Kringle as a miserable drunk, who bemoans - as one does in modern movies - the lack of meaning in Christmas and lack of belief in Santa.  John Leguizamo plays "Scrooge", the Hans Gruber of this bunch of international thieves.  Beverly D'Angelo - who looks great, btw - plays the cut-throat matriarch of the family.  Edi Patterson plays her alcoholic daughter with an obnoxious influencer son and a himbo actor boyfriend.  

The focal family with the young girl with belief in Santa is played by people I've never seen before, Alexis Louder and Alex Hassell, plus Leah Brady as Trudy.  

I guess I just loved how they manhandled some aspects of how holiday movies work - like the power of belief, of Christmas magic solving problems, how Home Alone works, and Santa's usual bag of tricks.

Anyway, it was a lot of Rated-R fun, and I was cackling.  A really good palate cleanser if things got a little too sweet for you in your holiday movie watching.  

Chabert Watch: Hometown Legend (2002)

Watched:  12/05/2025

Format:  DVD

Viewing:  First

Director:  James Anderson (I fully believe this is an Alan Smithee name for someone)

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online one way or another.  This one set me back about $6.10.

First, this DVD, purchased as "used" from a Goodwill had never been opened.  Not since the movie was released in, like, 2003 on DVD.  It was wrapped in some sort of transport wrap from the seller, then the original shrink wrap, and THEN still had the vertical AND a horizontal security stickers across the packaging intact.

This movie was produced by a Christian production company and some involved are still in movies.  As I bought this on a 2000's-era DVD, it has bonus features including a full Director's commentary I really want to listen to.  But, more importantly, there's all kinds of bonus content about Jerry B. Jenkins - which the DVD itself says is the most famous writer you never heard of.  Apparently he's the mastermind behind this movie?  And (deep sigh) the guy who wrote the Left Behind books.  And a bunch of other stuff.  This seems to be the Jenkins family parlaying their book money into movies.

But, yeah, he essentially uses the bonus features to promote himself.  Amazing choice.

Sellers Watch: Return of the Pink Panther (1975)

Watched:  12/03/2025

Format:  Simon's DVD

Viewing:  First

Director:  Blake Edwards

I never got onboard the Pink Panther movies back when it made sense to do so.  As a kid, they had some pacing I wasn't onboard with, and when I was really little, I was mad there was no cartoon Pink Panther in the movies.  Instead, it was that detective guy.

At the time, I wasn't aware of who Peter Sellers was, and I didn't ever tune in long enough to give the movies a real chance.  Simon has long found this baffling, so last night he brought over Return of the Pink Panther (1975), and -yeah, it's really funny.  

While it's a sequel, it gives you all the information you need.  Christopher Plummer plays a retired jewel thief who is framed for the robbery of the Pink Panther Diamond - the world's largest diamond.  Inspector Clouseau is called in to once again solve the crime of who stole the diamond.  

Obviously Blake Edwards and Peter Sellers didn't invent physical comedy, but there's certainly something hyper-specific about Sellers' Clouseau - the badly put in disguises, the walking Dunning-Krueger Effect of his real persona, and absolutely the slap stick...  You can certainly see where the ZAZ guys were getting some of their inspiration.

The movie co-stars Catherine Schell as Plummer's wife, and - showing me he's hilarious and I had no idea - Herbert Lom as Clouseau's boss.

Anyway, there are some very dated jokes (read: kinda racist) so proceed with the knowledge that the movie is 50 years old.  

Explaining jokes is lame, so I'm going to just offer this one up as a pretty dang funny movie.

Hallmark Christmas Miscellanea Watch: A Grand Ole Opry Christmas (2025) and Christmas at the Catnip Cafe (2025)

Watched:  11/30 and 12/1/2025

Format:  Hallmark

Viewing:  First for both

Director:  AGOOC - Clare Niederpruem / CatCC - Lucie Guest

Sunday we decided to lean into the Hallmark Season with their big dollar movie, A Grand Ole Opry Christmas (2025).  Monday I was doing other things and we let play Christmas at the Catnip Cafe (2025).  And it was a study in where Hallmark is going in 2025 with a more ambitious, less-boilerplate film versus classic Hallmark formula.

A Grand Ole Opry Christmas was a sincere time-travel movie about a woman (Nikki Deloach) whose father was a 90's country star in a Brooks and Dunn model, but he threw in the towel and quit making music.  A few years later he died, and she doesn't know why he quit making music.  She, and her best friend (Kristoffer Polaha), are transported to the mid-90's via Christmas/ Grand Ole Opry magic to learn what happened.  

Mean, Christmas at the Catnip Cafe is about a big city marketing exec (Erin Cahill) who inherits half of a cat cafe in small town upstate New York.  The other half is owned by an overworked veterinarian (Paul Campbell).  She wants to sell to buy a condo in LA.  He wants to keep his cafe open.  But they mutually wish to get to business time.

RomCom Watch: Happiness for Beginners (2023)

Watched:  11/30/2205

Format:  Netflix

Viewing:  First

Director:  Vicky Wight

We watched Happiness for Beginners (2023) because Jamie had read the book and wanted to check out how it was turned it into a film.  And because Jamie watches so much nonsense of my choosing, I wished to be flexible and watch a movie about Eat, Pray, Loving one's way through a long hike.  Plus, Ellie Kemper is fun.

And, yeah, I am very glad Ellie Kemper got a movie as a lead and was able to show some star quality other than making mad bank as Kohl's Mom.  I've mostly seen her play "wacky" and this wasn't really that.  Here, she's a woman in her 30's who just wrapped up a divorce and decides to go on the aforementioned days-long hike on the Appalachian Trail.  

Helen (Kemper) is accidentally joined by her younger brother's best friend, Jake (Luke Grimes) who accidentally also signed up for the same hike, and along the way she learns, laughs and loves, and the two hook up at the film's end.  Shocker.  (You will know this in the first five minutes of the movie.  This is a spoiler only if you have amnesia that makes you forget how every movie, ever, worked.)

Neo-Noirvember Chabert Watch: The Pleasure Drivers (2006)

Watched:  11/29/2025

Format:  DVD

Viewing:  First

Director:  Andrzej Sekula

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online one way or another.  This one set me back about $5.

Truly a product of a particular decade, somehow The Pleasure Drivers (2006) arrived about seven years after that decade.  It's another LA-based low-budget crime movie, with this one peppering itself with vague philosophical aspirations, but what they are saying lacks any insight and is dumb.  And, the movie is entirely populated by characters who take their cues from how human beings behave from other movies, leaving us with weird third-generation xeroxes of motivation instead of anything identifiable as human.  

Everything about the film feels late-90's, part of the post Pulp Fiction indie boom.  It's three stories that loosely intertwine, and, of course, collide at the end.  But none of the three stories is very interesting and none of the characters terribly watchable.  

Noirvember Watch: Saigon (1947)

Watched:  11/27/2025

Format:  BluRay

Viewing:  First

Director:  Leslie Fenton

I was pretty psyched to see a new-to-me movie starring Alan Ladd and Veronica Lake.  And one that was set in a post-WWII Saigon.  I was very curious how they'd handle the dynamics of the French colonialism, Japanese occupation, rise of Communism, etc...  

Well, the answer is, none of that comes up.  In fact, I don't think there's a single Vietnamese person in this movie.  That's... wild.

I *do* like the basic idea of the plot.  

Three Army Air Corp soldiers in post-War China are getting discharged.  One of them doesn't know he has only 2-3 months to live due to an ailment (cancer?  something else?) but will likely just die suddenly.  So, the other two decide to show him the time of his life, which they can do if they take a lucrative but shady gig flying a businessman from Shanghai to Saigon.  

But when they go to get the plane and fly him out, the cops stop the businessman, while his secretary, Veronica Lake, jumps in the plane and they fly off.  The plane crashes in Vietnam, and they make their way to Saigon.  Along the way, the dying man falls for Lake (reasonable) while she spars with Alan Ladd.

Oh, and she has a briefcase full of cash.

And, as Lake humors the dying guy, she and Ladd start to fall for each other.

Anyway, it's super weird.  They treat it as if everyone in Vietnam is French?  Or vaguely European?  There's only one Asian person in the movie at the very beginning who sounds very Southern Californian.  

The movie is fine.  It'll never be a favorite, but when I was thinking "I don't think this is working", it kind of changed directions a few times and saved itself.  It fits into that "it's fine" category, but closer to "it's good".  But I just wasn't 100% on board.  But I maybe need to give it another shot.

Hallmark Holiday Watch: Holiday Touchdown - a Bills Love Story (2025)

Watched:  11/25/2025

Format:  Hallmark

Viewing:  First

Director:  Dustin Rikert

So, for reasons beyond my understanding, the NFL has entered into an alliance with Hallmark to produce movies about super-fans of their teams falling in love at Christmas.  

In no way will this get repetitive after 32 movies.

Despite some real star-power (for Hallmark) the first movie was a complete mess.  And I expected more-of-same.

Holiday Touchdown: a Bills Love Story (2025) actually solved some of the issues of the first movie but then blew my mind by trying to create a sort of MCU of NFL-themed movies by showing the characters from the first movie in this one.  And the magical Santa is in this one mucking with people's lives.

The last movie had some star power with Diedrich Bader, Richard Riehle, Ed Begley Jr., Christine Ebersole, et al.  What it didn't really have was much actual representation by the Chiefs players.  

This one had Joey Pantoliano playing a version of himself as a wacky uncle.  Our stars are Woman (Holland Roden) and Man (Matthew Daddario, who I didn't know, but people keep fan-casting his sister as Wonder Woman, and... fair).  They're childhood friends and neighbors, and the running gag is everyone knows he's pining for Woman.

There's lot of Bills-specific humor which I vaguely get, and lots of regional-specific stuff, which did not lose me, but sure felt like them making sure we knew they were in Buffalo and not doing the usual "we filmed in Vancouver, but please believe this is Arizona" thing Hallmark will do.

The pair find out Joey Pants has been receiving gifts every year from an anonymous source, going back to when he was drafted and this same anonymous person also sent his family groceries and money.  The movie is them solving the mystery.  

Along the way, they fall in love, blah blah blah...  but there's also LOTS of Bills players and coaches and owners and whatnot.  And the main character is a project manager on the new stadium, so there's lots of discussion about that.  But none about how expensive tickets are supposed to be in the new stadium.

I dunno, like a lot of the new Hallmark movies, it's actually kind of funny.  Not gut-bustingly, but I had a chuckle or two.  It feels more like a sitcom than a Hallmark movie.  And that is not a complaint.  Anyway, they fixed a lot that didn't work in last year's offering.

Thanksgiving Watch: Squanto - a Warrior's Tale (1994)

Watched:  11/24/2025

Format:  Disney+

Viewing:  First

Director:  Xavier Koller

I don't know that I've ever seen a movie make me decide, while watching an uplifting story that's part of the well-worn self-mythologizing of America, that the hero is 100% wrong.  But that's where I landed with Squanto: a Warrior's Tale (1994).   

And maybe that's what director Xavier Koller truly felt we should think.  He's Swiss, not American, and based on the script Disney gave him, it really isn't a compelling argument that Squanto was right that what his fellow locals needed to do was put down their weapons.

Before we get rolling, I have not thought about the narrative of Squanto since I was probably eight years old and we had a children's book about his life, which I can safely say:  I do not remember anything from that book, just that Squanto helped keep the Native Americans and the Pilgrims from murdering each other which led to the first Thanksgiving.  I also vaguely remembered he was not part of any tribe.

As the movie starts, Squanto is having a good week.  He just married Irene Bedard, which is a check in the win column.  But no sooner do they go for a lovers' leisurely stroll than he sees an early 17th Century British ship pulling up to his beach.  He's promptly kidnapped by the Brits who take him back to England, along with a warrior from the neighboring tribe.   

Doc Watch: Selena y Los Dinos (2025)

Watched:  11/24/2025

Format:  Netflix

Viewing:  First

Director:  Isabel Castro

Living in Texas in the early 90's, if you had your head up at all, you heard about Selena.  While I didn't listen to Tejano or Cumbia, she'd become so big that a dumb Anglo kid like myself heard Bidi Bidi Bom Bom somewhere along the way, and I admit that I probably paid more attention to Selena because she was very pretty with a Colgate smile.

I could tell you pretty much exactly when I figured out who Selena was from the cover of her album Entre A Mi Mundo.  The cover art was everywhere.  

Candidly, in the 1990's and now, the names of most Tejano acts were just not known by Anglos and English speakers.  But Selena was rapidly breaking down that particular divide through sheer force of scale - she was selling out the Astrodome, something reserved for the biggest acts on the planet - and wildly popular local acts like ZZ Top.  

As a Texan whose first language was English, it seemed like Selena was about to cross-over to a larger audience the second she put out a record in English (see: Shakira).

But then, in 1995, at the age of 23, Selena was killed.  

As popular as she was at the time of her death, it's very hard to quantify the scope and duration of the public mourning that spilled out.

Noirvember Watch: Ace in the Hole (1951)

Watched:  11/22/2025

Format:  Disc

Viewing:  First

Director:  Billy Wilder

If you ever wanted to crush the human soul with a pair of slick mid-century movies, you could do worse than to schedule this movie alongside The Sweet Smell of Success.  

The movie probably seems a little over the top in some ways, but holy christ, you kind of know it's more accurate about our relationship with the media and how the media keeps us invested than any of us really want to admit.  

Kirk Douglas plays a talented journalist who has been run out of every decent newspaper on the East Coast.  He rolls into town in Albuquerque in a broken down car and takes a job at a small paper that insists he publish only the truth.  

A year later, he's sent to go cover a rattlesnake roundup but en route stumbles across an accident.  At a roadside shop and restaurant they find that across the way the owner of the place has gone into an old cave where he often finds Native American artifacts, and the place had collapsed on him.  Douglas smells a story, and calls it in.  It's the first time he's really been able to cut loose with some real sensationalism, and the story gets picked up by the wire.

Udo Kier Merges With The Infinite

Udo Kier, an actor who has been in a ridiculous number of movies, has passed.

Kier was in some of Andy Warhol's films, Suspiria, and a handful of Lars Van Trier movies.  But also appeared in comedies like Ace Ventura: Pet Detective,  TV classics like V.I.P. and no shortage of German films.

Happy Birthday, Ingrid Pitt

Today marks the birth of actor and author Ingrid Pitt, born this day in 1937 in Warsaw, Poland.

If that date and location seem a bit ominous, Pitt was also Jewish and spent time in a concentration camp.  She and her mother escaped.

Pitt became an actress in Europe and tried her hand in America.  Her largest success was in England, especially in horror films.  In the US, she's a cult horror figure, famous for appearances in The Wicker Man, The Vampire Lovers (one of my favorite films), Countess Dracula, The House That Dripped Blood and others.  She also appears in British action movies, including the dynamite film Where Eagles Dare (recommended).  

She also penned a few books, including an autobiography and a series of horror-related books.

Her filmography is not particularly deep, and she was never a Bond girl, so her exposure in the states in minimal.  I, personally, think she's great.  In the sea of Hammer's extraordinary talent, in my opinion, she's one of the absolute best to do it.

Pitt passed in 2010 at only 73 years old.

Chabert Holiday Watch: Matchmaker Santa (2012)

Watched:  11/20/2025

Format:  UP Faith and Family

Viewing:  First

Director:  Davis S. Cass Sr.

Job: Baker

Location of story:  Somewhere in California?  Outside of San Francisco

new skill:  Elfing

Man:  Adam Mayfield

Job of Man:  Bitch Boy to a CEO

Goes to/ Returns to:  Goes to

Event:  Christmas tree lighting ceremony

Food:  Cookies

Editor's note: I was unable to find this movie during ChabertQuest2025, but saw it was now available on "UP Faith and Family", and so got a 7 day free trial.

So, new to me and not a Hallmark movie, exactly.  This movie is about a Santa who will stop at literally nothing to make sure Lacey Chabert and her boyfriend break up so that he may force her into a relationship with someone else.  Kris Kringle will bend the very laws of nature, create life, destroy roads...  

This Santa is mad with power.

Anyway, for a long time, and maybe still, a lot of the movies on Hallmark were technically independent movies.  I am unclear how it works now, but basically Hallmark would help fund movies in exchange for North American distribution.  But after X amount of time, these movies were back in the hands of the producers.  And so it was I now am enjoying a 7-day trial of the UP Faith and Family Network.

Part of how Hallmark had so many movies in the years where it seemed like a factory cranking out way too many movies, this was the trick.  Hallmark was essentially licensing very cheap indie movies, and part of them funding those movies was that Hallmark was given script approval for kicking in some percent of the film's budget.  

And, thus, the sameness of Hallmark.  They managed to pull off low-risk/ high-reward for years and people learned to write for them.

Thus, Matchmaker Santa (2012) is also, technically, Chabert's first Hallmark Christmas movie.  So, bit of trivia for you.

But you want to know about Santa and his unstoppable interest in getting people to hook up.

Chabert Hallmark Holiday Watch: A Merry Scottish Christmas (2023)

what do you know?  I watched this on the 2nd anniversary of the movie's release

Watched:  11/18/2025

Format:  Hallmark

Viewing:  Second

Director:  Dustin Rikert

Job: Doctor

Location of story:  Somewhere in Scotland

new skill:  Lording over peasants

Man:  James Robinson

Job of Man:  Groundskeeper

Goes to/ Returns to:  Goes to

Event:  Some underwhelming solstice thing, a banger of a party and a ball

Food:  liquor, really

So, I thought I'd covered this movie because of the image I used for my 2023 Hallmark report when I was moving too fast assembling my ChabertQuest2025 list.  But I had not.  So here we go.

This is a movie about a naive American doctor and her family who inherit a Scottish castle.  However, the diabolical groundskeeper seduces and bamboozles the doctor into falling for him so that he may claim ownership of the lands he's worked since he was a child.  That same labor presumably led to his father's early demise, and this is his revenge.  

With dead eyed smiles, he earns the trust of the stressed out family, offering to take care of everything and let them live off the fat of their inheritance.  

Unfortunately the movie ends just after he's successfully bedded the heiress doctor but before we can put his nefarious schemes into motion, so we never see that part.

(take 2)

Chabert Hallmark Holiday Watch: Haul Out the Holly - Lit Up (2023)

Watched: 11/16/2025

Format:  Hallmark

Viewing:  second

Director:  Maclain Nelson

Job: Copywriter/ Editor?  She never works during this whole movie

Location of story:  Evergreen Lane - which I think is in Salt Lake City

new skill:  Mastery of the Christmas Arts

Man:  Wes Brown

Job of Man:  Architect

Goes to/ Returns to:  stays in same place (this is the 2nd installment)

Event:  Several ongoing Christmas festivities

Food:  Cookies

Editor's Note:  So, y'all.  Despite my stated goals and belief I'd done a phenomenal job documenting ChabertQuest 2025 (pats self on back), I messed this one up.  Yes, I'd seen this movie, but had I written it up?  I had not.  Thought I had, but that was a lie I told myself, and discovered my error in July.  I felt terrible as we agreed the the deal was I would watch and review all of the movies I could find starring one Lacey Chabert and you'd be like "why are you doing this?"

So, here we are, rewatching this one.  And writing up this movie.  For you, the people.

There were really only so many directions one could go with the premise of Haul Out The Holly (2022), the first film in what is now a trilogy.  

The premise of the first film is that a woman breaks up with her live-in boyfriend and goes home for Christmas, only to find that her parents weren't expecting her and are actually moving to a seniors' condo in Florida.  She's essentially left behind in her parents' McMansion.  However, her own father was head of the HOA, and he set up a very Christmassy set of rules, which Chabert finds herself required to adhere to (despite the fact she does not own the house) and is force marched through the holiday season.  

Guys, she also falls for Man nextdoor along the way.

So... we end the film with Christmas, love, and a 5000 square foot house in which she'll creep around like a Victorian ghost, I guess.  

But what next?  Haul out another holiday?  Tragedy strikes Evergreen Lane?  She casually starts putting out inverted pineapples when the neighbors come over?

Here in the sequel, Emily (Chabert) been gifted her parents house, she's all-in on Christmas madness, dating Man, and helping out with the neighborhood festivities.  

However, as Christmas approaches and events are just beginning, the Jolly Johnsons, winners of a Christmas-themed reality show, move into the cul-de-sac.  To the longtime Christmas-nerds of Evergreen Lane, this is like having your favorite quarterback or rock star move in and they flip out (yes, these movies operate in a cartoonish heightened reality).  

DePalma Watch: Phantom of the Paradise (1974)

Watched:  11/16/2025

Format:  Amazon

Viewing:  Second

Director:  Brian DePalma

There's a lot going on in Phantom of the Paradise (1974).  

Here's a pie-chart as shared by The Dug about half-way through the movie (we'd thrown together a last-minute watch party).

And then without about ten minutes left:

Hallmark Holiday Watch: Three Wisest Men (2025)

Watched:  11/16/2025

Format:  Hallmark

Viewing:  First

Director:  Terry Ingram

Three Wisest Men (2025) is the third film in the very popular (for Hallmark) Wise Men series.  We previously covered the first and second installments.  

The problem with this movie is that we've established not just three characters, but their mom, spouses and partners, children, etc...  and it is not a small cast.  And everyone needs to get a plotline.  So it's a lot of movie.  I couldn't help but notice that this one was an "extended cut", which means whatever aired with commercials had less movie, and I have to assume that made this even more of a jumble.  

From a business perspective, it's a fascinating peek into how Hallmark now functions like an old-school studio with their constellation of stars.  

100 Years of "Phantom of the Opera"

We are somewhere in the year of the 100th Anniversary of the release of Phantom of the Opera (1925), the silent film starring Lon Chaney, man of 1000 Faces.  

I haven't watched it again this year, but I will!  I promise.  

I can't say when or where we are in relation to the original release schedule.  Google is telling me the release date was November 15th, but I'm seeing much earlier in the year on Wikipedia.  In the 1920's the movie would play in New York, Los Angeles, Chicago and other major markets.  Then, it might move on to other cities.  This could be several months apart.  Eventually, beat-up prints might leave the country or be sent to podunk towns.  So who knows when or if Phantom of the Opera played most cities.  But 1925 is the year in which the movie was released.

I saw Phantom of the Opera the first time circa 1990 on a lo-fi VHS tape obtained from a bin at Walmart.  As the film precedes 1928, it fell out of copyright, and I found a copy produced by "Goodtime Videos" that set me back less than $10, and as an angsty teenage kid I spent an evening watching my first feature-length silent film while listening to some moody music.  

Frankly, I was blown away.  

I'd expected the movie to just be actors more or less pantomiming in front of shoddy sets, and all in wide shots.  And, instead, a film taking place against the massive backdrop of the Paris Opera House unspooled, with wild visuals and dramatic moments.  What I do not recall is if I had already read the novel of Phantom of the Opera by Gaston Leroux, but I sort of suspect that I had.  I do know I had seen the film and watched the movie by the time I saw a non-Andrew Lloyd Webber stage play of the story toward the end of that same academic year.*

If silent-era films aren't your jam, I get it.  I struggle with them as well and hats off to the folks who've trained themselves to watch silent films that aren't Buster Keaton or Chaplin.  But I think Phantom of the Opera is practically must-see/ assigned viewing.  It gives you an idea of how complex storytelling was handled during the era and the spectacle that could be created on the silver screen with visual tricks, gigantic sets, etc...  It's almost hard to believe it wasn't actually filmed on location somewhere.

Lon Chaney is absolutely brilliant as Erik, which seems trite to say, but every time I watch the movie, I'm stunned by how terrifying he is.  Others are good, no doubt.  One does not dismiss Mary Philbin who plays Cristine and Mary Fabian's Madame Carlotta is terrific.  

Whether I loved the recent Frankenstein or not, what I can say is that I love how it swung for the fences as an epic.  We get one of those every few years in the horror genre, and it feels like Phantom of the Opera is the first of these in America.  And, dang, you owe it to yourself to see this thing.

Happy 100th, Phantom of the Opera!

*I have no feelings on Andrew Lloyd Webber's version as I've only heard it and never seen it

Happy Birthday, Louise Brooks

 

Today marks the 119th birthday of silent film star Louise Brooks.  

Here's all of Pandora's Box.